Arse Elektronika

Last updated
Arse Elektronika
GenreSex and technology conference
FrequencyAnnual
Location(s)Various (San Francisco, Linz, Hong Kong, etc.)
Years activeSince 2007
Inaugurated5 October 2007;16 years ago (2007-10-05)
Organised by monochrom
Website Arse Elektronika conference page

Arse Elektronika is an annual conference organized by the Austrian arts and philosophy collective monochrom, focused on sex and technology. The festival presents talks, workshops, machines, presentations and films. The festival's curator is Johannes Grenzfurthner. Between 2007 [1] and 2015, [2] [3] the event was held in San Francisco, but is now a traveling event in different countries.

Contents

The name Arse Elektronika is a pun on Ars Electronica, the name of an arts and technology organization based in Austria. [4]

Speakers at past conferences have included Violet Blue, Mark Dery, Richard Kadrey, Annalee Newitz, Carol Queen, Susie Bright and Rudy Rucker, with demonstrations by Kyle Machulis of the blog Slashdong; Heather Kelley; Allen Stein of Thrillhammer; and other engineers of the pornographic website Fucking Machines .

Arse Elektronika became a point of reference for many debates around sex and technology. [5]

Main conferences

Arse Elektronika's curator Johannes Grenzfurthner (at Arse Elektronika 2007) Johannes Grenzfurthner at Arse Elektronika 2007.jpg
Arse Elektronika's curator Johannes Grenzfurthner (at Arse Elektronika 2007)

Additional exhibitions and performances

Arse Elektronika organizes exhibitions and lecture performances world-wide that are not always part of the actual conference. [24] [25] In April 2010, the first Arse Elektronika exhibition "Techno(sexual) Bodies" was presented at Videotage in the city of Hong Kong; it was curated by Johannes Grenzfurthner and Isaac Leung. [26] [27]

In March 2019, monochrom presented (as part of an Arse Elektronika special at NRW-Forum in Düsseldorf) a sex robot called Nekropneum Fuckenbrust Neckhammer 40k. [28] [29] [30]

Publications

pr0nnovation? Pornography and Technological Innovation (Arse Elektronika Anthology #1)

Do Androids Sleep with Electric Sheep? Critical Perspectives on Sexuality and Pornography in Science and Social Fiction (Arse Elektronika Anthology #2)

Of Intercourse and Intracourse – Sexuality, Biomodification and the Techno-Social Sphere (Arse Elektronika Anthology #3)

Screw The System – Explorations of Spaces, Games and Politics through Sexuality and Technology (Arse Elektronika Anthology #4)

Related Research Articles

Boing Boing is a website, first established as a zine in 1988, later becoming a group blog. Common topics and themes include technology, futurism, science fiction, gadgets, intellectual property, Disney, and left-wing politics. It twice won the Bloggies for Weblog of the Year, in 2004 and 2005. The editors are Mark Frauenfelder, David Pescovitz, Carla Sinclair, and Rob Beschizza, and the publisher is Jason Weisberger.

<span class="mw-page-title-main">Monochrom</span>

Monochrom is an international art-technology-philosophy group, publishing house and film production company. It was founded in 1993, and defines itself as "an unpeculiar mixture of proto-aesthetic fringe work, pop attitude, subcultural science and political activism". Its main office is located at Museumsquartier/Vienna.

<span class="mw-page-title-main">Johannes Grenzfurthner</span>

Johannes Grenzfurthner is an Austrian artist, filmmaker, writer, actor, curator, theatre director, performer and lecturer. Grenzfurthner is the founder, conceiver and artistic director of monochrom, an international art and theory group and film production company. Most of his artworks are labeled monochrom.

Fucking Machines is a pornographic website founded in 2000 that features video and photographs of women engaged in autoerotic sexual stimulation with penetrative sex-machines and sex toys. Based in San Francisco, California, the site is operated by Kink.com. Web entrepreneur Peter Acworth launched Fucking Machines on September 25, 2000, as his company's second website after Kink.com. Devices shown on the site were created with the intent to bring women authentic orgasms. Performers were instructed to allow themselves to be recorded experiencing pleasure.

<span class="mw-page-title-main">Georg Paul Thomann</span>

Georg Paul Thomann was purported to be a renowned Austrian conceptual artist of the late 20th century. In reality, he was the fictitious creation of the Austrian art group monochrom who started working on his biography in the summer of 2000.

<span class="mw-page-title-main">Buried Alive (performance)</span>

Buried Alive is an art and lecture performance series by art-tech group monochrom. The basic concept is to offer willing participants the opportunity of being buried alive in a real coffin underground for fifteen to twenty minutes. As a framework program, monochrom offers lectures about the history of the science of determining death and the medical cultural history of premature burial. To date, they have buried over 500 people. The series has created controversy in some places it has been staged.

Roboexotica is an annual festival and conference where scientists, researchers, computer experts and artists from all over the world build cocktail robots and discuss technological innovation, futurology and science fiction. Roboexotica is also an ironic attempt to criticize techno-triumphalism and to dissect technological hypes.

<i>Soviet Unterzoegersdorf</i> Video game

Soviet Unterzoegersdorf is a fictitious country created by the art/technology/theory group monochrom. It is the "last existing appanage republic of the USSR", located inside the Republic of Austria. Unterzögersdorf is partially based on an existing village well known to Johannes Grenzfurthner, the creator of the concept. As a kid and teenager, Grenzfurthner spent a lot of time at his grandparents' farm in the small village of Unterzögersdorf. His grandparents' stories about the Nazism, WWII and the Soviet occupation in allied-occupied Austria (1945–1955) form the inspirational basis of the long-term project Soviet Unterzoegersdorf.

Michael Marrak is a German science fiction and horror writer. He is also an illustrator and from 1993 to 1996 he edited the magazine Zimmerit. His first novel Stadt der Klage was published by the Austrian art group and publishing collective monochrom.

OhMiBod is an American company that manufactures sex toys, based in New Hampshire, United States.

<span class="mw-page-title-main">Sex machine</span> Mechanical devices used to simulate human sexual activity

A sex machine is a mechanical device used to simulate human sexual intercourse or other sexual activity.

Mechanophilia is a paraphilia involving a sexual attraction to machines such as bicycles, cars, helicopters, and airplanes.

Metafetish is a blog about teledildonics and similar use of technology for erotic purposes.

<span class="mw-page-title-main">Heather Kelley</span>

Heather Kelley is a media artist, writer and video game designer. She is a co-founder of the Kokoromi experimental game collective, with whom she produces and curates the annual Gamma game event promoting experimental games as creative expression in a social context. She regularly appears as a jury member for several computer gaming festivals. She is also a frequent public speaker at technology events.

Traceroute is a 2016 Austrian-American documentary film directed by Johannes Grenzfurthner. The autobiographical documentary and road movie deals with the history, politics and impact of nerd culture. Grenzfurthner calls his film a "personal journey into the uncharted depths of nerd culture, a realm full of dangers, creatures and more or less precarious working conditions", an attempt to "chase the ghosts of nerddom's past, present and future." The film was co-produced by art group monochrom and Reisenbauer Film. It features music by Kasson Crooker, Hans Nieswandt, and many others.

<i>Glossary of Broken Dreams</i> 2018 Austrian film

Glossary of Broken Dreams is a 2018 Austrian/American documentary film directed by Johannes Grenzfurthner. The essayistic feature film tries to present an overview of political concepts such as freedom, privacy, identity, resistance, etc.

<span class="mw-page-title-main">Jasmin Hagendorfer</span>

Jasmin Hagendorfer is a Vienna-based contemporary artist, writer, filmmaker, curator, producer and festival organizer. She is one of the founders and creative director of the Porn Film Festival Vienna. From 2019 to 2022 she was the creative director of Transition International Queer & Minorities Film Festival. Her main artistic interest is in installation, sculpture and performance, and her work has been exhibited in Austria, Germany, Turkey, Serbia and Greece. As an artist she is concerned with social and political discourses and questions about gender identity with an emphasis on post-porn political works. Her studio is based in Stockerau near Vienna.

Je Suis Auto is an upcoming Austrian social science fiction indie comedy film directed by Juliana Neuhuber and written by Johannes Grenzfurthner. Chase Masterson is voicing the title character "Auto", a self-driving taxi,. Johannes Grenzfurthner plays Herbie Fuchsel, an unemployed nerd critical of artificial intelligence. The film is a farcical comedy that deals with issues such as artificial intelligence, politics of labor, and tech culture.

<i>Eignblunzn</i> 2003 performance art by monochrom

Eignblunzn is a 2003 performance by Austrian art theory group monochrom and is considered an important work in the group's history and Austrian art history in the 2000s. The group's members Johannes Grenzfurthner, Evelyn Fürlinger and Harald Homolka-List staged a classic Austrian Heuriger in a room at Museumsquartier Vienna, and consumed Austrian-style blood sausage made out of their own blood. Volunteers were invited to take part. German author Johannes Ullmaier and Austrian journalist Gerlinde Lang of radio station FM4 joined the procedure and reported about it. The performance was accompanied by political essays about the 'auto-cannibalistic' tendencies of the global economy. The event also can be interpreted as a critical statement about art, art history, the art market, and martialism in performance art.

<i>Wir kaufen Seelen</i> 1998 performance artwork by monochrom

Wir kaufen Seelen is a 1998 performance by Austrian art theory group monochrom and is considered a significant work in the group's history and Austrian art history in the 1990s.

References

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  2. Flox, A.V. (16 March 2016). "Eagerly We Await the Coming of the Sex Robots". VICE Motherboard. Retrieved 7 February 2019.
  3. Alptraum, Lux (26 February 2016). "What Happened to the Crowdfunded Sex Toy Revolution?". VICE Motherboard. Retrieved 7 February 2019.
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  5. Wong, Julia Carrie (24 September 2015). "Joy Stick: The Tarnished Dreams of Teledildonics' Inventor". SF Weekly. Retrieved 5 February 2019.
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  30. Westdeutsche Zeitung (15 March 2019). "Meta Marathon Düsseldorf: Fünf Tipps" (in German). Retrieved 2019-03-15.
  31. Grenzfurthner, Johannes; Friesinger, Günther; Fabry, Daniel (2008). pr0nnovation? Pornography and Technological Innovation. RE/Search, edition mono/monochrom. ISBN   978-18893072-0-6. Archived from the original on 9 February 2019. Retrieved 7 February 2019.
  32. Grenzfurthner, Johannes; Friesinger, Günther; Fabry, Daniel (2009). Do Androids Sleep with Electric Sheep? Critical Perspectives on Sexuality and Pornography in Science and Social Fiction. RE/Search, edition mono/monochrom. ISBN   978-18893072-3-7. Archived from the original on 9 February 2019. Retrieved 7 February 2019.
  33. Grenzfurthner, Johannes; Friesinger, Günther; Fabry, Daniel (2011). Of Intercourse and Intracourse – Sexuality, Biomodification and the Techno-Social Sphere. RE/Search, edition mono/monochrom. ISBN   978-39027960-2-8. Archived from the original on 1 January 2017. Retrieved 7 February 2019.
  34. Grenzfurthner, Johannes; Friesinger, Günther; Fabry, Daniel (2013). Screw The System – Explorations of Spaces, Games and Politics through Sexuality and Technology. RE/Search, edition mono/monochrom. ISBN   978-3902796165. Archived from the original on 4 June 2019. Retrieved 7 February 2019.