James Chambers, OM, known professionally as Jimmy Cliff, is a Jamaican ska, rocksteady, reggae and soul musician, multi-instrumentalist, singer, and actor. He is the only living reggae musician to hold the Order of Merit, the highest honour that can be granted by the Jamaican government for achievements in the arts and sciences.
John Lester Nash Jr. was an American singer, best known in the United States for his 1972 hit "I Can See Clearly Now". Primarily a reggae and pop singer, he was one of the first non-Jamaican artists to record reggae music in Kingston.
Hothouse Flowers are an Irish rock band that combine traditional Irish music with influences from soul, gospel and rock. Formed in 1985 in Dublin, they started as street performers. Their first album, People (1988), was the most successful debut album in Irish history, reaching No. 1 in Ireland and No. 2 in the UK. After two more albums and extensive touring, the group separated in 1994. Since getting back together in 1998, the band members have been sporadically issuing new songs and touring, but also pursuing solo careers.
"Red Red Wine" is a song originally written, performed and recorded by American singer Neil Diamond in 1967 that appears on his second studio album, Just for You. The lyrics are written from the perspective of a person who finds that drinking red wine is the only way to forget his woes.
"Wild World" is a song written and recorded by English singer-songwriter Cat Stevens. It first appeared on his fourth album, Tea for the Tillerman (1970). Released as a single in September 1970 by Island Records and A&M Records, "Wild World" saw significant commercial success, garnering attention for its themes of love and heartbreak, and has been covered numerous times since its release. Maxi Priest and Mr. Big had successful cover versions of the song, released in 1988 and 1993.
"Mother and Child Reunion" is a song by the American singer-songwriter Paul Simon. It was the lead single from his second studio album, Paul Simon (1972), released on Columbia Records. The song reached No. 4 on the Billboard Hot 100 chart in March 1972.
"Stir It Up" is a song composed by Bob Marley in 1967 and first recorded by the group Bob Marley and the Wailers that year and issued as a single. It was later covered by American singer Johnny Nash on his 1972 album I Can See Clearly Now. The following year, Marley and the Wailers re-recorded the song for their album Catch a Fire.
"I Swear" is a song written by Gary Baker and Frank J. Myers that became a hit for American country music artist John Michael Montgomery in 1993, and for American R&B group All-4-One in 1994.
"I'll Take You There" is a song written by Al Bell, and originally performed by soul/gospel family band the Staple Singers. The Staple Singers version, produced by Bell, was released on Stax Records in February 1972, and spent a total of 15 weeks on the charts and reached #1 on the Billboard Hot 100. By December 1972, it had sold 2 million units and is ranked as the 19th biggest American hit of 1972. It remains one of the best-selling gospel songs of all time.
"Don't Turn Around" is a popular song written by Albert Hammond and Diane Warren. It was originally recorded by American singer Tina Turner and released as the B-side to her 1986 hit single "Typical Male". It has since been included on Turner's compilation album The Collected Recordings: Sixties to Nineties (1994), as well as featuring in the Tina musical since 2018.
"By the Time I Get to Phoenix" is a song written by Jimmy Webb. Originally recorded by Johnny Rivers in 1965, it was reinterpreted by American country music singer Glen Campbell on his album of the same name. Released on Capitol Records in 1967, Campbell's version topped RPM's Canada Country Tracks, reached number two on Billboard's Hot Country Singles chart, and won two awards at the 10th Annual Grammys. Broadcast Music, Inc. (BMI) named it the third most performed song from 1940 to 1990. The song was ranked number 20 on BMI's Top 100 Songs of the Century. Frank Sinatra called it "the greatest torch song ever written." It was No. 450 on Rolling Stone magazine's Top 500 Songs of All Time.
"To Love Somebody" is a song written by Barry and Robin Gibb. Produced by Robert Stigwood, it was the second single released by the Bee Gees from their international debut album, Bee Gees 1st, in 1967. The single reached No. 17 in the United States and No. 41 in the United Kingdom. The song's B-side was "Close Another Door". The single was reissued in 1980 on RSO Records with "How Can You Mend a Broken Heart" as its flipside. The song ranked at number 94 on NME magazine's "100 Best Tracks of the Sixties". It was a minor hit in the UK and France. It reached the top 20 in the US. It reached the top 10 in Canada.
"Baby, I Love Your Way" is a song written and performed by English singer Peter Frampton, released as a single in September 1975. It first featured on Frampton's 1975 album, Frampton, where it segues from the previous track "Nassau".
"She's All I Got" is a song written by Gary U.S. Bonds and Jerry Williams Jr. It has been recorded by several artists. The first version, released in 1971 by Freddie North, was a Top 40 U.S. pop hit, and a version by Johnny Paycheck was a number 2 U.S. country hit that same year. A second country music version was released on Conway Twitty's 1972 Decca LP I Can't See Me Without You. There was also a version titled "He's All I Got" that was on Tanya Tucker's 1972 album Delta Dawn. Yet another cover titled "Don't Take Her She's All I've Got" was released by Tracy Byrd, whose version reached number 4 on the U.S. and Canadian country singles charts. Co-author Jerry Williams Jr., aka Swamp Dogg, released his own version on his 2020 album Sorry You Couldn’t Make It.
"Then You Can Tell Me Goodbye" is a song written by John D. Loudermilk. It was first released in 1962 by Don Cherry, as a country song and again as a doo-wop in 1967 by the group The Casinos on its album of the same name, and was a number 6 pop hit that year. The song has since been covered by Eddy Arnold, whose version was a number 1 country hit in 1968, and by Neal McCoy, whose version became a Top 5 country hit in 1996.
"You Can Get It If You Really Want" is a reggae song written and originally recorded by Jamaican singer songwriter Jimmy Cliff and released as a single in July 1970. Another version, recorded by Jamaican singer Desmond Dekker and released within a few weeks of Cliff's version, became a hit single in a number of markets, reaching number 2 on the UK Singles Chart.
"Here I Am (Come and Take Me)" is a 1973 song by Al Green, the second single released from his album Call Me. The song reached number 10 on the Billboard Hot 100 and number two on the Hot Soul Singles chart. It was certified as a gold record by the Recording Industry Association of America.
"Willie and the Hand Jive" is a song written by Johnny Otis and originally released as a single in 1958 by Otis, reaching #9 on the Billboard Hot 100 chart and #5 on the Billboard R&B chart. The song has a Bo Diddley beat and was partly inspired by the music sung by a chain gang Otis heard while he was touring. The lyrics are about a man who became famous for doing a dance with his hands, but the song has been accused of glorifying masturbation, though Otis always denied it. It has since been covered by numerous artists, including The Crickets, The Strangeloves, Eric Clapton, Cliff Richard, Kim Carnes, George Thorogood, The Bunch, and in live performances by The Grateful Dead. Clapton's 1974 version was released as a single and reached the Billboard Hot 100, peaking at No. 26. Thorogood's 1985 version reached No. 25 on the Billboard Rock Tracks chart.
"Guava Jelly" is a song recorded by the Jamaican group Bob Marley and the Wailers. It was released as a 7" vinyl single through Tuff Gong and Green Door Records. It was issued commercially with B-side track "Redder Then Red", which was misspelled on its initial printing, in 1971. It was written and produced by Marley and features uncredited lyrical contributions from Bunny Livingston. A reggae composition like the majority of Marley's works, "Guava Jelly" contains a rocksteady and island-like production with lyrics loosely based around sexual intercourse. His use of the term "guava jelly" was likely referring to a specific type of sexual lubricant. It was favorably viewed by several reviewers, with many of them finding the composition to be sexual and about love. The group placed "Guava Jelly" on several compilation albums, including Africa Unite: The Singles Collection in 2005, and Owen Gray and Herbie Mann created their own versions in 1974 and 1975, respectively.
Anthony Mossop, known professionally as Tony Tribe and Tony Kingston, was a Jamaican vocalist. He charted at No. 46 on the UK Singles Chart with a reggae version of Neil Diamond's "Red Red Wine", becoming Trojan Records's first UK chart entry, and inspired UB40's version, which charted at No. 1 on the UK Singles Chart and the Billboard Hot 100. He also performed at the 1969 Caribbean Reggae Festival. He then moved to Canada and released several singles there including "I Am the Preacher", which charted at No. 65 on the RPM charts, and then an album.
