House is a genre of electronic dance music characterized by a repetitive four-on-the-floor beat and a typical tempo of 120-130 beats per minute as a re-emergence of 1970s disco. It originated in the Black community in Chicago. It was created by DJs and music producers from Chicago's underground club culture and evolved slowly in the early/mid 1980s as DJs began altering disco songs to give them a more mechanical beat. By early 1988, House became mainstream and supplanted the typical 80s music beat.
Soul music is a popular music genre that originated in the African-American community throughout the United States in the late 1950s and early 1960s. It has its roots in African-American gospel music and rhythm and blues. Soul music became popular for dancing and listening, where U.S. record labels such as Motown, Atlantic and Stax were influential during the Civil Rights Movement. Soul also became popular around the world, directly influencing rock music and the music of Africa. It also had a resurgence in the mid-to late 1990s with the subgenre neo-soul, which added modern production elements and influence from hip-hop.
The music of Sweden shares roots with its neighbouring countries in Scandinavia, as well as Eastern Europe, including polka, schottische, waltz, polska and mazurka. The Swedish fiddle and nyckelharpa are among the most common Swedish folk instruments. The instrumental genre is the biggest one in Sweden. In the 1960s, Swedish youth sparked a roots revival in Swedish folk culture. Many joined Spelmanslag and performed on mainstream radio and TV. They focused on instrumental polska music, with vocals and influences from other traditional genres becoming more prominent since the 1990s. By 1970, the "dansband" culture also began. Music in Sweden is a vital part of Swedish culture, as evidenced by the national success of musical shows like Allsång på Skansen and Melodifestivalen.
Popular music of the United States in the 1970s saw various forms of pop music dominating the charts. Often characterized as being shallow, 1970s pop took many forms and could be seen as a reaction against the high-energy and activist pop of the previous decade. It began with singer-songwriters like Carole King and Carly Simon topping the charts, while New York City saw a period of great innovation; hip hop, punk rock and salsa were invented in 1970s New York, which was also a center for electronic music, techno.
This article is an overview of the major events and trends in popular music in the 2000s.
Popular music of the United Kingdom in the 1970s built upon the new forms of music developed from blues rock towards the end of the 1960s, including folk rock and psychedelic rock movements. Several important and influential subgenres were created in Britain in this period, by pursuing the limitations of rock music, including British folk rock and glam rock, a process that reached its apogee in the development of progressive rock and one of the most enduring subgenres in heavy metal music. Britain also began to be increasingly influenced by third world music, including Jamaican and Indian music, resulting in new music scenes and subgenres. In the middle years of the decade the influence of the pub rock and American punk rock movements led to the British intensification of punk, which swept away much of the existing landscape of popular music, replacing it with much more diverse new wave and post punk bands who mixed different forms of music and influences to dominate rock and pop music into the 1980s.
Hi-NRG is a genre of uptempo disco or electronic dance music (EDM) that originated in the United States during the late 1970s and early 1980s.
Dance-pop is a subgenre of pop music that originated in the late 1970s to early 1980s. It is generally uptempo music intended for nightclubs with the intention of being danceable but also suitable for contemporary hit radio. Developing from a combination of dance and pop with influences of disco, post-disco and synth-pop, it is generally characterised by strong beats with easy, uncomplicated song structures which are generally more similar to pop music than the more free-form dance genre, with an emphasis on melody as well as catchy tunes. The genre, on the whole, tends to be producer-driven, despite some notable exceptions.
Teen pop is a subgenre of pop music that is created, marketed and oriented towards preteens and teenagers. Often, the artists themselves are teenagers during their breakout. While it can involve influences from a wide array of musical genres, it remains a subset of commercial pop, focusing on catchy melodies and marketability. Teen pop’s lyrics emphasize themes that teenagers can relate to, such as love, growing up, or partying. The image of the artist as an aspirational or desirable teenage figure is a crucial element of the genre, highlighting their visual appeal.
Eurodance is a genre of electronic dance music that originated in the late 1980s in Europe. It combines many elements of rap, techno and Eurodisco. This genre of music is heavily influenced by the use of rich vocals, sometimes with rapped verses. This, combined with cutting-edge synthesizers, strong bass rhythm and melodic hooks, establishes the core foundation of Eurodance music.
Eurodisco is a music genre of electronic music that evolved from disco in the middle 1970s, incorporating elements of europop and rock in a purely electronic and futuristic sound. The genre emerged when European producers and musicians, especially Giorgio Moroder, Marc Cerrone and Frank Farian, adapted American disco music by incorporating European pop influences and recent new musical technologies, such as synthesizers and electronic drums.
French house is a style of house music devised by French musicians in the 1990s. It is a form of Euro disco and a popular strand of the late 1990s and 2000s European dance music scene. The defining characteristics of the genre are filter and phaser effects both on and alongside samples from late 1970s and early 1980s European disco tracks. Tracks sometimes contained original hooks inspired by these samples, providing thicker harmonic foundations than the genre's forerunners. Most tracks in this style are in 4
4 time and feature steady four-on-the-floor beats in the tempo range of 110–130 beats per minute. French house is similar to future funk, although there are some key differences. Purveyors of French house include Daft Punk, David Guetta, Bob Sinclar, Martin Solveig, Cassius, The Supermen Lovers, Modjo, Justice, Air, and Étienne de Crécy.
Popular music of the United Kingdom in the 1990s continued to develop and diversify. While the singles charts were dominated by boy bands and girl groups, British soul and Indian-based music also enjoyed their greatest level of mainstream success to date, and the rise of World music helped revitalise the popularity of folk music. Electronic rock bands like The Prodigy and Chemical Brothers began to achieve a high profile. Alternative rock reached the mainstream, emerging from the Madchester scene to produce dream pop, shoegazing, post rock and indie pop, which led to the commercial success of Britpop bands like Blur and Oasis; followed by a stream of post-Britpop bands like Radiohead and The Verve.
Dansband, or danseband in Norwegian and Danish, is a Swedish term for a band that plays dansbandsmusik. Dansbandsmusik is often danced to in pairs. Jitterbug and foxtrot music are often included in this category. The music is primarily inspired by schlager, country, rock'n'roll and some swing. The main influence for rock-oriented bands is the rock music of the 1950s and 1960s.
Dance music is music composed specifically to facilitate or accompany dancing. It can be either a whole piece or part of a larger musical arrangement. In terms of performance, the major categories are live dance music and recorded dance music. While there exist attestations of the combination of dance and music in ancient history, the earliest Western dance music that we can still reproduce with a degree of certainty are old-fashioned dances. In the Baroque period, the major dance styles were noble court dances. In the classical music era, the minuet was frequently used as a third movement, although in this context it would not accompany any dancing. The waltz also arose later in the classical era. Both remained part of the romantic music period, which also saw the rise of various other nationalistic dance forms like the barcarolle, mazurka, ecossaise, ballade and polonaise.
Nu-disco is a 21st-century dance music genre associated with a renewed interest in the late 1970s disco, synthesizer-heavy 1980s European dance music styles, and early 1990s electronic dance music. The genre was popular in the early 2000s, and experienced a mild resurgence in the 2010s.
This article includes an overview of the major events and trends in popular music in the 1970s.
Adult contemporary music (AC) is a form of radio-played popular music, ranging from 1960s vocal and 1970s soft rock music to predominantly ballad-heavy music of the 1980s to the present day, with varying degrees of easy listening, pop, soul, R&B, quiet storm and rock influence. Adult contemporary is generally a continuation of the easy listening and soft rock style that became popular in the 1960s and 1970s with some adjustments that reflect the evolution of pop/rock music.
British pop music is popular music, produced commercially in the United Kingdom. It emerged in the mid-to late 1950s as a softer alternative to American rock 'n' roll. Like American pop music it has a focus on commercial recording, often orientated towards a youth market, as well as that of the Singles Chart usually through the medium of relatively short and simple love songs. While these basic elements of the genre have remained fairly constant, pop music has absorbed influences from most other forms of popular music, particularly borrowing from the development of rock music, and utilising key technological innovations to produce new variations on existing themes. From the British Invasion in the 1960s, led by The Beatles, British pop music has alternated between acts and genres with national appeal and those with international success that have had a considerable impact on the development of the wider genre and on popular music in general
