Master of the Children of the Chapel Royal

Last updated

The Master of the Children of the Chapel Royal was the choirmaster of the Chapel Royal of England. They were responsible for the musical direction of the choir, which consisted of the Gentlemen of the Chapel and Children of the Chapel. In some periods regarded as the most prestigious choral directorship in the country, the holder was given power to take boys into service from the leading cathedral choirs.

Contents

Description

As well as singing in divine service in the chapel, in Tudor times the Masters of the Children were also involved in staging plays with the choristers. [1] Initially these were for the entertainment of the Royal Court, [1] but by Elizabethan times were taking place in theatres for the paying public. This culminated in the Clifton Star Chamber Case when the then Master of the Children, Nathaniel Giles, allowed his warrant for recruiting choir boys to be used for legal abduction of a nobleman's son to act in a theatre in which he had a financial stake. Following this case the practice declined. [2]

Upon the restoration of the monarchy in 1660, Henry Cooke, commonly known as Captain Cooke, who had been a soldier in the Civil War, was appointed Master of the Children and reconstituted the choir. There followed a period of excellence in the choir of the Chapel Royal, with many of the boys under his tutelage in those years become famous musicians such as Pelham Humfrey, Henry Purcell, John Blow and Michael Wise.

List of office holders

Related Research Articles

<span class="mw-page-title-main">Henry Purcell</span> English composer (1659–1695)

Henry Purcell was an English composer of Baroque music.

<span class="mw-page-title-main">John Blow</span> English composer

John Blow was an English composer and organist of the Baroque period. Appointed organist of Westminster Abbey in late 1668, his pupils included William Croft, Jeremiah Clarke and Henry Purcell. In 1685 he was named a private musician to James II. His only stage composition, Venus and Adonis, is thought to have influenced Henry Purcell's later opera Dido and Aeneas. In 1687, he became choirmaster at St Paul's Cathedral, where many of his pieces were performed. In 1699 he was appointed to the newly created post of Composer to the Chapel Royal.

<span class="mw-page-title-main">Blackfriars Theatre</span>

Blackfriars Theatre was the name given to two separate theatres located in the former Blackfriars Dominican priory in the City of London during the Renaissance. The first theatre began as a venue for the Children of the Chapel Royal, child actors associated with the Queen's chapel choirs, and who from 1576 to 1584 staged plays in the vast hall of the former monastery. The second theatre dates from the purchase of the upper part of the priory and another building by James Burbage in 1596, which included the Parliament Chamber on the upper floor that was converted into the playhouse. The Children of the Chapel played in the theatre beginning in the autumn of 1600 until the King's Men took over in 1608. They successfully used it as their winter playhouse until all the theatres were closed in 1642 when the English Civil War began. In 1666, the entire area was destroyed in the Great Fire of London.

<span class="mw-page-title-main">Chapel Royal</span> A small group of people who minister to the spiritual needs of the British monarch

A chapel royal is an establishment in the British and Canadian royal households serving the spiritual needs of the sovereign and the royal family.

The Dean of the Chapel Royal, in any kingdom, can be the title of an official charged with oversight of that kingdom's chapel royal, the ecclesiastical establishment which is part of the royal household and ministers to it.

<span class="mw-page-title-main">Matthew Wren</span> English clergyman, bishop and scholar (1585–1667)

Matthew Wren was an influential English clergyman, bishop and scholar.

Pelham Humfrey was an English composer. He was the first of the new generation of English composers at the beginning of the Restoration to rise to prominence.

Henry Cooke commonly known as Captain Cooke, was an English composer, choirmaster and singer. He was a boy chorister in the Chapel Royal and by the outbreak of the English Civil War was a Gentleman of the Chapel Royal. He joined the Royalist cause, in the service of which he rose to the rank of captain. With the Restoration of Charles II he returned to the Chapel Royal as Master of the Children and was responsible for the rebuilding of the chapel and the introduction of instrumental music into the services. The choristers in his charge included his successor and eventual son-in-law Pelham Humfrey, as well as Henry Purcell, John Blow, William Turner, Robert Smith and Michael Wise.

Henry Hall was a 17th-century English composer of church and secular music and also a poet.

The Master of the Jewel Office was a position in the Royal Households of England, the Kingdom of Great Britain and the United Kingdom. The office holder was responsible for running the Jewel House, which houses the Crown Jewels. This role has, at various points in history, been called Master or Treasurer of the Jewel House, Master or Keeper of the Crown Jewels, Master or Keeper of the Regalia, and Keeper of the Jewel House. In 1967, the role was combined with Resident Governor of the Tower of London.

<span class="mw-page-title-main">Richard Edwardes</span> 16th-century English writer

Richard Edwardes was an English poet, playwright, and composer; he was made a Gentleman of the Chapel Royal, and was master of the singing boys. He was known for his comedies and interludes. He was also rumoured to be an illegitimate son of Henry VIII.

<span class="mw-page-title-main">Children of the Chapel</span>

The Children of the Chapel are the boys with unbroken voices, choristers, who form part of the Chapel Royal, the body of singers and priests serving the spiritual needs of their sovereign wherever they were called upon to do so. They were overseen by the Master of the Children of the Chapel Royal.

<span class="mw-page-title-main">Choir of St George's Chapel, Windsor Castle</span>

The Choir of St George's Chapel at Windsor Castle exists to sing services in St George's Chapel at Windsor Castle.

<span class="mw-page-title-main">Christopher Gibbons</span> English Baroque composer

Christopher Gibbons was an English composer and organist of the Baroque period. He was the second son, and first surviving child of the composer Orlando Gibbons.

Nathaniel Giles was an English Renaissance organist and composer. He was the organist for Worcester Cathedral and wrote Anglican anthems.

Henry Evans was the Welsh scrivener and theatrical producer primarily responsible for organising and co-ordinating the activities of the Children of the Chapel and the Children of Paul's at Blackfriars Theatre for a short period in 1583–84. He later led a consortium of investors who leased the theatre during a much longer second phase, after the property was revived by Richard Burbage and Cuthbert Burbage.

Gentleman of the Chapel Royal is the office of an adult male singer of the Chapel Royal, the household choir of the monarchs of England.

<span class="mw-page-title-main">Perpendicular Gothic</span> Third historical division of English Gothic architecture

Perpendicular Gothic architecture was the third and final style of English Gothic architecture developed in the Kingdom of England during the Late Middle Ages, typified by large windows, four-centred arches, straight vertical and horizontal lines in the tracery, and regular arch-topped rectangular panelling. Perpendicular was the prevailing style of Late Gothic architecture in England from the 14th century to the 17th century. Perpendicular was unique to the country: no equivalent arose in Continental Europe or elsewhere in the British Isles. Of all the Gothic architectural styles, Perpendicular was the first to experience a second wave of popularity from the 18th century on in Gothic Revival architecture.

References

  1. 1 2 3 Ward, A. W.; Waller, A. R. (1969). Cambridge History of English Literature 6, Part 2: The Drama to 1642. ISBN   978-0-521-04520-9.
  2. 1 2 3 4 5 6 Charles William Wallace (1912). The evolution of English drama up to Shakespeare. ISBN   978-3-11-165177-4.
  3. Nigel Saul, ed. (2005). St George's Chapel, Windsor, in the Fourteenth Century. Boydell Press. p. 8. ISBN   978-1-84383-117-4.
  4. 1 2 David Lasocki (1998). A biographical dictionary of English court musicians, 1485–1714, Volumes I and II. ISBN   978-1-315-09781-7.
  5. Bullen, Arthur Henry (1900). "Edwards, Richard". Dictionary of National Biography, 1885–1900, Volume 17. Smith, Elder & Co.
  6. Wikisource-logo.svg   Cousin, John William (1910), "Hunnis, William", A Short Biographical Dictionary of English Literature , London: J. M. Dent & Sons, p. 205 via Wikisource
  7. David Baldwin (1990). The Chapel Royal : Ancient and Modern. Duckworth. ISBN   978-0-7156-2349-7.
  8. 1 2 3 4 5 6 7 8 9 R O Bucholz (ed.). "The Chapel Royal: The children and their masters". Office-Holders in Modern Britain. Vol. 11 (Revised) Court Officers, 1660–1837.

Notes

  1. William Hunnis appears to have continued in the role after 1575 when the Chapel Royal and Windsor choirs were merged