Death of a Corrupt Man | |
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Directed by | Georges Lautner |
Written by | Raf Vallet (novel) Michel Audiard |
Produced by | Alain Delon Norbert Saada |
Starring | Alain Delon |
Cinematography | Henri Decaë |
Edited by | Michelle David |
Music by | Philippe Sarde |
Release date |
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Running time | 120 minutes |
Country | France |
Language | French |
Box office | 1.8 million admissions (France) [1] |
Death of a Corrupt Man (French : Mort d'un pourri), also known as The Twisted Detective and To Kill a Rat, is a 1977 French political thriller directed by Georges Lautner and starring Alain Delon. [2] The film is based on the novel by Raf Vallet.
Mort d'un Pourri | ||||
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Soundtrack album by | ||||
Released | 1977 | |||
Recorded | 20 October 1977 CTS Wembley, London | |||
Genre | Film score | |||
Length | 49:34 | |||
Label | Melba LDA 20314 | |||
Stan Getz chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | [3] |
The film score was composed and arranged by Philippe Sarde and features saxophonist Stan Getz fronting the London Symphony Orchestra and the soundtrack album was first released on the French Melba label. [4] [5]
Allmusic's Yuri German noted, "Film director Georges Lautner, who worked with Philippe Sarde on a dozen films, said that he was always impressed by the composer's ability to find an original musical approach to each picture. This time, Sarde, who always closely follows the editing process, suggested that they needed a strong soloist, preferably a tenor saxophone player, who would serve as a musical counterpart for the actor Alain Delon's famous good looks. Being a perfectionist, he opted for Stan Getz, one of the all-time great tenor saxophonists. Watching Getz's performance, Lautner decided to find a way to put the musician in the picture. He filmed Getz playing the opening theme, "Paris, Cinq Heures du Matin", solo, and it's the saxophonist's silhouette that appears during the credits sequence in the beginning of the film... The soundtrack turned out to be costly, but the director was pleased with the outcome. Sarde's instincts were right—Getz's saxophone gave the soundtrack a lyrical, nostalgic quality—fitting for Alain Delon's quest in the film for the sake of the past, to honor the memory of his dead friend". [3]
All compositions by Philippe Sarde.
Stan Getz was an American jazz saxophonist. Playing primarily the tenor saxophone, Getz was known as "The Sound" because of his warm, lyrical tone, with his prime influence being the wispy, mellow timbre of his idol, Lester Young. Coming to prominence in the late 1940s with Woody Herman's big band, Getz is described by critic Scott Yanow as "one of the all-time great tenor saxophonists". Getz performed in bebop and cool jazz groups. Influenced by João Gilberto and Antônio Carlos Jobim, he also helped popularize bossa nova in the United States with the hit 1964 single "The Girl from Ipanema".
Alain Fabien Maurice Marcel Delon is a French actor, filmmaker, and businessman. He was one of Europe's most prominent actors and screen sex symbols in the 1960s, 1970s and 1980s. In 1985, he won the César Award for Best Actor for his performance in Notre histoire (1984). In 1991, he received France's Legion of Honour. At the 45th Berlin International Film Festival, he won the Honorary Golden Bear. At the 2019 Cannes Film Festival, he received the Honorary Palme d'Or.
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Philippe Sarde is a French film composer. Considered among the most versatile and talented French film composers of his generation, Sarde has scored over two hundred films, film shorts, and television mini-series. He received an Academy Award nomination for Tess (1979), and twelve César Award nominations, winning for Barocco (1976). In 1993, Sarde received the Joseph Plateau Music Award.
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The recordings of American jazz saxophonist Stan Getz from 1944 to 1991.
Gerry Mulligan Meets Stan Getz is an album by American jazz saxophonists Gerry Mulligan and Stan Getz featuring performances recorded in 1957 released on the Verve label.
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