Formation | 18 March 1966 |
---|---|
Type | Theater association |
Location | |
Official language | English |
Website | www |
The League of Resident Theatres (LORT) is the largest professional theater association of its kind in the United States, with 75 member theaters located in every major market in the U.S., including 29 states and the District of Columbia. LORT members collectively issue more Equity contracts to actors than Broadway and commercial tours combined.
LORT is also a forum for sharing information regarding all aspects. According to the organization's website, their semi-annual meetings provide opportunities for members to study, discuss, and exchange information on such non-labor management issues as development, marketing, public relations, education, and technology, as well as provide a forum for developing professional relationships. LORT is also committed to the continued training of current and future LORT managers. [1]
LORT serves as a way for member resident theaters, also called regional theaters , to bargain collectively with Actors' Equity Association, the Stage Directors and Choreographers Society, and United Scenic Artists, as well as other major labor unions in the entertainment industry.
The League of Resident Theatres was formally established on 18 March 1966 by Peter Zeisler, managing director of the Minnesota Theatre Company (a.k.a. the Guthrie Theater), Thomas Fichandler, general manager of Arena Stage, and Morris Kaplan, an attorney. Peter Zeisler was appointed the first president, with Thomas Finchandler as vice president and William Bushnell, manager of Baltimore's Center Stage, as secretary. There were 26 member theaters at the organization's founding. Until then resident theater troupes negotiated individual contracts with Equity; most of them used modifications of commercial theater contracts. In some instances the theaters operated under the terms of Equity's new stock contract, however, resident theater managers have long felt burdened by what they call Equity's "one production" type of contract used on Broadway. [2]
Theaters are categorized into tiers A through D. Tiers B+ through D are determined by the weekly actual box office receipts averaged over the last three complete fiscal years. No theaters can move in or out of Tier "A" (except the transition of Ford's Theatre from "A" to "B").[ citation needed ][ when? ]
For some purposes, the "C" category is split into "C-1" and "C-2" based on seating capacity. [3]
There are 75 member theatres listed on the 2018 LORT website: [4]
The National Labor Relations Act of 1935, also known as the Wagner Act, is a foundational statute of United States labor law that guarantees the right of private sector employees to organize into trade unions, engage in collective bargaining, and take collective action such as strikes. Central to the act was a ban on company unions. The act was written by Senator Robert F. Wagner, passed by the 74th United States Congress, and signed into law by President Franklin D. Roosevelt.
The Actors' Equity Association (AEA), commonly called Actors' Equity or simply Equity, is an American labor union representing those who work in live theatrical performance. Performers appearing in live stage productions without a book or through-storyline may be represented by the American Guild of Variety Artists (AGVA). The AEA works to negotiate quality living conditions, livable wages, and benefits for performers and stage managers. A theater or production that is not produced and performed by AEA members may be called "non-Equity".
The Fulton Opera House, also known as the Fulton Theatre or simply The Fulton, is a League of Regional Theatres class B regional theater located in historic downtown Lancaster, Pennsylvania. It is reportedly the oldest working theatre in the United States. It was designated a National Historic Landmark in 1964.
An off-Broadway theatre is any professional theatre venue in New York City with a seating capacity between 100 and 499, inclusive. These theatres are smaller than Broadway theatres, but larger than off-off-Broadway theatres, which seat fewer than 100.
A regional theater or resident theater in the United States is a professional or semi-professional theater company that produces its own seasons. The term regional theater most often refers to a professional theater outside New York City. A regional theater may be a for-profit or not-for-profit entity and may be unionized or non-union.
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Theatre Communications Group (TCG) is a non-profit service organization headquartered in New York City that promotes professional non-profit theatre in the United States.
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The Broadway League, formerly the League of American Theatres and Producers and League of New York Theatres and Producers, is the national trade association for the Broadway theatre industry based in New York, New York. Its members include theatre owners and operators, producers, presenters, and general managers in New York and more than 250 other North American cities, as well as suppliers of goods and services to the theatre industry.
The Marin Theatre Company (MTC) is a 501(c)3 nonprofit organization and professional LORT D regional theater located in Mill Valley, California. Jasson Minadakis is the company's Artistic Director and Meredith Suttles its Managing Director / CEO.
Portland Stage Company is a professional LORT theater company in the state of Maine. Founded as the Profile Theatre in 1974 as a touring theater company, the company made Portland a permanent home in 1976. In 1982, it moved to its current home of 25A Forest Ave, Portland, ME. Anita Stewart has served as the Artistic Director since 1996, and in 2006 was made Executive Director.
A collective agreement, collective labour agreement (CLA) or collective bargaining agreement (CBA) is a written contract negotiated through collective bargaining for employees by one or more trade unions with the management of a company that regulates the terms and conditions of employees at work. This includes regulating the wages, benefits, and duties of the employees and the duties and responsibilities of the employer or employers and often includes rules for a dispute resolution process.
The Stage Directors and Choreographers Society (SDC), formerly known as Society of Stage Directors and Choreographers (SDC), is an independent national labor union established in 1959, representing theatrical directors and choreographers working on Broadway, National Tours, Off-Broadway, and in various resident, regional, and stock theatres throughout the United States.
2007 Broadway Stagehands Strike was a strike action by stagehands represented by Theatrical Protective Union Number One of the International Alliance of Theatrical Stage Employees (IATSE) against the Shubert, Jujamcyn, and Nederlander theaters. The strike commenced on November 10, 2007, at 10:00 A.M. in New York City. It was the second strike on Broadway in five years.
TheatreWorks Silicon Valley is an American non-profit, professional theatre company based in Palo Alto, California, founded in July, 1970. The company is a member of the League of Resident Theatres (LORT) and employs some 300 artists annually, including Equity and non-Equity actors, directors, designers and specialty artists. The company stages a year-round season of eight productions—comedies, dramas, and musicals—in the Mountain View Center for the Performing Arts and in the California Mission-style Lucie Stern Theatre complex in Palo Alto.
Casa Mañana Theatre is located in the Fort Worth Cultural District, Texas. Originally an outdoor amphitheater, Casa opened in 1936 as part of the official Texas Centennial Celebration. Casa Mañana is a member of the Fort Worth Chamber of Commerce, Cultural District Alliance, Fort Worth Hispanic Chamber of Commerce, Fort Worth Metropolitan Black Chamber of Commerce, the Live Theatre League of Tarrant County and the National Alliance for Musical Theatre.
Capital Repertory Theatre is a 309-seat professional regional theatre in Albany, New York. Capital Rep is the only theatre in the Capital District that is a member of the League of Resident Theatres (LORT). As a member, it operates under collective bargaining agreements with Actors' Equity Association and other theatre worker unions.
Founded in 1991, Theatre at the Center is a year-round professional theatre in Munster, Indiana. They bring a performing arts series, a children's theatre program, and serve as hosts for special programs that enhance cultural opportunities in Northwest Indiana. As part of the Ridgewood Arts Foundation, a 501(c)(3) not-for-profit company, it is Northwest Indiana's only professional equity theatre and is located 35 minutes from downtown Chicago.
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