Gravity is the fifth studio album by the Canadian rock band Our Lady Peace. It was released on June 18,2002 by Columbia Records in North America. The album became a worldwide success,charting highly both in Canada and the United States with the hit singles "Somewhere Out There" and "Innocent".
The album title,Gravity,was inspired by the chorus lyrics "Falling back to me,defying gravity" from the track "Somewhere Out There". At the time of the album's release,OLP drummer Jeremy Taggart said that Gravity was "by far [their] best album".[1]
Gravity was the first album to feature new guitarist,Steve Mazur,who replaced Mike Turner in 2002 after the latter's departure,due to the band feeling limited by Mike Turner's guitar abilities in the studio. Despite Turner's departure,he appears on half the tracks on the album,having recorded parts for several songs prior to his departure.[2] This was also their last album with musician Jamie Edwards,who had performed on two prior albums and was briefly an official member,but left the band soon after the album's completion.
It was the band's first album made without the involvement of producer Arnold Lanni,who not only produced the band's previous four studio albums but helped co-write many of their songs. The band originally wanted Lanni to produce their fifth album but he was busy working with Simple Plan and the band instead chose notable hard rock producer Bob Rock.
Originally conceived as a live album based on the Spiritual Machines tour that would include three new studio tracks,the band would accept Rock's offer to record an entire studio album when his schedule opened up as a result of the ongoing struggles of his prior engagement,Metallica.
Background and writing
After wrapping up the Spiritual Machines Tour in late 2001,Our Lady Peace were becoming restless and dangerously close to breaking up as tensions that had simmered under the surface for years began to come to a head. Lead singer Raine Maida in particular was feeling limited by guitarist Mike Turner's abilities in the studio;frustrations that had been present since the recording of Clumsy began to boil over. Raine would later state in an interview,"I don't know if Mike was born to be a guitar player. The studio was a tough place for him and we were working too hard to make up for it –we felt like we were cheating ourselves. Four albums is way too fucking long to put up with that. I'm sure he'll do great things,just not with six-stringed instruments."[3] They would (by most accounts) mutually decide to part ways following preliminary sessions for the album.[4]
The band decided that they had gone as far as they could go musically with Spiritual Machines. Looking to reinvigorate themselves and change directions musically,they sought a more stripped down sound as opposed to the multiple layers and textures of their previous albums. It was this idea of simplifying that inspired the title of Gravity. Raine discussed the transition in a 2002 interview. "’Spiritual Machines’was so out there in talking about the future and trying to perceive man turning into machine,it was very heavy. With this record...it kind of felt like we were being pulled back down to earth,hence the title. It's such a simple life out there [Hawaii,where most of Gravity was recorded] and because of that the album was just based around living day to day rather than looking too far ahead. In that sense ‘Gravity’is pretty much the opposite of ‘Spiritual Machines’. None of our other albums had been concept records,so it was the right time for us to get away from that whole philosophy. Because of that ‘Gravity’is probably the most basic album we’ve made since our first.[3]"
Although Raine Maida had begun living in Los Angeles,The band came together in Toronto to start writing new material towards the end of touring for Spiritual Machines. They did it this time without the usual help of producer Arnold Lanni,who at the time was working with fellow Canadian band and management-mates Simple Plan on their debut album,No Pads,No Helmets...Just Balls.[5] Jamie Edwards was credited for the only time as a songwriter on this album.[2] Three songs written by the band made the record but most were written by Maida during the 2001 holiday season.[6] Steve Mazur's late official entry into the band meant he took no part in songwriting.
Recording and production
For this album,Our Lady Peace sought a new producer rather than long-time collaborator Arnold Lanni to help with their search for a new sound. According to the band,it was Lanni's idea for them to pursue a new venue lest they regret not trying other producers later on.[7] After visiting with several producers in Los Angeles including Josh Abraham,the band seized the opportunity to work with Bob Rock because they liked his work with artists such as Metallica and American Hi-Fi as well as his general passion for music.[8] Raine was particularly convinced he wanted to work with Rock after watching A Year and a Half in the Life of Metallica,the documentary about the making of the Black Album. In the studio,they would even record with the same guitars and amplifiers used by Metallica as well as Pete Townshend and The Cult.[9] They first visited Rock's Maui studio in September 2001 to meet him and even wrote and recorded a song while there.[5]
They returned to Hawaii in November 2001 after their last live show of the season at Music without Borders. They had initially booked ten days of studio time that month to record three tracks that would be included on a live album based on the Spiritual Machines tour.[7][10] They began recording on the day of their arrival,laying down the initial tracks for "A Story About a Girl",which was written on the spot within 20 minutes after Raine heard Duncan and Jeremy tuning up in the next room.[11][12] According to Taggart,the making of that song set the pace for the whole album. "He saw us as a rock band as soon as we got there,and the way we recorded it was live off the floor as a rock band as opposed to layering things," Maida stated. "He was a great leader who got the best out of us immediately".[8] Metallica was originally scheduled to begin work on a new album with Rock in the following months but this was postponed when front man James Hetfield checked himself into rehab for alcohol abuse.[13] Rock then asked the band if they would like to work on an entire album,which they accepted.[14]
Following the preliminary recording sessions in Maui,Mike Turner left the band in December 2001 after having recorded rhythm guitar parts for several songs that would appear on the album. Band members in interviews said that he and the band weren't seeing eye to eye anymore but according to official press releases the split was amicable.[15] Duncan Coutts said of the split,"We weren't allowing him to do what he really wanted to do,and he wasn't playing what we wanted to hear. ... This recording process magnified that,but it was a long time coming."[16] The remaining band members then commenced a 2-month public search during which the band received thousands of demo tapes,videos and CDs from all over the world,including Australia and Japan.[13] They chose Detroit native,Steve Mazur,who Coutts and Taggart knew through mutual friends in Los Angeles. After his inception into the band was announced in April,Raine Maida noted:"[It] felt like a cohesive unit...It just felt incredible. It felt like a new band,totally fresh."[13]
During the band's holiday break from recording,Raine received a phone call from Rock on Christmas Eve,asking him if he had anymore song ideas to consider before they returned to the Maui studio in January. The call prompted him to write seven songs over the next ten days. Upon returning to the studio,sections from two of Maida's demos were combined to form the hit song,"Somewhere Out There" at Rock's suggestion.[17] Maida explained "It was like a last minute song done really quickly. I demoed a bunch of songs over Christmas,when we had a break for 10 days. I wrote,like,seven songs and brought them back. Bob listened to all seven songs and then listened to song number three halfway through and song number six halfway through and said,'OK,' told the engineer to stop the CD,and got us to go put the verse from song three and the chorus from song six together and was like,'That's the song.'"[18]
For the ten weeks they were in Maui recording (spread over 4 months),the band lived together and would surf and ride mountain bikes in the mornings then work on the album in the evening,usually recording one song in one day and only for a couple of hours before and after dinner.[12] "Leaving Toronto and holing up in a beach house in Maui was a very important step for us," explained Duncan Coutts. "We lived,ate,and breathed music together away from all distractions.[9]" The band recorded most of the album at Rock's Plantation Studio in Haiku,Hawaii and finished recording and mixing with Randy Staub at The Warehouse Studio in Vancouver,B.C. in March 2002.
The track "Made of Steel" was recorded three separate times during the sessions with the last take being used. "Do You Like It" was not recorded until after most of the mixing had been completed in Vancouver. According to Raine,"We had gone back to Maui to finish some small details on the last two songs to be mixed and 'lo and behold!' a new song was born and recorded.[9]"
The recording technique for this album began a trend of recording songs live in the studio together with minimal overdubs that continued on their later albums. According to the band,doing it live works to create a more realistic set of sounds,"a vibe" reminiscent of Led Zeppelin or early David Bowie,mistakes and all. In earlier albums,they would record each instrument separately and at different times. They began recording "Bring Back the Sun" before the lyrics were even finished.[19] The final version as heard on the album is only the second take of the song,live to tape,with strings overdubbed.[11]
Music and lyrics
Raine stated his intent for the album's sound,"Basically what he [Rock] did with Metallica on the 'black record',we talked and wanted to take that kind of approach. Let him simplify stuff. Let him take away... We always usually try add as many layers as we can to our music,and Bob said,'Let's try to add not so many.[20]'" The goal was also to make the album's sound more akin to what the band sounded live and to make the songs easier to reproduce on stage. "We'd record a song,sit back and ask,'Why isn't this sounding like everyone is hearing it in their heads?' Bob would say 'let's simplify the drums,' or 'let's make that bass line simpler.' He was able to pull out why we didn't sound on albums like we do live."[21]
Raine said in an interview that most of the lyrics on Gravity were rewritten because producer Bob Rock felt that the songs would be stronger with simpler lyrics,so that listeners could understand what Raine was talking about. "I was really open to him musically,but I wasn't ready to be challenged lyrically like he challenged me. He kept telling me to rewrite stuff because he didn't understand what I was trying to convey in my lyrics. He would say,'Raine,I don't have a fucking clue what you're talking about. Convince me. Explain to me what you're trying to say in your lyrics better.' I would keep rewriting and rewriting,and sometimes I felt I would never please him. I would say,'Jesus,I don't know what you're asking me to do here. I don't think I can do whatever it is you want.' He would say,'Yes,you can,get back in there.' And I did it. Looking back now,I'm a better writer for it."[22] The stress caused by this challenge eventually led to Raine having to go to a hospital;contracting shingles.[23] Raine had also cited his and his wife Chantal Kreviazuk's recent trips to Iraq with War Child Canada as inspiration to simplify his lyrics and to 'get to the point'.[21] The results were considered some of Raine's most personal lyrics to date while others lamented the loss of Maida's more ambiguous lyrical style.
Release and reception
Commercial
The album was originally planned to be released on June 11 but was pushed to June 18 because the artwork was not ready in time following the sudden departure of Jamie Edwards,who had become an official member of the band just long enough to take part in the initial photo shoots for the album.[24]
Gravity debuted at #2 on the Canadian Albums Chart,selling close to 25,000 copies in Canada in its first week. The album debuted at #9 in the United States,making it the band's highest position in the United States yet.[13] By October 2002,it had been certified Gold by the RIAA in the U.S. and on November 23 of that year won a CASBY Award for Best New Album.[25] By November 2003,Gravity had been certified double-platinum in Canada (200,000 units).[25]
On November 26,2002 a deluxe limited edition version of the album was released as part of the Sound Plus Collector's Series. This version,with a different cover,came with a special bonus DVD of live tracks and the music videos for "Somewhere Out There" and "Innocent" (see below) as well as footage from the Gravity tour.[26] The back cover states that the live tracks were recorded on the Spiritual Machines Tour of 2001. The following text is also included:
The Spiritual Machines tour cemented the connection we have with our fans and inspired us to make Gravity as quickly as we did. The four live songs are a small glimpse of that special tour." - Our Lady Peace
Despite its success, reviews from critics were mixed to negative. They said the album developed a more extreme "mainstream sound" and was "overproduced" in order to appeal to the American market, this may have been partly due to new producer Bob Rock of Aerosmith and Metallica fame.[31][36] Some reviewers went as far to call it a "plea for mainstream American acceptance."[37] On the other hand, one publication said the album was noteworthy for its simple, direct approach.[4] A reviewer from Vue Weekly stated that "It sounds like a brand new band, but the jury is out on whether it’s better."[38]Gravity was a big change from their last successful album, Happiness... Is Not a Fish That You Can Catch. Vocalist Raine Maida's signature falsetto is scarce on the album, with his overall tone changing as well or as a reviewer from Kludge put it, "Gravity is almost completely void of Raine Maida’s urgent, almost-squaking, one-of-a-kind vocals and, save three tracks, almost any sense of creativity."[31] Andrew Bonazelli of CMJ New Music Monthly criticized the album's "soul-deadening production" as well as string arrangements for several songs being a "contrived lunge towards accessibility."[39]
In the June 22 issue of Billboard, Larry Flick wrote: "Gravity is a giant leap forward...emerging with a crisp, highly commercial collection of guitar-driven jams." That sentiment was shared by Guitar World's Gary Graff who praised the record in the magazine's August 2002 issue: "...OLP have turned in an album more streamlined and punchy than their previous recordings. Most impressive is the wide assortment of styles here -- a tuneful anthem ('Innocent'), crunchy metal ('All for You') and spacey prog ('Bring Back the Sun') -- with which OLP defy the 'gravity' that personnel changes can have on a band."[40]
Impact
With the mainstream success of Gravity and "Somewhere Out There", Our Lady Peace's fan base was split between fans of the new material and fans of the old material who, like several critics, cited the band's new direction as sell-out tactic. In 2010, online music magazine Popmatters looked back on the rift saying:
A clear and sudden change from the experimental, art-rock vibe of Spiritual Machines, Gravity not only disappointed a section of Our Lady Peace’s fans, but it drove them away from the group altogether, disappointed and unhappy.[41]
Recently, Gravity`s single "Innocent" received widespread media attention when American Idol winner David Cook performed it on the program. Many, including American Idol judges, criticized both Cook's performance and song choice. Vocalist Raine Maida reportedly contacted Cook and they have since written some songs together.[42]
The lead single for Gravity was "Somewhere Out There", released on April 5, 2002. Four versions of the single were released. In the United States and Canada (SAMPCS11757), a one-track promotional CD was sent to radio stations only. In Australia and Europe, where the single was commercially released respectively on September 9 and 16, 2002 (Columbia 672965 2), three live bonus tracks, "Starseed", "Whatever", and "4 AM" were included. They were recorded in June 2001 in Syracuse, New York during the Spiritual Machines tour.[43] "4 AM" is sung entirely by the audience. The fourth version (Columbia 79943) contains the live version of "Bring Back the Sun". "Somewhere Out There" became one of Our Lady Peace's most successful singles, generating the most chart activity of any of their songs released to radio. The song reached #7 on the U.S. Modern Rock Tracks chart, their highest on that chart since "Clumsy" in 1998. The song also became their second number one in the Canadian Singles Chart peaking at number one and becoming a massive success in Canada.
The second single, "Innocent", was released to radio during August 2002. It was commercially released in Europe and Australia with the live tracks "Naveed", "4 AM" and a live cover of John Lennon's "Imagine" as well as the music video for "Innocent". Innocent was also a massive hit in Canada as well peaking at number 2 in the Canadian Singles Chart.[44] The live tracks from this single and "Somewhere out There" were included on the limited edition releases of Gravity. While not as successful as the first single, "Innocent" achieved minor success with its music video. The song received some attention in 2008 when American Idol contestant David Cook, who revealed himself to be a huge OLP fan, sang it on the show. Raine Maida and he have since written together.[42]
The third and final single, "Made of Steel", was released only to radio on January 11, 2003. It made no appearance on any charts.
The band discussed the release of more singles from the album such as the popular "Not Enough"[22][24] but single releases after "Made of Steel" were supplanted by those from the 2003 Live album, which included a live version of "Not Enough".
Tour
Our Lady Peace embarked on one of their biggest tours in support of Gravity a month before the album's release. For most of the tour, Mike Eisenstein of the band Letters to Cleo joined the band as a stunt musician following Jamie Edwards' departure in April due to creative and personal differences. They opened on May 15, 2002 in Dayton, Ohio where many of the songs from Gravity were premiered.
They followed this up with appearances at various music festivals across the United States including Pointfest in St. Louis, Missouri. The tour continued through September 2002 dipping in and out of Canada with the bands Ash, Greenwheel and Audiovent opening for many shows. For most of November the band toured in Europe, their first visit to Europe since 1998. Touring resumed in January 2003 with a Canadian arena tour dubbed "Fear of the Trailer Park". Opening for Our Lady Peace were management-mates Finger Eleven as well as comedy troupe Trailer Park Boys and South African band Seether.[45] The band's arena shows in Calgary and Edmonton would be recorded and released as their first official Live album later that year.
They returned to Europe in March as an opening act for Avril Lavigne.[46] During this leg of the tour two new songs, "Not Afraid" and "Talk is Cheap" were premiered. "Not Afraid" would later be recorded for and rejected from their following studio album, Healthy in Paranoid Times. Following the European tour, the band took off most of June 2003 to begin recording Healthy... and resumed touring throughout America for the rest of the year with 3 Doors Down opening for the majority of the shows.[47] The tour concluded in September 2003.
Track listing
Original release
All lyrics written by Raine Maida. All music is also composed by Maida except where noted.
"On the Road" (live video clip, directed by Micha Dahan)
Studio outtakes
According to Jeremy Taggart, twelve songs were completed (including mixing) for the album but two ("Angelina's Song"[48] and "Stop Screaming"[49]) were cut off at the last minute.[50] Duncan Coutts stated in an interview that six songs written by the band including Mike Turner and Jamie Edwards were recorded while only three ("All For You", "Bring Back the Sun" and "A Story About a Girl") made the final cut for the album.[11]
In the midst of touring in October 2002, Our Lady Peace briefly returned to Bob Rock's studio in Maui to finish two songs left off of Gravity for an upcoming soundtrack. Maida mentioned on the band's website that they are both riff based songs that probably sound closer to "Whatever" than anything else.[51] One of these songs was "Our Time Is Fading" a.k.a. "The End Always Comes Last", which was one of the last songs written with Mike Turner.[52] The song never made the soundtrack and a studio version was never released but the song was played live multiple times and a live version was released on the Live album in 2003.
Chantal Jennifer Kreviazuk is a Canadian singer, songwriter, composer, and pianist. Born in Winnipeg, she played music from a young age before signing with Columbia Records in the 1990s. Her debut studio album, Under These Rocks and Stones, was first released in Canada in 1996 and saw commercial success before being issued in the United States the following year to critical praise.
Our Lady Peace is a Canadian rock band formed in Toronto, Ontario in 1992. Led by lead vocalist Raine Maida since its formation, the band currently also features Duncan Coutts on bass, Steve Mazur on guitars, and Jason Pierce on drums. The band has sold several million albums worldwide, won four Juno Awards, and won ten MuchMusic Video Awards—the most MMVAs ever awarded to a band. Nineteen of their singles have reached the Top 10 on one of Canada's singles charts. Between 1996 and 2016, Our Lady Peace was the third best-selling Canadian band and the ninth best-selling Canadian artist overall in Canada.
Raine Maida is a Canadian musician best known as being the lead vocalist and primary songwriter of the alternative rock band Our Lady Peace. He has come to be known for his unique countertenor nasal falsetto singing voice, as well as his cryptic and poetry-influenced song lyrics. He occasionally plays certain instruments, such as the acoustic guitar, while performing with Our Lady Peace. Following guitarist Mike Turner's departure from Our Lady Peace in 2001, Maida is the only remaining original member of the band.
Spiritual Machines is the fourth studio album by the Canadian alternative rock band Our Lady Peace, released by Columbia Records in December 2000. Although not initially intended, the project evolved into a conceptual interpretation of futurist and inventor Raymond Kurzweil's 1999 book The Age of Spiritual Machines. Short tracks of spoken dialog from Kurzweil himself are interspersed among the actual songs on the album. The Kurzweil K250 keyboard, one of his inventions, was utilized throughout the recording of the album.
Clumsy is the second studio album by the Canadian rock band Our Lady Peace, released on January 23, 1997, by Columbia Records. The album is the band's most successful to date, achieving diamond status in Canada and strong sales in other countries, including platinum status in the U.S. for another 1 million sales. In 2007, it ranked No. 76 on "The Top 100 Canadian Albums" by Bob Mersereau and No. 33 on The Top 102 New Rock Albums of All Time by 102.1 The Edge. The album features five hit singles: "Superman's Dead", "Automatic Flowers", "Clumsy", "4am" and "Carnival". Each single except "Carnival" has a music video.
Happiness... Is Not a Fish That You Can Catch is the third studio album by Canadian alternative rock band Our Lady Peace. It was released on September 21, 1999, by Columbia Records. The album was very successful in Canada, debuting at #1 on the Canadian Albums Chart. The album was certified 3× Platinum in July 2001. Hit singles from the album include "One Man Army", "Annie", "Is Anybody Home?", and "Thief". The final track on the CD, "Stealing Babies", features Elvin Jones, a prominent post-bop jazz drummer. The photo shoot for this album took place around Staten Island in New York State.
Healthy in Paranoid Times is the sixth studio album by Canadian rock band Our Lady Peace, released on August 30, 2005, by Columbia Records. The disc was released on a standard CD as well as a DualDisc, with the reverse side containing a documentary on the making of the album. The album fared well in both Canada and the U.S., but didn't match up to the success of its 2002 predecessor, Gravity. The first single was "Where Are You", released in Canada during June 2005 and released in the United States a month later. The second and third singles were "Angels/Losing/Sleep" and "Will the Future Blame Us", respectively.
Michael A. Turner, also known as Emtee, is an English-born Canadian musician and producer. He is best known as the former lead guitarist and founding member of the band Our Lady Peace and current member of alternative rock supergroup Crash Karma.
"Somewhere Out There" is a song by Canadian alternative rock group Our Lady Peace. It was released on April 1, 2002, as the lead single from their fifth studio album, Gravity. It was the most successful single from the album, reaching number 44 on the US Billboard Hot 100 and peaking inside the top 40 on five other Billboard charts. "Somewhere Out There" was the ninth-most played song on radio in Canada in 2002.
"One Man Army" is a song by Canadian alternative rock group Our Lady Peace. It was released in July 1999 as the lead single from their third album, Happiness...Is Not a Fish That You Can Catch.
Naveed is the debut studio album by Canadian rock band Our Lady Peace. It was produced by Arnold Lanni, and was released on March 22, 1994, by Sony Music Canada. Naveed became a success in Canada, being certified 4× Platinum in the country. There were six singles released for the album, including "The Birdman", "Starseed" and "Naveed". This is the only album to feature bass player Chris Eacrett, who was replaced by Duncan Coutts in 1995.
"Innocent" is a song by Canadian alternative rock band Our Lady Peace. Written by lead vocalist Raine Maida, it was released in August 2002 as the second single from the band's fifth studio album, Gravity. It reached the top 40 on two US Billboard rock charts, as well as on the New Zealand Singles Chart.
"In Repair" is a song by Canadian alternative rock group Our Lady Peace. It was released in November 2000 as the lead single from their fourth studio album Spiritual Machines.
Burn Burn is the seventh studio album by Canadian alternative rock band Our Lady Peace, released in North America on July 21, 2009. The album's title is based on a quote by Jack Kerouac from his 1957 novel On the Road.
"Automatic Flowers" is a song by Canadian alternative rock group Our Lady Peace. It was released in July 1997 as the third single from their second studio album, Clumsy.
"Life" is a song by Canadian rock group Our Lady Peace. It was released in December 2000 as the second single from their fourth studio album, Spiritual Machines and the most successful from that album. The song was nominated for "Best Single" at the 2002 Juno Awards, losing to Nickelback's "How You Remind Me". A sample can be heard in the Trailer Park Boys episode "Say Goodnight to the Bad Guys". It can also be heard in the show's 2006 film adaptation.
"Right Behind You (Mafia)" is a song by Canadian alternative rock group Our Lady Peace. It was released in July 2001 as the third and final single from their fourth studio album, Spiritual Machines. The single underperformed, ultimately causing its release as well as that of its music video to be aborted. It was also their last single released with founding guitarist Mike Turner in the band. Matt Cameron of Pearl Jam performed the drums on this song while Our Lady Peace's own drummer, Jeremy Taggart, was recovering from injury.
Curve is the eighth studio album by Canadian alternative rock band Our Lady Peace (OLP), released on April 3, 2012. The album was recorded from 2010 through 2012 at vocalist Raine Maida's home recording studio. Curve's first single, "Heavyweight", was released on December 20, 2011. The music from Curve has been touted by lead singer Maida as being "more experimental and ambitious" than the band's 2000 concept album Spiritual Machines. The album's cover features Canadian heavyweight boxer George Chuvalo, whose vocal excerpts are featured in the album's tenth and final track "Mettle".
Somethingness is the ninth studio album by Canadian alternative rock band Our Lady Peace (OLP). Produced under Warner Music Records label by Jason Lader, who also produced their preceding album Curve, this is the band's first studio album in nearly six years and it was promoted using the PledgeMusic platform, a website which facilitates musicians reaching out to their fans to market and distribute music.
Spiritual Machines 2 is the tenth studio album from Canadian alternative rock band Our Lady Peace, a sequel to their 2000 art rock concept album Spiritual Machines. The album was produced by Dave Sitek, and released through BMG's Shelter Music Group in the form of a non-fungible token (NFT) on October 29, 2021. All 500 NFTs were reported sold out in January 2022. A traditional release of the album was planned for 2022, and a multi-media tour was scheduled to begin in June 2022.
1 2 3 ""Bio"". Archived from the original on October 1, 2002. Retrieved March 24, 2017.{{cite web}}: CS1 maint: bot: original URL status unknown (link) Ourladypeace.com at the Internet Archive. Retrieved September 19, 2009
↑ Zivitz, Jordan. "Our Lady Peace, the rough mix: Mostly live takes. New producer pushed Maida on lyrics, too:[Final Edition]." The Montreal Gazette Jan. 30, 2003, ProQuest Newsstand, ProQuest. Web. Retrieved September 28, 2010.
↑ ""ourladypeace.com news archive"". Archived from the original on August 18, 2004. Retrieved March 24, 2017.{{cite web}}: CS1 maint: bot: original URL status unknown (link) November 26, 2002. Retrieved March 22, 2010
↑ Stevenson, Jane. "Our Lady Peace — Gravity". Canoe.ca. Archived from the original on July 13, 2012. Retrieved November 17, 2009.{{cite web}}: CS1 maint: unfit URL (link)
↑ Somewhere Out There (Import) (CD single). Our Lady Peace. Columbia Records. 2002. 672965.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
↑ Maida, Raine ""OLP Updates:Head Rush"". Archived from the original on April 8, 2003. Retrieved March 24, 2017.{{cite web}}: CS1 maint: bot: original URL status unknown (link) - Ourladypeace.net (Internet Archive) October 7, 2002. Retrieved December 14, 2002
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