I Solisti Veneti is an Italian chamber orchestra founded in Padua in 1959 by Claudio Scimone. [1] Since 2019, the Musical Director has been Giuliano Carella, and since 2020 he has also been Artistic Director. [2]
I Solisti Veneti is an Italian chamber orchestra founded in Padua in 1959 by Claudio Scimone. [1] Since 2019, the Musical Director has been Giuliano Carella, and since 2020 he has also been Artistic Director. [2]
The ensemble was directed by Scimone until his last concert on 2 September 2018; he died on 6 September. [3] I Solisti Veneti made a reputation especially with Italian Baroque music, recording many works by Antonio Vivaldi, Tomaso Albinoni, Francesco Geminiani, Benedetto Marcello and Giuseppe Tartini.
I Solisti Veneti has toured the world, playing over 6,000 concerts in over ninety countries, [4] in places as diverse as Salzburg and Seoul.
As part of its 50th anniversary celebrations in 2008 the European Parliament honoured the Orchestra with an official plaque where they are praised as “Ambassadors of culture and music across the borders”. [4] In April 2018 they gave a concert at the Embassy of Italy, Washington, DC. [5]
The ensemble has recorded with many world-famous artists, including Salvatore Accardo, Plácido Domingo, Jean-Pierre Rampal, Marilyn Horne, James Galway, Mstislav Rostropovich, Sviatoslav Richter, Paul Badura-Skoda, Heinz Holliger and Ugo Orlandi. [1]
The group has made over 350 [4] recordings, many on the Erato record label, others on RCA, Sony, Arts, etc. [6] A number of these were first-ever recordings of works of Vivaldi, Albinoni and Rossini. However the repertoire of the orchestra is very wide and extends from 1585 (Giovanni Bassano) up to many works written in 2017. More than 70 composers of our times have dedicated works for Claudio Scimone and his Orchestra such as Bussotti, Donatoni, R.Malipiero, L.Chailly, Guaccero, Morricone, Constant, De Pablo, De Marzi, Cadario, Campogrande, Lucio Dalla, Donaggio and many women composers.
I Solisti Veneti has recorded for television and movies. The ensemble has won numerous awards including a Grammy (Los Angeles, 1980), three 'Grand Prix du Disque.' (Académie Charles Cros and Acadèmie du Disque Lyrique). [7] They won the first prize in the original countest of Festivalbar 1970 (juke box recordings) with 350,000 votes of young listeners. [7]
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Giuliano Carmignola, Piero Toso, Lucio Degani are three soloists who have played in the ensemble.
The orchestra is drawn from a pool of freelance players, in 2017 regularly featuring the following:
Tomaso Giovanni Albinoni was an Italian composer of the Baroque era. His output includes operas, concertos, sonatas for one to six instruments, sinfonias, and solo cantatas. While famous in his day as an opera composer, he is known today for his instrumental music, especially his concertos. He is best remembered today for a work called "Adagio in G minor", attributed to him but largely written by Remo Giazotto, a 20th century musicologist and composer, who was a cataloger of the works of Albinoni.
Giuseppe Saverio Raffaele Mercadante was an Italian composer, particularly of operas. While Mercadante may not have retained the international celebrity of Gaetano Donizetti or Gioachino Rossini beyond his own lifetime, he composed as prolifically as either and his development of operatic structures, melodic styles and orchestration contributed significantly to the foundations upon which Giuseppe Verdi built his dramatic technique.
Ofra Harnoy is an Israeli-Canadian cellist. She is a Member of the Order of Canada. By joining the international artists roster of RCA Victor Red Seal, Harnoy became the first Canadian classical instrumental soloist since Glenn Gould to gain an exclusive worldwide contract with a major record label. She is a five-time Juno Award winner.
Claudio Scimone was an Italian conductor.
Orlando, usually known in modern times as Orlando furioso, is an opera in three acts by Antonio Vivaldi to an Italian libretto by Grazio Braccioli, based on Ludovico Ariosto's epic poem Orlando Furioso. The first performance of the opera was at the Teatro San Angelo, Venice, in November 1727. It is to be distinguished from an earlier Vivaldi opera of 1714, Orlando furioso, set to much the same libretto, once thought to be a revival of a 1713 opera by Giovanni Alberto Ristori but now considered by Vivaldian musicologists to be a fully-fledged opera by Vivaldi himself.
Kazuhito Yamashita is a Japanese classical guitarist and husband of the composer Keiko Fujiie. His technique and expression are highly acclaimed. By the age of 32, Yamashita had already released 52 albums, including repertoires for solo guitar, guitar concertos, chamber music and collaborations with other renowned musicians such as James Galway. To date, he has released a total of 83 albums.
Carlo Cecere was an Italian composer of operas, concertos and instrumental duets including, for example, some mandolin duets and a concerto for mandolin. Cecere worked in the transitional period between the Baroque and Classical eras.
Juditha triumphans devicta Holofernis barbarie, RV 644, is an oratorio by Antonio Vivaldi. Although the rest of the oratorio survives completely intact, the overture has been lost. The Latin libretto was written by Iacopo Cassetti based upon the Book of Judith.
Cecilia Gasdia is an Italian operatic soprano.
Mauro Maur, OMRI is an Italian trumpeter and composer. He has collaborated alongside musicians such as Ennio Morricone, Placido Domingo, Uto Ughi, Riccardo Muti, Leonard Bernstein, Seiji Ozawa, and Pierre Boulez.
Lorenzo Regazzo, is an opera singer. His voice can be categorised as bass, bass-baritone or basso cantante. He is especially well known for interpreting Baroque, Classical, and bel canto repertoire. Among the qualities frequently noted by the critical press are his virtuosic coloratura technique, sumptuous tone, and vivid stage presence.
I Musici, also known as I Musici di Roma, is an Italian chamber orchestra from Rome formed in 1951. They are well known for their interpretations of Baroque and other works, particularly Antonio Vivaldi and Tomaso Albinoni.
Armida al campo d'Egitto is an opera in three acts by Antonio Vivaldi to a libretto by Giovanni Palazzi. It was first performed during the Carnival season of 1718 at the Teatro San Moisè in Venice. Vivaldi's version is different from the more than 50 operas whose themes derive in varying degrees from the story of Rinaldo and Armida in Torquato Tasso's epic poem La Gerusalemme liberata. Unlike the more than 50 operas based on the romance of Rinaldo and Armida, Vivaldi's version starts during previous events before the war against the Crusaders. Armida was revived for the Carnival season of 1738, with much of the music rewritten, and arias by Leonardo Leo added. Act II of the original version of the opera is now lost.
Guy Touvron was a French classical trumpet player and music teacher. He was an accomplished soloist, having played with some of Europe's leading orchestras. He premiered several prominent trumpet concertos written for him. Touvron gave over 3,500 concerts, made over 120 recordings, and won several prizes.
Susanna Rigacci is a Swedish-born Italian singer/soprano.
Felix Ayo Losada was a Spanish-born Italian violinist. He was a founder of the Italian ensemble I Musici and of the Quartetto Beethoven di Roma. He played in major concert halls of the world as a soloist and especially as a chamber musician. In a career that spanned more than fifty years, he was a prolific recording artist, and an academic teacher.
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La tempesta di mare, a flute concerto in F major, is the first of Six Flute Concertos, Op. 10 by Antonio Vivaldi, published in the late 1720s. La tempesta di mare may also refer to two earlier versions of the same concerto, RV 98, a concerto da camera featuring the flute, from which Vivaldi derived the concerto grosso RV 570.
Ugo Orlandi is a musicologist, a specialist in the history of music, a university professor and internationally renowned mandolinist virtuoso. Among worldwide musicians, professional classical musicians are a small group; among them is an even smaller group of classical mandolinists. Among members of this group, Ugo Orlandi is considered "distinguished." Music historian Paul Sparks called him "a leading figure in the rehabilitation of the eighteenth-century mandolin repertoire, having recorded many concertos from this period."
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