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This is a list of compositions by George Gershwin , a Broadway songwriter and a classical composer. His works are grouped thematically in this list, and in chronological order according to the dates of compositions in the same group.
Note: All orchestral/operatic pieces are orchestrated by Gershwin unless otherwise specified.
* orchestrated for pit orchestra
** augmented instrumentation for symphony orchestra by Don Rose: 2 flutes, piccolo, 2 oboes, English horn, 2 clarinets, bass clarinet, 2 bassoons, contrabassoon, alto saxophone, 4 horns, 3 trumpets, 2 trombones, bass trombone, tuba, timpani, 4 percussion, harp, piano, strings
*** full orchestration with celesta [1] [2]
Note: All works are musicals produced on Broadway unless specified otherwise.
Music by George Gershwin, lyrics by Ira Gershwin
George Gershwin was an American composer and pianist whose compositions spanned popular, jazz and classical genres. Among his best-known works are the orchestral compositions Rhapsody in Blue (1924) and An American in Paris (1928), the songs "Swanee" (1919) and "Fascinating Rhythm" (1924), the jazz standards "Embraceable You" (1928) and "I Got Rhythm" (1930), and the opera Porgy and Bess (1935), which included the hit "Summertime".
This is a list of notable events in music that took place in the year 1925.
George Gard "Buddy" DeSylva was an American songwriter, film producer and record executive. He wrote or co-wrote many popular songs, and along with Johnny Mercer and Glenn Wallichs, he co-founded Capitol Records.
Porgy and Bess is an English-language opera by American composer George Gershwin, with a libretto written by author DuBose Heyward and lyricist Ira Gershwin. It was adapted from Dorothy Heyward and DuBose Heyward's play Porgy, itself an adaptation of DuBose Heyward's 1925 novel Porgy.
Vincent Millie Youmans was an American Broadway composer and producer.
Robert Russell Bennett was an American composer and arranger, best known for his orchestration of many well-known Broadway and Hollywood musicals by other composers such as Irving Berlin, George Gershwin, Jerome Kern, Cole Porter, and Richard Rodgers.
Edwin DuBose Heyward was an American author best known for his 1925 novel Porgy. He and his wife Dorothy, a playwright, adapted it as a 1927 play of the same name. The couple worked with composer George Gershwin to adapt the work as the 1935 opera Porgy and Bess. It was later adapted as a 1959 film of the same name.
"Summertime" is an aria composed in 1934 by George Gershwin for the 1935 opera Porgy and Bess. The lyrics are by DuBose Heyward, the author of the novel Porgy on which the opera was based, and Ira Gershwin.
Blue Monday was the original name of a one-act "jazz opera" by George Gershwin, renamed 135th Street during a later production. The English libretto was written by Buddy DeSylva. Though a short piece, with a running time of between twenty and thirty minutes, Blue Monday is often considered the blueprint to many of Gershwin's later works, and is often considered to be the "first piece of symphonic jazz" in that it was the first significant attempt to fuse forms of classical music such as opera with American popular music, with the opera largely influenced by Jazz and the African-American culture of Harlem.
Catfish Row, originally titled Suite from Porgy and Bess, is an orchestral work by George Gershwin based upon music from his famous opera Porgy and Bess. Gershwin completed the work in 1936 and it premiered at the Academy of Music in Philadelphia on January 21 of that year, with Alexander Smallens conducting the Philadelphia Orchestra. Gershwin played the piano part, including the piano solo in the opening moments. This piece preserves some of the darkest and most complex music Gershwin ever wrote.
Harry Akst was an American songwriter, who started out his career as a pianist in vaudeville accompanying singers such as Nora Bayes, Frank Fay and Al Jolson.
Gershwin Live! is a 1982 live album by Sarah Vaughan, of music composed by George Gershwin, accompanied by the Los Angeles Philharmonic, conducted by Michael Tilson Thomas. The album was arranged by Marty Paich.
Michael & George: Feinstein Sings Gershwin is a 1998 album by American vocalist Michael Feinstein of songs composed by George Gershwin. It was Feinstein's third album of Gershwin's music, following Pure Gershwin (1987) and Nice Work If You Can Get It: Songs by the Gershwins (1996).
Swing jazz emerged as a dominant form in American music, in which some virtuoso soloists became as famous as the band leaders. Key figures in developing the "big" jazz band included bandleaders and arrangers Count Basie, Cab Calloway, Jimmy and Tommy Dorsey, Duke Ellington, Benny Goodman, Fletcher Henderson, Earl Hines, Glenn Miller, and Artie Shaw. Duke Ellington and his band members composed numerous swing era hits that have become standards: "It Don't Mean a Thing " (1932), "Sophisticated Lady" (1933) and "Caravan" (1936), among others. Other influential bandleaders of this period were Benny Goodman and Count Basie.
William Merrigan Daly Jr. was an American pianist, composer, songwriter, orchestrator, musical director and conductor.
"I Got Plenty o' Nuttin' " is a bass-baritone aria sung by the character Porgy from George Gershwin's 1935 "folk-opera" Porgy and Bess (1934). The lyrics are by DuBose Heyward, the author of the novel Porgy on which the opera was based, and Ira Gershwin. It is one of the most famous arias from the opera and it has been recorded by hundreds of singers and music groups.
Porgy and Bess is a 1959 album by Sammy Davis Jr. of selections from George Gershwin's opera Porgy and Bess co-starring Carmen McRae. Davis is accompanied by orchestras conducted by Buddy Bregman and Morty Stevens, sometimes supported by the Bill Thompson singers. McRae is featured on three of the ten songs, "Summertime", "My Man's Gone Now" and the only duet, "I Loves You, Porgy", all three backed by an orchestra directed by Jack Pleis. "The record is piled to the sky with strings, harps, choruses, and pillowy orchestration," writes Tim Sendra on Allmusic, but "credit[s] Sammy and Carmen for holding up their end of the deal."
Edward Benson Powell was an American arranger, orchestrator and composer, who served as Alfred Newman's musical lieutenant at 20th Century Fox film studios for over three decades. His contributions to the scores of 400 films culminated in the canon of widescreen Rodgers and Hammerstein musicals of the late 1950s, for which his arrangements, such as the extended "Carousel Waltz", continue to be revived in concerts and proms, as well as live-to-classic pictures. Powell was occasionally credited as Ed or without the middle initial, but his friends invariably called him Eddie.
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