A digital synthesizer is a synthesizer that uses digital signal processing (DSP) techniques to make musical sounds. This in contrast to older analog synthesizers, which produce music using analog electronics, and samplers, which play back digital recordings of acoustic, electric, or electronic instruments. Some digital synthesizers emulate analog synthesizers; others include sampling capability in addition to digital synthesis.
An electronic musical instrument or electrophone is a musical instrument that produces sound using electronic circuitry. Such an instrument sounds by outputting an electrical, electronic or digital audio signal that ultimately is plugged into a power amplifier which drives a loudspeaker, creating the sound heard by the performer and listener.
An analog synthesizer is a synthesizer that uses analog circuits and analog signals to generate sound electronically.
Modular synthesizers are synthesizers composed of separate modules for different functions. The modules can be connected together by the user to create a patch. The outputs from the modules may include audio signals, analog control voltages, or digital signals for logic or timing conditions. Typical modules are voltage-controlled oscillators, voltage-controlled filters, voltage-controlled amplifiers and envelope generators.
Ensoniq ESQ-1 is a 61-key, velocity sensitive, eight-note polyphonic and multitimbral synthesizer released by Ensoniq in 1985. It was marketed as a "digital wave synthesizer" but was an early Music Workstation. Although its voice generation is typically subtractive in much the same fashion as most analog synthesizers that preceded it, its oscillators are neither voltage nor "digitally controlled", but true digital oscillators, provided by a custom Ensoniq wavetable chip. The signal path includes analog resonant low-pass filters and an analog amplifier.
The ARP Odyssey is an analog synthesizer introduced by ARP Instruments in 1972.
The Korg OASYS is a workstation synthesizer released in early 2005, 1 year after the successful Korg Triton Extreme. Unlike the Triton series, the OASYS uses a custom Linux operating system that was designed to be arbitrarily expandable via software updates, with its functionality limited only by the PC-like hardware.
The Realistic Concertmate MG-1 is an analog synthesizer manufactured by Moog Music in 1981 and sold by Radio Shack from 1982 to 1983 under their "Realistic" brand name. It was produced without some standard Moog features, such as pitch and modulation wheels, as a cost-cutting measure aimed at achieving a lower price for the consumer market. The synthesizer also featured a pair of pass-through RCA jacks, which allowed users to mix radio or records into the final live synthesized sound output.
Crumar is an Italian manufacturer of electronic musical instruments. It was established by Mario Crucianelli in the late 1960s, and manufactured synthesizers and keyboards during the '70s and '80s. Its name is a portmanteau of "Crucianelli" and the name of his business partner, Marchetti. The company appears to have grown out of the Crucianelli accordion company and also continued to manufacture accordions under both names.
The Moog model 2090 Micromoog is a monophonic analog synthesizer produced by Moog Music from 1975 to 1979.
Palm Products GmbH was a manufacturer of audio synthesizers. Founded and owned by Wolfgang Palm, PPG was located in Hamburg, Germany and, for 12 years from around 1975 to 1987, manufactured an acclaimed and eclectic range of electronic musical instruments, all designed by Palm.
The Korg MS2000 is a virtual analog synthesizer produced by the Japanese electronic musical instrument manufacturer Korg.
The Korg DSS-1 is a polyphonic sampling synthesizer released by Korg in 1986. As Korg's initial entry into the sampling market, the DSS-1 combines sampling, additive synthesis, and waveform drawing with an analog signal path. The DSS-1 was released a time when major synthesizer manufacturers like Yamaha and Casio were beginning to explore sampling, an area of sound design dominated by companies like Fairlight, E-mu, and Ensoniq. Korg did not stay long in the sampling arena; the DSS-1 was the company's only sampler until 1998 when Korg introduced sampling options on their Triton and Trinity series of workstations.
A synthesizer is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments and may be synchronized to other equipment via MIDI.
The AX80 is a polyphonic analogue keyboard synthesizer manufactured by Akai Professional in 1984. It was Akai's first venture into the professional electronic musical instrument market. The AX80 used digitally controlled oscillators (DCO) and filter circuitry based on the Curtis Electronics CEM 3372 integrated circuit. It was marketed as part of a line of project studio equipment called the Akai Music Studio System, which included the S612 digital sampler the MR16 drum machine, the MS08 sequencer, and the MG1212 multitrack tape recorder.
The Korg DW-6000 is a polyphonic hybrid digital-analog synthesizer released in 1985. It blends digital waveforms with an analog filter and amplifier, also incorporating a chorus effect to create an enriched analog sound. The DW-6000 features six-note polyphony and was quickly succeeded by the DW-8000, also released in 1985, which introduced a velocity sensitive keyboard with aftertouch, a built-in arpeggiator, increased polyphony and waveforms, and substituted the chorus effect with a digital delay effect.
The Atari AMY was a 64-oscillator additive synthesizer implemented as a single-IC sound chip. It was initially developed as part of a new advanced chipset, codenamed "Rainbow" that included a graphics processor and sprite generator. Rainbow was considered for use in the 16/32-bit workstation known as Sierra, but the Sierra project was bogged down in internal committee meetings. However the Rainbow chipset development continued up until Atari's CED and HCD divisions were sold to Tramel Technology, Ltd. For a time, AMY was slated to be included in the Atari 520ST, then an updated version of the Atari 65XE, the 65XEM, but development was discontinued. The technology was later sold, but when the new owners started to introduce it as a professional synthesizer, Atari sued, and work on the project ended.
TIMARA is a program at the Oberlin Conservatory of Music notable for its importance in the history of electronic music. Established in 1967, TIMARA is well known as the world's first conservatory program in electronic music. Department alumni have included Cory Arcangel, Christopher Rouse, Dary John Mizelle, Dan Forden and Amy X Neuburg.
The Yamaha DX21 is a digital controlled bi-timbral programmable digital FM synthesizer with a four operator synth voice generator which was released in 1985. It uses sine wave-based frequency modulation (FM) synthesis. It has two FM tone generators and a 32-voice random-access memory (RAM), 32 user voices and 128 read-only memory (ROM) factory preset sounds. As a programmable synth, it enables users to create their own unique synthesized tones and sound effects by using the algorithms and oscillators. The instrument weighs 8 kg (17.6 lbs). On its release, it sold for $795.
The history of home keyboards lies in mechanical musical instrument keyboards, electrified keyboards and 1960s and 1970s synthesizer technologies.
