External links
Wikiquote has quotations related to TXF Season 5 .
- "Mind's Eye" on XFiles.com
- "Mind's Eye" at IMDb
| "Mind's Eye" | |
|---|---|
| The X-Files episode | |
| Episode no. | Season 5 Episode 16 |
| Directed by | Kim Manners |
| Written by | Tim Minear |
| Production code | 5X16 |
| Original air date | April 19, 1998 |
| Running time | 45 minutes |
| Guest appearances | |
| |
"Mind's Eye" is the sixteenth episode of the fifth season of the American science fiction television series The X-Files . The episode first aired in the United States on April 19, 1998 on the Fox network. It was written by Tim Minear and directed by Kim Manners. The episode is a "Monster-of-the-Week" story, a stand-alone plot which is unconnected to the series' wider mythology. "Mind's Eye" received a Nielsen household rating of 10.4 and was watched by 16.53 million viewers. The episode received moderately positive reviews, with many critics praising Lili Taylor's performance as Glenn. For her work in this episode, Taylor was nominated for the Primetime Emmy Award for Outstanding Guest Actress in a Drama Series.
The show centers on FBI special agents Fox Mulder (David Duchovny) and Dana Scully (Gillian Anderson) who work on cases linked to the paranormal, called X-Files. In this episode, Mulder and Scully investigate a murder that seems to have been committed by a blind woman, Marty Glenn (Lili Taylor), but Mulder suspects that she is capable of seeing images in some other way. Eventually, it is revealed that Glenn, while blind, can see the actions of her murderous father via her mind's eye.
"Mind's Eye" was inspired by the concept of "remote viewing", or being able to see events beyond the range of normal vision. Minear sought to make Glenn the opposite of Audrey Hepburn's character in the 1967 film Wait Until Dark , in which Hepburn played the part of an innocent but terrorized blind woman. "Mind's Eye" marked the rare television appearance of Taylor, who primarily worked on well-regarded independent films. In fact, Taylor herself requested to appear in the series.
In Wilmington, Delaware, a blind woman named Marty Glenn (Lili Taylor) is in her apartment when she suddenly experiences a vision of someone with a knife approaching a man standing in a bathroom. Later, the police are called to a motel, where they find the man in Marty’s vision dead in the bathroom of one of the rooms; the police also discover Marty hiding in the shower. Assuming she is the murderer, the police go to arrest her but quickly realize that she is blind. Not sure of how a blind woman could commit the crime, Detective Lloyd Pennock (Blu Mankuma) calls in Fox Mulder (David Duchovny) and Dana Scully (Gillian Anderson). Pennock believes that Marty possesses a "sixth sense" that allowed her to kill. Marty is interrogated and comes under further suspicion when she says things only the guilty party should know. Mulder becomes convinced that Marty somehow observed the murder, despite her disability. Meanwhile, Scully discovers a leather glove hidden behind an old razor disposal bin at the crime scene.
Suddenly, Marty experiences another vision: the murderer approaches a woman, Susan Forester, at a bar. Marty is able to see the name of the bar in her vision, so when her premonition ends, she asks to make a phone call to a bar; there, she warns a man named Gotts (Richard Fitzpatrick) to leave Forester alone. Later, Scully shows the glove to Marty, who informs her that her fingerprints were found on it and that it fits her. Pennock concludes that the evidence is enough to charge Marty, but Mulder still does not think she is guilty. After Scully raises the possibility that Marty may not be blind, an eye examination is undertaken, during which Marty experiences another vision. During this event, Mulder notes that the device used to measure Marty's eyesight has a reaction. While the examiner believes Marty to truly be blind, Mulder believes that she might be reacting to visions in her mind's eye.
The district attorney notes that they do not have sufficient evidence to charge a blind woman, and so Marty is released. Making her way home, she once again has a vision, this time of Gotts attacking Forester. Marty is too late to save the woman, and so she returns to the police station, confessing to the murders. Mulder—convinced that Marty is innocent—talks to Marty about her mother's murder. It is revealed that Gotts is actually Marty's father, and he killed her mother when she was still in the womb. Mulder tells Marty that he believes she was given her ability to "see" visions in her mind's eye. It is also revealed that Gotts had spent thirty years (that is, Marty’s whole life) in prison until being paroled recently. Marty reveals to Mulder and Scully Gotts’s last known location, while Pennock takes her back to her apartment to pick up some things before entering protective custody. While packing, Marty has a vision of Gotts in the lobby of her apartment; she knocks Pennock out, takes his gun, and waits for Gotts to find her. Mulder figures out that Marty had been experiencing Gotts' sight for the thirty years he was in prison, which effectively meant she too had spent her whole life in prison. Mulder and Scully arrive at Marty's apartment only to find that Marty killed Gotts. She is sent to prison, but finally freed from her father and the visions of his horrible deeds. [1]
"Mind's Eye" was written by Tim Minear—his second credit for the series—and directed by Kim Manners. Minear was inspired to write the episode after learning about "remote viewing": the parapsychological practice of seeking impressions about a distant or unseen target, purportedly using extrasensory perception (ESP) or "sensing" with the mind. Reportedly, the Central Intelligence Agency spent $20 million on "Stargate Project", which was a research project to determine if the ability exists. [2]
Minear initially had trouble conceptualizing his idea, noting, "It might be a good idea for a short story, but how do you make the whole thing work visually?" [2] To combat this issue, Minear decided to make the remote viewer blind. He sought to make the blind woman "not Audrey Hepburn", a reference to the 1967 film Wait Until Dark , in which Hepburn played the part of an innocent but terrorized blind woman. [2] He later said, "I wanted to make [Glenn] a bitch, because the fact is that disability doesn't necessarily ennoble a person." [2]
"Mind's Eye" guest-starred Lili Taylor, which was considered a rarity, as she generally preferred to work in the independent film scene. [2] [3] Taylor, however, was a fan of the series and reached out to the series' casting director, Rick Milikan, asking if they were interested in working with her. Blu Mankuma, who played the part of Detective Pennock, had previously appeared in the first season episode "Ghost in the Machine". Mulder's line "even if the gloves do fit – you can still acquit", a reference to the leather gloves of the O. J. Simpson murder case, was improvised by Duchovny during filming. [2]
During the filming of the episode, art director Greg Loewen got into a discussion with the lighting department when he pointed out that Glenn, being blind, had no need for lamps and other lights. The department quipped back: "Although The X-Files [i]s a dark show, it [i]sn't that dark." [2] The "staccato" and "nightmarish" remote visions that Glenn experiences were created in post-production by visual effects supervisor Laurie Kallsen-George. [2]
"Mind's Eye" premiered on the Fox network in the United States on April 19, 1998, and was first broadcast in the United Kingdom on BBC One on February 10, 1999. [4] It earned a Nielsen household rating of 10.4, with a 16 share, meaning that roughly 10.4 percent of all television-equipped households, and 16 percent of households watching television, were tuned in to the episode. [5] It was viewed by 16.53 million viewers. [5] "Mind's Eye" also was nominated for several Emmy Awards. Taylor was nominated for an award in the category of Outstanding Guest Actress in a Drama Series—a nomination shared by fellow X-Files guest star Veronica Cartwright—although Cloris Leachman won. [6] [7] Editor Casey O Rohrs was nominated for Outstanding Single-Camera Picture Editing. [2] [6] [8]
The episode received moderately positive reviews from television critics, with many praising Taylor's performance as Glenn. Zack Handlen from The A.V. Club gave the episode a moderately positive review and awarded it a B+. [9] He was slightly critical that Glenn's ability to see visions was not sufficiently expanded upon; he ultimately called Mulder's explanation "crap". [9] However, Handlen praised guest star Taylor and Duchovny, noting that "Taylor is convincing in the role, and Duchovny does a good job making his lines sound more logical than they actually are." [9] He ultimately concluded that the entry is "not a bad episode, exactly" but that "it's far from a great one." [9]
Paula Vitaris from Cinefantastique gave the episode a moderately positive review and awarded it two-and-a-half stars out of four. [10] Vitaris drew comparisons between the installment and the third season episode "Oubliette". However, she noted that because "the new episodes doesn't have the specific connection 'Oubliette' drew between Lucy and Mulder's sister Samantha, it doesn't touch the heart as deeply." [10] She did, however, praise Taylor's performance, writing "it is [Taylor] who makes 'Mind's Eye' truly memorable." [10] Robert Shearman and Lars Pearson, in their book Wanting to Believe: A Critical Guide to The X-Files, Millennium & The Lone Gunmen, rated the episode three stars out of five. [11] The two called the entry "solid, if unspectacular", noting that, once the premise is developed, "there's really not much depth to be mined from it." [11] Shearman and Pearson, however, concluded that "the episode works nonetheless, thanks to a superb central performance from Lili Taylor [who] gives the best guest star turn of the year, lending a strength, an anger, and a redeeming humour to a blind woman who has adapted the world to her disability." [11]
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The fifth season of the science fiction television series The X-Files commenced airing on the Fox network in the United States on November 2, 1997, concluding on the same channel on May 17, 1998, and contained 20 episodes. The season was the last in Vancouver, British Columbia, Canada; subsequent episodes would be shot in Los Angeles, California. In addition, this was the first season of the show where the course of the story was planned, due to the 1998 The X-Files feature film being filmed before it, but scheduled to be released after it aired.
"Wetwired" is the twenty-third episode of the third season and the 72nd episode overall of the science fiction television series The X-Files. The episode first aired in the United States on May 10, 1996, on Fox. It was written by the show's visual effect designer Mat Beck, and directed by Rob Bowman. The episode earned a Nielsen rating of 9.7 and was viewed by 14.48 million people. The episode received mostly positive reviews from television critics.
"The Field Where I Died" is the fifth episode of the fourth season of the American science fiction television series The X-Files. It was written by Glen Morgan and James Wong, and directed by Rob Bowman. The episode originally aired in the United States on November 3, 1996, on the Fox network. It is a "Monster-of-the-Week" story, a stand-alone plot which is unconnected to the series' wider mythology. This episode earned a Nielsen rating of 12.3 and was seen by 19.85 million viewers upon its initial broadcast.
"Kaddish" is the fifteenth episode of the fourth season of the American science fiction television series The X-Files. It was written by producer Howard Gordon and directed by Kim Manners. The episode originally aired on the Fox network on February 16, 1997. The episode is a "Monster-of-the-Week" story, a stand-alone plot unconnected to the series' wider mythology, or overarching history. The episode received a Nielsen household rating of 10.3 and was viewed by 16.56 million viewers. It received moderately positive reviews from critics.
"Unrequited" is the sixteenth episode of the fourth season of the American science fiction television series The X-Files. It was written by Howard Gordon and series creator Chris Carter, and directed by Michael Lange. It originally aired in the United States on February 23, 1997, on the Fox network. The episode is a "Monster-of-the-Week" story, a stand-alone plot which is unconnected to the series' wider mythology. This episode earned a Nielsen rating of 10.9 and was seen by 16.56 million viewers upon its initial broadcast. "Unrequited" received mixed to negative reviews from television critics.
"Max" is the eighteenth episode of the fourth season of the American science fiction television series The X-Files. It premiered on the Fox network on March 23, 1997. It was directed by Kim Manners, and written by Frank Spotnitz and series creator Chris Carter. "Max" featured guest appearances by Joe Spano, Tom O'Brien and Scott Bellis, and saw the final appearance of Brendan Beiser as special agent Pendrell. The episode helped to explore the overarching mythology, or fictional history of The X-Files. "Max" earned a Nielsen household rating of 11.6, being watched by 18.34 million people in its initial broadcast. The episode received mixed to positive reviews from critics.
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"Zero Sum" is the twenty-first episode of the fourth season of the American science fiction television series The X-Files. It premiered on the Fox network on April 27, 1997. It was directed by Kim Manners, and written by Frank Spotnitz and Howard Gordon. "Zero Sum" included appearances by William B. Davis, Laurie Holden and Morris Panych. The episode helped to explore the overarching mythology, or fictional history of The X-Files. "Zero Sum" earned a Nielsen household rating of 11.7, being watched by 18.6 million people in its initial broadcast. The episode has received mixed to positive responses from critics.
"Elegy" is the twenty-second episode of the fourth season of the American science fiction television series The X-Files. It was written by John Shiban and directed by James Charleston. The episode aired in the United States on May 4, 1997, on the Fox network. It is a "Monster-of-the-Week" story, a stand-alone plot which is unconnected to the series' wider mythology, although Scully's battle with cancer is an important plot point. "Elegy" earned a Nielsen rating of 10.6 and was seen by 17.1 million viewers upon its initial broadcast. The episode received mostly positive reviews from televisions critics; the performance of lead actress Gillian Anderson was especially praised.
"Demons" is the twenty-third episode of the fourth season of the American science fiction television series The X-Files. It premiered on the Fox network in the United States on May 11, 1997 and in the United Kingdom on BBC One on February 25, 1998. It was written by R. W. Goodwin and directed by Kim Manners. The episode helps explore the series' overarching mythology. "Demons" received a Nielsen rating of 11.8, being watched by 19.1 million viewers in its initial broadcast. The episode received mostly positive reviews from television critics, with many complimenting the episode's look into Mulder's mind.
"Gethsemane" is the twenty-fourth and final episode of the fourth season of the American science fiction television series The X-Files. It premiered on the Fox network on May 18, 1997. It was directed by R.W. Goodwin, and written by series creator Chris Carter. "Gethsemane" featured guest appearances by Charles Cioffi, Sheila Larken and Pat Skipper, and introduced John Finn as recurring character Michael Kritschgau. The episode helped to explore the overarching mythology, or fictional history of The X-Files. "Gethsemane" earned a Nielsen household rating of 13.2, being watched by 19.85 million people in its initial broadcast.
"Redux" is the two-part fifth season premiere of the science fiction television series The X-Files. "Redux" first aired on November 2, 1997, on Fox in the United States, with "Redux II" airing on November 9. Both episodes subsequently aired in the United Kingdom and Ireland. Both episodes were written by series creator Chris Carter, with "Redux" directed by R. W. Goodwin and "Redux II" helmed by Kim Manners. "Redux" became the second-most-watched episode ever broadcast, earning more than 27 million viewers in the United States alone. The first part of the episode received mixed to negative reviews, whereas the second part received mixed to positive reviews from critics.
"Emily" is the seventh episode of the fifth season of American science fiction television series The X-Files. It was written by Vince Gilligan, John Shiban and Frank Spotnitz and directed by Kim Manners. The episode explores the series' overarching mythology. The episode premiered in the United States on December 14, 1997, on the Fox network, earning a Nielsen household rating of 12.4 and being watched by 20.94 million people in its initial broadcast. It received mixed reviews from television critics.
"Kitsunegari" is the eighth episode of the fifth season of American science fiction television series The X-Files. It was written by Vince Gilligan and Tim Minear, and directed by Daniel Sackheim. It aired in the United States on January 4, 1998 on the Fox network. "Kitsunegari" earned a Nielsen household rating of 11.6, being watched by 19.75 million people in its initial broadcast. The episode received mixed reviews from television critics.
"Schizogeny" is the ninth episode of the fifth season of the science fiction television series The X-Files. It premiered on the Fox network on January 11, 1998. It was written by Jessica Scott and Mike Wollaeger, directed by Ralph Hemecker, and featured guest appearances by Bob Dawson, Myles Ferguson, Katharine Isabelle, Chad Lindberg, and Sarah-Jane Redmond. The episode is a "Monster-of-the-Week" story, unconnected to the series' wider mythology. "Schizogeny" earned a Nielsen household rating of 12.9, being watched by 21.37 million people in its initial broadcast. The episode received mixed to negative reviews, with several critics calling it the worst episode of The X-Files.
"Patient X" is the thirteenth episode of the fifth season of American science fiction television series The X-Files. It was written by series creator Chris Carter and Frank Spotnitz, directed by Kim Manners and aired in the United States on March 1, 1998, on the Fox network. The episode earned a Nielsen household rating of 12.6, being watched by 20.21 million people in its initial broadcast. The episode received moderately positive reviews from critics.
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"All Souls" is the seventeenth episode of the fifth season of the American science fiction television series The X-Files. The episode originally aired on the Fox network on April 26, 1998. The episode's teleplay was written by Frank Spotnitz and John Shiban, from a story by Dan Angel and Billy Brown; it was directed by Allen Coulter. The episode is a "Monster-of-the-Week" story, a stand-alone plot which is unconnected to the mythology, or overarching fictional history, of The X-Files. "All Souls" received a Nielsen household rating of 8.5 and was watched by 13.44 million viewers in its initial broadcast. It received mixed reviews from television critics.
"Dreamland" refers to the fourth and fifth episodes of the sixth season of the science fiction television series The X-Files. Part one first aired on November 29, and part two aired on December 6, 1998, on Fox in the United States and Canada. The episode was written by Vince Gilligan, John Shiban, and Frank Spotnitz, and directed by Kim Manners ("Dreamland") and Michael Watkins. Although dealing with a member of the Men in Black, the episode is largely unconnected to the mythology of The X-Files, and is a "Monster-of-the-Week" story. Part one of "Dreamland" earned a Nielsen household rating of 10.1, being watched by 17.48 million people in its initial broadcast; Part two received a rating of 10 and was watched by 17.01 million people. The episode received mostly mixed reviews from critics, with many reviews critical of the episode's reliance on humor.
"Chinga" is the tenth episode of the fifth season of the American science fiction television series The X-Files. It was written by noted author Stephen King and series creator Chris Carter, and directed by Kim Manners. The episode aired in the United States on February 8, 1998, on the Fox network. The episode is a "Monster-of-the-Week" story, a stand-alone plot which is unconnected to the series' wider mythology. "Chinga" earned a Nielsen rating of 12.8 and was viewed by 21.33 million viewers. The episode received mixed reviews from television critics.
