Il Pomo d'Oro is a prize-winning orchestra founded in 2012 and named after the opera Il pomo d'oro by Antonio Cesti. [1] The ensemble specialises in Historically informed performance of music from the Baroque and Classical period which it performs and records led by its own lead violinists Federico Guglielmo and Zefira Valova, or by guest conductors including Maxim Emelyanychev (chief conductor since 2016), [2] it:Riccardo Minasi, Stefano Montanari, George Petrou, de:Enrico Onofri, nl:Francesco Corti, Zefira Valova and the Stradella specialist Andrea De Carlo. [3]
The ensemble has produced the following recordings: [4]
Trevor David Pinnock is a British harpsichordist and conductor.
Federico Maria Sardelli is an Italian conductor, historicist, composer, musicologist, comic artist, and flautist. He founded the medieval ensemble Modo Antiquo in 1984. In 1987, Modo Antiquo also became a baroque orchestra, debuting with the performance of Jean-Baptiste Lully's Ballet des Saisons in front of an audience of about five thousand.
The Gramophone Classical Music Awards, launched in 1977, are one of the most significant honours bestowed on recordings in the classical record industry. They are often viewed as equivalent to or surpassing the American Grammy award, and referred to as the Oscars for classical music. They are widely regarded as the most influential and prestigious classical music awards in the world. According to Matthew Owen, national sales manager for Harmonia Mundi USA, "ultimately it is the classical award, especially worldwide."
Fabio Biondi is an Italian violinist and conductor. He is a specialist in Baroque and early music.
Max Emanuel Cenčić is a Croatian countertenor, as of 1994 based in Austria. He was a member of the Wiener Sängerknaben.
Philippe Jaroussky is a French countertenor. He began his musical career with the violin, winning an award at the Versailles conservatory, and then took up the piano before turning to singing.
Rachel Podger is a British violinist and conductor specialising in the performance of Baroque music.
The European Union Baroque Orchestra (EUBO) is a training initiative which allows young performers of baroque music from the European Union to gain orchestral experience as part of their career development. Its purpose is to bridge the gap between conservatoire study and a professional career. The success of the project, under the direction of the world's leading baroque musicians, can be measured in the number of ex-EUBO members who now play in Europe's leading baroque orchestras. Founded in 1985 and originally based in Oxfordshire, UK, the orchestra moved to Antwerp after Brexit.
Joyce DiDonato is an American lyric-coloratura mezzo-soprano. She is notable for her interpretations of operas and concert works in the 19th-century romantic era in addition to works by Handel and Mozart.
Guido Rimonda is an Italian violinist and conductor.
Julia Mikhaylovna Lezhneva is a Russian soprano opera singer and recitalist, specializing in soprano and coloratura mezzo-soprano material of the 18th and early 19th century. She studied with Tamara Cherkasova, Irina Zhurina, Elena Obraztsova, Dennis O'Neill and Yvonne Kenny.
Ann Hallenberg is a Swedish mezzo-soprano. She has an operatic career on the stage and concert platform around Europe. She regularly appears in major opera houses and festivals: embracing roles by Rossini, Mozart, Gluck, Handel, Vivaldi, Monteverdi, and Purcell.
Franco Maximiliano Fagioli is an Argentinian operatic countertenor.
Collegium 1704 is a Czech early music orchestra and choir founded in 2005 by the Czech conductor, harpsichordist, and horn player Václav Luks. The Collegium Vocale 1704 is the affiliated vocal ensemble. Since 2007, the ensemble has been making regular guest appearances at festivals and concert halls all over Europe: the Salzburger Festspiele, the Berliner Philharmonie, London’s Wigmore Hall, Vienna’s Theater an der Wien and Konzerthaus, the Lucerne Festival, BOZAR in Brussels, the Chopin Festival in Warsaw, Wratislavia Cantans, and the Elbphilharmonie, and it is an ensemble-in-residence at the festival Oude Muziek in Utrecht and at the Leipzig Bachfest. In 2008, Music Bridge Prague — Dresden began, bringing together the two cities’ wealth of cultural traditions. In 2012 Collegium 1704 started a concert series at the Rudolfinum in Prague. Since autumn 2015, the two cycles have been merged into a single concert season that continues to take place in parallel in Prague and Dresden. In 2019 Collegium Vocale 1704 launched a series of chamber choir concerts in Prague.
Alexis Kossenko is a French contemporary flautist, conductor and musicologist.
Václav Luks is a Czech harpsichordist, horn player, conductor, musicologist and pedagogue, founder and artistic director of the Prague baroque orchestra Collegium 1704 and of the vocal ensemble Collegium Vocale 1704. He specialises in Baroque music, especially in the works of Jan Dismas Zelenka, Johann Sebastian Bach, George Frideric Handel, and others. His activities have played an important role in reviving interest in the works of Czech composers including Zelenka and Josef Mysliveček. In 2022, Luks was awarded the title of Knight of the French Ministry of Culture, Arts and Letters.
Ottaviano Tenerani is an Italian keyboard player, conductor, musicologist. He is the leader of Il Rossignolo, an ensemble on period instruments that he founded in 1998 together with the flautist Marica Testi and the recorder and oboe player Martino Noferi.
Jörg Halubek is a German conductor, harpsichordist, organist and professor.
Riccardo Minasi is an Italian violinist and conductor in the field of historically informed performance.
Enrico Onofri is an Italian violinist and conductor specialising in Baroque music.