Mulder and Scully, aghast, watch the finished film, The Lazarus Bowl. Many critics commented on the "self-referential" tone of the episode, facilitated by use of the movie.
"Hollywood A.D." is the nineteenth episode of the seventh season of the American science fiction television series The X-Files. It premiered on the Fox network in the United States on April 30, 2000. The episode is a "Monster-of-the-Week" story, unconnected to the series' wider mythology. "Hollywood A.D." earned a Nielsen household rating of 7.7, being watched by 12.88 million people in its initial broadcast. The episode was met with largely positive reviews, with many critics approving of the episode's humorous nature.
The show centers on FBI special agents Fox Mulder (David Duchovny) and Dana Scully (Gillian Anderson) who work on cases linked to the paranormal, called X-Files. Mulder is a believer in the paranormal, while the skeptical Scully has been assigned to debunk his work. In this episode, Wayne Federman, an entrepreneurial Hollywood producer and college friend of Walter Skinner (Mitch Pileggi) picks up the idea for a film based on the X-Files, however Mulder and Scully find that the level of realism in their fictional portrayal is somewhat questionable. Meanwhile, during the filming of the movie, Mulder and Scully research the mysterious "Lazarus Bowl", an artifact that supposedly has the exact words that Jesus Christ spoke to raise Lazarus from the dead recorded on its surface.
"Hollywood A.D." was written and directed by series star David Duchovny, his second writing and directing credit after the sixth season episode "The Unnatural." The episode—written with a "self-referential" tone—features myriad guest stars, including, most notably, Garry Shandling and Téa Leoni, who portray Mulder and Scully, respectively, in the episode's fictional movie. Leoni herself was also Duchovny's then-wife. The episode itself contains several in-jokes and references deliberately placed by Duchovny.
Plot
Walter Skinner's college friend, Hollywood producer Wayne Federman, is involved in a film project about the FBI. During Federman's research phase, Skinner gives him access to Fox Mulder and Dana Scully, who are investigating the attempted murder of Cardinal O'Fallon. Federman tags along and constantly interrupts the agents. While searching the catacombs of O'Fallon's church, Mulder finds the remains of Micah Hoffman, a missing 1960s counter-culturalist. Searching Hoffman's apartment, they find bombs and counterfeiting tools, as well as a forged gospel of Mary Magdalene. Mulder and Federman return to the catacombs, finding several skeletons and pieces of the forged gospel. Federman wanders off and stumbles upon animated bones, who attempt to assemble a shattered piece of pottery. He panics and leaves the scene.
As they examine the pottery, Scully tells Mulder the story of the "Lazarus Bowl", in which the aunt of Lazarus had been making a clay bowl when Jesus Christ resurrected him. The words of Christ were then recorded in the grooves of the bowl, much like a phonograph record. Mulder brings the relic to Chuck Burks, who, after performing a sonic analysis, discovers voices in Aramaic: In one portion part of the audio, one man commands another to rise from the dead. The other contains lyrics from "I am the Walrus" by The Beatles plus an allusion to the Paul is dead urban legend.
Mulder visits O'Fallon, who admits he bought the forged gospel from Hoffman, believing it was real. Meanwhile, during Hoffman's autopsy, Scully experiences a hallucination wherein he comes back to life on the operating table and begins talking. Later, at the church, Scully has a hallucination of Hoffman in Jesus' place on a large crucifix. Mulder arrests O'Fallon for Hoffman's murder, but Hoffman walks in, unscathed. He tells the agents that while he initially created the forgeries to make money, he came to believe he was the reincarnation of Christ, and bombed the church to get rid of the "blasphemous" forgeries. Skinner suspends Scully and Mulder for four weeks because of the mix-up. Sixteen months later, O'Fallon kills Hoffman in a murder-suicide. As such, the X-File is never truly solved.
During their suspension, Mulder and Scully venture to Hollywood to view the production of Federman's film. It is revealed that Federman's movie will be called The Lazarus Bowl, with Garry Shandling playing Mulder and Téa Leoni playing Scully. After filming is done, Mulder and Scully attend a screening of the film with Skinner, but are disappointed with how the movie portrays them and the case. The agents leave the set holding hands, presumably on their way to dinner with the FBI credit card Skinner gave them after watching the movie, hinting at the continued romantic relationship between them.[1] As they leave, the dead who were resting underneath the film set are revived and begin to dance passionately, reinforcing a theory Mulder made earlier in the episode.
Production
"Hollywood A.D." was written and directed by series star David Duchovny.
Writing and filming
"Hollywood A.D." was written and directed by series co-star David Duchovny. After receiving largely positive feedback about his last creation, sixth-season episode "The Unnatural", Duchovny approached executive producer Frank Spotnitz about the possibility of writing another. Spotnitz gave him the go-ahead and was soon given a rough copy of the script. Series creator Chris Carter was very happy with the story, calling it "a smart, [...], quirky, and intelligent idea" and he later described it as "outside the norm, even for The X-Files."[3] After Carter approved the script, Duchovny also took on an active role in pre-production.[3]
There was a "considerable" amount of stunt work, choreographing, and makeup required during the production of "Hollywood A.D."[2] Two stunt doubles were hired for the scene in which Shandling and Leoni roll down a hill into a coffin, and other stunt men were cast in non-stunt related jobs, including several who were "transform[ed]" into zombies—a tedious process that took five hours to complete. The dance sequence at the end of the episode reportedly took two complete days to film. The first day was shot during active production, and the second was shot on the weekend. The latter of the two made use of chroma keying, and when the two scenes were finished, they were composited in post-production.[2]
Casting
Duchovny cast several of The X-Files' technical crew in the episode: Tina M. Amedrui, the show's actual craft services woman, portrayed Tina, the craft service woman in Wayne Federman's movie. Bill Roe, the show's photography director, was cast as a vegetarian zombie.[3] Assistant director Barry K. Thomas was cast as one of the men on the movie set, Paul Rabwin was cast as a producer, and special effects coordinator Bill Millar was cast as the movie's director.[2][3] Duchovny also cast his brother, Daniel, as the assistant director.[2] Thanks to their part in this episode, several of Duchovny's family members and friends were able to apply for their Screen Actor's Guild card, making them eligible for health insurance.[4]
Téa Leoni, who portrayed a fictionalized version of herself portraying Scully in Wayne Federman's movie, was married to David Duchovny when this episode was filmed, a decision casting director Rick Millikan considered "clever."[2][5] Duchovny also cast his friend and fellow actor Garry Shandling as a fictionalized version of himself portraying Mulder in the movie. Shandling had originally been asked to play Morris Fletcher in the sixth-season episode "Dreamland", but he was unavailable at the time.[6] The reference to Garry Shandling having a crush on Mulder came from a recurring joke from the TV show The Larry Sanders Show, starring Shandling. (In the recurring joke, David Duchovny has a romantic interest in Shandling's character.)[5]
The joke about Mulder wanting Richard Gere to be in The Lazarus Bowl stemmed from the fact that Duchovny's acting was often compared to Gere's. Duchovny explained: "We used to always have the joke on set that when they do the movie it's going to be Richard Gere and Jodie Foster [playing Mulder and Scully]. So I originally wrote the teaser for Richard Gere and Jodie Foster and I just started to think about it and you know, it's so much funnier with Garry and Téa."[7] The scene featuring the movie premiere featured several uncredited celebrity cameos, including: Minnie Driver, David Alan Grier, and Chris Carter himself.[2]
Broadcast and reception
"Hollywood A.D." first aired in the United States on April 30, 2000.[8] This episode earned a Nielsen rating of 7.7, with a 12 share, meaning that roughly 7.7 percent of all television-equipped households, and 12 percent of households watching television, were tuned in to the episode.[9] It was viewed by 12.88 million viewers.[9] The episode aired in the United Kingdom and Ireland on Sky1 on May 7, 2000, and received 0.80 million viewers, making it the second most watched episode that week.[10] Fox promoted the episode with the tagline "Garry Shandling as Agent Mulder? Téa Leoni as Agent Scully?"[11]
Critical reception to "Hollywood A.D." was mostly positive. The Montreal Gazette named the episode the sixth best stand-alone X-Files episode, writing that "Despite taxing our stomach for self-reflexive comedy, this David Duchovny scripted and directed episode manages to deliver some of the greatest laughs of the series."[5] Rob Bricken from Topless Robot named "Hollywood A.D." the seventh funniest X-Files episode.[12] Jessica Morgan from Television Without Pity gave the episode a B, slightly criticizing the dancing zombies at the end of the episode.[13]Sarah Kendzior from 11th Hour Magazine wrote that, "My favorite [episode] this year may well be 'Hollywood A.D.', an ambitious, often ingenious and occasionally flawed sophomore effort concerning the entertainment industry, religion, and pretty much everything in between."[14] Rich Rosell from DigitallyObsessed.com awarded the episode 5 out of 5 stars and wrote that "[the] scene from the 'movie' where Shandling/Mulder faces off against The Cigarette Smoking Pontiff, and his army of sniper zombies, is classic stuff, and earns 'Hollywood A.D.' high marks."[15] Kenneth Silber from Space.com, while criticizing the episode for reveling in parody, noted that the episode was entertaining, writing, "'Hollywood A.D.' is a parody and, as such, will be unsatisfying to the many X-Files viewers, including this long-suffering reviewer, who'd like to see the series culminate in a dramatic, multi-episode denouement of its 'mythology arc'. Nonetheless, this episode has merit as a witty and imaginative parody."[16]
Tom Kessenich, in his book Examinations, gave the episode a relatively positive review. He wrote, "'Hollywood A.D.' was Duchovny's nudge-nudge, wink-wink writing-directing effort for this season. [...] Duchovny did not fail to deliver an episode that truly reflected his own wit and intelligence. All the while remaining true to the spirit of the show that made him famous."[17] Zack Handlen of The A.V. Club awarded the episode a "B+", and wrote that it "is muddled and frequently so in love with just being weird for weird’s sake that everybody forgets we need at least a little justification to pull everything together in the end."[18] He also called it "a hard episode not to love, frankly." Handlen felt that the humor and sweetness helped to make the episode a success. He also wrote that Mulder and Scully's dynamic worked towards the episode's favor.[18]
In popular culture
On the "Killer Cable Snaps" episode of the popular science television seriesMythBusters, which aired on October 11, 2006, the possibility that audio could be transcribed onto pottery was tested (the myth received a "busted" result). Clips from "Hollywood A.D." were shown during the segment.[19]
↑ "BARB's multichannel top 10 programmes". barb.co.uk. Retrieved 1 January 2012. Note: Information is in the section titled "w/e July 17–23, 1999", listed under Sky 1
The X-Files is an American science fiction drama television series created by Chris Carter. The original television series aired from September 1993 to May 2002 on Fox. During its original run, the program spanned nine seasons, with 202 episodes. A short tenth season consisting of six episodes ran from January to February 2016. Following the ratings success of this revival, The X-Files returned for an eleventh season of ten episodes, which ran from January to March 2018. In addition to the television series, two feature films have been released: The 1998 film The X-Files and the stand-alone film The X-Files: I Want to Believe, released in 2008, six years after the original television run had ended.
The sixth season of the science fiction television series The X-Files commenced airing on the Fox network in the United States on November 8, 1998, concluding on the same channel on May 16, 1999, and consisted of twenty-two episodes. The season continued from the 1998 feature film and focused heavily on FBI federal agents Fox Mulder and Dana Scully's separation from the X-Files Division and the demise of the Syndicate—a "shadow government" group attempting to cover up the existence of extraterrestrials—in the two-part episode "Two Fathers" and "One Son".
The seventh season of the American science fiction television series The X-Files commenced airing on the Fox network in the United States on November 7, 1999, concluded on May 21, 2000, and consists of twenty-two episodes. Taking place after the destruction of the Syndicate, this season marks the end of various other story lines; during this season, Fox Mulder learned the true fate of his sister, Samantha.
The eighth season of the American science fiction television series The X-Files commenced airing in the United States on November 5, 2000, concluded on May 20, 2001, and consisted of twenty-one episodes. Season eight takes place after Fox Mulder's alien abduction in the seventh season. The story arc for the search of Mulder continues until the second half of the season, while a new arc about Dana Scully's pregnancy is formed. This arc would continue, and end, with the next season. The season explores various themes such as life, death, and belief.
"Redux" is the two-part fifth season premiere of the science fiction television series The X-Files. "Redux" first aired on November 2, 1997, on Fox in the United States, with "Redux II" airing on November 9. Both episodes subsequently aired in the United Kingdom and Ireland. Both episodes were written by series creator Chris Carter, with "Redux" directed by R. W. Goodwin and "Redux II" helmed by Kim Manners. "Redux" became the second-most-watched episode ever broadcast, earning more than 27 million viewers in the United States alone. The first part of the episode received mixed to negative reviews, whereas the second part received mixed to positive reviews from critics.
"Field Trip" is the twenty-first episode of the sixth season of the science fiction television series The X-Files. It premiered on the Fox network on May 9, 1999, in the United States and Canada, and subsequently aired in the United Kingdom on Sky1 on July 18. The episode was written by John Shiban and Vince Gilligan, from a story by Frank Spotnitz, and was directed by Kim Manners. The episode is a "Monster-of-the-Week" story, unconnected to the series' wider mythology. "Field Trip" earned a Nielsen household rating of 9.5, being watched by 15.40 million people in its initial broadcast. The episode received largely positive reviews from television critics.
"The Beginning" is the first episode of the sixth season of the science fiction television series The X-Files. It premiered on the Fox network in the United States on November 8, 1998. The episode was written by Chris Carter, and directed by Kim Manners. It helps explore the series' overarching mythology. "The Beginning" earned a Nielsen household rating of 11.9, being watched by 20.34 million people in its initial broadcast. The episode received mixed reviews from television critics.
"Triangle" is the third episode of the sixth season of the American science fiction television series The X-Files. It premiered on the Fox network on November 22, 1998. Written and directed by series creator Chris Carter, "Triangle" is a "Monster-of-the-Week" episode, a stand-alone plot which is unconnected to the overarching mythology of The X-Files. "Triangle" earned a Nielsen household rating of 10.8, being watched by 18.20 million viewers in its initial broadcast. The episode generally received positive reviews with many critics commenting on the episode's directing style.
"Dreamland" refers to the fourth and fifth episodes of the sixth season of the science fiction television series The X-Files. Part one first aired on November 29, and part two aired on December 6, 1998, on Fox in the United States and Canada. The episode was written by Vince Gilligan, John Shiban, and Frank Spotnitz, and directed by Kim Manners ("Dreamland") and Michael Watkins. Although dealing with a member of the Men in Black, the episode is largely unconnected to the mythology of The X-Files, and is a "Monster-of-the-Week" story. Part one of "Dreamland" earned a Nielsen household rating of 10.1, being watched by 17.48 million people in its initial broadcast; Part two received a rating of 10 and was watched by 17.01 million people. The episode received mostly mixed reviews from critics, with many reviews critical of the episode's reliance on humor.
"The Unnatural" is the 19th episode of the sixth season of the American science fiction television series The X-Files, which first aired on April 25, 1999, on the Fox network. Written and directed by lead actor David Duchovny, the episode is tangentially connected to the wider mythology of The X-Files, but narratively functions as a "Monster-of-the-Week" story. "The Unnatural" earned a Nielsen household rating of 10.1, and its first broadcast was watched by 16.88 million people. The episode received positive reviews from critics, and was well-liked by members of the cast and crew, including series creator Chris Carter and co-star Gillian Anderson.
"The Sixth Extinction" is the first episode of the seventh season of the science fiction television series The X-Files. It was first shown on the Fox network on November 7, 1999, in the United States. The episode was written by Chris Carter and directed by Kim Manners. "The Sixth Extinction" earned a Nielsen household rating of 10.6, being watched by 17.82 million people in its initial broadcast. The episode received mixed to positive reviews from critics.
"The Sixth Extinction II: Amor Fati" is the second episode of the seventh season of the American science fiction television series The X-Files. It was directed by Michael Watkins and written by lead actor David Duchovny and series creator Chris Carter. The installment explores the series' overarching mythology and concludes a trilogy of episodes revolving around Fox Mulder's (Duchovny) severe reaction to an alien artifact. Originally aired by the Fox network on November 14, 1999, "The Sixth Extinction II: Amor Fati" received a Nielsen rating of 10.1 and was seen by 16.15 million viewers. Initial reviews were mixed, and the plot and dialogue attracted criticism. Later critics viewed the episode in a more positive light, and several writers named it among the best in the series.
"Hungry" is the third episode of the seventh season of the science fiction television series The X-Files. It premiered on the Fox network in the United States on November 21, 1999. It was written by Vince Gilligan, directed by Kim Manners, and featured a guest appearance by Chad Donella. The episode is a "Monster-of-the-Week" story, unconnected to the series' wider mythology. However, unlike previous Monster-of-the-Week stories, "Hungry" is told from the monster's perspective. "Hungry" earned a Nielsen household rating of 9.6, being watched by 16.17 million people in its initial broadcast. The episode received mixed to positive reviews from critics.
"Fight Club" is the twentieth episode of the seventh season of the science fiction television series The X-Files. It premiered on the Fox network in the United States on May 7, 2000. It was written by series creator Chris Carter, directed by Paul Shapiro, and featured a guest appearance by Kathy Griffin. The episode plot serves as a "Monster-of-the-Week" story, which is unconnected to the series' wider mythology. "Fight Club" earned a Nielsen household rating of 6.9, being watched by 11.70 million people in its initial broadcast. The episode received mostly negative reviews from television critics.
"Requiem" is the twenty-second episode and the finale of the seventh season of the science fiction television series The X-Files, and the show's 161st episode overall. It premiered on the Fox network in the United States on May 21, 2000. The episode was written by Chris Carter, and directed by Kim Manners. The episode helped to explore the series' overarching mythology. "Requiem" earned a Nielsen household rating of 8.9, being watched by 15.26 million viewers in its initial broadcast. The episode received mostly positive reviews from television critics. Many applauded the way it made the series' increasingly marginalized alien mythology relevant again, although others lamented the partial loss of David Duchovny.
"Chimera" is the sixteenth episode of the seventh season of the science fiction television series The X-Files. It premiered on the Fox network in the United States, on April 2, 2000, was written by David Amann, and directed by Cliff Bole. The episode is a "Monster-of-the-Week" story, unconnected to the series' wider mythology. "Chimera" earned a Nielsen household rating of 7.5, being watched by 12.89 million people in its initial broadcast. The episode received mostly positive reviews from critics.
"Brand X" is the eighteenth episode of the seventh season of the science fiction television series The X-Files. It premiered on the Fox network in the United States on April 16, 2000. It was written by Steven Maeda and Greg Walker and directed by Kim Manners. The episode is a "Monster-of-the-Week" story, unconnected to the series' wider mythology. "Brand X" earned a Nielsen household rating of 6.8, being watched by 10.81 million people in its initial broadcast. The episode received mixed reviews from critics.
"Within" is the eighth season premiere of the science fiction television series The X-Files. The episode first aired in the United States on November 5, 2000, on the Fox Network. It was written by executive producer and series creator Chris Carter, and directed by Kim Manners. The episode earned a Nielsen rating of 9.5 and was watched by 15.87 million viewers, marking a slight increase from the previous season's finale "Requiem". "Within" was largely well-received by critics, although some fans felt alienated by the addition of Robert Patrick to the cast.
"William" is the sixteenth episode of the ninth season of the American science fiction television series The X-Files, which originally aired on the Fox network on April 28, 2002. The teleplay of the episode was written by series creator Chris Carter, from a story by former series star David Duchovny, Carter, and executive producer Frank Spotnitz; the entry was directed by Duchovny. "William" helps to explore the series' overarching mythology. The episode received a Nielsen household rating of 5.8, being watched by 6.1 million households and 9.3 million viewers upon its initial broadcast. It received mixed reviews from television critics, many of whom were unhappy with the episode's conclusion.
"Deadalive" is the fifteenth episode of the eighth season of the science fiction television series The X-Files. It was written by executive producers Chris Carter and Frank Spotnitz, and was directed by Tony Wharmby. It explores the series' alien mythology story arc. Following its North American premiere on April 1, 2001, it received a Nielsen household rating of 7.3 and was watched by 12.4 million viewers. It garnered mixed reviews; while most critics were happy with the return of actor David Duchovny, some criticized the episode's plot holes. It later won the show's last Emmy Award, for Outstanding Makeup.
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