Los Fronterizos is an Argentine musical band consisting of four men. The group was established in 1953 in the northern province of Salta -- bordering on Bolivia -- from which "Los Fronterizos" ("men of the frontier") is derived.
Los Fronterizos are among the most famous Argentine musical bands. They recorded over thirty records during the fifty years in which they were active. Their genre is Folklore Argentino ("Argentine Folk") which blends powerful, vibrant rhythms from the Spanish Flamenco with indigenous South American elements such as the Andeanflute, or quena. The latter is a hallmark of the Musica Andina genre which became well known in the U.S with Simon & Garfunkel's English version of "El Condor Pasa". Some of the Fronterizos' most famous records are Personalidad en Folklore (circa 1962), Color en Folklore, and Ariel Ramírez's Misa Criolla (1964 and 1977). In most songs, the band's instrumentation includes acoustic guitars and bombo legüero (a large indigenous drum), and occasionally, charango and quena.
Los Fronterizos' success may be attributed to their touching melodies written by some of Argentina's best songwriters and to their remarkable harmony and rare combination of voices (one alto, two tenors, and one bass).
The group formally disbanded in 1977 but continued to reunite and perform in tours with great success for years thereafter. The very powerful lead voice (one of the two tenors) belonged to Gerardo López who died in 2004.
Nueva canción is a left-wing social movement and musical genre in Latin America and the Iberian peninsula, characterized by folk-inspired styles and socially committed lyrics. Nueva canción is widely recognized to have played a profound role in the pro-democracy social upheavals in Portugal, Spain and Latin America during the 1970s and 1980s, and was popular amongst socialist organizations in the region.
The music of Argentina includes a variety of traditional, classical and popular genres. One of the country's most significant cultural contributions is the tango, which originated in Buenos Aires and its surroundings during the end of the 19th century and underwent profound changes throughout the 20th century. Folk music was particularly popular during the 20th century, experiencing a "boom" in popularity during the 1950s and 1960s thanks to artists such as Atahualpa Yupanqui and Mercedes Sosa, prominent figures of the Nuevo cancionero movement. In the mid-to-late 1960s, the countercultural scene of Buenos Aires originated Argentine rock, considered the earliest incarnation of Spanish-language rock for having an autochthonous identity that differed from that of England or the United States. It was widely embraced by the youth and since then has become part of the country's musical identity as much as traditional music. According to the Harvard Dictionary of Music, Argentina also "has one of the richest art music traditions and perhaps the most active contemporary musical life.
Andean music is a group of styles of music from the Andes region in South America.
Los Jairas was a Bolivian folk music group that was active in the 1960s. Their work features the charango, a stringed instrument from Bolivia.
Quilapayún are a folk music group from Chile and among the longest lasting and most influential ambassadors of the Nueva Canción Chilena movement and genre. Formed during the mid-1960s, the group became inseparable with the revolution that occurred in the popular music of the country under the Popular Unity Government of Salvador Allende.
The Chacarera is a dance and music that originated in Santiago del Estero, Argentina. It is a genre of folk music that, for many Argentines, serves as a rural counterpart to the cosmopolitan imagery of the Tango. A dance form played by contemporary musicians as soloists or in small ensembles of voice, guitar, violin and bombo drum, the Chacarera is often legitimized by its “origin” in the remote province of Santiago del Estero.
Los Chalchaleros were an Argentine musical folkloric ensemble consisting of four men, and one of the most famous folk singers in the history of Latin America. The group was established in 1948 in the northern province of Salta. It was named after a local song-bird, the chalchalero. They left the stages and recording in 2003.
El cóndor pasa is a Peruvian zarzuela whose music was composed by Peruvian songwriter Daniel Alomía Robles in 1913 with a script written by Julio de La Paz. This zarzuela is written in prose and consists of one musical play and two acts.
Ariel Ramírez was an Argentine composer, pianist and music director. He was considered "a chief exponent of Argentine folk music" and noted for his "iconic" musical compositions.
Los Incas, also known as Urubamba, are an Andean folk music group formed in Paris in 1956. Founded by the Argentinian musicians Carlos Miguel Ben-Pott and Ricardo Galeazzi who was a jazz bassist, musical director of the group and the Venezuelans Elio Riveros and Narciso Debourg. Since the beginning of the 1960s, it had been constantly directed musically by the Argentinian Jorge Milchberg, who, originally a classically trained pianist, had become an internationally renowned charanguist.
Jorge Cumbo was an Argentine musician who played the Andean quena flute, combining jazz and Argentine folklore. After early encounters with folklore under his mentor Chango Farías Gomez, and three years at the conservatory, Cumbo discovered the quena flute. After learning the quena from Una Ramos, Cumbo joined Ramos and Jorge Milchberg in the group "Urubamba" with whom he performed from 1970 to 1976. In 1973, "Urubamba" became famous through their cooperation with Paul Simon.
"El Cóndor Pasa" is an orchestral musical piece from the zarzuela El Cóndor Pasa by the Peruvian composer Daniel Alomía Robles, written in 1913 and based on traditional Andean music, specifically folk music from Peru.
Daniel Alomía Robles was a Peruvian composer and ethnomusicologist. He is best known for composing the song "El Cóndor Pasa" in 1913 as part of a zarzuela — a musical play that alternates between spoken and sung parts — of the same name. This song was based on Andean folk songs and is possibly the best known Peruvian song, partly due to the worldwide success that the melody obtained when it was used by Simon and Garfunkel as their music for "El Cóndor Pasa ", although that song has different lyrics.
César Isella was an Argentinian singer and songwriter of folk music. He joined Los Fronterizos from 1956 to 1966, was one of the main figures of the "Movement of the New Songbook", and in the 1990s he discovered and sponsored the singer Soledad Pastorutti. He has written the music for "Canción con todos", regarded as the Latin American anthem.
The Cosquín Folk Festival is one of the most important folk music festivals of Argentina, and most important in Latin America.
Events in the year 2021 in Argentina.
María Josefa Álvarez de Arenales was a patriot who, at a young age, contributed financially to the Argentine War of Independence. She is considered one of the Patricias Argentinas. She married her second cousin, Colonel Evaristo de Uriburu, with whom she had many children; among them was José Evaristo Uriburu, who would become the President of Argentina. Her grandson, General José Félix Uriburu, was later the de facto president of the republic.
Cuarteto Zupay or simply Los Zupay, was an Argentinian Popular Music group formed in Buenos Aires in 1966 that remained active until 1991. The founding members were the brothers Pedro Pablo García Caffi (baritone) and Juan José García Caffi, Eduardo Vittar Smith (bass) and Aníbal López Monteiro.
Micaela Chauque is a Qulla Argentine composer, dancer, coplista and flautist, specializing in the quena and siku. She has been lauded as one of the best interpreters of Andean music in Argentina. She is also a music teacher and luthier.
The folkloric music of Argentina traces its roots to the multiplicity of native indigenous cultures. It was shaped by four major historical-cultural events: Spanish colonization and forced African immigration caused by the slave trade during the Spanish domination ; the large wave of European immigration (1880–1950) and the large-scale internal migration (1930–1980).
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