Max Romeo

Last updated

Max Romeo
MaxRomeo1.jpg
Max Romeo in concert, Brussels, 2022.
Background information
Birth nameMaxwell Livingston Smith
Also known asAdulfus Dulfile, Maxie Smith, The Son of Selassie [1]
Born (1944-11-22) 22 November 1944 (age 79)
Saint Ann Parish, Jamaica
Origin Saint James Parish, Jamaica
Genres
Years active1965–present
LabelsCharmax

Max Romeo (born Maxwell Livingston Smith; 22 November 1944) [3] [4] is a Jamaican reggae and roots reggae recording musician who has achieved chart success in his home country and in the United Kingdom. He had several hits with the vocal group the Emotions. His song "Wet Dream" (1968) included overtly sexual lyrics and launched a new style of reggae. [5]

Contents

Biography

Early years

Born in St. D'Acre, St. Ann, Jamaica, [6] Romeo left home at the age of 14 and worked on a sugar plantation outside Clarendon, before winning a local talent competition when he was 18. This prompted a move to the capital, Kingston, in order to embark on a musical career. [5]

Career debuts

In 1965, Romeo joined up with Kenneth Knight and Lloyd Shakespeare in The Emotions, whilst also working in sales for the Caltone label. [7] The group were unsuccessful in auditions for other producers, but Ken Lack offered them an audition after overhearing Smith singing to himself while working. [7] In 1966, the group had their first hit, with the Lack-produced "(Buy You) A Rainbow". [5] The Emotions went on to release several hit singles, and by 1968, the singer, by that point known as Max Romeo began his solo career in 1968, but did not have any great successes on the charts. [5] Romeo returned to The Emotions, now recording for Phil Pratt, and founded a new band, The Hippy Boys.

Solo career

Max Romeo, 2013 Summerjam 20130705 Max Romeo DSC 0223 by Emha.jpg
Max Romeo, 2013

1968 saw the breakthrough in Romeo's career, when he wrote "Wet Dream", a song that became a massive hit in Jamaica. The track was banned by the BBC Radio in the UK due to its overtly sexual lyrics, although the singer claimed that it was about a leaking roof. [8] Nevertheless, "Wet Dream" became a Top 10 hit in the UK, where it spent six months in the chart. [9] Further records that came out in 1969 were "Belly Woman", "Wine Her Goosie" and "Mini-Skirt Vision", as well as Max Romeo's debut LP, A Dream . Romeo was banned from performing at several venues during a tour of the UK. [7]

In 1970, Romeo returned to Jamaica setting up Romax, an unsuccessful record label and sound system, [5] and released in 1971 his second album, Let the Power Fall . It included a number of politically charged songs, most advocating the democratic socialist People's National Party (PNP), which chose his song "Let the Power Fall" as their theme song for the 1972 Jamaican general election. [7] After this, Romeo worked with producer Lee "Scratch" Perry on the album Revelation Time (1975), which featured the classic song "Three Blind Mice", an adaptation of the nursery rhyme with lyrics about a police raid on a party.

In 1976, Romeo released War Ina Babylon , an album perceived as his best work. [5] The politically and religiously themed album included the popular single "Chase the Devil", which would become one of his most known songs. Shortly after this, the pair fell out, leaving Romeo to self-produce his follow-up album, Reconstruction , which, however, could not match the success of its predecessors when it was released in 1977. [10]

In 1978, Romeo moved to New York City, where he co-wrote (with Hair producer Michael Butler) the musical Reggae, which he also starred in. [7]

In 1980, he appeared as a backing vocalist on "Dance" on The Rolling Stones album Emotional Rescue . In 1981, the favour was returned when Keith Richards of The Rolling Stones co-produced and played on Romeo's album Holding Out My Love to You, an unsuccessful attempt to break into the North American market. [5]

The rest of his output during the decade went practically unnoticed, with Romeo finding work at a New York electronics store. John Holt encouraged him to return to Jamaica, and he lived at Holt's house in Meadowbrook for a year. [11]

Romeo visited the UK again in 1992, recording albums Fari – Captain of My Ship (1992) and Our Rights (1995) with Jah Shaka. He joined up with UK rhythm section/production team Mafia & Fluxy in 1998 for the album Selassie I Forever. A compilation album, The Many Moods of Max Romeo, was released in the UK in 1999.

In 2014, he released the album Father and Sons, a collaboration with his sons Ronaldo and Romario (known as the duo Rominal). [12] His daughter Azana Smith has also started a recording career under the name Xana Romeo. [13]

In 2023, he filed a lawsuit against Universal Music Group and Polygram Publishing, Inc. for $15 million, claiming that he had not been given royalties for his work for over 50 years. [14]

Discography

Singles

See also

Related Research Articles

<span class="mw-page-title-main">Lee "Scratch" Perry</span> Jamaican reggae producer (1936–2021)

Lee "Scratch" Perry was a Jamaican record producer, composer and singer noted for his innovative studio techniques and production style. Perry was a pioneer in the 1970s development of dub music with his early adoption of remixing and studio effects to create new instrumental or vocal versions of existing reggae tracks. He worked with and produced for a wide variety of artists, including Bob Marley and the Wailers, Junior Murvin, The Congos, Max Romeo, Adrian Sherwood, Beastie Boys, Ari Up, The Clash, The Orb, and many others.

<span class="mw-page-title-main">Jimmy Cliff</span> Jamaican musician, singer and actor

James Chambers, OM, known professionally as Jimmy Cliff, is a Jamaican ska, rocksteady, reggae and soul musician, multi-instrumentalist, singer, and actor. He is the only living reggae musician to hold the Order of Merit, the highest honour that can be granted by the Jamaican government for achievements in the arts and sciences.

"Israelites" is a song written by Desmond Dekker and Leslie Kong that became a hit for Dekker's group, Desmond Dekker & the Aces, reaching the top of the charts in numerous countries in 1969. Sung in Jamaican Patois, some of the song's lyrics were not readily understood by many British and American listeners at the time of its release. Despite this, the single was the first UK reggae #1 and among the first to reach the US top ten. It combined the Rastafarian religion with rude boy concerns, to make what has been described by Allmusic as a "timeless masterpiece that knew no boundaries".

<span class="mw-page-title-main">Ken Boothe</span> Jamaican singer (born 1948)

Kenneth George Boothe OD is a Jamaican vocalist known for his distinctive vibrato and timbre. Boothe achieved an international reputation as one of Jamaica's finest vocalists through a series of crossover hits that appealed to both reggae fans and mainstream audiences.

<span class="mw-page-title-main">The Ethiopians</span> Jamaican music group

The Ethiopians were one of Jamaica's best-loved harmony groups during the late ska, rocksteady and early reggae periods. Responsible for a significant number of hits between the mid-1960s and early 1970s, the group was also one of the first Jamaican acts to perform widely in Britain.

<span class="mw-page-title-main">Wayne Wonder</span> Jamaican reggae fusion singer

Von Wayne Charles, better known by his stage name Wayne Wonder, is a Jamaican reggae artist. While his early recordings were dancehall and reggae, he later moved towards hip hop and rap. His most popular single is the 2003 hit "No Letting Go".

<span class="mw-page-title-main">Dennis Brown</span> Jamaican reggae singer (1957–1999)

Dennis Emmanuel Brown CD was a Jamaican reggae singer. During his prolific career, which began in the late 1960s when he was aged eleven, he recorded more than 75 albums and was one of the major stars of lovers rock, a subgenre of reggae. Bob Marley cited Brown as his favourite singer, dubbing him "The Crown Prince of Reggae", and Brown would prove influential on future generations of reggae singers.

Boris Gardiner is a Jamaican singer, songwriter and bass guitarist. He was a member of several groups during the 1960s before recording as a solo artist and having hit singles with "Elizabethan Reggae", "I Wanna Wake Up with You" and "You're Everything to Me". One of his most notable credits is bass on the influential reggae song "Real Rock".

Clancy Eccles was a Jamaican ska and reggae singer, songwriter, arranger, promoter, record producer and talent scout. Known mostly for his early reggae works, he brought a political dimension to this music. His house band was known as The Dynamites.

<span class="mw-page-title-main">Lady Saw</span> Jamaican singer-songwriter (born 1968)

Marion Hall is a Jamaican singer and songwriter whose career has spanned over two decades. Formerly known as the Queen of Dancehall, she is best known for her guest appearance on No Doubt's "Underneath It All," which went triple Platinum and won a Grammy for No Doubt.

<span class="mw-page-title-main">Junior Murvin</span> Jamaican reggae musician

Junior Murvin was a Jamaican reggae musician. He is best known for the single "Police and Thieves", produced by Lee "Scratch" Perry in 1976.

Barry Biggs is a Jamaican reggae singer, best known in the UK for his cover of the Blue Magic song, "Sideshow", which got to number 3 in the UK Singles Chart in 1977.

The Pioneers are a Jamaican reggae, soul and rocksteady vocal trio, whose main period of success was in the 1960s. The trio has had different line-ups, and still occasionally performs.

Delroy "Junior" Reid is a Jamaican reggae and dancehall deejay. From 1986 to 1988, he served as lead vocalist for the reggae band Black Uhuru on three albums: Brutal (1986), Positive (1987), and Black Uhuru Live in New York (1988). His solo career is extensive, and is widely regarded as a great of Dancehall Reggae. He is also known for his guest performances on the Game's 2006 single "It's Okay ", as well as the remix of Mims' single, "This Is Why I'm Hot" alongside Baby Cham that same year.

<span class="mw-page-title-main">Mad Cobra</span> Jamaican dancehall musician

Ewart Everton Brown, better known by his stage name Mad Cobra or simply Cobra, is a Jamaican dancehall musician.

<span class="mw-page-title-main">Mr. Vegas</span> Musical artist

Clifford Smith, better known as Mr. Vegas, is a Jamaican dancehall singjay.

Ainsworth Roy Rushton Shirley, better known simply as Roy Shirley, and also known as King Roy Shirley and The High Priest, was a Jamaican singer whose career spanned the ska, rocksteady and reggae eras, and whose "Hold Them" is regarded by some as the first ever rocksteady song. He was also one of the original members of Slim Smith's band, The Uniques.

Owen Gray, also known as Owen Grey, is a Jamaican musician. His work spans the R&B, ska, rocksteady, and reggae eras of Jamaican music, and he has been credited as Jamaica's first home-grown singing star.

<span class="mw-page-title-main">Popcaan</span> Jamaican singer

Andrae Hugh Sutherland, known professionally as Popcaan, is a Jamaican dancehall singer.

"Wet Dream" is a song by Jamaican reggae singer Max Romeo first released in 1968 on the Unity Records label. The song, with its controversial lyrics, remains Romeo's biggest commercial hit.

References

  1. "Max Romeo Discography". Discogs.com . Retrieved 12 April 2012.
  2. "Max Romeo Songs, Albums, Reviews, Bio & More". AllMusic . Retrieved 8 October 2021.
  3. "Respect to the Max!", Jamaica Observer , 23 November 2014. Retrieved 23 November 2014
  4. Some sources, e.g. Thompson (2002) state 1947 as year of birth
  5. 1 2 3 4 5 6 7 Jo-Ann Greene. "Max Romeo - Music Biography, Credits and Discography". AllMusic. Retrieved 23 September 2010.
  6. Harry Hawks, "Max Romeo", ReggaeCollector.com, 10 October 2013.
  7. 1 2 3 4 5 Thompson, Dave (2002). Reggae & Caribbean Music. Backbeat Books. ISBN   0-87930-655-6.
  8. "Sex: part four of 1000 songs everyone must hear". theguardian.com. 17 March 2009. Retrieved 12 April 2012.
  9. "Wet Dream by Max Romeo". The Official Charts Company.
  10. Larkin, Colin (1998). The Virgin Encyclopedia of Reggae. Virgin Books. ISBN   0-7535-0242-9.
  11. "Max Romeo is 70 not out", Jamaica Observer, 25 November 2014. Retrieved 26 November 2014.
  12. Walters, Basil (2014), "Max Romeo drops album", Jamaica Observer, 24 April 2014. Retrieved 10 May 2014.
  13. Jackson, Kevin (2014) "Like Father Like Daughter", Jamaica Observer, 19 September 2014. Retrieved 20 September 2014.
  14. Gardner, Claudia; Mills, Claude (3 October 2023). "Exclusive: Reggae Legend Max Romeo Files US$15 Million Lawsuit Against Universal Music Over Unpaid Royalties". DancehallMag. Retrieved 6 October 2023.
  15. "Max Romeo – Revelation Time(Remastered)". Discogs.