Career
After graduating from college, Weiner joined the Centre Daily Times , the daily newspaper of State College, Pennsylvania, where she managed the education beat and wrote a regular column called "Generation XIII" (referring to the 13th generation following the American Revolution), aka "Generation X." From there, she moved on to Kentucky's Lexington Herald-Leader , still penning her "Generation XIII" column, before finding a job with The Philadelphia Inquirer as a features reporter. She continued to write for the Inquirer, freelancing on the side for Mademoiselle , Seventeen , and other publications, [4] until after her first novel, Good in Bed , was published in 2001. In 2005, her second novel, In Her Shoes (2002), was made into a feature film starring Cameron Diaz, Toni Collette and Shirley MacLaine by 20th Century Fox. Her sixth novel, Best Friends Forever, was a No. 1 New York Times bestseller and made Publishers Weekly's list of the longest-running bestsellers of the year. [6] To date, she is the author of nine bestselling books, including eight novels and a collection of short stories, with a reported 11 million copies in print in 36 countries. [7] Her novel The Next Best Thing was published by Simon & Schuster in July 2012. Her writing on gender and culture appears frequently in The New York Times.
In addition to writing fiction, Weiner is a co-creator and executive producer of the (now-cancelled) ABC Family sitcom State of Georgia , and she is known for "live-tweeting" episodes of the reality dating shows The Bachelor and The Bachelorette . In 2011, TIME named her to its list of the Top 140 Twitter Feeds "shaping the conversation." [8] She is a self-described feminist. [9]
Criticism of gender bias in the media
Weiner has been a vocal critic of what she sees as the male bias in the publishing industry and the media, alleging that books by male authors are better received than those written by women, that is, reviewed more often and more highly praised by critics. In 2010, she told The Huffington Post , "I think it's a very old and deep-seated double standard that holds that when a man writes about family and feelings, it's literature with a capital L, but when a woman considers the same topics, it's romance, or a beach book – in short, it's something unworthy of a serious critic's attention. ... I think it's irrefutable that when it comes to picking favorites – those lucky few writers who get the double reviews AND the fawning magazine profile AND the back-page essay space AND the op-ed ... the Times tends to pick white guys." [10] In a 2011 interview with The Wall Street Journal blog Speakeasy, she said, "There are gatekeepers who say chick lit doesn’t deserve attention but then they review Stephen King." [11] When Jonathan Franzen's novel Freedom was published in 2010 to critical acclaim and extensive media coverage (including a cover story in TIME [12] ), Weiner criticized what she saw as the ensuing "overcoverage," [13] igniting a debate over whether the media's adulation of Franzen was an example of entrenched sexism within the literary establishment. [14] [15] [16] Though Weiner received some backlash from other female writers for her criticisms, [17] a 2011 study by the organization VIDA bore out many of her claims, [18] [19] and Franzen himself, in an interview with The Daily Telegraph , agreed with her: "To a considerable extent, I agree. When a male writer simply writes adequately about family, his book gets reviewed seriously, because: 'Wow, a man has actually taken some interest in the emotional texture of daily life', whereas with a woman it’s liable to be labelled chick-lit. There is a long-standing gender imbalance in what goes into the canon, however you want to define the canon." [20]
As for the label "chick lit", Weiner has expressed ambivalence towards it, embracing the genre it stands for while criticizing its use as a pejorative term for commercial women's fiction. "I’m not crazy about the label," she has said, "because I think it comes with a built-in assumption that you’ve written nothing more meaningful or substantial than a mouthful of cotton candy. As a result, critics react a certain way without ever reading the books." [4] In 2008, Weiner published a critique on her blog of a review by Curtis Sittenfeld of a Melissa Bank novel. [21] Weiner deconstructs Sittenfeld's review, writing, "The more I think about the review, the more I think about the increasingly angry divide between ladies who write literature and chicks who write chick lit, the more it seems like a grown-up version of the smart versus pretty games of years ago; like so much jockeying for position in the cafeteria and mocking the girls who are nerdier/sluttier/stupider than you to make yourself feel more secure about your own place in the pecking order." [22]
In November 2019, Weiner participated in the harassment and abuse of Brooke Nelson, a college student who was mentioned in her local newspaper as saying she thought that author Sarah Dessen's YA novels were not suitable for the Common Read program run by Northern State University, Aberdeen, and that she had advocated for the inclusion of civil rights attorney Bryan Stevenson's memoir, Just Mercy, instead. [23] In a series of since-deleted tweets, Weiner described Nelson's opposition to Dessen's inclusion in the Common Reads program as "catty and cruel", [24] part of "systemic discrimination" against young women, and linked it to coverage of gymnastics doctor Larry Nassar's repeated sexual assaults on young women. [25] [26] She later stated that she had "zero regrets" regarding these remarks. [26] When the story was reported in Jezebel, [27] The Guardian, [24] the Washington Post, [28] and Slate, [29] Weiner reportedly regretted her actions. [30]
