"At Seventeen" is a song by American singer-songwriter Janis Ian from her seventh studio album Between the Lines. Columbia released it in July 1975 as the album's second single. Ian wrote the lyrics on the basis of a New York Times article and used a samba instrumental, and Brooks Arthur produced the final version. A pop and soft rock ballad, the song is about a social outcast in high school. Critics have regarded "At Seventeen" as a type of anthem. Despite her initial reluctance to perform the single live, Ian promoted it at various appearances and it has been included on compilation and live albums.
52nd Street is the sixth studio album by American singer-songwriter Billy Joel, released on October 11, 1978, by Columbia Records. Presenting itself as the follow-up to his breakthrough studio album, The Stranger, Joel tried to give the new album a fresh sound, hiring various jazz musicians to differentiate it from his previous studio albums.
Shake It Up is the fourth studio album by American new wave band the Cars, released on November 6, 1981, by Elektra Records. It was the last Cars record to be produced by Roy Thomas Baker. A much more pop-oriented album than its predecessor, its title track became the band's first Billboard top-10 single. Spin magazine included it on their "50 Best Albums of 1981" list. In 2021, Rhino Entertainment re-released the album on neon green vinyl.
Twelve Dreams of Dr. Sardonicus is the fourth album by the American rock band Spirit. It was produced by David Briggs, who is best known for his work with Neil Young. The original LP was released in November 1970 by Epic. The band's lowest charting album to that point, it peaked at #63 on the Billboard 200 in February 1971, spending only fourteen weeks on the chart. However, it sold well as a catalog item and became the band's only album to ultimately attain a RIAA gold certification in the U.S., achieving that status in 1976. On the Canadian RPM Magazine Top 100 charts, the album reached #49 and was in the top 100 for 10 weeks.
Made in the Shade, released in 1975, is the third official compilation album by the Rolling Stones, and the first under their Atlantic Records contract. It covers material from Sticky Fingers (1971), Exile on Main St. (1972), Goats Head Soup (1973) and It's Only Rock 'n' Roll (1974).
Santana is the third studio album by the American rock band Santana. The band's second self-titled album, it is often referred to as III or Santana III to distinguish it from the band's 1969 debut album. The album was also known as Man with an Outstretched Hand, after its album cover image. It was the third and last album by the Woodstock-era lineup, until their reunion on Santana IV in 2016. It was also considered by many to be the band's peak commercially and musically, as subsequent releases aimed towards more experimental jazz fusion and Latin music. The album also marked the addition of 16-year-old guitarist Neal Schon to the group.
Children of the World is the fourteenth studio album by the Bee Gees, released in 1976 by RSO Records. The first single, "You Should Be Dancing", went to No. 1 in the US and Canada, and was a top ten hit in numerous other territories. The album was re-issued on CD by Reprise Records and Rhino Records in 2006. This was the first record featuring the Gibb-Galuten-Richardson production team which would have many successful collaborations in the following years.
Broken Blossom is the fourth studio album by American singer Bette Midler, her second album release in 1977 and her fifth on the Atlantic Records label. Just as Midler's three previous studio albums Broken Blossom includes songs from a wide variety of genres, ranging from Edith Piaf's signature tune "La vie en rose", Phil Spector-esque covers of Billy Joel's "Say Goodbye to Hollywood" and Harry Nilsson's "Paradise" and hard rock like Sammy Hagar's "Red", to a jazzy duet with Tom Waits, "I Never Talk to Strangers", and a rendition of "A Dream Is a Wish Your Heart Makes", originally from Walt Disney's 1950 film version of Cinderella. The album reached #51 on Billboard's album chart.
Crowded House is the debut album by New Zealand-Australian band Crowded House. Produced by Mitchell Froom, it was released in August 1986 and was certified platinum in four countries. The album includes the hit singles "Don't Dream It's Over", "Something So Strong", "Mean to Me", "World Where You Live" and "Now We're Getting Somewhere".
Tryin' to Get the Feeling is the third studio album by singer-songwriter Barry Manilow, released in 1975. It features the title track, "Tryin' to Get the Feeling Again", together with other hits including "New York City Rhythm", "Bandstand Boogie" and the chart-topping "I Write the Songs". The album debuted on the Billboard Top 200 Chart on November 8, 1975, reaching number five in early 1976, and eventually was certified double platinum. It peaked at No. 24 on Canada's RPM Album Chart.
Have You Never Been Mellow is the fifth studio album by British-Australian singer Olivia Newton-John, released on 12 February 1975 by MCA Records.
Winner in You is the eighth studio album by American R&B singer Patti LaBelle. It was released by MCA Records on April 28, 1986, in the United States. Recording sessions took place during 1985–1986. Production was handled by several record producers, including Burt Bacharach, Carole Bayer Sager, and Nickolas Ashford, among others.
You Shouldn't-Nuf Bit Fish is the second studio album by American funk musician George Clinton released in 1983 by Capitol Records. The album reached No. 18 on the Billboard Top Soul Albums chart.
Baby It's Me is the eighth studio album by American singer Diana Ross, released on September 16, 1977 by Motown Records. It peaked at No. 18 on the Billboard Top 200 and No. 7 on the R&B album chart. The album was produced by producer Richard Perry. The LP yielded one top 40 hit, "Gettin' Ready for Love", reaching number 27 on the US Billboard Hot 100. Other charting singles released from the album include "You Got It" and "Your Love Is So Good for Me", the latter receiving a Grammy nomination.
Never Too Much is the debut solo studio album by American singer Luther Vandross, released on August 12, 1981, by Epic Records. Mostly composed by Vandross himself, the album reached number 19 on the US Billboard 200 and number one on the Top R&B/Hip-Hop Albums chart, and has been certified double platinum by the Recording Industry Association of America (RIAA). Never Too Much earned Vandross two Grammy Award nominations in 1982, including Best New Artist and Best R&B Vocal Performance, Male.
914 Sound Recording Studios, Inc. was a recording studio in Blauvelt, New York, incorporated by Brooks Arthur on August 28, 1970. Some of the artists who recorded tracks and albums in the studio were Bruce Springsteen, Dusty Springfield, Ramones, Janis Ian, Blood, Sweat & Tears and Melanie. It was named after telephone area code 914, which served as the area code for Rockland County until 2000.
Band of Gold is the third studio album by Freda Payne. Her first for Invictus Records, it was released in 1970. The title track became an instant smash on the Pop charts in the US and the UK. Other hits included "Unhooked Generation" and "Deeper and Deeper". The tenth track was written by Payne's younger sister, Scherrie Payne. Cover versions include Gary Puckett and the Union Gap's hit "This Girl Is a Woman Now" and Andy Williams' hit "Happy Heart".
Aftertones is the eighth album by American singer/songwriter Janis Ian, recorded 1975 in various New York studios and released 1976 by Columbia Records. "Love Is Blind" was a #1 single in Japan for six months. It was the highest-selling album by a solo female artist in Japan and was also a top twenty and gold record in the United States, Ireland and Holland. "I Would Like to Dance" reached #86 in Canada.
Stars is the sixth studio album by American singer-songwriter Janis Ian, and the first of her seven for Columbia Records. Ian had previously had a three-year hiatus from the music industry since her 1971 album Present Company. In two years away from the music business, Ian wrote over 100 songs after moving to Los Angeles. She returned to play at the Philadelphia Folk Festival on August 17, 1973, and was signed by Columbia Records after several other companies rejected the songs she had written.
Miracle Row is the ninth studio album by Janis Ian, and her fourth for Columbia Records, released in 1977.
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