Notes, references and sources
Notes
Related Research Articles
Sir John Barbirolli was a British conductor and cellist. He is remembered above all as conductor of the Hallé Orchestra in Manchester, which he helped save from dissolution in 1943 and conducted for the rest of his life. Earlier in his career he was Arturo Toscanini's successor as music director of the New York Philharmonic, serving from 1936 to 1943. He was also chief conductor of the Houston Symphony from 1961 to 1967, and was a guest conductor of many other orchestras, including the BBC Symphony Orchestra, London Symphony Orchestra, the Philharmonia, the Berlin Philharmonic and the Vienna Philharmonic, with all of which he made recordings.
Paul Tortelier was a French cellist and composer. After an outstanding student career at the Conservatoire de Paris he played in orchestras in France and the US before the Second World War. After the war he became a well-known soloist, playing in countries round the globe. He taught at conservatoires in France, Germany and China, and gave televised masterclasses in England. He was particularly associated with the solo part in Richard Strauss's Don Quixote, cello concertos by Elgar and others, and Bach's Cello Suites.
Jacqueline Mary du Pré was a British cellist. At a young age, she achieved enduring mainstream popularity. Despite her short career, she is regarded as one of the greatest cellists of all time.
The Cello Concerto No. 1 in E-flat major, Op. 107, was composed in 1959 by Dmitri Shostakovich. Shostakovich wrote the work for his friend Mstislav Rostropovich, who committed it to memory in four days. He premiered it on October 4, 1959, at the Large Hall of the Leningrad Conservatory with the Leningrad Philharmonic Orchestra conducted by Yevgeny Mravinsky. The first recording was made in two days following the premiere by Rostropovich and the Moscow Philharmonic Orchestra conducted by Aleksandr Gauk.
The Cello Concerto in A minor, Op. 129, by Robert Schumann was completed in a period of only two weeks, between 10 October and 24 October 1850, shortly after Schumann became the music director at Düsseldorf.
Sea Pictures, Op. 37 is a song cycle by Sir Edward Elgar consisting of five songs written by various poets. It was set for contralto and orchestra, though a distinct version for piano was often performed by Elgar. Many mezzo-sopranos have sung the piece.
Edward Elgar's Cello Concerto in E minor, Op. 85, his last major completed work, is a cornerstone of the solo cello repertoire. Elgar composed it in the aftermath of the First World War, when his music had already become out of fashion with the concert-going public. In contrast with Elgar's earlier Violin Concerto, which is lyrical and passionate, the Cello Concerto is for the most part contemplative and elegiac.
The Double Concerto in A minor, Op. 102, by Johannes Brahms is a concerto for violin, cello and orchestra. The orchestra consists of 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, timpani and strings.
Truls Olaf Otterbech Mørk is a Norwegian cellist.
The Cello Concerto in B minor, Op. 104, B. 191, is the last solo concerto by Antonín Dvořák. It was written in 1894 for his friend, the cellist Hanuš Wihan, but was premiered in London on March 19, 1896, by the English cellist Leo Stern.
The Cello Concerto No. 1 in C major, Hob. VIIb/1, by Joseph Haydn was composed around 1761-65 for longtime friend Joseph Franz Weigl, then the principal cellist of Prince Nicolaus's Esterházy Orchestra.
Camille Saint-Saëns composed his Cello Concerto No. 1 in A minor, Op. 33, in 1872, when he was 37 years old. He wrote this work for the French cellist, viola da gamba player and instrument maker Auguste Tolbecque. Tolbecque was part of a distinguished family of musicians closely associated with the Société des Concerts du Conservatoire, France's leading concert society. The concerto was first performed on January 19, 1873, at the Paris Conservatoire concert with Tolbecque as soloist. This was considered a mark of Saint-Saëns' growing acceptance by the French musical establishment.
Alfredo Campoli was an Italian-born British violinist, often known simply as Campoli. He was noted for the beauty of the tone he produced from the violin. Campoli spent his childhood and much of his career in England.
The first recording of Edward Elgar's Symphony No 1 was made by the London Symphony Orchestra in 1930, conducted by the composer for His Master's Voice. The recording was reissued on long-playing record (LP) in 1970, and on compact disc in 1992 as part of EMI's "Elgar Edition" of all the composer's electrical recordings of his works.
William Walton's Cello Concerto (1957) is the third and last of the composer's concertos for string instruments, following his Viola Concerto (1929) and Violin Concerto (1939). It was written between February and October 1956, commissioned by and dedicated to the cellist Gregor Piatigorsky, the soloist at the premiere in Boston on 25 January 1957.
The Dream of Gerontius, Edward Elgar's 1900 work for singers and orchestra, had to wait forty-five years for its first complete recording. Sir Henry Wood made acoustic recordings of four extracts from The Dream of Gerontius as early as 1916, with Clara Butt as the angel, and Henry Coward's Sheffield Choir recorded a portion of the Part I "Kyrie" in the same period. Edison Bell recorded the work under Joseph Batten in abridged form in 1924. HMV issued excerpts from two live performances conducted by Elgar in 1927, with the soloists Margaret Balfour, Steuart Wilson, Tudor Davies, Herbert Heyner and Horace Stevens; further portions of the first of those two performances, deemed unfit for publication at the time, have since been published by EMI and other companies.
Edward Elgar's Symphony No 2 was first recorded complete in 1927 by His Master's Voice conducted by the composer. This recording was reissued on LP record and later on compact disc. There was no further recording for seventeen years, until Sir Adrian Boult made the first of his five recordings of the symphony in 1944. Since then there have been many more new recordings, the majority played by British orchestras with seven of them recorded by the London Philharmonic.
Edward Elgar's Violin Concerto was first recorded complete in 1929. Truncated versions had been recorded in 1916 using the acoustic recording process, the technical limitations of which necessitated drastic rearrangement of the score. Electrical recording, introduced in the 1920s, gave a greatly improved dynamic range and realism, and the two leading English record companies, Columbia and His Master's Voice (HMV) both made recordings of the concerto that remain in the catalogue. The first was made for Columbia by Albert Sammons with the New Queen's Hall Orchestra conducted by Sir Henry Wood. Elgar's own recording with the young Yehudi Menuhin followed three years later. Since then there have been more than twenty-five further recordings, featuring British and international performers.
The Cello Concerto is a composition for solo cello and orchestra by the American composer Elliott Carter. The work was commissioned by the Chicago Symphony Orchestra for the cellist Yo-Yo Ma. It was first performed in Chicago, Illinois, on September 27, 2001 by Yo-Yo Ma and the Chicago Symphony Orchestra under the conductor Daniel Barenboim.
Frederick Delius's Cello Concerto was composed in 1920–1921. The world premiere was given in January 1923 in Vienna by Alexandre Barjansky. The work was written at the request of the English cellist Beatrice Harrison, who was the soloist at the British premiere in July 1923.
References
Sources
- March, Ivan (ed). The Penguin Guide to Recorded Classical Music 2008, Penguin Books, London, 2007. ISBN 978-0-14-103336-5
