Lyres of Ur

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The Golden Lyre of Ur, from the Royal Cemetery at Ur, Iraq Museum, Baghdad The Queen's gold lyre from the Royal Cemetery at Ur. C. 2500 BCE. Iraq Museum.jpg
The Golden Lyre of Ur, from the Royal Cemetery at Ur, Iraq Museum, Baghdad
The Queen's Lyre and the Silver Lyre, from the Royal Cemetery at Ur, southern Mesopotamia, Iraq, British Museum, London. The Queen's lyre and the silver lyre, from the Royal Cemetery at Ur, southern Mesopotamia, Iraq. The British Museum, London..JPG
The Queen's Lyre and the Silver Lyre, from the Royal Cemetery at Ur, southern Mesopotamia, Iraq, British Museum, London.
Detail of the "Peace" panel of the Standard of Ur showing lyrist, excavated from the same site as the Lyres of Ur. Ur lyre.jpg
Detail of the "Peace" panel of the Standard of Ur showing lyrist, excavated from the same site as the Lyres of Ur.

The Lyres of Ur or Harps of Ur is a group of four string instruments excavated in a fragmentary condition at the Royal Cemetery at Ur in modern Iraq from 1922 onwards. They date back to the Early Dynastic III Period of Mesopotamia, between about 2550 and 2450 BC, making them the world's oldest surviving stringed instruments. [1] Carefully restored and reconstructed, they are now divided between museums in Iraq, the United Kingdom, and the United States.

Contents

Strictly speaking, three lyres and one harp were unearthed, but all are often called lyres. The instrument remains were restored and distributed between the museums that took part in the excavations. The "Golden Lyre of Ur" or "Bull's Lyre", the finest, is in the Iraq Museum in Baghdad. The British Museum in London has the "Queen's Lyre" and "Silver Lyre", and the Penn Museum in Philadelphia has the "Bull-Headed Lyre".

In 1929, archaeologists led by the British archaeologist Leonard Woolley, representing a joint expedition of the British Museum and the University of Pennsylvania Museum of Archaeology and Anthropology, found the instruments while excavating the Royal Cemetery at Ur. They excavated pieces of three lyres and one harp in Ur, located in what was Ancient Mesopotamia and is contemporary Iraq. [2] [3] They are over 4,500 years old, [4] from ancient Mesopotamia during the Early Dynastic III Period (2550–2450 BC). [5] The decorations on the lyres are fine examples of the court art of Mesopotamia of the period. [6]

Leonard Woolley dug up the lyres from amongst the skeletons of ten women in the Royal Cemetery at Ur. One skeleton was even said to be lying against the lyre with her hand placed where the strings would have been. [4] Woolley was quick to pour in a liquid plaster to recover the delicate form of the wooden frame. [7] The wood of the lyres was decayed but since some were covered in nonperishable materials, like gold and silver, they were able to be taken. [8]

Lyres

A lyre is a musical instrument that is stringed and has a role projecting from the body. There are two types of lyres: box and bowl. Like their names suggest, the box lyres have a boxlike body and the bowl lyres have a round body with a curved back. The Lyres of Ur are box lyres. They were played in an upright position with the strings plucked with both hands. [9]

Because of their positioning in situ it is believed that the lyres were used in burial ceremonies in accompaniment to songs. Each lyre has 11 strings to play on that would produce a buzzing noise that is repeated throughout the song. The musician playing the instrument would repeat the pattern displayed on the lyre.

The four lyres

The "Golden Lyre of Ur" or "Bull's Lyre" is the finest lyre, and was given to the Iraq Museum in Baghdad. [10] Its reconstructed wooden body was damaged due to flooding during the Second Iraqi War; [11] [7] a replica of it is being played as part of a touring ensemble. [2] The "Golden Lyre" got its name because the whole head of the bull is made of gold. The eyes are made of inlaid nacre and lapis lazuli. The beard is similar in appearance to the "Great Lyre" and the "Queen's Lyre". The body of the bull was originally wood but did not survive. Its discoverer, Woolley, believed that, unlike the other lyres, the body of the "Golden Lyre" would have originally had legs. [6]

The "Queen's Lyre" is one of two that Woolley removed from the grave of Queen Pu-abi. [4] The "Queen's Lyre" is 110 centimetres (44 in) in height and is similar in appearance to that of the "Great Lyre". [12] The mask of the bull is gold. The eyes, hair, and beard are all made of lapis lazuli and the horns are modern. The shape of the lyre is meant to resemble a bull's body. A noticeable difference between the "Great Lyre" and the "Queen's Lyre" is that the "Great Lyre" has a straight forehead whereas the "Queen's Lyre" curves slightly around the brow bone. [6] It is held in the British Museum. [4]

The "Bull Headed Lyre" is 40 cm in height, 11 cm in width, and 19 cm in depth. The shape of the lyre is meant to resemble a bull's body. Its head, face and horns are all wrapped in gold foil while its hair, beard, and eyes are made of lapis lazuli. [13] Below the head is a front panel made of shell inlay set into bitumen. [14] This panel depicts a figure holding onto a bull's horns above, and animals acting as humans below. The bull head itself likely represents the sun god Utu, who was thought to be able to descend into the underworld. [5] The lyre is held in the Penn Museum in Philadelphia.

The "Silver Lyre" is 110 cm (42 in) in height and 97 cm (38 in) in width. It is one of two silver lyres taken from the "Great Death Pit". Both lyres were made of wood and then covered in sheets of silver that were attached with small silver nails. The eyes are made of lapis lazuli and the lyre was also trimmed with narrow borders of lapis lazuli. This is the only lyre that is not bearded. Because of this fresh face some believe it is actually a cow rather than a bull. It is held by the British Museum. [15] [16]

The Penn Museum also holds a silver boat-shaped Lyre. [13]

See also

Related Research Articles

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<span class="mw-page-title-main">Sumer</span> Ancient Mesopotamian civilization

Sumer is the earliest known civilization, located in the historical region of southern Mesopotamia, emerging during the Chalcolithic and early Bronze Ages between the sixth and fifth millennium BC. Like nearby Elam, it is one of the cradles of civilization, along with Egypt, the Indus Valley, the Erligang culture of the Yellow River valley, Caral-Supe, and Mesoamerica. Living along the valleys of the Tigris and Euphrates rivers, Sumerian farmers grew an abundance of grain and other crops, a surplus which enabled them to form urban settlements. The world's earliest known texts come from the Sumerian cities of Uruk and Jemdet Nasr, and date to between c. 3350 – c. 2500 BC, following a period of proto-writing c. 4000 – c. 2500 BC.

<span class="mw-page-title-main">Music of Iraq</span> Music and musical traditions of Iraq

The music of Iraq or Iraqi music,, also known as the music of Mesopotamia, encompasses the music of a number of ethnic groups and musical genres. Ethnically, it includes Mesopotamian Arabic, Assyrian, Kurdish and the music of Turkmen, among others. Apart from the traditional music of these peoples, Iraqi music includes contemporary music styles such as pop, rock, soul and urban contemporary.

<span class="mw-page-title-main">Puabi</span> Queen of Ur

Puabi, also called Shubad or Shudi-Ad due to a misinterpretation by Sir Charles Leonard Woolley, was an important woman in the Sumerian city of Ur, during the First Dynasty of Ur. Commonly labeled as a "queen", her status is somewhat in dispute, although several cylinder seals in her tomb, labeled grave PG 800 at the Royal Cemetery at Ur, identify her by the title "nin" or "eresh", a Sumerian word denoting a queen or a priestess. Puabi's seal does not place her in relation to any king or husband, possibly indicating that she ruled in her own right. It has been suggested that she was the second wife of king Meskalamdug. Although little is known about Puabi's life, the discovery of Puabi's tomb and its death pit reveals important information as well as raises questions about Mesopotamian society and culture.

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Ancient art refers to the many types of art produced by the advanced cultures of ancient societies with different forms of writing, such as those of ancient China, India, Mesopotamia, Persia, Palestine, Egypt, Greece, and Rome. The art of pre-literate societies is normally referred to as prehistoric art and is not covered here. Although some pre-Columbian cultures developed writing during the centuries before the arrival of Europeans, on grounds of dating these are covered at pre-Columbian art and articles such as Maya art, Aztec art, and Olmec art.

<span class="mw-page-title-main">First Dynasty of Ur</span> Royal dynasty in Mesopotamia

The First Dynasty of Ur was a 26th-25th century BCE dynasty of rulers of the city of Ur in ancient Sumer. It is part of the Early Dynastic period III of the history of Mesopotamia. It was preceded by the earlier First Dynasty of Kish and the First Dynasty of Uruk.

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<span class="mw-page-title-main">Standard of Ur</span> Ancient Sumerian artifact

The Standard of Ur is a Sumerian artifact of the 3rd millennium BC that is now in the collection of the British Museum. It comprises a hollow wooden box measuring 21.59 centimetres (8.50 in) wide by 49.53 centimetres (19.50 in) long, inlaid with a mosaic of shell, red limestone and lapis lazuli. It comes from the ancient city of Ur. It dates to the First Dynasty of Ur during the Early Dynastic period and is around 4,600 years old. The standard was probably constructed in the form of a hollow wooden box with scenes of war and peace represented on each side through elaborately inlaid mosaics. Although interpreted as a standard by its discoverer, its original purpose remains enigmatic. It was found in a royal tomb in Ur in the 1920s next to the skeleton of a ritually sacrificed man who may have been its bearer.

<span class="mw-page-title-main">Meskalamdug</span> King of Ur

Meskalamdug was an early Sumerian ruler of the First Dynasty of Ur in the 26th century BCE. He does not appear in the Sumerian King List, but is known from a royal cylinder seal found in the Royal Cemetery at Ur, a royal bead inscription found in Mari, both mentioning him as King, and possibly his tomb, grave PG 755 at the Royal Cemetery at Ur.

<span class="mw-page-title-main">Leonard Woolley</span> British archaeologist (1880–1960)

Sir Charles Leonard Woolley was a British archaeologist best known for his excavations at Ur in Mesopotamia. He is recognized as one of the first "modern" archaeologists who excavated in a methodical way, keeping careful records, and using them to reconstruct ancient life and history. Woolley was knighted in 1935 for his contributions to the discipline of archaeology. He married the British archaeologist Katharine Woolley.

<span class="mw-page-title-main">Early Dynastic Period (Mesopotamia)</span> Archaeological culture of Mesopotamia

The Early Dynastic period is an archaeological culture in Mesopotamia that is generally dated to c. 2900 – c. 2350 BC and was preceded by the Uruk and Jemdet Nasr periods. It saw the development of writing and the formation of the first cities and states. The ED itself was characterized by the existence of multiple city-states: small states with a relatively simple structure that developed and solidified over time. This development ultimately led to the unification of much of Mesopotamia under the rule of Sargon, the first monarch of the Akkadian Empire. Despite this political fragmentation, the ED city-states shared a relatively homogeneous material culture. Sumerian cities such as Uruk, Ur, Lagash, Umma, and Nippur located in Lower Mesopotamia were very powerful and influential. To the north and west stretched states centered on cities such as Kish, Mari, Nagar, and Ebla.

<span class="mw-page-title-main">British Museum Department of the Middle East</span>

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<i>Ram in a Thicket</i> Sculptures excavated at Ur, in southern Iraq

The Ram in a Thicket is a pair of figures excavated at Ur, in southern Iraq, which date from about 2600–2400 BC. One is in the Mesopotamia Gallery in Room 56 of the British Museum in London; the other is in the University of Pennsylvania Museum in Philadelphia, USA.

Imports to Ur reflect the cultural and trade connections of the Sumerian city of Ur. During the period of the Early Dynastic III royal cemetery, Ur was importing elite goods from geographically distant places. These objects include precious metals such as gold and silver, and semi-precious stones, namely lapis lazuli and carnelian. These objects are all the more impressive considering the distance from which they traveled to reach Mesopotamia and Ur specifically.

<span class="mw-page-title-main">Art of Mesopotamia</span>

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<span class="mw-page-title-main">Royal Cemetery at Ur</span> Archaeological site in southern Iraq

The Royal Cemetery at Ur is an archaeological site in modern-day Dhi Qar Governorate in southern Iraq. The initial excavations at Ur took place between 1922 and 1934 under the direction of Leonard Woolley in association with the British Museum and the University of Pennsylvania Museum of Archaeology and Anthropology in Philadelphia, Pennsylvania, United States.

<span class="mw-page-title-main">Bull Headed Lyre of Ur</span> One of the oldest stringed instruments ever discovered

The Bull Headed Lyre is one of the oldest string instruments ever discovered. The lyre was excavated in the Royal Cemetery at Ur during the 1926–1927 season of an archeological dig carried out in what is now Iraq jointly by the University of Pennsylvania and the British Museum. Leonard Woolley led the excavations.

<span class="mw-page-title-main">Akalamdug</span> King of Ur

Akalamdug was an early ruler of the First Dynasty of Ur in the 26th century BCE. He does not appear in the Sumerian King List, but is known from his tomb and an inscription at the Royal Cemetery at Ur. He may have been the father of Meskalamdug, as suggested by the similarity of their names and the chronological proximity of their graves. Alternatively, he may have been the son of Meskalamdug, and therefore brother of the great ruler Mesannepada.

<span class="mw-page-title-main">Queen Puabi's headdress</span>

Queen Puabi's headdress is a 2600-2450 BCE Mesopotamian crown consisting of ornate gold leaf wreaths, strands of lapis lazuli and carnelian beads, with a gold comb, and delicate hair ribbons. The entirety of the headdress is estimated to weigh over 6 pounds. The headdress was discovered resting on Queen Puabi's remains in PG 800 during the excavation of the Royal Cemetery at Ur that began in 1922 and concluded in 1934. Successive Mesopotamian societies built new cities on top of previous civilizations and commonly created tells to preserve human remains. These younger tells hid and protected her immense riches by making them inaccessible to looters. Found next to Queen Puabi's remains was a cylinder (identification) seal with the title "nin" inscribed, indicating a great lady or queen. In the grave, excavators also found the remnants of female attendants –– adorned in similar jewelry and hair ribbons –– whose purpose was to serve the queen in her afterlife. The religious significance of Queen Puabi's headdress demonstrates her royal status as well as her cultic importance. The unearthing of Ur was led by Charles Leonard Woolley and was a joint expedition sponsored by the Penn Museum and the British Museum. The headdress currently resides in the Penn Museum in Philadelphia. The excavation is still very popular because of the riches discovered, the uncovering of a mass grave, and the potential connection with Abraham from the book of Genesis.

References

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