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The Academy Award for Best Film Editing is one of the annual awards of the Academy of Motion Picture Arts and Sciences (AMPAS). Nominations for this award are closely correlated with the Academy Award for Best Picture. For 33 consecutive years, 1981 to 2013, every Best Picture winner had also been nominated for the Film Editing Oscar, and about two thirds of the Best Picture winners have also won for Film Editing. Only the principal, "above the line" editor(s) as listed in the film's credits are named on the award; additional editors, supervising editors, etc. are not currently eligible.
Sally JoAnne Menke was an American film editor, who worked in cinema and television. Over the span of her 30-year career in film, she accumulated more than 20 feature film credits.
Irvine "Cotton" Eugene Warburton was an American college football quarterback (1933) who became a film and television editor with sixty feature film credits. He worked for the Metro-Goldwyn-Mayer Studios and for the Walt Disney Studios, and is probably best known for his Academy Award-winning editing of Mary Poppins (1964).
Mark Goldblatt is an Academy Award-nominated American film editor and film director and president emeritus of the American Cinema Editors.
Lee Smith, ACE, is an Australian film editor who has worked in the film industry since the 1980s. He began his film career as a sound editor before establishing himself as an editor. His breakthrough came when he began collaborating with director Peter Weir. Smith is best known for his work on several of Christopher Nolan's films, including Batman Begins (2005), The Dark Knight (2008), Inception (2010), The Dark Knight Rises (2012), Interstellar (2014) and Dunkirk (2017), for which he won the Academy Award for Best Film Editing.
Craig McKay is an American feature film editor, story consultant, director, and executive producer. Recognized with two Academy Award nominations for editing Reds and The Silence of the Lambs, and an Emmy Award for editing the NBC miniseries Holocaust, he has edited more than forty films including Philadelphia, The Manchurian Candidate, Cop Land and Maid in Manhattan.
Christopher Russell Rouse is an American film and television editor and screenwriter who has about a dozen feature-film credits and numerous television credits. Rouse won the Academy Award for Best Film Editing, the BAFTA Award for Best Editing, and the ACE Eddie Award for the film The Bourne Ultimatum (2007).
William Goldenberg is an American film editor. He has more than twenty film and television credits since 1992. He won the Academy Award for Best Film Editing for the film Argo (2012), and has been nominated for The Insider (1999), Seabiscuit (2003), Zero Dark Thirty (2012) and The Imitation Game (2014). He has also received nominations for nine other editing-related awards.
Darren T. Holmes is a film editor whose credits include animated films such as The Iron Giant (1999), Lilo & Stitch (2002), Ratatouille (2007), How to Train Your Dragon (2010), and The Croods (2013) as well as My Father’s Dragon (2022). He also served as a consulting editor for Song of the Sea (2014).
Donn Cambern was an American film editor with more than three dozen feature film credits. His editing of Romancing the Stone (1984) was nominated for an Academy Award for Best Film Editing along with fellow editor Frank Morriss, and his editing of Easy Rider (1969) has been noted as particularly innovative and influential. He was awarded the American Cinema Editors Career Achievement Award in 2004.
Mathilde Bonnefoy is a French film editor and director who was nominated for an ACE Eddie Award for the editing of the film Run Lola Run (1998) and who won the award for editing the documentary Citizenfour (2014). She and her husband Dirk Wilutzky additionally served as producers of Citizenfour with its director Laura Poitras, and the three received the 2014 Academy Award for Best Documentary Feature.
Christina Jean "Chris" Innis is an American film editor and filmmaker. She was awarded the 2010 Academy Award, BAFTA, and ACE awards for "Best Film Editing" on the film The Hurt Locker shared with co-editor, Bob Murawski. She is an elected member of the American Cinema Editors (ACE) and has served as an associate director on the board.
Herbert Neil Travis was an American film and television editor with about 28 feature film credits from 1970–2007. He is likely best known for editing the television miniseries Roots (1977) and the feature film Dances with Wolves (1990).
David Rosenbloom is an American film and television editor with more than 20 film credits, as well as many television editing and directing credits. He was nominated for the Academy Award for Best Film Editing and the American Cinema Editors "Eddie" for The Insider (1999).
Barbara "Bobby" McLean was an American film editor with 62 film credits.
Richard Halsey is an American film editor with more than 60 credits from 1970 onwards. An alumnus of Hollywood High School, he won an Academy Award for Best Film Editing at the 49th Academy Awards for editing Rocky with Scott Conrad, also being nominated for one BAFTA and one Emmy Award. He often works with his wife Colleen Halsey and they are credited together. Both have been elected to membership in American Cinema Editors (A.C.E.); Halsey has been a member since 1988. He is now living in the Hollywood Hills.
Pamela Martin is an American film and television editor with more than twenty-eight feature film credits since the 1990s. She is best known for her works on The Fighter, directed by David O. Russell, earning an Academy Award nomination for Best Film Editing, and King Richard, directed by Reinaldo Marcus Green, being nominated at the Satellite Award for Best Editing and earning her second Academy Award nomination for Best Film Editing.
Michael Luciano was an American film and television editor with about forty feature film credits and many additional credits for television programs. From 1954 to 1977, Luciano edited 20 of the films directed, and often produced, by Robert Aldrich. Aldrich was a prolific and independent maker of popular films "who depicted corruption and evil unflinchingly, and pushed limits on violence throughout his career." Their early collaboration, the film noir Kiss Me Deadly (1955), was entered into the US National Film Registry in 1999; the unusual editing of the film has been noted by several critics. Luciano's work with Aldrich was recognized by four Academy Award nominations, for Hush...Hush, Sweet Charlotte (1964), The Flight of the Phoenix (1965), The Dirty Dozen (1967), and The Longest Yard (1974).
David Ian Salter is an American film editor whose credits include Toy Story 2 (1999), Finding Nemo (2003), Ice Age: Continental Drift (2012), The SpongeBob Movie: Sponge Out of Water (2015), and The Addams Family (2019).
Kim Roberts, A.C.E., is an American filmmaker who has worked primarily on documentaries as a film editor and writer. Roberts has a master's degree in documentary film production from Stanford University (1996). Her first credit as an editor was for Long Night's Journey into Day (2000), which was directed by Deborah Hoffmann and Frances Reid and that was nominated for the Academy Award for Best Documentary Feature. She was credited as both an editor and writer for Great Wall Across the Yangtze (2000), which was directed by Ellen Perry. Her work since then and several of her honors are sketched in the filmography below. Roberts was featured in a New York Times article on film editing in 2012. She has been selected for membership in the American Cinema Editors, which entitles editors to append "A.C.E." to their film credits.
References
- 1 2 Michael Tronick at IMDb.
- ↑ "Academy's Tech Council Adds 4 New Members". 30 September 2014.
- ↑ "American Cinema Editors > Members", webpage archived by WebCite from this original URL on 2008-03-04.
