Cyro Baptista | |
---|---|
Background information | |
Birth name | Cyro Baptiste Ciari |
Born | São Paulo, Brazil | December 23, 1950
Genres | Jazz, jazz fusion, world music |
Occupation(s) | Musician |
Instrument(s) | Percussion |
Years active | 1970s–present |
Labels | Avant, Tzadik |
Website | www |
Cyro Baptista (born December 23, 1950) is a Brazilian-born [1] percussionist in jazz and world music. He creates many of the percussion instruments he plays.
Born in São Paulo, Brazil, Baptista arrived in the U.S. in 1980 with a scholarship to Creative Music Studio in Woodstock, New York.
During the 1980s, he worked on films with John Zorn and appeared on Zorn's albums in the 1990s. Also in the '90s, he appeared on albums by Marisa Monte, Holly Cole, and Cassandra Wilson. In 1997 he released his first solo album, Vira Loucos, with cover versions of music by Heitor Villa-Lobos. The album was recorded with Marc Ribot and Nana Vasconcelos and released by Avant, a label owned by Zorn. He was a member of Zorn's band Dreamers. [2]
He recorded with pianist Herbie Hancock on his album Possibilities. He recorded and performed worldwide with Hancock's Grammy award-winning Gershwin's World. He toured with Yo-Yo Ma's Brazil Project and appeared on the Obrigado Brazil , which won two Grammy awards. He collaborated with Wynton Marsalis and the Lincoln Center Jazz Orchestra for a Brazilian Carnival modern jazz concert. For over two years, he toured with Paul Simon and appeared on his Concert in Central Park album. He has toured worldwide with Sting.
Baptista has also worked with Paul Simon, Trey Anastasio, Laurie Anderson, Badi Assad, Derek Bailey, Gato Barbieri, Daniel Barenboim, Kathleen Battle, David Byrne, Dr. John, Brian Eno, Melissa Etheridge, Stephen Kent, Ivan Lins, Bobby McFerrin, Medeski Martin & Wood, Milton Nascimento, Robert Palmer, Carlos Santana, Tim Sparks, Spyro Gyra, James Taylor, Michael Tilson Thomas, and Caetano Veloso
Baptista formed Beat the Donkey, a percussion and dance ensemble. The name comes from a Portuguese expression for "let's do it" or "let's go". The band's personnel and genre are in flux. Sometimes it includes Ribot and Zorn. The music can be rock, funk, Brazilian, or Balkan. [3]
Baptista appeared in Nicolas Humbert and Werner Penzel's 1990 documentary film Step Across the Border about Fred Frith, He composed music for programs for the children's television network Nickelodeon.
Baptista conducts educational rhythm workshops in a variety of formats. He has provided presentations for elementary school children and professional musicians. He has conducted workshops and master classes at Berklee College of Music, The New School. Mannes College of Music (New York City), New World Symphony Orchestra (Miami) and Rimon School of Music (Tel-Aviv, Israel).
The album Beat the Donkey was picked by Jon Pareles of The New York Times as one of the ten best alternative albums of 2002. [4] Readers of JAZZIZ magazine and DRUM magazine voted it Best Brazilian CD of the Year and named Baptista Best Percussionist of 2002. Down Beat magazine's 51st annual Critics' Poll selected Baptista as 'Rising Star' in percussion. A documentary about Beat the Donkey that was a recorded WGBH-TV in Boston program won three New England EMMY Awards in 2002.
Baptista has performed on five Grammy award-winning albums: Yo-Yo Ma's Obrigado Brazil, Cassandra Wilson's Blue Light 'Til Dawn , The Chieftains' Santiago , Ivan Lins' A Love Affair, and Herbie Hancock's Gershwin's World.
In 2009 Baptista won a Fellow Award in Music from United States Artists. [5]
Baptista plays alfaia, agogo bells, apito, bandora, bass drum, bell tree, berimbau, bongos, bottles, Chinese bells, cabasa, caja, caxixi, clay drum, conga, cowbell, cuica, cymbals, drums, finger cymbals, gong, kalimba, maracas, mark tree, pandeiro, rototom, repinique, shaker, shekere, snare drum, surdo, triangle, tabla, talking drum, tamborim, tambourine, temple block, timbales, tom-toms, udu, washboard, water gong, waterphone, whistle, and wood block. [6] [7]
With Trey Anastasio
With Gabrielle Roth
With Cassandra Wilson
With John Zorn
With others
John Zorn is an American composer, conductor, saxophonist, arranger and producer who "deliberately resists category". His avant-garde and experimental approaches to composition and improvisation are inclusive of jazz, rock, hardcore, classical, contemporary, surf, metal, soundtrack, ambient, and world music. In 2013, Down Beat described Zorn as "one of our most important composers" and in 2020 Rolling Stone noted that "[alt]hough Zorn has operated almost entirely outside the mainstream, he's gradually asserted himself as one of the most influential musicians of our time".
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Beat the Donkey is an album by percussionist Cyro Baptista, which marked the debut of his rotating percussion and dance ensemble that would become known as Beat the Donkey, which was released on the Tzadik label in 2002.
Bar Kokhba Sextet brings together six core members of Masada under the leadership of John Zorn. An improvisational group of New York's downtown artists, the sextet includes Cyro Baptista on percussion, Marc Ribot on guitar, Greg Cohen on bass, Joey Baron on drums, Mark Feldman on violin, and Erik Friedlander on cello. According to Tzadik, Zorn's music label, the band's music is "Sephardic exotica for young moderns".
Filmworks VII: Cynical Hysterie Hour is a 1989 album by John Zorn featuring music written for a series of Japanese animated shorts that were created by Kiriko Kubo. It features Zorn's first music for cartoons and was originally released on the Japanese Sony label in limited numbers. In late 1996 Zorn finally attained the rights for his music and remastered and re-released the album on his own label, Tzadik, in 1997.
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Filmworks II: Music for an Untitled Film by Walter Hill features the second release of scores for film by American composer John Zorn. The album was originally released on the Japanese Toys Factory label in 1995 and subsequently re-released on Zorn's own label, Tzadik Records, in 1996. It features the music that Zorn wrote and recorded for Trespass which director Walter Hill rejected in favour of a score by Ry Cooder.
Filmworks V: Tears of Ecstasy is a film score by John Zorn. The album was released on Zorn's own label, Tzadik Records, in 1996. It features the music that Zorn wrote and recorded for the movie Tears of Ecstasy (1995) by director Oki Hiroyuki.
Filmworks VIII: 1997 features two scores for film by John Zorn released on Zorn's own label, Tzadik Records, in 1998. It features the music that Zorn wrote and recorded for The Port of Last Resort (1998), a documentary directed by Joan Grossman and Paul Rosdy examining the experiences of Jewish refugees in Shanghai and Latin Boys Go to Hell (1997) which was directed by Ela Troyano.
The Dreamers is an album by John Zorn released in 2008 featuring performances by a band which would later become known as The Dreamers. It is viewed as continuation of the Music Romance tradition expressed on his 2001 album The Gift.
Kristina Kanders is a German visual artist and musician.
This is a discography for guitarist Marc Ribot, including both his own albums and significant recordings to which he has contributed. The year in brackets indicates the date of first release.
A Dreamers Christmas is an album of Christmas music by John Zorn released in October 2011 on the Tzadik label. It was produced by John Zorn and released on his own label Tzadik Records. It was Zorn's 5th album in 2011.
Pellucidar: A Dreamers Fantabula is an album by John Zorn's group, The Dreamers, released in June 2015 on the Tzadik label.
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