Richard of Saint Victor was a Medieval Scottish philosopher and theologian and one of the most influential religious thinkers of his time. A canon regular, he was a prominent mystical theologian, and was prior of the famous Augustinian Abbey of Saint Victor in Paris from 1162 until his death in 1173.
Lincoln Cathedral, Lincoln Minster, or the Cathedral Church of the Blessed Virgin Mary of Lincoln and sometimes St Mary's Cathedral, is a church building in Lincoln, Lincolnshire, England. It is a Grade I listed cathedral and is the seat of the Anglican Bishop of Lincoln. Construction commenced in 1072 and continued in several phases throughout the High Middle Ages. Like many of the medieval cathedrals of England, it was built in the Early Gothic style.
St Albans Cathedral, officially the Cathedral and Abbey Church of St Alban but often referred to locally as "the Abbey", is a Church of England cathedral in St Albans, England.
Adam of Saint Victor was a prolific poet and composer of Latin hymns and sequences. He has been called "...the most illustrious exponent of the revival of liturgical poetry which the twelfth century affords."
Adémar de Chabannes was a French/Frankish monk, active as a composer, scribe, historian, poet, grammarian and literary forger. He was associated with the Abbey of Saint Martial, Limoges, where he was a central figure in the Saint Martial school, an important center of early medieval music. Much of his career was spent copying and transcribing earlier accounts of Frankish history; his major work was the Chronicon Aquitanicum et Francicum. He is well-known for forging a Vita, purportedly by Aurelian of Limoges, that indicated Saint Martial was one of the original apostles, and for composing an associated Mass for Saint Martial. Though he successfully convinced the local bishop and abbot of its authenticity, the traveling monk Benedict of Chiusa exposed his forgery and damaged Adémar's reputation.
The Antiphonary tonary missal of St. Benigne was written in the last years of the 10th century, when the Abbot William of Volpiano at St. Benignus of Dijon reformed the liturgy of several monasteries in Burgundy. The chant manuscript records mainly Western plainchant of the Roman-Frankish proper Mass and part of the chant sung during the matins, but unlike the common form of the Gradual and of the Antiphonary, William organized his manuscript according to the chant genre, and these sections were subdivided into eight parts according to the octoechos. This disposition followed the order of a tonary, but William of Volpiano wrote not only the incipits of the classified chant, he wrote the complete chant text with the music in central French neumes which were still written in campo aperto, and added a second alphabetic notation of his own invention for the melodic structure of the codified chant.
Hugh of Saint Victor, was a Saxon canon regular and a leading theologian and writer on mystical theology.
Petrus Comestor, also called Pierre le Mangeur, was a twelfth-century French theological writer and university teacher.
Jocelin of Wells was a medieval Bishop of Bath. He was the brother of Hugh de Wells, who became Bishop of Lincoln. Jocelin became a canon of Wells Cathedral before 1200, and was elected bishop in 1206. During King John of England's dispute with Pope Innocent III, Jocelin at first remained with the king, but after the excommunication of John in late 1209, Jocelin went into exile. He returned to England in 1213, and was mentioned in Magna Carta in 1215.
The Saint Martial School was a medieval school of music composition centered in the Abbey of Saint Martial, Limoges, France. Most active from the 9th to 12th centuries, some scholars describe its practices, music, and manuscripts as 'Aquitanian'. It is known for the composition of tropes, sequences, and early organum. In this respect, it was an important precursor to the Notre Dame School. Adémar de Chabannes and his nephew Roger de Chabannes were important proponents of this school whose hands had only be recently discovered by studies of James Grier between 1995 and 2005. They invented a local variant of a vertically precise organisation of notation and a new form of local tonary, they reorganised existing chant manuscripts, and they developed the libellum structure of a new type of sequentiary troper whose organisation was new at their time, but played a key role for the Saint Martial school.
The Utrecht Psalter is a ninth-century illuminated psalter which is a key masterpiece of Carolingian art; it is probably the most valuable manuscript in the Netherlands. It is famous for its 166 lively pen illustrations, with one accompanying each psalm and the other texts in the manuscript. The precise purpose of these illustrations, and the extent of their dependence on earlier models, have been matters of art-historical controversy. The psalter spent the period between about 1000 to 1640 in England, where it had a profound influence on Anglo-Saxon art, giving rise to what is known as the "Utrecht style". It was copied at least three times in the Middle Ages. A complete facsimile edition of the psalter was made in 1875, and another in 1984 (Graz).
Rodulfus, or Raoul Glaber (985–1047), was an 11th-century Benedictine chronicler.
A tonary is a liturgical book in the Western Christian Church which lists by incipit various items of Gregorian chant according to the Gregorian mode (tonus) of their melodies within the eight-mode system. Tonaries often include Office antiphons, the mode of which determines the recitation formula for the accompanying text, but a tonary may also or instead list responsories or Mass chants not associated with formulaic recitation. Although some tonaries are stand-alone works, they were frequently used as an appendix to other liturgical books such as antiphonaries, graduals, tropers, and prosers, and are often included in collections of musical treatises.
The Bible Historiale was the predominant medieval translation of the Bible into French. It translates from the Latin Vulgate significant portions from the Bible accompanied by selections from the Historia Scholastica by Peter Comestor, a literal-historical commentary that summarizes and interprets episodes from the historical books of the Bible and situates them chronologically with respect to events from pagan history and mythology.
Godfrey of St. Victor was a French monk and theologian, and one of the last major figures of the Victorines. He was a supporter of the study of ancient philosophy and of the Victorine mysticism of Hugh of St. Victor and Richard of St. Victor.
Hugh of Amiens, also known as Hugh de Boves, monk of Cluny, prior of Limoges, prior of Lewes, abbot of Reading and archbishop of Rouen, was a 12th-century Picard-French Benedictine prelate.
Robert of Cricklade was a medieval English writer and prior of St Frideswide's Priory in Oxford. He was a native of Cricklade and taught before becoming a cleric. He wrote several theological works as well as a lost biography of Thomas Becket, the murdered Archbishop of Canterbury.
Mærwynn, also known as St. Merewenna or Merwinna, was a 10th-century abbess of Romsey Abbey. She is recognised as a saint in the Catholic and Eastern Orthodox Churches.
Osbert Parsley was an English Renaissance composer and chorister. Few details of his life are known, but he evidently married in 1558, and lived for a period in the parish of St Saviour's Church, Norwich. A boy chorister at Norwich Cathedral, Parsley worked there throughout his musical career. He was first mentioned as a lay clerk, was appointed a "singing man" in c. 1534, and was probably the cathedral's unofficial organist for half a century. His career spanned the reigns of Henry VIII and all three of his children. After the Reformation of 1534, the lives of English church musicians changed according to the official policy of each monarch.
William de Montibus was a theologian and teacher. He travelled to Paris in the 1160s, where he studied under Peter Comestor, eventually opening his own school on the Montagne Sainte-Geneviève. He was appointed by Hugh of Lincoln as master of the cathedral school in Lincoln, England in the 1180s, where his lectures drew students from around the country. He was also chancellor of the cathedral by 1194, and remained in both positions until his death in 1213. He was the instructor of Alexander Neckam in Paris, and in Lincoln taught Samuel Presbiter and Richard of Wetheringsett.
