Deep in the Iris

Last updated
Deep in the Iris
Braids Deep In The Iris artwork.jog.jpg
Studio album by
Released27 April 2015 (2015-04-27) (Europe) 28 April 2015 (2015-04-28) (North America)
Recorded Arizona, New York, Vermont, 2014
Genre Electronic, art rock, dream pop, indietronica
Length41:23
Label Arbutus Records, Flemish Eye
Producer Braids, Damian Taylor
Braids chronology
Flourish // Perish
(2013)
Deep in the Iris
(2015)
Shadow Offering
(2020)
Singles from Deep in the Iris
  1. "Miniskirt"
    Released: 10 February 2015

Deep in the Iris is the third studio album by Canadian experimental pop/art rock band Braids. It was released by Arbutus Records worldwide, excluding Canada where it was released by Flemish Eye, on 28 April 2015. It has been described as the band's "sunniest and most immediate record". [1]

Contents

Background

Writing and recording

Braids began writing Deep in the Iris in tandem with their second album Flourish // Perish , [2] performing unreleased new songs live in 2012 and 2013, with "Blondie" being the earliest-surviving song to be included on the album. [3] Writing and recording officially began in March 2014 for seven weeks in a cabin in woods near Prescott, Arizona, [4] marking the first time the band had worked on an album outside Canada. [5] After recording Flourish // Perish in their windowless garage in Montreal, [6] Arizona was chosen because the band "wanted to leave winter, to leave what we were familiar with, to go to a place where we felt sunlight on our face". [7] Taylor Smith revealed that the band focused on the process of songwriting, rather than the expectation which comes with recording an album, explaining, "the expectation was to have a beautiful experience together and if a record comes out of that beautiful experience, great!". [8] In the first few weeks in Arizona, the band "just went on walks, had talks, roasted marshmallows and chopped firewood and went grocery shopping and cooked meals" in an effort to reconnect after touring Flourish // Perish. [8] The band interrupted the writing process to tour across the United States with Wye Oak for three weeks in May 2014, [9] debuting new songs "Taste" and "Letting Go". [10]

The band cut back on the electronic elements which featured on Flourish // Perish and instead refocused on using live instruments, as on their debut album Native Speaker . [8] "Really cool, interesting-sounding pianos" were utilised. [6] Further sessions followed in Delhi, New York and Putney, Vermont in June and July 2014. [4] The "space and beauty" of the retreat in New York, coupled with the energy provided by the presence of the band's friends from Montreal and New York City, helped evolve "Happy When" and "Miniskirt", [8] the latter being the final song written for the album. [4] The album was tracked in Vermont in a turn-of-the-century house, specifically chosen because it contained a Steinway piano. [4] Three additional songs were recorded, but were left off the album. [10] "Sweet World" (played live regularly in 2013 and 2014) was considered for the album, but "just didn’t fit with the whole vision of it". [10]

Mixing began with Damian Taylor at Golden Ratio Studios in Montreal in late September 2014, [11] with the sessions concluding in December. [12] With the band having done some preliminary mixing, Taylor's main contribution was to make Raphaelle Standell-Preston's vocals more prominent in the mix. [8] The album's title and track list were announced on February 10, 2015, with opening single "Miniskirt" made available for streaming on the same day. [13] Second song "Taste" was shared on SoundCloud on 4 March. [14] The album was released by Arbutus Records and Flemish Eye in Europe on 27 April 2015 and the following day in North America. [15]

Musical style and influences

Prior to the beginning of recording, drummer Austin Tufts revealed he had been listening to performed music (as opposed to programmed), such as Little Dragon, Disclosure, Portico, Bonobo, Radiohead, R&B and soul. [3] Joni Mitchell, Sarah McLachlan and Alanis Morissette influenced Standell-Preston vocally. [8]

Themes

A press release described "pornography, abuse and slutshaming" as themes evident in Standell-Preston's lyrics. [1] "Miniskirt" deals with her "as a woman at this point in my life; getting older and discussing what I do experience as a woman and what I’ve gone through". [8] The song is also about "standing up for gender equality and in particular, for women’s rights". [6]

Artwork

Tufts took the album's cover photograph in Vermont, a view through a culvert looking down into a creek. [10]

Critical reception

Professional ratings
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [16]
Consequence of Sound B+ [17]
DIY Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [18]
Drowned in Sound Star full.svgStar full.svgStar full.svgStar full.svgStar full.svgStar full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [19]
Exclaim! Star full.svgStar full.svgStar full.svgStar full.svgStar full.svgStar full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [20]
The Irish Times Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [21]
Now Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [22]
Paste Star full.svgStar full.svgStar full.svgStar full.svgStar full.svgStar full.svgStar full.svgStar full.svgStar half.svgStar empty.svg [23]
Pitchfork (7.4/10) [24]
PopMatters Star full.svgStar full.svgStar full.svgStar full.svgStar full.svgStar full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [25]
Rolling Stone Star full.svgStar full.svgStar full.svgStar half.svgStar empty.svg [26]
SputnikmusicStar full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [27]
Tiny Mix Tapes Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [28]
Under the Radar Star full.svgStar full.svgStar full.svgStar full.svgStar full.svgStar full.svgStar empty.svgStar empty.svgStar empty.svgStar empty.svg [29]

Upon its release, the album received mostly positive reviews from music critics. Aggregating website AnyDecentMusic? reported a score of 7.3 based on 19 professional reviews, [30] while Metacritic reported 78 based on 18 professional reviews. [31]

The album was a shortlisted nominee for the 2015 Polaris Music Prize. [32]

Track listing

No.TitleLength
1."Letting Go"4:21
2."Taste"5:00
3."Blondie"4:25
4."Happy When"5:39
5."Miniskirt"4:54
6."Getting Tired"3:31
7."Sore Eyes"3:52
8."Bunny Rose"5:18
9."Warm Like Summer"4:23
Total length:41:23

Personnel

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