This article contains information about the literary events and publications of 1867.
The culture of Georgia has evolved over the country's long history, providing it with a unique national identity and a strong literary tradition based on the Georgian language and alphabet. This strong sense of national identity has helped to preserve Georgian distinctiveness despite repeated periods of foreign occupation.
Grigol Robakidze was a Georgian writer, publicist, and public figure primarily known for his prose and anti-Soviet émigré activities.
Colm Tóibín is an Irish novelist, short story writer, essayist, journalist, critic, playwright and poet.
Stanisław Przybyszewski was a Polish novelist, dramatist, and poet of the decadent naturalistic school. His drama is associated with the Symbolist movement. He wrote both in Polish and in German.
Dagny Juel-Przybyszewska was a Norwegian writer, famous for her liaisons with various prominent artists, and for the dramatic circumstances of her death. She was the model for some of Edvard Munch's paintings. She had relationships with Munch and briefly with Swedish playwright and painter August Strindberg. In 1893, she married the Polish writer Stanisław Przybyszewski. Together they had two children. She was shot dead in a hotel room in Tbilisi, Georgia in 1901, three days before her thirty-fourth birthday.
Zurab Konstantinovich Tsereteli is a Georgian-Russian painter, sculptor and architect known for large-scale and at times controversial monuments. Tsereteli has served as the President of the Russian Academy of Arts since 1997.
Zum schwarzen Ferkel was a tavern located at the corner of Unter den Linden and Neue Wilhelmstraße in Berlin. Said once to have been frequented by Heinrich Heine, Robert Schumann and E. T. A. Hoffmann, it was in the 1890s the meeting place for a circle of mainly Nordic writers and artists, including August Strindberg, Holger Drachmann and Edvard Munch but also the Pole Stanisław Przybyszewski and several Germans.
Patrick McGuinness FRSL FLSW is a British academic, critic, novelist, and poet. He is Professor of French and Comparative Literature at the University of Oxford, where he is Fellow and Tutor at St Anne's College.
Zurab Chumburidze was a Georgian philologist and critic.
Bediani was a medieval title, or a territorial epithet, of the Dadiani, the ruling family of Mingrelia in western Georgia, derived from the canton of Bedia, in Abkhazia, and in use from the end of the 12th century into the 15th. Bediani was occasionally used as a praenomen. The extent of the fief of Bedia is difficult to define; by the latter half of the 17th century, the Shervashidze of Abkhazia had supplanted the Dadiani in that area.
Zurab Karumidze was a Georgian writer and culturologist. He graduated from Ivane Javakhishvili Tbilisi State University, the faculty of Western European languages and literature with a major in English literature.
Beka Kurkhuli - is a modern Georgian writer and military reporter.
Gorda is two-act ballet by the Georgian composer David Toradze, first premiered in 1949 at the Georgian National Opera and Ballet Theater. Originally performed by prominent Georgian ballet dancers Vakhtang Chabukiani and Vera Tsignadze, Gorda was revived in 2016 by Nina Ananiashvili.
Levan Tsutskiridze was a Georgian monumentalist artist, illustrator, and painter of frescoes in the Sioni Cathedral, Tbilisi.
Caroline Elizabeth Weber is an American author and fashion historian. She is a professor of French and comparative literature at Barnard College within Columbia University. Her book Proust's Duchess was a finalist for the 2019 Pulitzer Prize for Biography or Autobiography.
Miriane (Guram) Odisharia is a Georgian poet, writer, playwright, and public figure. He was won more than ten national and international literary awards. From 2012 to 2014, he served as the Minister of Culture and Monument Protection of Georgia.
Zurab Samadashvili (IPA:[zuɾabsamadaʃʷili]; Georgian: ზურაბ სამადაშვილი; was a Georgian writer and playwright.
Self-Portrait with Cigarette is an 1895 painting by the Norwegian artist Edvard Munch. Munch's use of the cigarette and physical decay as a rejection of societal values aroused controversy following the self-portrait's 1895 exhibition. As of 2021, the work is held by the National Gallery in Oslo.
