Chinese Rocks

Last updated
"Chinese Rocks"
Song by Johnny Thunders and the Heartbreakers
from the album L.A.M.F.
ReleasedOctober 3, 1977
RecordedMarch 1977
Genre Punk rock
Label Track (original album)
Jungle (most reissues)
Songwriter(s) Dee Dee Ramone, Richard Hell
Producer(s) Speedy Keen, Daniel Segunda, Mike Thorne
"Chinese Rock"
Song by Ramones
from the album End of the Century
ReleasedFebruary 4, 1980
RecordedMay 1979
Genre Punk rock
Length2:28
Label Sire
Songwriter(s) Dee Dee Ramone, Richard Hell
Producer(s) Phil Spector

"Chinese Rocks" or "Chinese Rock" is a song written in 1975 by New York punk rock musician Dee Dee Ramone with contributions from Richard Hell. Inspired by Lou Reed's "Heroin", the song openly details the day-to-day struggles of a heroin addict, and is based on Dee Dee's real-life experiences.

Contents

Authorship of the track is heavily disputed. Hell made several claims that it is his, though it is generally accepted as mostly Dee Dee's work. The song was first recorded by Hell's band the Heartbreakers, and later by Dee Dee's band the Ramones. The Ramones' recorded version and the version they initially performed at live shows changed the words "is Dee Dee home?" to "is Arty home?", although the earlier version was sometimes used after Dee Dee left the Ramones' lineup. In live performances, the Heartbreakers, but not the Ramones, also sometimes substituted sexual references for some of the mentions of "Chinese rocks".

Origin

Hell and Dee Dee were in agreement that the song was mainly written by Dee Dee. "The reason I wrote that song was out of spite for Richard Hell, because he told me he was going to write a song better than Lou Reed's "Heroin", so I went home and wrote 'Chinese Rocks'," Dee Dee is quoted in Please Kill Me: The Uncensored Oral History of Punk. "I wrote it by myself, in Debbie Harry's apartment on First Avenue and First Street." [1]

According to Dee Dee, the song was "about Jerry Nolan of the Heartbreakers calling me up to come over and go cop" heroin, a form of which was known in those days as 'Chinese Rocks'. "The line 'My girlfriend's crying in the shower stall' was about Connie, and the shower was at Arturo Vega's loft", where Dee Dee, his girlfriend Connie and Joey Ramone all lived at one point. [2]

Dee Dee wanted to record the song with the Ramones, but Johnny Ramone vetoed it, considering it too obviously drug-related. [1] Dee Dee then took it to Richard Hell, also with the Heartbreakers at the time. "Dee Dee called me one day and said, 'I wrote a song that the Ramones won't do,'" Hell recalled. "He said, 'It's not finished. How about I come over and show it to you and we can finish it if you like it?'" [3]

According to Hell, "What happened is really clear, and the songwriting credits can all be checked at BMI. The song is by me and Dee Dee, but Dee Dee did 75 percent of it. I mean, all I did was write two verses out of three. Dee Dee wrote the music, the concept was his. He's basically responsible for it. But he brought me the song; he didn't even know Johnny and Jerry, but we were friends and he thought the band was great. And when the Ramones didn't want to do the song he said, 'Look, I've written one verse of this song with the chorus and it's about heroin, how about you write the rest of it and it's yours?'" [4] And that's what he did." Dee Dee similarly recalled, "Richard Hell put that line in, so I gave him some credit." [1]

The Heartbreakers

There are differing recollections as to how the song became part of the Heartbreakers' repertoire. Richard Hell said, "I brought it to the next rehearsal, exactly as it was done by the Heartbreakers for all those years. I would sing it because it was a song I brought in." [1] Dee Dee, on the other hand, wrote in his memoir, "When Jerry was over at my place one day, we did some dope and then I played him my song, and he took it with him to a Heartbreakers' rehearsal." [5]

In either case, the song became one of the band's most popular songs. As Hell said, "After I left the Heartbreakers, they kept playing 'Chinese Rocks' and then ended up recording it" for the band's 1977 debut album, L.A.M.F. . "And they put all of their names on it, though nothing had changed about the song—they just added their names to it. Johnny Thunders... had nothing to do with 'Chinese Rocks' at all." [1]

All vinyl pressings of L.A.M.F. credit the songwriters as Thunders, Heartbreakers' drummer Jerry Nolan as well as Ramone and Hell. It was only after the deaths of Thunders and Nolan that the credit was changed. However, both the 1994 and 2002 CD reissues of L.A.M.F. now name the three Ramones as the writers Joey, Johnny Ramone and Dee Dee—but not Hell.

"The credits are false," Dee Dee wrote in 1997. "Johnny Thunders ranked on me for fourteen years, trying to make out like he wrote the song. What a low-life maneuver by those guys!" [5] The online databases for both ASCAP and BMI, however, credit the song to just Dee Dee Ramone and Hell. In the Heartbreakers' live performances of the song, Thunders would often change the lyrics to more explicit ones.

The Ramones

On the Ramones' original recording of the song on their 1980 album End of the Century , the song is credited to "D.D.Ramone/R.Hell". It appears on later editions of End of the Century (vinyl repressings and CD releases) credited to the Ramones as a whole, with no mention of Hell.

The Ramones' version is called "Chinese Rock", with no s on the end. There is another slight lyrical difference between the versions: The Heartbreakers' lyrics begin, "Somebody called me on the phone/They said hey, is Dee Dee home", while the Ramones change "Dee Dee" to "Arty", an apparent reference to Arturo Vega, in whose loft the song is set. Vega was a long-time friend of the band and the designer of the Ramones' "presidential seal" logo. However, after Dee Dee left the band, Joey Ramone sometimes sang "Dee Dee" instead of "Arty" (as on the Ramones' 1991 live CD Loco Live ).

Dee Dee Ramone stated in interviews that he felt proud of the song, it being one of his best-known tracks, but that the song became a "pain in the ass" for him as he repeatedly tried to get clean and was mistakenly regarded by many fans as a "heroin guru" promoting drug usage rather than just documenting it. [6]

Related Research Articles

<span class="mw-page-title-main">Dee Dee Ramone</span> American bassist (1951–2002)

Douglas Glenn Colvin, better known by his stage name Dee Dee Ramone, was an American musician. He was the bassist and a founding member of the punk rock band Ramones. Throughout the band's existence, he was the most prolific lyricist and composer, writing many of their best-known songs, such as "53rd & 3rd", "Chinese Rock", "Commando", "Wart Hog", "Rockaway Beach", "Poison Heart" and "Bonzo Goes To Bitburg". The latter won the New York Music Award for best independent single of the year in 1986, while Animal Boy, which the song is from, won for best album.

<i>End of the Century</i> 1980 studio album by the Ramones

End of the Century is the fifth studio album by the American punk rock band Ramones, released on February 4, 1980, through Sire Records. The album was the band's first to be produced by Phil Spector, though he had offered the band his assistance earlier in their career. With Spector fully producing the album, it was the first release that excluded original member Tommy Ramone, who had left the band in 1978 but had produced their previous album Road to Ruin. Spector used more advanced standards of engineering, such as high-quality overdubbing and echo chambers. These painstaking methods caused conflict between the band and Spector since the Ramones were accustomed to a quicker recording process. Spector emphasized the production value as well, working with a budget of around $200,000, far exceeding their earlier album sessions.

<span class="mw-page-title-main">Johnny Thunders</span> American guitarist and singer (1952–1991)

John Anthony Genzale, known professionally as Johnny Thunders, was an American guitarist, singer and songwriter. He came to prominence in the early 1970s as a member of the New York Dolls. He later played with the Heartbreakers and as a solo artist.

The Heartbreakers, sometimes referred to as Johnny Thunders' Heartbreakers, were an American punk rock band formed in New York City in 1975. The band spearheaded the first wave of punk rock.

<span class="mw-page-title-main">Marky Ramone</span> American drummer

Marc Steven Bell is an American drummer. He began playing in hard rock bands in the New York City area, notably Dust and Estus. He was asked to drum for punk rock band Richard Hell and the Voidoids. He replaced drummer Tommy Ramone in the Ramones in 1978, and went by the stage name Marky Ramone from then on. He has also played drums for other punk rock and heavy metal bands, including his own band Marky Ramone and the Intruders. He continues to keep the Ramones legacy alive around the world with his band Marky Ramone's Blitzkrieg.

<i>Halfway to Sanity</i> 1987 studio album by the Ramones

Halfway to Sanity is the 10th studio album by American punk band the Ramones, and their last album to feature drummer Richie Ramone. It was produced by Daniel Rey and released on September 15, 1987, by Sire Records. Recording sessions began that April at Intergalactic Studios in New York City, with the band recording instruments before vocals in order to learn songs more quickly. It fared well on charts outside the United States, but peaked at No. 172 on the Billboard 200.

<i>Sid Sings</i> Solo live album by Sid Vicious

Sid Sings is the first released solo live album by English punk rock musician Sid Vicious. It was released posthumously on December 15, 1979 and peaked at number 30 on the British album charts.

Gerard "Jerry" Nolan was an American rock drummer, best known for his work with the New York Dolls and The Heartbreakers.

<span class="mw-page-title-main">Richie Ramone</span> American drummer

Richard Reinhardt is an American drummer best known by his stage name Richie Ramone, and for being the drummer for the punk band the Ramones from February 1983 until August 1987. As of 2022, he is one of the four surviving members of the band.

<i>Subterranean Jungle</i> 1983 studio album by the Ramones

Subterranean Jungle is the seventh studio album by the American punk rock band the Ramones, released by Sire Records on February 23, 1983. Overall, the album featured a return to a somewhat more hard punk rock style compared to the band's previous two albums End of the Century in 1980, and Pleasant Dreams in 1981, which were the most pop-focused of the band's career. This direction was encouraged by guitarist Johnny Ramone. The recording sessions saw disputes between band members, mainly due to struggles with alcohol addiction by Joey Ramone and Marky Ramone, and the drug addiction of Dee Dee Ramone.

<i>L.A.M.F.</i> 1977 studio album by The Heartbreakers

L.A.M.F. is the only studio album by the American punk rock band The Heartbreakers, which included Johnny Thunders, Jerry Nolan, Walter Lure and Billy Rath. It was released on October 3, 1977 by the British independent record label Track Records, and the music of the album is a mixture of punk and rock and roll.

<i>Live at Maxs Kansas City</i> (Johnny Thunders album) 1979 live album by The Heartbreakers

Live at Max's Kansas City is a live album by The Heartbreakers. Recorded at a "reunion"/"farewell" show on September 16, 1978 at the famous Max's Kansas City nightclub, the album's performance — loud, sloppy, and laden with bawdy introductions and/or lyric changes to many of the familiar songs from their only studio album, L.A.M.F. — further cemented the band's live reputation. A classic of early punk rock, the album has been called "probably the best official document of any New York band of the era."

<span class="mw-page-title-main">Andy Shernoff</span> Musical artist

Andy Shernoff is an American musician, songwriter and record producer.

Daniel Rey is an American musician, record producer and songwriter from New York City, best known for his work with the punk rock band Ramones.

<i>Stations of the Cross</i> (album) 1987 live album by Johnny Thunders

Stations of the Cross is a Johnny Thunders album recorded over two sets at The Mudd Club in New York on September 30, 1982. Film director Lech Kowalski had originally planned to record a live Johnny Thunders performance for his movie, Stations of the Cross. The spoken dialogue was recorded at the Carlton Arms Hotel, New York City, in Room 29, on August 25, 1982.

<i>The Idols with Sid Vicious</i> 1993 live album by The Idols and Sid Vicious

The Idols with Sid Vicious is a concert album of former Sex Pistols bassist Sid Vicious performing with The Idols; though recorded in September 1978, it wasn't released until 1993. Steve Dior provided a recording of this performance to the New Rose record label. It was originally released by the Fan Club division of New Rose. It was also released in Japan by Teichiku Records, under license from New Rose.

<i>The Blank Generation</i> 1976 film by Amos Poe, Ivan Kral

The Blank Generation (1976) is the earliest of the released DIY "home movies" of the 1970s punk rock scene in New York City. It was filmed by No Wave filmmaker Amos Poe and Patti Smith Group member Ivan Kral.

Walter Lure was an American rock guitarist and singer. He was a member of the rock group The Heartbreakers.

<span class="mw-page-title-main">Ramones</span> American punk rock band (1974–1996)

The Ramones were an American punk rock band that formed in the New York City neighborhood of Forest Hills, Queens, in 1974. They are often cited as the first true punk rock group. Despite only achieving limited commercial success during their time together, the band is today seen as highly influential.

"Too Much Junkie Business" is a song written by Walter Lure of the New York punk band the Heartbreakers. Johnny Thunders sometimes introduced it as "written by Chuck Berry, Bo Diddley, and Waldo (Lure)." The lyrics are a black-humored takeoff on Chuck Berry's "Too Much Monkey Business" (1956), about the complications of everyday life. Its melody is the New York Dolls' version of "Pills" by Bo Diddley. Thunders performed it often in his post-Heartbreakers career. Lure has said that he let Thunders take co-writing credit because "he liked it so much and he wished he’d wrote it".

References

Notes

  1. 1 2 3 4 5 McNeil and McCain, p. 214.
  2. Ramone, p. 88.
  3. McNeil and McCain, pp. 213-214.
  4. Interview with Richard Hell in Citizine magazine (see "References" for link)
  5. 1 2 Ramone, p. 89.
  6. Hey Is Dee Dee Home. 2003. Lech Kowalski Films.