Blood and Sand | |
---|---|
Directed by | Rouben Mamoulian |
Screenplay by | Jo Swerling |
Based on | the novel by Vicente Blasco Ibanez |
Produced by | Associate producer: Robert T. Kane Producer: Darryl F. Zanuck |
Starring | Tyrone Power Linda Darnell Rita Hayworth Nazimova Anthony Quinn J. Carrol Naish Lynn Bari John Carradine Laird Cregar Monty Banks Vicente Gomez |
Cinematography | Ernest Palmer, A.S.C. Ray Rennahan, A.S.C. |
Edited by | Robert Bischoff |
Music by | Alfred Newman Vicente Gomez (guitarist) |
Color process | Technicolor |
Production company | |
Distributed by | 20th Century Fox |
Release date |
|
Running time | 125 minutes |
Country | United States |
Language | English |
Budget | $1,115,200 [1] |
Box office | $2,717,200 [1] |
Blood and Sand is a 1941 American romantic Technicolor film starring Tyrone Power, Linda Darnell, Rita Hayworth and Nazimova. Directed by Rouben Mamoulian, it was produced by 20th Century Fox and was based on the 1908 Spanish novel Blood and Sand (Sangre y arena) by Vicente Blasco Ibanez. [2] The supporting cast features Anthony Quinn, Lynn Bari, Laird Cregar, J. Carrol Naish, John Carradine and George Reeves. Rita Hayworth's singing voice was dubbed by Gracilla Pirraga.
Other versions of Blood and Sand include a 1922 version produced by Paramount Pictures and starring Rudolph Valentino, a 1916 version filmed by Blasco Ibanez with the help of Max André, and a 1989 version starring Christopher Rydell and Sharon Stone.
Blood and Sand was the fourth and last film in which Tyrone Power and Linda Darnell worked together. The others were Day-Time Wife (1939), Brigham Young (1940) and The Mark of Zorro (1940). [3]
As a child, Juan Gallardo wants to be a bullfighter like his dead father. Before leaving Seville for Madrid to pursue his dream of success in the bullring, he promises his aristocratic child sweetheart Carmen Espinosa that he will return when he is a success and marry her. Ten years later, after achieving success as a matador, Juan returns to Seville. He uses his winnings to help his impoverished family and fulfills his promise to marry Carmen. His fame and wealth grow, and he becomes Spain's most acclaimed matador. As critics heap praises upon Juan's talent, he catches the eye of sultry socialite Doña Sol des Muire at one of his bullfights.
Juan is blinded by the attention his fame has brought and Doña Sol finds it easy to lead him astray. He soon neglects his wife, family, and training in favor of her privileged, decadent lifestyle. As a result, his performance in the bullring suffers. Not only does he fall from position as the premiere matador of Spain, but his extravagant lifestyle loses his savings, suppliers, and employees. His manager warns Juan that he is heading for destruction but Juan refuses his advice. With falling fame and income comes rejection by everyone once important to him. Even Carmen leaves him, while Doña Sol moves on to new up-and-coming matador Manolo de Palma, one of Juan's childhood friends.
After losing everything, a repentant Juan begs for forgiveness and is taken back by Carmen. He promises her to leave bullfighting but wishes to have one final bullfight to prove he is still a great matador. His prayers for one last success, however, are not answered and, like his father before him, he is gored by the bull. Garabato angrily says the "beast" is the crowd, not the bull. Juan dies in the arms of Carmen as the crowd cheers for Manolo's victory over the bull. Manolo bows to the fickle crowd near the stain left in the sand by Juan's blood.
Tyrone Power as Juan | Linda Darnell as Carmen Espinosa | ||
Rita Hayworth as Doña Sol | Nazimova as Senora Augustias | ||
Anthony Quinn as Manolo de Palma | J. Carrol Naish as Garabato | ||
Lynn Bari as Encarnacion | John Carradine as Nacional | ||
Laird Cregar as Natalio Curro |
Actor | Role |
---|---|
William Montague | Antonio Lopez |
Vicente Gomez | Guitarist |
George Reeves | Captain Pierre Lauren |
Pedro deCordoba | Don José Alvarez |
Fortunio Bonanova | Pedro Espinosa |
Victor Kilian | Priest |
Michael Morris | La Pulga |
Charles Stevens | Pablo Gomez |
Ann Todd | Carmen (as a child) |
Cora Sue Collins | Encarnacion (as a child) |
Russell Hicks | Marquis |
Maurice Cass | El Milquetoast |
Rex Downing | Juan (as a child) |
John Wallace | Francisco |
Jacqueline Dalya | Gachi |
Cullen Johnson | Manolo (as a child) |
Larry Harris | Pablo (as a child) |
Ted Frye | La Pulga (as a child) |
Schuyler Standish | Nacional (as a child) |
Fred Malatesta | waiter serving Natalio Curro |
Michael Visaroff | patron at cantina |
Rafael Alcayde | patron at cantina |
Elena Verdugo | specialty dancer at cantina |
Francis McDonald | Manolo's friend |
Esther Estrella | girl who gazes admiringly at Juan |
Cecilia Callejo | girl who gazes admiringly at Juan |
Barry Norton | guest at Dona Sol's dinner and reception |
Bess Flowers | guest at Dona Sol's dinner and reception |
Kay Linaker | guest at Dona Sol's dinner and reception |
Julian Rivero | spectator at bullfight |
Gino Corrado | waiter who serves Juan at cantina |
Over 30 actresses were considered for the role of Doña Sol, including Gene Tierney and Dorothy Lamour. [4] After Carole Landis, Zanuck's original choice, refused to dye her hair red for the role, Rita Hayworth was cast. Rouben Mamoulian's sets were inspired by the works of painters El Greco, Goya and Velázquez. During shooting, he carried paint spray guns so he could alter the color of props at a moment's notice. He also painted shadows onto walls rather than changing the lighting. [5]
The film's exterior long shots were filmed in Mexico City Plaza de Toros. [6] The famous bullfighter Armillita instructed Power and other cast members and doubled as Power in some of the bullfighting sequences shot on location. Tailor Jose Dolores Perez copied two of Armillita's elaborate matador suits for the film. [6]
Oscar "Budd" Boetticher Jr. served as a technical advisor. This was his first film. He also worked with Power on bullfighting techniques and helped dance director Geneva Sawyer to choreograph the dance between Hayworth and Anthony Quinn. [6]
Rita Hayworth's singing voice was dubbed by Graciela Párraga. [7] [8]
Unlike most films at the time, Blood and Sand was not previewed, but premiered uncut at Grauman's Chinese Theatre in May 1941. [5]
A Lux Radio Theatre version of the story, starring Power and his then-wife Annabella as Carmen, was broadcast on October 20, 1941. [6]
The film was a big hit and earned a profit of $662,500. [1]
Variety praised the picture, adding: "Especially effective are the bullfight arena sequences...Power delivers a persuasive performance as Ibanez's hero while Darnell is pretty and naive as the young wife. Hayworth is excellent as the vamp and catches major attention on a par with Nazimova, who gives a corking performance as Power's mother." [9]
On the other hand, The New York Times ' review (signed T.S.) [10] was very negative: "For there is too little drama, too little blood and sand, in it. Instead the story constantly bogs down in the most atrocious romantic cliches... (There are) glimpses of a stunning romantic melodrama with somber overtones. But most of the essential cruelty of the theme is lost in pretty colors and rhetorical speeches...The better performances come in the lesser roles—Laird Cregar as an effeminate aficionado, J. Carrol Naish as a broken matador, John Carradine as a grumbling member of the quadrilla. For one enthralling moment Vicente Gomez, the musician, appears on the screen. If the film had only caught the barbaric pulse of Gomez's incomparable fingers at the guitar, there would be good cause for cheers. Instead it has been content for the most part to posture beautifully...". [10]
Leonard Maltin gives the film three out of four stars, describing it as a "Pastel remake of Valentino's silent film about naive bullfighter who ignores true love (Darnell) for temptress (Hayworth). Slow-paced romance uplifted by Nazimova's knowing performance as Power's mother; beautiful color production earned cinematographers Ernest Palmer and Ray Rennahan Oscars." [11]
The film won an Academy Award for Best Cinematography. It also was nominated for Best Art Direction (Richard Day, Joseph C. Wright and Thomas Little). [13]
A bullfighter is a performer in the activity of bullfighting. Torero or toureiro, both from Latin taurarius, are the Spanish and Portuguese words for bullfighter, and describe all the performers in the activity of bullfighting as practised in Spain, Portugal, Mexico, Peru, France, Colombia, Ecuador, Venezuela and other countries influenced by Portuguese and Spanish culture. The main performer and leader of the entourage in a bullfight, and who finally kills the bull, is addressed as maestro (master), or with the formal title matador de toros. The other bullfighters in the entourage are called subalternos and their suits are embroidered in silver as opposed to the matador's gold. They include the picadores, rejoneadores, and banderilleros.
Juan Belmonte García was a Spanish bullfighter. He fought in a record number of bull fights and was responsible for changing the art of bullfighting. He had minor deformities in his legs which forced him to design new techniques and styles of bullfighting.
Vicente Blasco Ibáñez was a journalist, politician, and a bestselling Spanish novelist in various genres whose most widespread and lasting fame in the English-speaking world is from Hollywood films that were adapted from his works.
Blood and Sand is a 1922 American silent drama film produced by Paramount Pictures, directed by Fred Niblo and starring Rudolph Valentino, Lila Lee, and Nita Naldi. It was based on the 1908 Spanish novel Sangre y arena by Vicente Blasco Ibáñez and the play Blood and Sand by Thomas Cushing which was adapted from Ibáñez's novel.
The Loves of Carmen is a 1948 American adventure drama romance film directed by Charles Vidor. The film stars Rita Hayworth as the gypsy Carmen and Glenn Ford as her doomed lover Don José.
Manolete, also known as The Passion Within in the United Kingdom, Blood and Passion in Canada, and A Matador's Mistress in the United States, is a 2008 biopic of bullfighter Manuel Laureano Rodríguez Sánchez, better known as "Manolete". The film was written and directed by Menno Meyjes. This is the first film from HandMade Films since Lock, Stock and Two Smoking Barrels (1998).
Bernardo del Carmen Fregoso Cázares, who worked and lived under the name Carmelo Torres Fregoso, was a matador, businessman, journalist, author and TV producer. He lived in Venezuela from 1952. His first bullfight as "matador" was in Barranquilla, Colombia, in 1949 and last in Nezahualcóyotl City, Mexico, in 1986. With 37 years of uninterrupted activity this was one of the world's longest careers as a matador.
Travis Banton was an American costume designer. He is perhaps best known for his long collaboration with actress Marlene Dietrich and director Josef von Sternberg. He is generally considered one of the most important Hollywood costume designers of the golden age.
Mud and Sand is a silent film starring Stan Laurel.
Bullfighter and the Lady is a 1951 drama romance sport film directed and written by Budd Boetticher starring Robert Stack, Joy Page and Gilbert Roland. Filmed on location in Mexico, the film focused on the realities of the dangerous sport of bullfighting. During production, one stunt man died. Boetticher, who had experience in bullfighting, used a semidocumentary approach in filming the sport and the lives of matadors.
El Fandi is statistically one of the most skilled matadors in the world. Currently, he is ranked number one among all bullfighters in Spain.
Blood and Sand is a 1989 Spanish drama film directed by Javier Elorrieta and starring Christopher Rydell, Sharon Stone, and Ana Torrent. It was loosely based on the novel Sangre y arena of Vicente Blasco Ibáñez, which had been adapted for the screen three times before, in 1916, 1922 and 1941.
Fear and Sand is a 1948 Italian comedy film directed by Mario Mattoli and starring Totò. The title makes reference to the 1941 Hollywood film Blood and Sand and its 1908 source novel by Vicente Blasco Ibáñez.
The Happy Thieves is a 1961 American crime/comedy-drama film starring Rex Harrison and Rita Hayworth, and directed by George Marshall. The film is based on the novel The Oldest Confession by Richard Condon. The film was poorly received, with star Harrison later describing it as "absolute rubbish".
Bullfighting is a physical contest that involves a bullfighter attempting to subdue, immobilize, or kill a bull, usually according to a set of rules, guidelines, or cultural expectations.
Blood and Sand may refer to:
Jesús Janeiro Bazán, better known as Jesulín de Ubrique, is a Spanish torero or bullfighter.
The Plaza de toros El Progreso was a bullring in the Mexican city of Guadalajara, Jalisco. It was used for bullfighting and also for hosting musical events. The venue could hold 14,000 people and was built in 1856.
Blood and Sand is a play in four acts by Tom Cushing. It is based on Vicente Blasco Ibáñez's 1908 Spanish-language novel Sangre y arena. Both the novel and Cushing's play were the basis for the 1922 silent film Blood and Sand starring Rudolph Valentino. Set in Madrid, the play tells the story of a Spanish bullfighter who is betrayed by both the woman he loves and his ardent and bloodthirsty fans.
Media related to Blood and Sand (1941 film) at Wikimedia Commons