Strother Douglas Martin Jr. was an American character actor who often appeared in support of John Wayne and Paul Newman and in Western films directed by John Ford and Sam Peckinpah. Among Martin's memorable performances is his portrayal of the warden or "captain" of a state prison camp in the 1967 film Cool Hand Luke, in which he utters the line, "What we've got here is failure to communicate." The line is number 11 on the American Film Institute list of 100 Years...100 Movie Quotes.
Bruce Cabot was an American film actor, best remembered as Jack Driscoll in King Kong (1933) and for his roles in films such as The Last of the Mohicans (1936), Fritz Lang's Fury (1936), and the Western Dodge City (1939). He was also known as one of "Wayne's Regulars", appearing in a number of John Wayne films beginning with Angel and the Badman (1947), and concluding with Big Jake (1971).
Jay C. Flippen was an American character actor who often played crusty sergeants, police officers or weary criminals in many films of the 1940s and 1950s. Before his motion-picture career he was a leading vaudeville comedian and master of ceremonies.
Eugene Barton Evans was an American actor who appeared in numerous television series, television films, and feature films between 1947 and 1989.
Claude Aubrey Akins was a Cherokee character actor with a long career on stage, screen, and television. He was best known as Sheriff Lobo on the 1979–1981 television series B. J. and the Bear, and later The Misadventures of Sheriff Lobo, a spin-off series.
Roy Cameron Jenson, also known and credited as Roy Jensen, was a Canadian American football player, stuntman, and actor.
Patrick John Morrison, better known by his stage name Patrick Wayne, is an American actor. He is the second son of movie star John Wayne and his first wife, Josephine Alicia Saenz. He made over 40 films, including eleven with his father.
Richard Norman Anderson was an American film and television actor. One of his best-known roles was his portrayal of Oscar Goldman, the boss of Steve Austin and Jaime Sommers in both The Six Million Dollar Man and The Bionic Woman television series between 1974 and 1978 and their subsequent television movies: The Return of the Six Million Dollar Man and the Bionic Woman (1987), Bionic Showdown: The Six Million Dollar Man and the Bionic Woman (1989) and Bionic Ever After? (1994).
Michael Conrad was an American actor perhaps best known for his portrayal of veteran cop Sgt. Phil Esterhaus on Hill Street Blues. He won two Emmy Awards for Outstanding Supporting Actor in a Drama Series for Hill Street Blues in 1981 and 1982.
Michael Pate OAM was an Australian actor, writer, director, and producer, who also worked prolifically as a supporting actor in Hollywood films and American Television during the 1950s and 1960s.
Charles Hugh Roberson was an American actor and stuntman.
Charles Bert Hayward was an American motion picture stuntman and actor. He was associated particularly with the films of John Wayne. He doubled for most of the great Western and action stars of the 1950s-1980s.
John Zaremba was an American actor most noted for supporting roles on science fiction films and television series.
Douglas Henderson was an American film and television actor.
Harlan Warde was a character actor active in television and movies.
Lane Bradford was an American actor. He appeared in more than 250 films and television series between 1940 and 1973, specializing in supporting "tough-guy" roles predominantly in Westerns but also in more contemporary crime dramas such as Dragnet, The Fugitive, and Hawaii Five-O.
Walter Sande was an American character actor, known for numerous supporting film and television roles.
Simon Scott was an American character actor from Monterey Park, California. He was best known for his role as Arnold Slocum on Trapper John M.D. and as General Bronson on McHale's Navy.
Francis M. Gerstle was an American character actor who appeared in supporting roles in numerous films, radio programs and TV shows following World War II.
Jonathan Hole was an American actor whose entertainment career covered five genres over 65 years. From his early days on the vaudeville stage and in legitimate theater, through radio, television and feature-length films that took his career up to the 1990s, Hole created a variety of characters in hundreds of roles.
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