The Greater East Asia Co-Prosperity Sphere, also known as the GEACPS, was a concept that was developed in the Empire of Japan and propagated to Asian populations which were occupied by it from 1931 to 1945, and which officially aimed at creating a self-sufficient bloc of Asian peoples and states that would be led by the Japanese and be free from the rule of Western powers. The idea was first announced on 1 August 1940 in a radio address delivered by Foreign Minister Yōsuke Matsuoka.
The United States Office of War Information (OWI) was a United States government agency created during World War II. The OWI operated from June 1942 until September 1945. Through radio broadcasts, newspapers, posters, photographs, films and other forms of media, the OWI was the connection between the battlefront and civilian communities. The office also established several overseas branches, which launched a large-scale information and propaganda campaign abroad. From 1942 to 1945, the OWI revised or discarded any film scripts reviewed by them that portrayed the United States in a negative light, including anti-war material.
The War Production Board (WPB) was an agency of the United States government that supervised war production during World War II. President Franklin D. Roosevelt established it in January 1942, with Executive Order 9024. The WPB replaced the Supply Priorities and Allocations Board and the Office of Production Management.
Paul Vories McNutt was an American diplomat and politician who served as the 34th governor of Indiana, high commissioner to the Philippines, administrator of the Federal Security Agency, chairman of the War Manpower Commission and ambassador to the Philippines.
The Office of Censorship was an emergency wartime agency set up by the United States federal government on December 19, 1941 to aid in the censorship of all communications coming into and going out of the United States, including its territories and the Philippines. The efforts of the Office of Censorship to balance the protection of sensitive war related information with the constitutional freedoms of the press is considered largely successful.
Nazism created an elaborate system of propaganda, which made use of the new technologies of the 20th century, including cinema. Nazism courted the masses by the means of slogans that were aimed directly at the instincts and emotions of the people. The Nazis valued film as a propaganda instrument of enormous power. The interest that Adolf Hitler and his propaganda minister Joseph Goebbels took in film was not only the result of a personal fascination. The use of film for propaganda had been planned by the Nazi Party as early as 1930, when the party first established a film department. The goals of the department included using the economic power of German moviegoers to self-censor films globally, resulting in all but one Hollywood producers censoring films critical of Nazism and even showing news shorts of film produced by the Nazis in American theaters. No American films between 1933-1939 were critical of Nazism.
Propaganda in the United States is spread by both government and media entities. Propaganda is carefully curated information, ideas, or rumors deliberately spread, usually to preserve the self-interest of a nation. It is used in advertising, radio, newspaper, posters, books, television, films and other media. Propagandists may provide either factual or non-factual information to their audiences, often emphasizing positive features and downplaying negative ones, or vice versa, in order to shape wide scale public opinion or influence behavioral changes.
The United States home front during World War II supported the war effort in many ways, including a wide range of volunteer efforts and submitting to government-managed rationing and price controls. There was a general feeling of agreement that the sacrifices were for the national good during the war.
The Second Philippine Republic, officially known as the Republic of the Philippines and also known as the Japanese-sponsored Philippine Republic, was a Japanese puppet state established on October 14, 1943 during the Japanese occupation of the islands.
During World War II in the Philippines, the occupying Japanese government issued a fiat currency in several denominations; this is known as the Japanese government-issued Philippine peso. The Second Philippine Republic under President José P. Laurel outlawed possession of guerrilla currency, and declared a monopoly on the issuance of money, so that anyone found to possess guerrilla notes could be arrested or even executed.
During American involvement in World War II (1941–45), propaganda was used to increase support for the war and commitment to an Allied victory. Using a vast array of media, propagandists instigated hatred for the enemy and support for America's allies, urged greater public effort for war production and victory gardens, persuaded people to save some of their material so that more material could be used for the war effort, and sold war bonds.
Japanese invasion money, officially known as Southern Development Bank Notes, was currency issued by the Japanese Military Authority, as a replacement for local currency after the conquest of colonies and other states in World War II. In February 1942 in Japan, laws were passed establishing the Wartime Finance Bank and the Southern Development Bank. Both institutions issued bonds to raise funds. The former loaned money primarily to military industries, but also to a wide range of other ventures, including hydroelectric generators, electric power companies, shipbuilding and petroleum. The latter provided financial services in areas occupied by the Japanese military, and Southern Development Bank notes were in fact used as de facto military scrip. In December 1942, the outstanding balance of Southern Development Bank notes stood at more than 470 million; in March 1945, more than 13 billion.
Between 1941 and 1945, during World War II, Walt Disney was involved in the production of propaganda films for the U.S. government. The widespread familiarity of Disney's productions benefited the U.S. government in producing pro-American war propaganda in an effort to increase support for the war.
Propaganda for Japanese-American internment is a form of propaganda created between 1941 and 1944 within the United States that focused on the relocation of Japanese Americans from the West Coast to internment camps during World War II. Several types of media were used to reach the American people such as motion pictures and newspaper articles. The significance of this propaganda was to project the relocation of Japanese Americans as matter of national security, although according to a federal commission created by President Jimmy Carter in 1980:
The promulgation of Executive Order 9066 was not justified by military necessity, and the decisions that followed from it – detention, ending detention and ending exclusion – were not driven by analysis of military conditions. The broad historical causes which shaped these decisions were race prejudice, war hysteria and a failure of political leadership.
Beyond the Line of Duty is a 1942 American short propaganda film, directed by Lewis Seiler. The documentary film reenacted the life and career of United States Army Air Corps Captain Hewitt T. "Shorty" Wheless.
Victory Through Air Power is a 1943 American Technicolor animated documentary propaganda film produced by Walt Disney Productions and released by United Artists on July 17, 1943. It is based on the 1942 book Victory Through Air Power by Alexander P. de Seversky. De Seversky appeared in the film, an unusual departure from the Disney animated feature films of the time.
World War II changed the possibilities for animation. Prior to the war, animation was mostly seen as a form of family entertainment. The attack on Pearl Harbor was a turning point in its utility. On December 8, 1941, the United States Army began working with Walt Disney at his studio, stationing Military personnel there for the duration of the war. The Army and Disney set about making various types of films for several different audiences. Most films meant for the public included some type of propaganda, while films for the troops included training and education about a given topic.
During the Japanese occupation of the islands in World War II, there was an extensive Philippine resistance movement, which opposed the Japanese and their collaborators with active underground and guerrilla activity that increased over the years. Fighting the guerrillas – apart from the Japanese regular forces – were a Japanese-formed Bureau of Constabulary, the Kenpeitai, and the Makapili. Postwar studies estimate that around 260,000 people were organized under guerrilla groups and that members of anti-Japanese underground organizations were more numerous. Such was their effectiveness that by the end of World War II, Japan controlled only twelve of the forty-eight provinces.
Scrap the Japs is a 1942 American anti-Japanese cartoon with the popular character Popeye as protagonist. It follows his adventures after being sent for punishment on a ship and running into Japanese sailors.
