Michael Eather

Last updated

Michael Eather (born 1963) is a contemporary Australian artist based in Brisbane, who helped found the Campfire Group, a significant cross-cultural artistic collaboration between Indigenous and non-Indigenous artists. [1]

Contents

Eather grew up and was educated in Tasmania. Following his graduation from the Tasmanian School of Art, University of Tasmania with a Bachelor of Fine Arts (Sculpture) in 1983, he spent time in the Indigenous community of Maningrida, which became the starting point for decades of inter-cultural artistic collaboration. [2]

in 1996, he established a long-term partnership with well-known Aboriginal artist Kumantje Jagamara (1946–2020). [3]

Related Research Articles

<span class="mw-page-title-main">Indigenous Australian art</span> Art made by Aboriginal and Torres Strait Islander peoples of Australia

Indigenous Australian art includes art made by Aboriginal Australian and Torres Strait Islander peoples, including collaborations with others. It includes works in a wide range of media including painting on leaves, bark painting, wood carving, rock carving, watercolour painting, sculpting, ceremonial clothing and sand painting; art by Indigenous Australians that pre-dates European colonisation by thousands of years, up to the present day.

<span class="mw-page-title-main">Papunya</span> Town in the Northern Territory, Australia

Papunya is a small Indigenous Australian community roughly 240 kilometres (150 mi) northwest of Alice Springs (Mparntwe) in the Northern Territory, Australia. It is known as an important centre for Contemporary Indigenous Australian art, in particular the style created by the Papunya Tula artists in the 1970s, referred to colloquially as dot painting. Its population in 2016 was 404.

<span class="mw-page-title-main">Culture of Brisbane</span> Overview of the culture of Brisbane (Australia)

The culture of Brisbane derives from mainstream Australian culture and incorporates a strong history in the performing arts, music and sport.

Wesley James Enoch is an Australian playwright and artistic director. He is especially known for The 7 Stages of Grieving, co-written with Deborah Mailman. He was artistic director of the Queensland Theatre Company from mid-2010 until October 2015, and completed a five-year stint as director of the Sydney Festival in February 2021.

Imants Tillers, is an Australian artist, curator and writer. He lives and works in Cooma, New South Wales.

Michael Te Rakato Parekōwhai is a New Zealand sculptor and a professor at the University of Auckland's Elam School of Fine Arts. He is of Ngāriki Rotoawe and Ngāti Whakarongo descent and his mother is Pākehā.

Leo George Schofield is an Australian restaurant critic, contributing a weekly column in The Mercury. Schofield has served a long career as an advertising professional, journalist, creative arts festival director, and trustee of arts and cultural organisations.

Brian Gregory Syron was an actor, teacher, Aboriginal rights activist, stage director and Australia's first Indigenous feature film director, who has also been recognised as the first First Nations feature film director. After studying in New York City under Stella Adler, he returned to Australia and was a co-founder of the Australian National Playwrights Conference, the Eora Centre, the National Black Playwrights Conference, and the Aboriginal National Theatre Trust. He worked on several television productions and was appointed head of the ABC's new Aboriginal unit in 1988.

Kumantje Jagamara, also known as Kumantje Nelson Jagamara, Michael Minjina Nelson Tjakamarra, Michael Nelson Tjakamarra and variations, was an Aboriginal Australian painter. He was one of the most significant proponents of the Western Desert art movement, an early style of contemporary Indigenous Australian art.

Bob Jenyns is a prolific Australian artist whose practice, spanning over four decades, has produced countless sculptures, prints, drawings, and paintings. He has participated in many of Australia's most significant art exhibitions including the first Biennale of Sydney (1973), the 1973, 1975 and 1978 Mildura Sculpture Triennials, the 1981 Australian Perspecta, the 2nd Australian Sculpture Biennale, and the 1990 Sculpture Triennial. Jenyns was a finalist in the 2006 Helen Lempriere National Sculpture Award, and in 2007 won the award with his work Pont de l'archeveche. He is represented in many of the country's largest collections, including the National Gallery of Australia, the Art Gallery of New South Wales, the Queensland Art Gallery, the Museum of Contemporary Art in Brisbane, and the Tasmanian Museum and Art Gallery. Jenyns has also received multiple grants from the Australia Council's Visual Arts Board, has curated exhibitions and has taught at the Tasmanian School of Art as head of the sculpture department (1982–2005).

Contemporary Indigenous Australian art is the modern art work produced by Indigenous Australians, that is, Aboriginal Australians and Torres Strait Islander people. It is generally regarded as beginning in 1971 with a painting movement that started at Papunya, northwest of Alice Springs, Northern Territory, involving Aboriginal artists such as Clifford Possum Tjapaltjarri and Kaapa Tjampitjinpa, and facilitated by white Australian teacher and art worker Geoffrey Bardon. The movement spawned widespread interest across rural and remote Aboriginal Australia in creating art, while contemporary Indigenous art of a different nature also emerged in urban centres; together they have become central to Australian art. Indigenous art centres have fostered the emergence of the contemporary art movement, and as of 2010 were estimated to represent over 5000 artists, mostly in Australia's north and west.

proppaNOW is an arts collective for Indigenous Australian artists in Queensland. Aiming to counter cultural stereotypes and give a voice to urban artists, the collective has mounted several exhibitions around the country. The collective was founded by Richard Bell, Jennifer Herd and Vernon Ah Kee in 2003 and formalised in 2004.

Lola Greeno is an artist, curator and arts worker of Aboriginal descent. She studied a Bachelor of Fine Arts at the University of Tasmania in Launceston, finishing her degree in 1997.

<span class="mw-page-title-main">Judy Watson</span> Australian artist

Judy Watson is an Australian Waanyi multi-media artist who works in print-making, painting, video and installation. Her work often examines Indigenous Australian histories, and she has received a number of high profile commissions for public spaces.

Julie Gough is an artist, writer and curator based in Tasmania, Australia.

Jennifer Herd is an Australian Indigenous artist with family ties to the Mbar-barrum people of North Queensland. She is a founding member of the ProppaNOW artist collective, and taught at the Queensland College of Art in Brisbane, where she convened both the Bachelor of Fine Art and Contemporary Australian Indigenous Art. In 2003 she won the Queensland College of Art Graduate Students prize, the Theiss Art Prize, for her Masters of Visual Arts.

Lindy Lee is an Australian painter and sculptor of Chinese heritage, whose work blends the cultures of Australia and her ancestral China and explores her Buddhist faith. She has exhibited widely, and is particularly known for her large works of public art, such as several iterations of The Life of Stars at various locations in China and on the forecourt of the Art Gallery of South Australia, and The Garden of Cloud and Stone in Sydney's Chinatown district.

<span class="mw-page-title-main">4A Centre for Contemporary Asian Art</span> Art gallery, advocacy body in Sydney, New South Wales

4A Centre for Contemporary Asian Art, formerly known as Gallery 4A, 4A Galleries, Asia-Australia Arts Centre and also known simply as 4A, is an Australian independent not-for-profit organisation based in the Haymarket area of Sydney, New South Wales. It commissions, exhibits, documents and researches Asian and Asian-Australian contemporary art in Australia, and promotes Australian talent in Asia, promoting and maintaining cultural connections between the nation and the region. The gallery and the associated Performance 4A were founded by the Asian Australian Artists Association Inc. in 1997.

Alick Tipoti, whose traditional name is Zugub, is a Torres Strait Islander artist, linguist, and activist of the Kala Lagaw Ya people, from Badu Island, in the Zenadh Kes. His work includes painting, installations, printmaking, sculpture and mask-making, and is focused on preserving the culture and languages of his people.

Mandy Quadrio is a Brisbane/Meanjin-based contemporary artist of Palawa heritage.

References

  1. "Michael Eather". Archived from the original on 15 February 2015. Retrieved 15 February 2015.
  2. Ms Pat Hoffie, 'The Rise and Rise of Michael Eather', Artlink, vol. 19, no. 2, 1999
  3. Fairley, Gina (26 November 2020). "Vale: Michael Nelson Jagamara AM and Kunmanara Lewis". ArtsHub Australia. Retrieved 23 March 2021.

Further reading