The didgeridoo is a wind instrument, played with vibrating lips to produce a continuous drone while using a special breathing technique called circular breathing. The didgeridoo was developed by Aboriginal peoples of northern Australia at least 1,000 years ago, and is now in use around the world, though still most strongly associated with Indigenous Australian music. In the Yolŋu languages of the indigenous people of northeast Arnhem Land the name for the instrument is the yiḏaki, or more recently by some, mandapul. In the Bininj Kunwok language of West Arnhem Land it is known as mako.
Woodwind instruments are a family of musical instruments within the greater category of wind instruments. Common examples include flute, clarinet, oboe, bassoon, and saxophone. There are two main types of woodwind instruments: flutes and reed instruments. The main distinction between these instruments and other wind instruments is the way in which they produce sound. All woodwinds produce sound by splitting the air blown into them on a sharp edge, such as a reed or a fipple. Despite the name, a woodwind may be made of any material, not just wood. Common examples include brass, silver, cane, as well as other metals such as gold and platinum. The saxophone, for example, though made of brass, is considered a woodwind because it requires a reed to produce sound. Occasionally, woodwinds are made of earthen materials, especially ocarinas.
An aerophone is a musical instrument that produces sound primarily by causing a body of air to vibrate, without the use of strings or membranes, and without the vibration of the instrument itself adding considerably to the sound.
The Jew's harp, also known as jaw harp, juice harp, or mouth harp, is a lamellophone instrument, consisting of a flexible metal or bamboo tongue or reed attached to a frame. Despite the colloquial name, the Jew's harp most likely originated in Siberia, specifically in or around the Altai Mountains, and has no relation to the Jewish people.
The angklung is a musical instrument from the Sundanese people in Indonesia made of a varying number of bamboo tubes attached to a bamboo frame. The tubes are carved to have a resonant pitch when struck and are tuned to octaves, similar to Western handbells. The base of the frame is held in one hand, while the other hand shakes the instrument, causing a repeating note to sound. Each performer in an angklung ensemble is typically responsible for just one pitch, sounding their individual angklung at the appropriate times to produce complete melodies.
The trapezoidal yangqin is a Chinese hammered dulcimer, likely derived from the Iranian santur or the European dulcimer. It used to be written with the characters 洋琴, but over time the first character changed to 揚, which means "acclaimed". It is also spelled yang ch'in. Hammered dulcimers of various types are now very popular not only in China, but also Eastern Europe, the Middle East, India, Iran, and Pakistan. The instruments are also sometimes known by the names "santoor" and "cymbalom". This instrument had an influence on the Thai classical instrument, known as Khim (ขิม).
A double reed is a type of reed used to produce sound in various wind instruments. In contrast with a single reed instrument, where the instrument is played by channeling air against one piece of cane which vibrates against the mouthpiece and creates a sound, a double reed features two pieces of cane vibrating against each other. This means, for instruments with the double reed fully exposed, that the air flow can be controlled by the embouchure from the top, bottom and sides of the reed. The term double reeds can also refer collectively to the class of instruments which use double reeds.
The morsing is an instrument similar to the Jew's harp, mainly used in Rajasthan, in the Carnatic music of South India, and in Sindh, Pakistan. It can be categorized under lamellophones, which is a sub-category of plucked idiophones. The instrument consists of a metal ring in the shape of a horseshoe with two parallel forks which form the frame, and a metal tongue in the middle, between the forks, fixed to the ring at one end and free to vibrate at the other. The metal tongue, also called the trigger, is bent at the free end in a plane perpendicular to the circular ring so that it can be struck and made to vibrate.
Igbo music is the music of the Igbo people, who are indigenous to the southeastern part of Nigeria. The Igbo traditionally rely heavily on percussion instruments such as the drum and the gong, which are popular because of their innate ability to provide a diverse array of tempo, sound, and pitch. Igbo music is generally lively, upbeat, and spontaneous which creates a variety of sounds that enables the Igbo people to incorporate music into almost all the facets of their daily lives. Some very popular Igbo musical styles are Igbo highlife, Ogene, Igbo gospel.
The xiao is a Chinese vertical end-blown flute. It is generally made of bamboo. It is also sometimes called dòngxiāo, dòng meaning "hole." An ancient name for the xiāo is shùzhúdí but the name xiāo in ancient times also included the side-blown bamboo flute, dizi.
The Jola or Diola are an ethnic group found in Senegal, the Gambia, and Guinea-Bissau. Most Jola live in small villages scattered throughout Senegal, especially in the Lower Casamance region. The main dialect of the Jola language, Fogni, is one of the six national languages of Senegal.
The mouthpiece of a woodwind instrument is that part of the instrument which is placed partly in the player's mouth. Single-reed instruments, capped double-reed instruments, and fipple flutes have mouthpieces while exposed double-reed instruments and open flutes do not. The characteristics of a mouthpiece and reed can play a significant role on the sound of the instrument.
The khong wong yai is a circle with gongs used in the music of Thailand. It has 16 tuned bossed gongs in a rattan frame and is played with two beaters. The player sits in the center of the circle. It is used in the piphat ensemble to provide the skeletal melody the other instruments of the elaborate ensemble. The gongs are individually tuned with beeswax under the gongs. The khong wong yai can either be played with soft beaters or hard beaters.
A wind instrument is a musical instrument that contains some type of resonator in which a column of air is set into vibration by the player blowing into a mouthpiece set at or near the end of the resonator. The pitch of the vibration is determined by the length of the tube and by manual modifications of the effective length of the vibrating column of air. In the case of some wind instruments, sound is produced by blowing through a reed; others require buzzing into a metal mouthpiece, while yet others require the player to blow into a hole at an edge, which splits the air column and creates the sound.
Kuriding also known as the gurinding, uriding, turiding or kubing is a traditional musical instrument of the Banjar people originating from South Kalimantan, Indonesia. Although small in size, this instrument can produce a loud and melodious sound. Kurinding measures about 15 centimeters long and 1.5 centimeters wide. This musical instrument consists of two parts, namely the inside and the outside. The inside is the part that is attached to the mouth when it is sounded. While the outside is facing the outside.
Sundanese traditional house refers to the traditional vernacular houses of the Sundanese people, who predominantly inhabited the western parts of Java island, Indonesia. The architecture of a Sundanese house is characterized by its functionality, simplicity, modesty, uniformity with a little detail, its use of natural thatched materials, and the quite faithful adherence to harmony with nature and the environment.
The angkuoch is a Cambodian jaw harp. It is a folk instrument made of bamboo or iron.
The musical leaf is one of any leaves which is used to play music on. It goes by many names, including leaflute, leaf flute, leaf whistle, gum leaf, and leafophone. In Cambodia it is called a slek and is played by country people in Cambodia, made from the leaves of broad-leaf trees, including the sakrom and khnoung trees. It is also known as phlom slek, 'blow leaf.' To play a leaf, the musician curls the edge of a leaf into a semi-circle and "places the arch between the lips", making sure that the leaf is touching both upper and lower lips. The leaf vibrates in contact with them as the player blows air across it. The player can control the pitch of the noise with their upper lip.
The tube zither is a stringed musical instrument in which a tube functions both as an instrument's neck and its soundbox. As the neck, it holds strings taut and allows them to vibrate. As a soundbox, it modifies the sound and transfers it to the open air. The instruments are among the oldest of chordophones, being "a very early stage" in the development of chordophones, and predate some of the oldest chordophones, such as the Chinese Se, zithers built on a tube split in half. Most tube zithers are made of bamboo, played today in Madagascar, India, Southeast Asia and Taiwan. Tube zithers made from other materials have been found in Europe and the United States, made from materials such as cornstalks and cactus.
Sundanese Music is an umbrella term that encompasses diverse musical traditions of the West Java and Banten in western part of Java, Indonesia. The term of "West Java" is preferred by scholars in this field. The word "Sundanese" originally referred to western part of Java Island and has a strong association with the highly centralized Sunda Kingdom based on Java Island and its high culture practiced by the nobleman class in its capital Parahyangan. By contrast, scholars who cover a much broader region lay emphasis on folk culture.
