The Dominion War is an extended plot concept developed in several story arcs of Star Trek: Deep Space Nine, an American science-fiction television series produced by Paramount Pictures. In the fictional Star Trek universe, the Dominion War is a conflict between the forces of the Dominion, the Cardassian Union, and, eventually, the Breen Confederacy against the Alpha Quadrant alliance of the United Federation of Planets, the Klingon Empire and, later, the Romulan Star Empire. The war takes place in the final two seasons of the series, but is gradually built up to over the course of the five preceding seasons.
Standard manuscript format is a formatting style for manuscripts of short stories, novels, poems and other literary works submitted by authors to publishers. Even with the advent of desktop publishing, making it possible for anyone to prepare text that appears professionally typeset, many publishers still require authors to submit manuscripts within their respective guidelines. Although there is no single set of guidelines, the "standard" format describes formatting that is considered to be generally acceptable.
Narration is the use of a written or spoken commentary to convey a story to an audience. Narration is conveyed by a narrator: a specific person, or unspecified literary voice, developed by the creator of the story to deliver information to the audience, particularly about the plot: the series of events. Narration is a required element of all written stories, presenting the story in its entirety. However, narration is merely optional in most other storytelling formats, such as films, plays, television shows, and video games, in which the story can be conveyed through other means, like dialogue between characters or visual action.
Screenwriting or scriptwriting is the art and craft of writing scripts for mass media such as feature films, television productions or video games. It is often a freelance profession.
Stargateliterature comprises the novels and short stories in the Stargate franchise fictional universe as well as a non-fiction devoted to the franchise. Stargate literary works follow no strict continuity with the series or each other and are often considered to be non-canon. There is a period of roughly a year between the original idea for a novel and the finalized product, causing problems for authors as they are unaware as to how the franchise will develop and change during the writing process. Despite this, the editors of Stargate literature function as the medium between the author and the production company.
A log line or logline is a brief summary of a television program, film, short film or book, that states the central conflict of the story, often providing both a synopsis of the story's plot, and an emotional "hook" to stimulate interest. A one-sentence program summary in TV Guide is a log line. "A log line is a single sentence describing your entire story," however, "it is not a straight summary of the project. It goes to the heart of what a project is about in one or two sentences, defining the theme of the project...and suggest[ing] a bigger meaning." "A logline is a one-sentence summary of the story's main conflict. It is not a statement of theme but rather a premise."
Fiction writing is the composition of non-factual prose texts. Fictional writing often is produced as a story meant to entertain or convey an author's point of view. The result of this may be a short story, novel, novella, screenplay, or drama, which are all types of fictional writing styles. Different types of authors practice fictional writing, including novelists, playwrights, short story writers, radio dramatists and screenwriters.
Show, don't tell is a narrative technique used in various kinds of texts to allow the reader to experience the story through actions, words, subtext, thoughts, senses, and feelings rather than through the author's exposition, summarization, and description. It avoids adjectives describing the author's analysis and instead describes the scene in such a way that readers can draw their own conclusions. The technique applies equally to nonfiction and all forms of fiction, literature including haiku and Imagist poetry in particular, speech, movie making, and playwriting.
Ann Maxwell, also known as A.E. Maxwell and Elizabeth Lowell, is an American writer. She has individually, and with co-author and husband Evan, written more than 50 novels and one non-fiction book. Her novels range from science fiction to historical fiction, and from romance to mystery to suspense.
In literature and other artistic media, a mode is an unspecific critical term usually designating a broad but identifiable kind of literary method, mood, or manner that is not tied exclusively to a particular form or genre. Examples are the satiric mode, the ironic, the comic, the pastoral, and the didactic.
A fiction-writing mode is a manner of writing imaginary stories with its own set of conventions regarding how, when, and where it should be used.
Elizabeth Sims is an American writer, journalist, and contributing editor at Writer's Digest magazine. She is a former correspondent for the Sarasota Herald-Tribune and author of two series of crime novels, including her Rita Farmer Mystery Series, originally published by St. Martin's Press Minotaur and Lillian Byrd Crime Series, originally published by Alyson Books. She has also published a stand-alone novel, Crimes in a Second Language, under her personal imprint, Spruce Park Press. Crimes in a Second Language was awarded the Silver Medal for General Fiction in the Florida Book Awards 2017. Her nonfiction works include You've Got a Book in You: A Stress-Free Guide to Writing the Book of Your Dreams, published by Writer's Digest Books, articles, short stories, poems, and essays for magazines and books. She also serves as a coach and mentor for new and aspiring writers and offers keynote speeches and presents workshops at writer's conferences around North America.
Description is any type of communication that aims to make vivid a place, object, person, group, or other physical entity. Description is one of four rhetorical modes, along with exposition, argumentation, and narration.
Characterization or characterisation is the representation of characters in narrative and dramatic works. The term character development is sometimes used as a synonym. This representation may include direct methods like the attribution of qualities in description or commentary, and indirect methods inviting readers to infer qualities from characters' actions, dialogue, or appearance. Such a personage is called a character. Character is a literary element.
The Pale King is an unfinished novel by David Foster Wallace, published posthumously on April 15, 2011. It was planned as Wallace's third novel, and the first since Infinite Jest in 1996, but it was not completed at the time of his death. Before his suicide in 2008, Wallace organized the manuscript and associated computer files in a place where they would be found by his widow, Karen Green, and his agent, Bonnie Nadell. That material was compiled by his friend and editor Michael Pietsch into the form that was eventually published. Wallace had been working on the novel for over a decade. Even incomplete, The Pale King is a long work, with 50 chapters of varying length totaling over 500 pages.
Transitions in fiction are words, phrases, sentences, paragraphs, or punctuation that may be used to signal various changes in a story, including changes in time, location, point-of-view character, mood, tone, emotion, and pace. Transitions are sometimes listed as one of various fiction-writing modes.
Evan Stuart Marshall is a literary agent, author of murder mysteries and nonfiction books, editor, and publisher of Marshall Plan software.
In literature, pace or pacing is the speed at which a story is told—not necessarily the speed at which the story takes place. It is an essential element of storytelling that plays a significant role in maintaining reader interest, building tension, and conveying the desired emotional impact. The number of words needed to write about a certain event does not depend upon how much time the event takes to happen; it depends upon how important that moment is to the story. The pace is determined by the length of the scenes, how fast the action moves, and how quickly the reader is provided with information. A well-paced story effectively balances moments of high intensity and slower-paced sections to create a dynamic reading experience. It is also sometimes dictated by the genre of the story: comedies move faster than dramas; action adventures move faster than suspense. A dragging pace is characteristic of many novels turned down by publishers, and of some that find their way into print but not into the hearts and recommendations of readers. Manuscripts that move too slowly usually discourage readers from reading on. Through various editing techniques, such as cutting unnecessary details, rearranging scenes, or suggesting additions, editors assist in maintaining an engaging pace that keeps readers captivated. Yanna Popova and Elena Cuffari elaborate that as editors they, "explore the participatory structure of a narrative through its temporal unfolding and the specific, non-linear nature of the temporal dynamics of interacting with a storytelling agency". Popova and Cuffari make clear that the way an author unfolds a story through structuring that narrative's tale is essential to the way the audience will interpret it.
In literature, action is the physical movement of the characters.
Scene and sequel are two types of written passages used by authors to advance the plot of a story. Scenes propel a story forward as the character attempts to achieve a goal. Sequels provide an opportunity for the character to react to the scene, analyze the new situation, and decide upon the next course of action.
