A Simbi is a water and nature spirit in traditional Kongo spirituality, as well as in Hoodoo.
Spirituals is a genre of Christian music that is associated with African Americans, which merged sub-Saharan African cultural heritage with the experiences of being held in bondage in slavery, at first during the transatlantic slave trade and for centuries afterwards, through the domestic slave trade. Spirituals encompass the "sing songs," work songs, and plantation songs that evolved into the blues and gospel songs in church. In the nineteenth century, the word "spirituals" referred to all these subcategories of folk songs. While they were often rooted in biblical stories, they also described the extreme hardships endured by African Americans who were enslaved from the 17th century until the 1860s, the emancipation altering mainly the nature of slavery for many. Many new derivative music genres emerged from the spirituals songcraft.
Hoodoo is a set of spiritual practices, traditions, and beliefs that were created by enslaved African Americans in the Southern United States from various traditional African spiritualities, Christianity and elements of indigenous botanical knowledge. Practitioners of Hoodoo are called rootworkers, conjure doctors, conjure man or conjure woman, and root doctors. Regional synonyms for Hoodoo include rootwork and conjure. As a syncretic spiritual system, it also incorporates beliefs from Islam brought over by enslaved West African Muslims, and Spiritualism. Scholars define Hoodoo as a folk religion. Folk religions are syncretic traditions between two or more cultural religions, in this case being African indigenous spirituality and Abrahamic religion.
The Gullah are an African American ethnic group who predominantly live in the Lowcountry region of the U.S. states of South Carolina, North Carolina, Georgia, and Florida within the coastal plain and the Sea Islands. Their language and culture have preserved a significant influence of Africanisms as a result of their historical geographic isolation and the community's relation to their shared history and identity.
The music of Grenada has included the work of several major musicians, including Eddie Bullen, David Emmanuel, one of the best-selling reggae performers ever, and Mighty Sparrow, a calypsonian. The island is also known for jazz, most notably including Eddie Bullen, a pianist, songwriter and record producer currently residing in Canada. Kingsley Etienne, a keyboardist, while the Grenadan-American Joe Country & the Islanders have made a name in country music.
Obeah, or Obayi, is a series of African diasporic spell-casting and healing traditions found in the former British colonies of the Caribbean. These traditions derive much from traditional West African practices that have undergone cultural creolization. There is much regional variation in the practice of Obeah, which is followed by practitioners called Obeahmen and Obeahwomen.
Bajan, or Bajan Creole, is an English-based creole language with African and British influences spoken on the Caribbean island of Barbados. Bajan is primarily a spoken language, meaning that in general, standard English is used in print, in the media, in the judicial system, in government, and in day-to-day business, while Bajan is reserved for less formal situations, in music, or in social commentary. Ethnologue reports that, as of 2018, 30,000 Barbadians were native English speakers, while 260,000 natively spoke Bajan.
The Barbados Slave Code of 1661, officially titled as An Act for the better ordering and governing of Negroes, was a law passed by the Parliament of Barbados to provide a legal basis for slavery in the English colony of Barbados. It is the first comprehensive Slave Act, and the code's preamble, which stated that the law's purpose was to "protect them [slaves] as we do men's other goods and Chattels", established that black slaves would be treated as chattel property in the island's court.
Bird flight is the primary mode of locomotion used by most bird species in which birds take off and fly. Flight assists birds with feeding, breeding, avoiding predators, and migrating.
Africanisms refers to characteristics of African culture that can be traced through societal practices and institutions of the African diaspora. Throughout history, the dispersed descendants of Africans have retained many forms of their ancestral African culture. Also, common throughout history is the misunderstanding of these remittances and their meanings. The term usually refers to the cultural and linguistic practices of West and Central Africans who were transported to the Americas during the trans-Atlantic slave trade. Africanisms have influenced the cultures of diverse countries in North and South America and the Caribbean through language, music, dance, food, animal husbandry, medicine, and folklore.
A number of animals are capable of aerial locomotion, either by powered flight or by gliding. This trait has appeared by evolution many times, without any single common ancestor. Flight has evolved at least four times in separate animals: insects, pterosaurs, birds, and bats. Gliding has evolved on many more occasions. Usually the development is to aid canopy animals in getting from tree to tree, although there are other possibilities. Gliding, in particular, has evolved among rainforest animals, especially in the rainforests in Asia where the trees are tall and widely spaced. Several species of aquatic animals, and a few amphibians and reptiles have also evolved this gliding flight ability, typically as a means of evading predators.
The liberated Africans of Sierra Leone, also known as recaptives, were Africans who had been illegally enslaved onboard slave ships and rescued by anti-slavery patrols from the West Africa Squadron of the Royal Navy. After the British Parliament passed the Slave Trade Act 1807, which abolished Britain's involvement in the slave trade, the Admiralty established the West Africa Squadron to suppress the trade in cooperation with other Western powers. All illegally enslaved Africans liberated by the Royal Navy were taken to Freetown, where Admiralty courts legally confirmed their free status. Afterwards, they were consigned to a variety of unfree labor apprenticeships at the hands of the Nova Scotian Settlers and Jamaican Maroons in Sierra Leone. During the 19th century, it has been estimated by historians that roughly 80,000 illegally enslaved Africans were liberated by the Royal Navy.
A boo hag is a mythical creature in the folklore of the Gullah culture. It is a locally created unique contribution to the worldwide hag folklore based on the syncretic belief system of Gullah or Hoodoo cultures.
Catherine Obianuju Acholonu was a Nigerian author, researcher and political activist. She served as the Senior Special Adviser (SSA) to President Olusegun Obasanjo on Arts and Culture and was a founder-member of the Association of Nigerian Authors (ANA).
African-American folktales are the storytelling and oral history of enslaved African Americans during the 1700-1900s. These stories reveal life lessons, spiritual teachings, and cultural knowledge and wisdom for the African-American community which became part of their cultural heritage. During slavery, African-Americans created folk stories that spoke about the hardships of slavery and created folk spirits and heroes that were able to outwit and outsmart their slaveholders and defeat their enemies. These folk stories gave hope to enslaved people that folk spirits would liberate them from slavery. Many folktales are unique to African-American culture, while others are influenced by African, European, and Native American tales.
The Igbo of Igboland became one of the principal ethnic groups to be enslaved during the Atlantic slave trade. An estimated 14.6% of all enslaved people were taken from the Bight of Biafra, a bay of the Atlantic Ocean that extends from the Nun outlet of the Niger River (Nigeria) to Limbe (Cameroon) to Cape Lopez (Gabon) between 1650 and 1900. The Bight’s major slave trading ports were located in Bonny and Calabar.
Igbo people in Jamaica were trafficked by Europeans onto the island between the 18th and 19th centuries as enslaved labour on plantations. Igbo people constituted a large portion of the African population enslaved people in Jamaica. Jamaica received the largest amount of enslaved people from the biafra region than anywhere else in the diaspora during the slave trade. Some slave censuses detailed the large number of enslaved Igbo people on various plantations throughout the island on different dates throughout the 18th century. Their presence was a large part in forming Jamaican culture, Igbo cultural influence remains in language, dance, music, folklore, cuisine, religion and mannerisms. In Jamaica the Igbo were often referred to as Eboe or Ibo. There are a substantial number of Igbo language loanwords in Jamaican Patois. Igbo people mostly populated the northwestern section of the island.
Buckra or Backra is a term of West African origin. It is mainly used in the Caribbean and in the Southeast United States. Originally, it was used by slaves to address their white slave master. Later the meaning was broadened to describe white people in general.
Igbo Landing is a historic site at Dunbar Creek on St. Simons Island, Glynn County, Georgia. It was the setting of a mass suicide in 1803 by captive Igbo people who had taken control of their slave ship and refused to submit to slavery in the United States. The event's moral value as a story of resistance towards slavery has symbolic importance in African American folklore as the flying Africans legend, and in literary history.
Sophia Nahli Allison is an American documentary filmmaker and photographer. Her documentary short A Love Song for Latasha (2019) was nominated for an Academy Award for Best Documentary. It debuted at the Tribeca Film Festival and screened at the Sundance Film Festival in 2020. Allison directed and co-wrote the 2021 HBO Max special Eyes on the Prize: Hallowed Ground.
