"The Hammer Song" | |
---|---|
Single by The Weavers | |
B-side | "Banks of Marble" |
Released | 1950 |
Genre | Folk |
Label | Hootenanny |
Songwriter(s) | Pete Seeger Lee Hays |
"If I Had a Hammer" | ||||
---|---|---|---|---|
Single by Peter, Paul and Mary | ||||
from the album Peter, Paul and Mary | ||||
B-side | "Gone the Rainbow" | |||
Released | 1962 | |||
Genre | Folk | |||
Length | 2:11 | |||
Label | Warner Bros. | |||
Songwriter(s) | Pete Seeger Lee Hays | |||
Producer(s) | Albert Grossman Milt Okun | |||
Peter, Paul and Mary singles chronology | ||||
|
"If I Had a Hammer" | ||||
---|---|---|---|---|
Single by Trini Lopez | ||||
from the album Trini Lopez at PJ's | ||||
B-side | "Unchain My Heart" | |||
Released | 1963 | |||
Venue | P.J.'s | |||
Genre | Folk rock | |||
Length | 2:59 | |||
Label | Reprise | |||
Songwriter(s) | Pete Seeger Lee Hays | |||
Producer(s) | Don Costa | |||
Trini Lopez singles chronology | ||||
|
"Datemi un martello" | ||||
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Single by Rita Pavone | ||||
B-side | "Che m'importa del mondo" | |||
Released | December 1963 [1] | |||
Recorded | 1963 | |||
Genre | Pop, chanson, surf rock | |||
Length | 2:40 | |||
Label | RCA Italiana | |||
Songwriter(s) | Pete Seeger Lee Hays Sergio Bardotti | |||
Producer(s) | Luis Bacalov | |||
Rita Pavone singles chronology | ||||
|
"If I Had a Hammer (The Hammer Song)" is a protest song written by Pete Seeger and Lee Hays. It was written in 1949 in support of the Progressive movement, and was first recorded by the Weavers, a folk music quartet composed of Seeger, Hays, Ronnie Gilbert, and Fred Hellerman. It was a #10 hit for Peter, Paul and Mary in 1962 and then went to #3 a year later when recorded by Trini Lopez in 1963.
The Weavers released the song under the title "The Hammer Song" as a 78 rpm single in March 1950 on Hootenanny Records, 101-A, backed with "Banks of Marble".
The song was first performed publicly by Pete Seeger and Lee Hays on June 3, 1949, at St. Nicholas Arena in New York City at a testimonial dinner for the leaders of the Communist Party of the United States, who were then on trial in federal court, charged with violating the Smith Act by advocating the overthrow of the U.S. government. [2] It was not particularly successful in commercial terms when it was first released. It was part of the three songs Seeger played as the warm-up act for Paul Robeson's September 4 concert near Peekskill, New York, which subsequently erupted into a notorious riot. [3]
It fared notably better commercially when it was recorded by Peter, Paul and Mary 12 years later. Their version of the song, released in July 1962 from the group's debut album became a top 10 hit, and won the Grammy Awards for Best Folk Recording and Best Performance by a Vocal Group. It reached number 17 in Canada. [4] Trini Lopez's 1963 single went to number three on the same Billboard chart and number five in Canada. [5] It was included on his album Trini Lopez at PJ's (Reprise R/RS 6093). [6] Rita Pavone's Italian-language adaptation "Datemi un martello", with lyrics by Sergio Bardotti, was a major hit in Italy and also charted in South America. [7]
The song "If I Had a Hammer" was a freedom song of the civil rights movement. It had a tremendous impact on the American youth in the 1960s who protested against the American culture. It helped to spark the hippie movement.[ citation needed ]
Chart (1962) | Peak position |
---|---|
Canada CHUM Chart [20] | 17 |
US Billboard Hot 100 [21] | 10 |
US Cashbox Top 100 [22] | 13 |
Chart (1963–1964) | Peak position |
---|---|
Argentina [23] | 1 |
Australia (Kent Music Report) [24] | 2 |
Belgium (Ultratop 50 Flanders) [25] | 1 |
Belgium (Ultratop 50 Wallonia) [26] | 1 |
Canada (CHUM Chart) [27] | 5 |
Denmark (Hitlisten) [28] | 1 |
Finland (Suomen virallinen lista) [29] | 16 |
France (IFOP) [30] | 3 |
France (Cash Box) [31] | 1 |
Ireland [32] | 3 |
Israel (Kol Yisrael) [33] | 1 |
Italy ( Musica e dischi ) [34] | 10 |
Mexico (AMPROFON) [35] | 1 |
Netherlands (Single Top 100) [36] | 1 |
New Zealand (Lever Hit Parade) [37] | 2 |
Norway (VG-lista) [38] | 2 |
Peru [39] | 1 |
South Africa [40] | 3 |
Spain (AFYVE) [41] | 1 |
Sweden (Kvällstoppen) [42] | 1 |
Sweden ( Tio i Topp ) [43] | 1 |
Switzerland (Musikmarkt) [44] | 2 |
UK Singles (OCC) [45] | 4 |
Uruguay [46] | 4 |
US Billboard Hot 100 [47] | 3 |
US Billboard Hot R&B Singles [48] | 12 |
Venezuela [49] | 8 |
West Germany (Official German Charts) [50] | 2 |
Chart (1964) | Peak position |
---|---|
Argentina (CAPIF) [51] | 3 |
Brazil (IBOPE) [52] | 1 |
Uruguay [53] | 5 |
"Twist and Shout" is a 1961 song written by Phil Medley and Bert Berns. It was originally recorded by the Top Notes, but it did not become a hit in the record charts until it was reworked by the Isley Brothers in 1962. The song has been covered by several artists, including the Beatles, Salt-N-Pepa, and Chaka Demus & Pliers, who experienced chart success with their versions.
"Not Fade Away" is a song credited to Buddy Holly and Norman Petty and first recorded by Holly and his band, the Crickets.
Trinidad López III was an American singer, guitarist, and actor. His first album included a cover version of Pete Seeger's "If I Had a Hammer", which earned a Golden Disc for him. His other hits included "Lemon Tree", "I'm Comin' Home, Cindy" and "Sally Was a Good Old Girl". He designed two guitars for the Gibson Guitar Corporation, which are now collectors’ items. A documentary on his life and career, "My Name is Lopez" was released in April 2022.
"A World Without Love" is a song recorded by the British duo Peter and Gordon and released as their first single in February 1964. It was included on the duo's debut album in the UK, and in the US on an album of the same name. The song was written by Paul McCartney and attributed to Lennon–McCartney. The B-side was "If I Were You", written by Peter and Gordon.
"I Will Follow Him" is a popular song that was first recorded in 1961 by Franck Pourcel, as an instrumental titled "Chariot". The song achieved its widest success when it was recorded by American singer Little Peggy March with English lyrics in 1963. The music was written by Franck Pourcel and Paul Mauriat. It was adapted by Arthur Altman. The completely new English lyrics were written by Norman Gimbel.
"Pretty Flamingo" is a song written by Mark Barkan, which became a hit in 1966 when Manfred Mann's recording of it was released as a single. The single reached number one in the UK Singles Chart on 5 May 1966. Manfred Mann's recording was a minor hit in the United States where it spent eight weeks on Billboard's Hot 100 chart, peaking at number 29 during the week of August 6, 1966. It was also successful in Ireland, and was number one there for four weeks, keeping the Rolling Stones' "Paint It Black" at number two.
"Do You Love Me" is a rhythm and blues song recorded by the Contours in 1962. Written and produced by Motown Records owner Berry Gordy Jr., it appeared twice on the Billboard Hot 100 chart, reaching numbers three in 1962 and eleven in 1988.
"Do Wah Diddy Diddy" is a song written by Jeff Barry and Ellie Greenwich and originally recorded in 1963, as "Do-Wah-Diddy", by the American vocal group the Exciters. Cash Box described the Exciters' version as "a sparkling rocker that bubbles over with coin-catching enthusiasm" and said that the "great lead job is backed by a fabulous instrumental arrangement." It was made internationally famous by the British band Manfred Mann.
"Cover Me" is a song written and performed by American rock singer Bruce Springsteen. It was the second single released from his 1984 album Born in the U.S.A.. Springsteen wrote the song for Donna Summer. However, his manager, Jon Landau, decided the song had hit potential, and so he kept it for the upcoming Springsteen album. It has been certified Gold in the US.
"Tired of Waiting for You" is a song by the English rock band the Kinks. It was released as a single on 15 January 1965 in the UK and on 17 February 1965 in the US. The single reached number one in the UK and number six in the US. It then appeared on their second studio album, Kinda Kinks. It was the group's highest-charting single in the US - tied with "Come Dancing", which achieved the same chart position eighteen years later in 1983.
"Blame It on the Bossa Nova" is a song written by Cynthia Weil (lyrics) and Barry Mann which was a 1963 hit single for Eydie Gormé, reaching number 7 on the Hot 100 in Billboard in March 1963. The song also peaked at number 32 in the UK, whereas "Yes, My Darling Daughter" became the biggest hit for Eydie there, reaching number 10.
"Just One Look" is a song co-written by American R&B singers Doris Troy and Gregory Carroll. The recording by Doris Troy was a hit in 1963. The Hollies, Anne Murray, Linda Ronstadt and Iain Matthews each achieved great success with the song. There have also been many other versions.
"(You're the) Devil in Disguise" is a 1963 single by Elvis Presley. It was written by Bill Giant, Bernie Baum and Florence Kaye and was published by Elvis Presley Music in June 1963. The song peaked at No. 3 in the US on the Billboard singles chart on August 10, 1963, and No. 9 on the Billboard Rhythm and Blues singles chart, becoming his last top ten single on those charts. The single was certified "Gold" by the RIAA for sales in excess of 500,000 units in the US. The song also topped Japan's Utamatic record chart in the fall of 1963. In June 1963, when the song was debuted to a British audience on the BBC television show Juke Box Jury, celebrity guest John Lennon voted the song "a miss" stating on the new song that Elvis Presley was "like Bing Crosby now". The song went on to reach No. 1 in the UK for a single week.
"There! I've Said It Again" is a popular song written and published by Redd Evans and David Mann in 1941. In early 1945, Vaughn Monroe and his Orchestra released Victor 20-1637, which reached the number one position on the Billboard's National Radio Airplay chart for five straight weeks, then no.2 for six more weeks, and a total run of 29 weeks. It finished 1945 as the no. 4 record of the year.
"Bobby's Girl" is a song and single written by Gary Klein and Henry Hoffman. The original was performed by American teenage singer Marcie Blane, and became a No. 3 hit on the US charts. A near-simultaneous cover by British singer Susan Maughan was a hit in the UK, coincidentally also reaching No. 3 on the UK charts. Both Blane and Maughan are one-hit wonders; for both these artists, "Bobby's Girl" marked their only appearance on a national top 40 chart.
"Forget Him" is a song written by Tony Hatch and released in 1963 by Bobby Rydell. The song spent 16 weeks on the Billboard Hot 100 chart, peaking at No. 4 on January 18, 1964, while it spent 14 weeks on the United Kingdom's Record Retailer chart, reaching No. 13. The song also reached No. 3 on Billboard's Middle-Road Singles chart, No. 3 on Canada's CHUM Hit Parade, No. 8 on the Irish Singles Chart, and No. 2 in Hong Kong.
"My Heart Belongs to Only You" is a song written by Frank Daniels & Dorothy Daniels. Bette McLaurin and June Christy both released versions of the song in 1952. In 1953, the song reached No. 27 on Cash Box's chart of "The Nation's Top 50 Best Selling Records", in a tandem ranking of June Christy, Bette McLaurin, these versions were marked as bestsellers.
"Southtown U.S.A." is a song released by The Dixiebelles in late 1963. The song spent eight weeks on the Billboard Hot 100 chart, reaching No. 15, while reaching No. 20 on the Cash Box Top 100, and No. 18 on Canada's CHUM Hit Parade.
"Ooh Poo Pah Doo" is a song written and performed by Jessie Hill. It was arranged and produced by Allen Toussaint. The single reached No. 3 on the Billboard R&B chart and No. 28 on the Hot 100 in 1960.
This is the discography of American folk group Peter, Paul and Mary.