Maverick Concert Hall

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Maverick Concert Hall
Maverick Concert Hall in summer.jpg
Maverick Concert Hall, Summer 2006
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LocationOff Maverick Rd., Hurley, New York
Coordinates 42°0′51″N74°7′6″W / 42.01417°N 74.11833°W / 42.01417; -74.11833
Area29.5 acres (11.9 ha)
Built1916
ArchitectWhite, Hervey
NRHP reference No. 99001492 [1]
Added to NRHPDecember 9, 1999

Maverick Concert Hall was built in 1916 and was part of the Maverick Artist Colony in Hurley, New York.

Contents

The concert hall hosts the Maverick Concerts, a summer chamber music festival. Alexander Platt is the current music director. [2] The mainstay of the series, which runs from the end of June through early September, is to be found in the chamber music concerts performed by distinguished soloists and ensembles on Saturday evenings and Sunday afternoons.

The Maverick Festival, a precursor to the Maverick Concerts, was founded in 1915 by Hervey White, and by 1931 the festival suspended. [3]

Maverick Artist Colony history

“Maverick” is the name given to the collaborative colony for artists that Hervey White, a “freethinker, socialist, writer, and printer with a genius for friendship,” [4] established on the outskirts of the town of Woodstock, on 102 acres he had bought in 1905. [5] White's intention was to offer “young talent a chance to earn its living until its recognition.” [4]

Hervey White had been an early founder and worker at the nearby Byrdcliffe Colony and he was one of the first to leave and start a new colony independently. [6] The Byrdcliffe Colony had been "well-financed and run somewhat autocratically" with a strong sense of designing and planning a legacy and Maverick was "scruffier, more truly communal and anarchic". [7]

Maverick Festival (1915–1931)

Costume design by Russel Wright for "Cubist Circus" at the 1923 Maverick Festival Russel Wright, costume for 1923 "Cubist Circus".jpg
Costume design by Russel Wright for "Cubist Circus" at the 1923 Maverick Festival

The Maverick Festival's opening concert was in August 1915 to raise funds in order to build a well for the colony, and was patterned after the European fairs. [8] [3] The following year in July 1916, a substantial article about the event was published in The New York Times, under the headline “Music Goes Back to Nature.” [9] [10] The program consisted of Haydn's String Quartet Op. 77, No. 1, Max Bruch's Kol Nidrei for cello and piano, and Robert Schumann's piano quintet. [10]

The festival was popular and as the audience grew larger, they introduced concert camping, and became harder to control. [3] [11] There was a lot of drinking and hard partying happened at the festival, even during the Prohibition banning alcohol. [6] After 1931, the Maverick Festival was suspended indefinitely due to unsavory crowds and financial pressures. [3]

The Maverick Festival is often named as being one of the precursors to the 1969 Woodstock festival. [3] [6]

Maverick Concert Hall

The historic concert hall is located in Hurley, New York, on the outskirts of Woodstock, in Ulster County. The barn-like, rectangular building with its gambrel roof was built in 1916 with a roof of asphalt and wood shingles and a frame of heavy timber, to which the walls—sheaths of wide planks—are nailed directly. The hall was constructed without the services of an architect and with volunteer labor, as part of the arts community known as the Maverick Colony.[ citation needed ]

The wooden construction and acoustics create an environment well suited to the intimacy of live chamber music, and the Maverick has been listed on the National Register of Historic Places since 1999. [12] [13]

Maverick Horse

MaverickHorseClose.jpg

In the summer of 1924, Mr. White commissioned John Flannagan, a gifted but penniless [14] sculptor, to create a symbol for the colony. Flannagan, one of the first direct carvers to work in the United States, was paid the prevailing wage of fifty cents an hour. Using an ax as his major tool, in a few days he had carved a monumental piece from the trunk of a chestnut tree.

The statue depicts the horse emerging from the outstretched hands of a man, who appears, in turn, to be emerging from the earth. The iconic 18-foot sculpture stood, for 36 years, at the entrance of the road to the concert hall and the now-vanished theater. After the horse began to weather alarmingly, it was moved to a nearby studio until 1979, when it was moved to the stage of the Maverick Concert Hall. A plaque at its base indicates that it was restored in 2006. It stands there still. [15] [ non-primary source needed ]

John Cage and 4’33"

On August 29, 1952, the young pianist and composer David Tudor premiered at the Maverick a well-known and controversial work by the American exponent of experimental music John Cage, one of the leading post-war avant-garde composers. Arguably Cage's most famous piece, 4′33″ (which was originally scored for piano) has commonly been referred to as “four minutes and thirty-three seconds of silence.” Cage demonstrated, however, that the absence of notes was not the same thing as silence. The composer's stated intention [16] was for the audience to listen to the “accidental” sounds around them: the birdsong, the wind in the trees, the rain on the roof, the sounds of the audience members themselves.

Recent history and Maverick Concerts

The concert hall hosts the Maverick Concerts, a summer chamber music festival. Alexander Platt is the current music director.[ citation needed ][ when? ] The mainstay of the series, which runs from the end of June through early September, is to be found in the chamber music concerts performed by distinguished soloists and ensembles on Sunday afternoons. Jazz and contemporary music have been given more prominence in recent seasons, and Saturday morning Maverick Family Concerts are popular with music lovers of all ages.


Related Research Articles

<span class="mw-page-title-main">Art colony</span> Place where artists live and interact with each other

Art colonies are organic congregations of artists in towns, villages and rural areas, who are often drawn to areas of natural beauty, the prior existence of other artists, art schools there, or a lower cost of living. They are typically mission-driven planned communities, which administer a formal process for awarding artist residencies. A typical mission might include providing artists with the time, space, and support to create, fostering community among artists, and providing arts education, including lectures and workshops.

Contemporary classical music is Western art music composed close to the present day. At the beginning of the 21st century, it commonly referred to the post-1945 modern forms of post-tonal music after the death of Anton Webern, and included serial music, electronic music, experimental music, and minimalist music. Newer forms of music include spectral music, and post-minimalism.

<i>4′33″</i> 1952 modernist composition by John Cage

4′33″ is a modernist composition by American experimental composer John Cage. It was composed in 1952 for any instrument or combination of instruments; the score instructs performers not to play their instruments throughout the three movements. It is divided into three movements, lasting 30 seconds, two minutes and 23 seconds, and one minute and 40 seconds, respectively, although Cage later stated that the movements' durations can be determined by the musician. As indicated by the title, the composition lasts four minutes and 33 seconds and is marked by a period of silence, although ambient sounds contribute to the performance.

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Alf Evers was an American historian who lived in Ulster County, New York for much of his life and wrote lengthy, definitive histories of the Catskills and Woodstock, serving the latter as town historian. At the time of his death his history of Kingston was nearly complete and awaited publication.

The Orchestra of St. Luke's (OSL) is an American chamber orchestra based in New York City, formed in 1974. The orchestra performs at several venues in New York City, including, Carnegie Hall, Caramoor Center for Music and the Arts, Saint Thomas Church (Manhattan), Congregation Emanu-El of New York, and Merkin Concert Hall.

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<span class="mw-page-title-main">Byrdcliffe Colony</span> United States historic place

The Byrdcliffe Colony, also called the Byrdcliffe Arts Colony or Byrdcliffe Historic District, was founded in 1902 near Woodstock, New York by Jane Byrd McCall and Ralph Radcliffe Whitehead and colleagues, Bolton Brown (artist) and Hervey White (writer). It is the oldest operating arts and crafts colony in America. The Arts and Crafts movement arose in the late nineteenth century in reaction to the dehumanizing monotony and standardization of industrial production. Byrdcliffe was created as an experiment in utopian living inspired by the Arts and Crafts movement.

Grace Greenwood Ames was an American artist and social realism muralist. She worked in Mexico on murals alongside historical artists.

<span class="mw-page-title-main">Marion Greenwood</span> American artist

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<span class="mw-page-title-main">Ralph Radcliffe Whitehead</span> English benefactor of the Byrdcliffe Arts and Crafts Colony (1854–1929)

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<span class="mw-page-title-main">Woodstock, New York</span> Town in New York, United States

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Alexander Platt is an American symphony orchestra conductor and music director. He is currently the music director for Maverick Concerts, the Wisconsin Philharmonic, and the Waukegan and La Crosse Symphony Orchestras.

<span class="mw-page-title-main">Hervey White</span> American poet (1866–1944)

Hervey White (1866–1944) was an American novelist, poet, and community-builder. He was one of the original founders of the Byrdcliffe Colony in Woodstock, New York, then went on to create a more radical artists' colony, the Maverick. Both Byrdcliffe and the Maverick are part of what is today called the Woodstock Art Colony.

<span class="mw-page-title-main">Bolton Brown</span> American painter

Bolton Coit Brown was an American painter, lithographer, and mountaineer. He was one of the original founders of the Byrdcliffe Colony in Woodstock, NY, part of what is now referred to as the Woodstock Art Colony.

<span class="mw-page-title-main">Dewing Woodward</span> American painter

Martha Dewing Woodward (1856–1950) was an American artist and art teacher. According to her obituary in The New York Times, she was "one of the nation's leading painters." Among her accomplishments, she founded the first art school in Provincetown, Massachusetts, in 1896. In 1907, Woodward and her partner, Louise Johnson, founded the Blue Dome Fellowship in Woodstock, New York, which Woodward continued in Florida after her move there. Woodward's art and teachings thrived in Florida, where her work had a lasting impact.

Voice Theatre is a regional theater company located in Woodstock, New York and uses the Byrdcliffe Theater to stage its productions during their season. Director and playwright, Shauna Kanter, has been its artistic director since its inception.

References

  1. National Park Service, Department of the Interior. "National Register of Historic Places". National Register of Historic Places Database. National Park Service. Retrieved 24 January 2012.
  2. "Alexander Platt, Music Director". Maverick Concerts website. Retrieved 10 May 2023.
  3. 1 2 3 4 5 "The Maverick Festival". New Paltz. 2007. Retrieved 2020-01-09.
  4. 1 2 Flanagan, Nina. "Hervey White: Brief life of a maverick impresario,1866-1944". Harvard Magazine. Harvard University. Retrieved 24 January 2012.
  5. State University of New York at New Paltz. "Hervey White and the Maverick Art Colony". The Maverick Festival, Woodstock, 1915-1931. SUNY New Paltz. Archived from the original on 31 May 2012. Retrieved 24 January 2012.
  6. 1 2 3 Genocchio, Benjamin (2003-08-14). "100 Years Ago, When the Arts Found Woodstock". The New York Times. ISSN   0362-4331 . Retrieved 2020-01-09.
  7. Burdick, John. "How Woodstock got to be an arts colony". Hudson Valley One. Retrieved 2020-01-09.
  8. "THEATRE IN STONE QUARRY.; Maverick Artists to Hold a Festival Near Woodstock, N.Y." The New York Times. 1915-08-25. ISSN   0362-4331 . Retrieved 2020-01-09.
  9. Updegraff, Allan (1916-07-30). "MUSIC GOES BACK TO NATURE; Masterpieces of World's Great Composers Played in Poetic Surroundings at Woodstock". The New York Times. p. Section F, Page 10. Retrieved 2020-01-09.
  10. 1 2 Updegraff, Allan (1916-07-30). "MUSIC GOES BACK TO NATURE; Masterpieces of World's Great Composers Played in Poetic Surroundings at Woodstock". The New York Times. ISSN   0362-4331 . Retrieved 2020-01-09.
  11. "LAST EVENTS DRAW NEAR IN VACATIONISTS' HAUNTS; Woodstock's Maverick Festival Comes on Friday--Programs at Other Resorts AT THOUSAND ISLANDS. LAKE GEORGE PLANS. BALL AT NEW LONDON. MARTHA'S VINEYARD. ON BLOCK ISLAND. CAPE MAY PROGRAM. TENNIS AT MONTREAL". The New York Times. 1931-08-30. p. Section S, Page 9. Retrieved 2020-01-09.
  12. Bonafide, John. "National Register of Historic Places Registration: Maverick Concert Hall". New York State Department of Parks, Recreation and Historic Preservation. Retrieved 24 January 2012.
  13. Department of Parks, Recreation and Historic Preservation, Images. "Four Images of Maverick Concert Hall". Accompanying photos. New York State. Retrieved 24 January 2012.
  14. Craven, Wayne (1968). Sculpture in America . New York, N.Y.: Thomas Y. Crowell Co. pp.  580.
  15. Rosenblum, Cornelia Hartmann. "The Maverick Horse". Maverick Concerts History. Maverick Concerts, Inc. Archived from the original on 27 August 2010. Retrieved 30 April 2020.
  16. Kostelanetz, Richard (2003). Conversing With John Cage . New York, N.Y.`: Routledge. pp.  69–70. ISBN   0-415-93792-2.