Bilal: A New Breed of Hero is a 2015 English-language Emirati 3D animated action-adventure film about the birth of Islam, produced by Barajoun Entertainment and co-directed by Khurram H. Alavi and Ayman Jamal. With a story by Jamal, the screenplay was written by Alavi, Alex Kronemer, Michael Wolfe and Yassin Kamel. With this film, Jamal aimed to depict heroes from the history of the Arabian Peninsula.
Bilal premiered on December 9, 2015, at the 12th Annual International Dubai Film Festival. Starting September 8, 2016, the film released throughout the MENA region. The film began an international rollout in February 2018.
Bilal won "Best Inspiring Movie" on Animation Day at the 2016 Cannes Film Festival. It won "Best Innovative Movie" at the BroadCast Pro Middle East Award 2016. Bilal was nominated for Best Animated Feature Film at the 2016 Asia Pacific Screen Awards, the region's highest accolade for film.
Plot
Bilal lives a peaceful life with his mother and his younger sister on the outskirt of the village until the Byzantine soldiers come, enslave them, and kill his mother.
During his childhood, he is sold as a slave to the richest man in the city of Mecca, Umayyah, one of the Quraysh's leaders. While getting water for his master, he encounters Okba, another of Quraysh's leaders, who is persuading the people of Mecca to come to his shop and buy various types of idols from him, and the mysterious and masked Charlatan Priest, who tricks people to give their money to him with promises that the idols will grant them all of their desires.
In another part of the city, Safwan, Umayyah's son, is bullying Ghufaira, Bilal's sister, along with his friends and is about to shoot her with an arrow when Bilal intervenes and saves her. Umayyah hears about this from one of his merchants and reminds Bilal of his status with brutality before ordering the guards to whip him. After that, Umayyah slaps Safwan for losing to a slave and embarrassing him.
One day, Bilal meets and befriends a white horse, whom he rides until adulthood. He becomes friends with Saad, a skilled archer. On his way back to Umayyah's mansion, he stops a hungry young boy from stealing from the idol's bowl to spare him a beating from the Meccan Priest's guards. He gives the boy his own food instead. His act of kindness is seen by Abu Bakr, a man who believes in equality for everyone and sees greatness in Bilal. However, Bilal doubts him and his beliefs, unable to see a future where slaves are treated fairly. Unbeknownst to both of them, Safwan's servant had been watching them while they had their conversation.
After receiving a gift from Sohaib, a slave of Persian origin purchased from the Roman lands, which is actually the gift from his master to Umayyah, Bilal is told to sing at Umayyah's feast at night. He leaves after his song to the sound of his master's friends mockingly praising, laughing, and insulting his late mother. The next day, Bilal goes back to Abu Bakr to ask for clarity and accepts his belief that there is only one God. He also learns that even people like Umayyah are slaves as well, their master being "greed".
At the next feast celebrating Safwan's first success as a merchant, another Quraysh leader named Abu al-Hakam, warned Umayyah of the new movement opposing them. Upon learning from al-Hakam that some of his fellow merchants are beginning to join the new movement, Umayyah is enraged by this and demands to know of any more traitors among his ranks. Seeing the opportunity, Safwan accuses Bilal of being part of the new movement. After being questioned by his master, Bilal then defies Umayyah and is taken to a cage where he is tortured every day to force him to renounce his claims. One day, Umayyah comes and offers him an opportunity to be a spy against the movement. Bilal does not yield and is then taken out to the public where he is chained in front of the Meccans. A large boulder is put on top of him to slowly crush him, but he was saved by Abu Bakr who buys him from his oppressive master.
Ghufaira, however, was given to Safwan by his father as a gift. He chooses not to sell her just to torture Bilal mentally. Three months later, after being sold off to his new master, Abu Bakr frees Bilal. Bilal is then taught how to fight with a sword by Hamza, who is the foster brother, paternal uncle, and also one of the companions of the movement'sleader, while also traveling with them up north, fleeing from the persecution of the Meccans. One year later, after the migration to the great city of Yathrib, now renamed as Medina, Safwan sends Bilal a lock of Ghufaira's hair. Bilal immediately rides back to Mecca after receiving it, followed by Hamza. They find a part of the city on fire, where many who are part of the new movement are slaughtered by the order of Umayyah and his fellow corrupted merchants. Bilal hurries to Umayyah's mansion and is caught by the guards. Safwan then shows him a coin that Ghufaira had been keeping safe for Bilal. However, the coin is drenched in blood, implying that Ghufaira has been killed. Just as the guards are about to execute Bilal, Hamza steps in and saves him, after which they both successfully escape back to Medina.
A year later, two more cities join the new movement like Medina, resulting in Umayyah and his merchants deciding to declare war on them for threatening the Meccans' power. Amid the battle, Bilal faces Umayyah and asks that they end the war for the sake of peace. However, Umayyah refuses and is killed by Bilal. Due to the deaths of Umayyah and al-Hakam in the battle as well as help from divine warriors who come to the movement's aid, the army of Qurayshi Meccans quickly fall into disorganization and are subsequently defeated.
The death of Umayyah spreads fast in every city and the angry Safwan prepares for revenge with his troops from various allying cities of the peninsula. A year later, Hamza dies in another battle against the Qurayshi warriors of Mecca, becoming a martyr along with those who were killed in the battle.
Many years later, most of the cities in Arabia have fallen and only Mecca remains opposing the newly-emerged and unified polity. The High Priest of Mecca is dead after an attempt to please the idols by fasting. However, his attempt ends in vain and all idols of Mecca have proven to be powerless. Bilal confronts Safwan during the conquest of Mecca and asks why he had to kill Ghufaira. It was then revealed that Ghufaira was alive. Safwan reiterates Bilal's words, that a man is judged by his actions, and says that freeing Ghufaira will be his one act of morality. Bilal spares Safwan, leaves his chamber, and encourages him to continue on this path.
After Bilal and Ghufaira reunite, Safwan hears the noise coming from the city's holy site and comes out to see Bilal call for prayer at the Kaaba after the statue of Hubal and the other idols have been removed.
Cast
Adewale Akinnuoye-Agbaje as Bilal: The hero of the story, Bilal's strong will often lands him in trouble with the masters of Mecca. Nonetheless, Bilal's yearning for a higher calling keeps him going, for no amount of physical or mental abuse are able to break his strife for freedom and equality.
Jacob Latimore as Bilal (teenager): Bilal's teenage years are torturous as he bears the wrath of his masters on a daily basis. It is in the love of his mother and sister where Bilal finds purpose. His mother's wisdom being the beacon of light that keeps him going, and reminds him to never enslave his heart, and break free.
Ian McShane as Umayyah: Bilal's ruthless master, and the wealthiest merchant of the time and one of the Quraysh's leaders of Mecca. Much like his tribesmen, Umayyah suffers from a superiority complex that is amplified by his desire for power. What makes Umayya truly dangerous, however, is his ability to manipulate the people of Mecca by means of enforcing his will, one way or another.
Dave B. Mitchell as Hamza: Known as “The Lion of God”, Hamza is a strong and wealthy warrior with a strong moral character, and brutal fighting skills. Feared and respected in all of Mecca no one dares to stand up against him. In this story, Hamza proves to be a worthy ally and mentor to Bilal.
Cynthia McWilliams as Hamama: Bilal & Ghufaira's mother, and their inspirations. Descent of Ethiopian's royal blood, Hamama is a wise and elegant woman who was murdered by raiders. However, Hamama's voice still resonates in Bilal's heart and mind, helping him overcome the many unimaginable trials and distress he endures.
Fred Tatasciore as Al Siddiq: The Lord of Merchants, father-in-law of the new movement's leader and also the first to catch sight of the goodness in Bilal. Al Siddiq approaches Bilal sensing his inner struggles and guides him patiently towards his salvation. When Bilal is severely punished for rising against his master, Al Siddiq offers to buy him which in turn wins Bilal his freedom.
Fred Tatasciore as Charlatan Priest: The devil personified. This enigma is the eternal mischief mongerer in Bilal's world. No one has seen the face that lies behind that mask, and maybe there isn't even one. Heavily dependent on Umayya's corrupt system of business and trade, the priest compels the common people to worship idols and pay tribute in the form of food and money.
Thomas Ian Nicholas as Saad: The son of a wealthy merchant who, along with his family, is not tainted by Umayyah's corruption. The courageous Saad was known for being the best archer of his time. A loyal friend to Bilal.
China Anne McClain as Ghufaira: Bilal's supportive little sister. Bilal does all he can to protect her and keep her out of harm's way, which often leads to some form of punishment at the hands Umayyah and his cruel son Safwan.
Jon Curry as Sohaib: Like Bilal, Sohaib is also a slave of Persian origin purchased from the Byzantine Empire, who's working for his master as a blacksmith. Big and strong, Sohaib can fight ten men without working up much of a sweat.
Al Rodrigo as Abu al-Hakam: One of the Quraysh's leaders of Mecca and also Umayyah's right hand confidante, as crooked and mischievous as they come. Abu al-Hakam is a ruthless leader who inflicts his wrath upon anyone who dares question Umayyah's corrupted system of business and trade.
Mick Wingert as Safwan: Umayyah's son and heir. Being so close in age to Bilal cultivates an animosity between the two, quickly turning into a rivalry of sorts. Safwan is constantly trying to impress the abusive Umayyah through his fighting, trade skills, and ruthless demeanor.
Michael Gross as Okba: A mirror to the men of Bilal's time and also one of the Quraysh's leaders of Mecca along with Umayyah and al-Hakam. He is a greedy, shrewd, and sycophantic merchant. Known for being a joker, Okba has this ‘bubbly’ energy coupled with over-the-top theatrics leaning towards a feminine exuberance.[3][4]
Asaad Khalifa in the role of Hamza bin Abdul Muttalib
Jihad Al-Atrash as Abu Bakr Al-Siddiq
Ola Al-Fares in the role of Ghufaira bint Rabah and Hamamah Umm Bilal
Faisal Al-Zahrani as Safwan bin Umayya
Yasser Al-Saqqaf as Suhaib Al-Rumi
Production
The Falcon
As a character the presence of the Falcon was as a companion of Hamza the warrior. The Falcon in Arabic literature and culture is a representation of authenticity, pride and bravery.[5]
Special Programming Scripts were used in order to achieve the hyper realistic animation of the falcon as it folded (and spread) its wings. The falcon rig setup was made up of a number of joints and controls which allowed the animators to deliver a hyper realistic animation performance for the bird's neck movement. Each wing hosted close to 150 controls for the feather sets only. Getting the wings to look correct during the action of folding and unfolding was no easy challenge either.[5]
The rig is undoubtedly the most complex setup Barajoun built for the film. Each shot of the falcon in the film took over 5 terabytes. [5]
Creating the Battle of Badr
This battle scene in Bilal is the longest in animation history. Conventionally, each frame can only hold 7 items in animation.[5]
The battle scene held a grand total of 310 figures, including weaponry, warriors, and horses. It was so ambitious that many crew members left believing that it could not be done. The remaining team, however, did not give up. They hired actual Chinese warriors to act out the battle for the perfect animation.[5]
Hamza's Horse
Apart from the technical mastery it took to create them, the animals that appear in the movie create a beautiful symbolic message. The horse to Bilal was a symbolic representation of courage, power and strength. The idea of having a wooden horse toy as a child represented a dream of being a warrior. He grew up trying to master a white horse in the stable, and up until he learnt how to gallop through sand dunes and tread long distances, he had to be patient. This whole process of waiting and enduring being thrown off the horse many times, is the process of Bilal turning into a warrior himself.[5]
The production team at Barajoun researched and created case studies of horses that were available at that historical era. The team went later to Shaikh Mohammad Bin Rashid equestrian club, as he holds one of the most extensive horse collections in the world, and they built the horse's research database there. The Arabian horse was a point of reference, so the art team took it from there, visualizing stylized interpretation of the majestic animal. Numerous patterns and landmarks were incorporated into the design of these beasts, so that every horse had a presence of its own. Heavy research on the mannerisms of actual horses were undertaken by Barajoun's animation wing for a span of three months. The same was employed by the FX team taking them two years to develop the complex fur, rig, and animation. [5]
Every horse has more than two million hair strands, making it take over four hours to render a single frame. The complex rig contained nearly 1000 controls along with the skeletal and muscle systems. The epic “Battle of Badr” used anywhere from 50 to 1000 of these horses in most of its shots.[5]
Music
The music was composed by Atli Örvarsson, with additional music by Claudio Olachea, performed by the London Symphony Orchestra at Abbey Road Studio. Örvarsson employed a unique blend of Icelandic music fused with Oriental music in order to develop a language that spoke to a wider audience. Music recording and mixing engineering on the show was done by Steve McLaughlin. Stephen Gallagher performed mix duties during the final mix of the show, also producing the song "Distant Shadows", with lyrics by Khurram H. Alavi.
The musical score and sound design were mixed and finalised at Peter Jackson's Park Road Post in Wellington, New Zealand. The final mix was handled by academy award-winning Michael Hedges and his team of seasoned PRP engineers.
Release
A special screening was held at the Ajyal Youth Film Festival in Doha, Qatar on November 9, 2015. The film premiered at the 12th Annual Dubai International Film Festival on December 9, 2015. It continued its festival circuit over the course of 2016 being screened in Berlin, Cannes, Annecy, and Toronto. It was released in cinemas all across the MENA region. It was scheduled to be released in the US and other parts of the world on February 2, 2018.
On review aggregator website Rotten Tomatoes, the film holds an approval rating of 59% based on 39 reviews, and an average rating of 5.8/10.[9] On Metacritic, the film has a weighted average score of 52 out of 100, based on 11 critics, indicating "mixed or average reviews".[10]
Awards and nominations
The film was officially selected at the Annecy International Animated Film Festival under Best Feature Film. It was also nominated for APSA, the region's highest accolade in film for Best Animated Feature Film after winning "Best Inspiring Movie" in Animation Day in Cannes Festival and "Best Innovative Movie" at the BroadCast Pro Middle East Award. The film was also nominated for “Best Animated Feature Film” at the Asia Pacific Screen Awards(APSA) and screened at the United Nations Headquarters in New York, USA last March 2017. The film is currently in the list for 100 best animated feature films by USA Today, as well as in the Top 10 of 2018 list of animated movies on IMDB.
The Battle of Badr, also referred to as The Day of the Criterion in the Qur'an and by Muslims, took place on 15 March 624 CE, near the present-day city of Badr, Al Madinah Province in Saudi Arabia. Muhammad, commanding an army of his Sahaba, defeated an army of the Quraysh led by Amr ibn Hishām, better known among Muslims as Abu Jahl. The battle marked the beginning of the six-year war between Muhammad and his tribe. Before the battle, the Muslims and the Meccans had fought several smaller skirmishes in late 623 and early 624.
The Quraysh were a grouping of Arab clans that historically inhabited and controlled the city of Mecca and its Kaaba. The Islamic prophet Muhammad was born into the Hashim clan of the tribe. By 600 CE, the tribe were affluent merchants who dominated commerce between the Indian Ocean and East Africa on one side and the Mediterranean on the other. They organized caravans that traveled to Gaza and Damascus in the summer and to Yemen in the winter. On those routes, they were also engaged in mining and other enterprises. They were known for their hilm, or "absence of hotheadedness," because, despite their rivalries, they put commercial interests and unity first.
Banu Abd Shams refers to a clan within the Meccan tribe of Quraysh.
ʿAbd al-Raḥmān ibn ʿAwf was one of the companions of the Islamic Prophet Muhammad. One of the wealthiest among the companions, he is known for being one of the ten to whom Paradise was promised according to Sunni Muslims.
Bilāl ibn Rabāḥ, was one of the Sahabah (companions) of the Islamic prophet Muhammad. He was born in Mecca and is considered to have been the first mu'azzin in history, chosen by Muhammad himself. He was a former Abyssinian slave and was known for his voice with which he called people to their prayers. He died in 640, around the age of 60.
Amr ibn Hisham was the Meccan Qurayshi polytheist leader of the Mushrikites known for his opposition to the Islamic prophet Muhammad. He was the most prominent flag-bearer of opposition towards Islam.
Umayya ibn Khalaf was an Arab slave master and the chieftain of the Banu Jumah of the Quraysh in the seventh century. He was one of the chief opponents against the Muslims led by Muhammad. Umayya is best known as the master of Bilal ibn Rabah, a slave he tortured for embracing Islam who eventually became the first mu'azzin.
Ṣafwān ibn Umayya was a sahabi (companion) of the Islamic prophet Muhammad.
The conquest of Mecca was a military campaign undertaken by Muhammad and his companions during the Muslim–Quraysh War. They led the early Muslims in an advance on the Quraysh-controlled city of Mecca in December 629 or January 630. The fall of the city to Muhammad formally marked the end of the conflict between his followers and the Quraysh tribal confederation.
The Battle of Uhud was a major engagement between early Muslims and the Quraysh during the Muslim-Quraysh War. The battle was fought in a valley north of Mount Uhud near Medina on Saturday, 23 March 625 AD.
The Muhajirun were the converts to Islam and the Islamic prophet Muhammad's advisors and relatives, who emigrated from Mecca to Medina, the event is known in Islam as the Hijra. The early Muslims from Medina are called the Ansar ("helpers").
The Banu Jumah was an Arab clan of the Quraysh. They are notable for being allies to the polytheist Meccans and being in war with the Muslims. They are related to the Banu Sahm, as they both were part of a larger clan descended from the same ancestor, the Banu Husays.
Al-Hakam ibn Abi al-As ibn Umayya, was the father of the founder of the Marwanid line of the Umayyad dynasty, Marwan I, and a paternal uncle of Caliph Uthman. He was known as a staunch opponent of the Islamic prophet Muhammad and was consequently exiled when the latter captured their hometown of Mecca in 630. He was later pardoned by Uthman.
When the Islamic prophet Muhammad initially spread Islam in his hometown, Mecca, he did not meet with any significant opposition from his tribesmen, the Quraysh. Rather, they were indifferent to his activities, as they did not appear to be particularly interested in devotional meetings. This was the case until Muhammad started attacking their beliefs, which caused tensions to arise. The Muslims then reportedly received persecution that lasted for twelve years beginning from the advent of Islam to Hijrah.
Ali ibn Abi Talib took part in all the battles of the Islamic prophet Muhammad's time, except the Expedition of Tabuk, as standard bearer. He also led parties of warriors on raids into enemy lands, and was an ambassador. Ali's fame grew with every battle that he was in, due to his courage, valour, and chivalry, as well as the fact that he single-handedly, destroyed many of Arabia's most famous and feared warriors. Muhammad acknowledged him as the greatest warrior of all time.
The early Muslim–Meccan conflict refer to a series of raids in which the Islamic prophet Muhammad and his companions participated. The raids were generally offensive and carried out to gather intelligence or seize the trade goods of caravans financed by the Mushrik of the Quraysh. His followers were also impoverished. The raids were intended to harm the economy and in turn the offensive capabilities of Mecca by Muhammad. He also broke an Arab tradition of not attacking one's own kinsmen by raiding caravans. The Muslims felt that the raids were justified and that God gave them permission to defend against the Meccans' persecution of Muslims.
Saʿd ibn Muʿādh Ansari was the chief of the Aws tribe in Medina and one of the prominent companions of the Islamic prophet Muhammad. He died shortly after the Battle of the Trench.
Sakhr ibn Harb ibn Umayya, commonly known by his kunyaAbu Sufyan, was a prominent opponent-turned companion and father-in-law of the Islamic prophet Muhammad. He was the father of the first Umayyad caliph Mu'awiya I and namesake of the Sufyanid line of Umayyad caliphs which ruled from 661 to 684.
The Mission of Amr b. Umayyah al-Damri against Abu Sufyan occurred in AH 4 of the Islamic Calendar i.e. AD 625.
The Hashemite–Umayyad rivalry was a feud between the clans of Banu Hashim and Banu Umayya, both belonging to the Meccan Arab tribe of Quraysh, in the 7th and 8th centuries. The rivalry is important as it influenced key events in the course of early Islamic history.
This page is based on this Wikipedia article Text is available under the CC BY-SA 4.0 license; additional terms may apply. Images, videos and audio are available under their respective licenses.
