Angel gilding

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Still from the instructional video "Creating a Mirror on Glass: Silver & Gold" Angel Gilding Process 1.JPEG
Still from the instructional video "Creating a Mirror on Glass: Silver & Gold"

Angel gilding is gilding glass or gold plating by electroless chemical deposition.

Contents

Gold chloride is dissolved in water, mixed with other chemicals and poured on clean glass that has been treated with stannous chloride. [1] The gold layer is delicate and usually translucent. To make an opaque, affordable and adherent mirror, a layer of silver is deposited over the gold. [2] Glass gilders use the term angel gilding to distinguish the chemical process from gold leaf gilding also known as verre églomisé .

History

Justus von Liebig, widely credited with inventing the modern process for silvering glass, also worked on gilding glass with gold chloride. James Pratt, a British glass worker, was the first to realize that he could make affordable gold mirrors by depositing a layer of silver on top of the gold. He was granted a British patent in 1885. [3] Gold mirrors and gold mirrored signs were very popular in English public houses (pubs) in the late Victorian era [4] and many wonderful examples of the art can be found all over Britain today. Felix Andres, a sign painter in San Francisco, introduced a process for spray gilding glass in 1923, [5] but the fashion for elaborate detail in signs was changing to the modern neon style and his business was not successful.[ citation needed ]

Stained glass in Chicago

Angel gilding was widely used by Chicago's stained glass studios in the 1920s and 30s [6] to make a distinctive style of stained glass for Chicago's historic bungalows. These Prairie Style windows have a clear glass background with the designs picked out in opalescent glass and double-sided gold mirror. To make the double-sided gold mirror the studios angel gilded large sheets of thin (1.6 mm, or 0.06 inch) glass. A worker would cut two copies of the desired shape from the glass and place the pieces back to back in a single came. [7] Because the pieces are gold on both sides, they catch and reflect the light whether the window is viewed from inside the house or from the street. Frank Lloyd Wright used double-sided angel gilded glass in many of his windows, including the now demolished Imperial Hotel in Tokyo. [8]

Today

Today angel gilding is used to gild inside blown glass sculptures, repair Chicago's stained glass bungalow windows, create new glass signs and replicate and repair Victorian glass signs.[ citation needed ]

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Mercury silvering

Mercury silvering or fire gilding is a silvering technique for applying a thin layer of precious metal such as silver or gold to a base metal object. The process was invented during the Middle Ages and is documented in Vannoccio Biringuccio's 1540 book De la pirotechnia. An amalgam of mercury and the precious metal is prepared and applied to the object which is then heated, sometimes in oil, vaporizing most of the mercury. The technique is dangerous since mercury is highly toxic, especially in its vapor phase. Mercury silvering can be detected through a variety of methods.

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Verre églomisé[vɛʁ e.ɡlɔ.mi.ze] is a French term referring to the process of applying both a design and gilding onto the rear face of glass to produce a mirror finish. The name is derived from the 18th-century French decorator and art-dealer Jean-Baptiste Glomy (1711–1786), who was responsible for its revival.

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Gold leaf is gold that has been hammered into thin sheets by goldbeating and is often used for gilding. Gold leaf is available in a wide variety of karats and shades. The most commonly used gold is 22-karat yellow gold.

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Architectural glass is glass that is used as a building material. It is most typically used as transparent glazing material in the building envelope, including windows in the external walls. Glass is also used for internal partitions and as an architectural feature. When used in buildings, glass is often of a safety type, which include reinforced, toughened and laminated glasses.

The term "opaline" refers to a number of different styles of glassware.

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Conservation and restoration of stained glass

Stained glass conservation refers to the protection and preservation of historic stained glass for present and future generations. It involves any and all actions devoted to the prevention, mitigation, or reversal of the processes of deterioration that affect such glassworks and subsequently inhibit individuals' ability to access and appreciate them, as part of the world's collective cultural heritage. It functions as a part of the larger practices of cultural heritage conservation (conservation-restoration) and architectural conservation.

Glass coloring and color marking Production methods

Glass coloring and color marking may be obtained in several ways.

  1. by the addition of coloring ions,
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Silver-gilt Silver gilded with gold 14kt

Silver-gilt or gilded/gilt silver, sometimes known in American English by the French term vermeil, is silver which has been gilded with gold. Most large objects made in goldsmithing that appear to be gold are actually silver-gilt; for example most sporting trophies and many crown jewels are silver-gilt objects.

References

  1. Schweig, Bruno Mirrors: A Guide to the Manufacture of Mirrors and Reflecting Surfaces Pelham Books London 1973 ISBN   0-7207-0643-2
  2. Swormstedt, Tod The Angel Gild – A lost technique is rediscovered, Signs of the Times July 1988
  3. Schweig, Bruno Mirrors: A Guide to the Manufacture of Mirrors and Reflecting Surfaces Pelham Books London 1973 ISBN   0-7207-0643-2
  4. Duthie, Arthur Louis Decorative Glass Processes 1911 republished in 1982 by Dover Publications for the Corning Museum of Glass ISBN   0-486-24270-6
  5. Editor, Discovery in Glass Gilding – Something New, Signs of the Times, December 1923
  6. Darling, Sharon Chicago Ceramics and Glass University of Chicago Press for the Chicago Historical Society 1973 pp 120-128 ISBN   0-913820-10-5
  7. King, Sarah Chicago's Golden Mystery Glass Craftsman, 2008 Issue No. 206, pp 6-10
  8. Hinz, Thomas A Frank Lloyd Wright's Stained Glass & Lightscreens Gibbs Smith Publisher Layton Utah 2000 p 105 ISBN   0-87905-610-X