| Mel's Drive-In | |
|---|---|
| Restaurant information | |
| Country | United States |
| Website | melsdrive-in |
Mel's Drive-In is a term referring to two American restaurant chains, the successors of a restaurant founded in 1947 by Mel Weiss and Harold Dobbs in San Francisco, California. It is closely associated with the film American Graffiti .
There are several Mel's in Northern California that share the same general American Graffiti nostalgia theme and the similarly styled Mel's logo. These restaurants are called “Original Mels”. Their locations are not listed on the official Mel's Drive-In website, but they have their own website, although an article from the Sacramento Business Journal shows that they are related.[ citation needed ]
A family rift caused the Weisses to part ways and form two chains. The elder Weiss sold his company to Larry Spergel in 1994, who formed a group of about 50 stockholders that now owns the chain. The Walnut Creek, California, location features a history of the original San Francisco Mel's. [1]
Some Mel's Drive-In locations are not drive-ins but rather diners. For example, while founded in San Francisco, none of the locations in the city currently serve food to patrons’ cars.
The signage and menus on the original Mel's Diners did not have a possessive apostrophe in the name, as would be expected. However, when Universal Studios recreated the diners at their theme parks in Hollywood, Orlando, Japan, Beijing, and Singapore, they opted to include the apostrophe in all Mel's Drive-In signage, literature, and media.
After the last original Mel's closed in the 1970s, Mel Weiss's son Steven Weiss and partner Donald Wagstaff opened the first of a new generation of Mel's Drive-In restaurants in 1985. [2] As of 2020, there are seven Mel's drive-in locations in Northern and Southern California and one Mel's Kitchen.
One location near downtown San Francisco, rechristened Mel's Kitchen, has gone upscale, serving $12 cocktails, $16 burgers with locally sourced beef, ahi poke, acai smoothies, and avocado toast. [3] [4] [5] [6] That site was almost demolished to build housing. [7]
All four Mel's Drive-In locations in Southern California are housed in historic buildings. Mel's Drive-In at 14846 Ventura Blvd in the Sherman Oaks neighborhood of Los Angeles was built as Kerry's coffee shop in 1953. The googie style building was designed by Armet & Davis. Mel's Drive-In at 8585 Sunset Blvd in West Hollywood was built as Ben Frank's in 1962. The googie style building was designed by Lane & Schlick. Mel's Drive-In at 1660 N. Highland Ave in Hollywood is located in a portion of the former Max Factor makeup studio. The Hollywood Regency style building was designed by S. Charles Lee and built in 1935. The Mel's Drive-In at 1670 Lincoln Blvd in Santa Monica was built as The Penguin in 1958. The googie style building was designed by Armet & Davis. [8] [9] [10] [11]
In October 1963, the Mel's Drive-In chain was picketed and subjected to a sit-in by the Ad Hoc Committee to End Discrimination over the fact that while the restaurant would serve food to African Americans and hired them as cooks, they were not allowed to work “up front” where they could be seen by white customers. More than 100 protesters were arrested. The picketing ended when Harold Dobbs, a San Francisco City supervisor who had run for mayor and lost, settled with the protesters and began to allow black workers upfront. [12]
In 1972, the restaurant was selected as a feature location by George Lucas for his 1973 film American Graffiti . The Mel's used was located at 140 South Van Ness Avenue in San Francisco. [13] It serves as the setting for the opening scene of the film as well as the backdrop for the opening credits, accompanied on the soundtrack by Bill Haley’s “Rock Around the Clock”.
The prominent play given to the location has been credited with having saved the company from possibly going out of business.[ citation needed ] Signage and artwork from the Mel's chain are frequently used in marketing for the film.
Universal Studios built a replica of Mel's Drive-In on its lot, pursuant to the restaurant being used in American Graffiti – this amusement attraction also served as a gift shop for years.
Prior to American Graffiti, Mel's was used as a location in the 1967 film Guess Who's Coming to Dinner . Spencer Tracy and Katharine Hepburn are out for a drive, and Tracy pulls into Mel's and orders Oregon boysenberry ice cream; he then has a minor traffic altercation with a black man. The Mel's was located in the Excelsior district of San Francisco. Hepburn and Tracy never actually visited the location.
Mel's restaurants have since been featured in other media, such as Melrose Place (1996, Season 5, Episode 1), Doonesbury comics (December 18, 1989), and the book The American Drive-in by Mike Witzel.
The address for the Mel's Drive-In location on the Sunset Strip in West Hollywood is listed at the bottom of the signed headshots found in the VIP packages for the band Ghost's "A Pale Tour Named Death".
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Harold Stanley Dobbs was an influential civic leader in San Francisco, California. He was a lawyer, businessman, politician, and leader in the Jewish community, founding Mel's Drive-In and serving as president of San Francisco's Board of Supervisors.
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Eldon Carlyle Davis was an American architect, considered largely responsible for the creation of Googie architecture, a form of modern architecture originating in Southern California. Googie architecture is largely influenced by Southern California's car culture and the Space Age of the mid-20th century. Davis was a founding partner of the Armet & Davis architectural firm which championed Googie architecture, including the original Norms Restaurant, a Googie coffee shop designed by Davis. For his work, the Los Angeles Times called Davis, "the father of the California coffee shop."
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Helen Liu Fong was an American architect and interior designer from Los Angeles, California. Fong was an important figure in the Googie architecture movement, designing futuristic buildings like Norms Restaurant, the Holiday Bowl, Denny's, Bob's Big Boy, and Pann's Coffee Shop that helped usher in an era of boomerang angles, dynamic forms and neon lights. Fong became one of the first women to join the American Institute of Architects, and worked with Armet and Davis on many of her most well-known projects. Many of Fong's best-known building designs feature large glass fronts and bold colors on interior walls, designed to stand out and entice potential customers.
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W.W. "Biff" Naylor is a retired restaurant owner in Los Angeles, California. He was born in Oakland, California in 1939 and graduated from Pennsylvania State University. His father W.W. “Tiny” Naylor started Tiny's Waffle Shops in Central California in the 1920s, and operated a chain of more than 40 Tiny Naylor's and Biff's restaurants in Southern California. Biff Naylor took over operations of Tiny Naylor's after his father's death in 1959 and was still operating at least one location in 1999. The Biff's restaurant chain of the 1940s was a "forerunner to all the modern coffee shops," Naylor told the San Jose Mercury News in 2016. Those restaurants employed modern architecture in the googie style, and innovations that would be adopted widely through the restaurant industry including open exhibition cooking kitchen, stainless steel counters, refrigerated pie cases, and plate "lowerators" that warmed or cooled plates as needed. In 2017 Los Angeles magazine food critic Patric Kuh called the longtime restaurant operator "Diner royalty". Saveur magazine wrote that Biff Naylor created "The best damn coffee shops ever" in their "Saveur 100" list
Ben Frank's was a restaurant in West Hollywood, California, opened in 1962 by Arthur Simms and Bob Ehrman. The location, surrounded by the famous nightclubs of the Sunset Strip, led to a celebrity clientele, and the 24-hour restaurant became a popular late night destination. The distinctive googie architecture and eye-catching neon sign helped attract musicians like Jim Morrison and Frank Zappa, as well as patrons of the nearby music venues. The youthful patrons that frequented the restaurant inspired the producers of the Monkees TV show to place an ad seeking "spirited Ben Frank's types" when casting the show in 1965.
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