My All

Last updated

"My All"
My All and Breakdown by Mariah Carey US artwork.png
Artwork for US retail editions, also used for some other non-US releases omitting "Breakdown" on the front cover
Single by Mariah Carey
from the album Butterfly
B-side "Breakdown"
ReleasedApril 21, 1998 (1998-04-21)
Recorded1997
Studio
Genre
Length3:51
Label Columbia
Composer(s)
  • Mariah Carey
  • Walter Afanasieff
Lyricist(s) Mariah Carey
Producer(s)
  • Mariah Carey
  • Walter Afanasieff
Mariah Carey singles chronology
"The Roof (Back in Time)"
(1998)
"My All"
(1998)
"Sweetheart"
(1998)
Music video
"My All" on YouTube

"My All" is a song by American singer-songwriter Mariah Carey from her sixth studio album, Butterfly (1997). It was released as the album's fifth single overall and second commercial single on April 21, 1998, by Columbia Records. The song was written and produced by Carey and Walter Afanasieff. "My All" is built around Latin guitar chord melodies, and makes subtle use of Latin percussion throughout the first chorus, before taking on a more conventional R&B-style beat. Carey was inspired to write the song and use Latin inspired melodies after a trip to Puerto Rico, where she was influenced by the culture. The song's lyrics tell of a lonely woman declaring she would give "her all" to have just one more night with her estranged lover. It is the first song Carey wrote for the Butterfly album. [1]

Contents

The music video for the song was released in March 1998. It shows many scenes of Carey laying on a submerged vessel in a large body of water, while lamenting her lost lover. Towards the video's climax, Carey and her love interest climb atop a lighthouse and caress each other under the night's sky. "My All" was performed live on various occasions, including the 1998 World Music Awards and Blockbuster Entertainment Awards, Saturday Night Live , The Rosie O'Donnell Show and various European television and music chart programs. The song was also part of Carey's 1998 Butterfly World Tour, and was performed during many future tours and concerts. House music producer David Morales remixed the song, which was performed live as a medley with the original.

"My All" received acclaim from music critics and charted strongly throughout various music markets. In the United States, the song became Carey's thirteenth chart topper on the Billboard Hot 100, and was certified double-platinum by the Recording Industry Association of America (RIAA). Throughout Europe, the song performed moderately, peaking at number four in the United Kingdom and in the top ten in Belgium (Wallonia), France, Spain and Switzerland. In France, due to strong sales, the song was certified gold by the Syndicat National de l'Édition Phonographique (SNEP).

Background

Carey began writing and composing themes for Butterfly by the end of 1996. [2] She considered this period in time to be a "redefining moment for herself," as she began making the music she truly loved, R&B and hip hop. Additionally, Carey began incorporating other musical genres into her songwriting, assisting her in developing new ideas and melodies. [2] Carey expressed how the mixed emotions she felt at that point in her life helped develop the song, as she would "pour herself and emotions into anything she was writing at the time." [2] In an interview with Fred Bronson, Carey expressed how a visit to Puerto Rico and the current emotions in her life inspired her to write "My All":

I had gone to Puerto Rico and was influenced by Latin music at that moment. When I came back, the melody was in my head. It was at a melancholy point in my life and the song reflects the yearning that was going on inside of me. It was like being in a situation but you want to break free and you can't, so you're confined yet you're releasing those emotions through the lyrics and the actual act of singing. That's why think a lot of people felt very strongly about that song, because the emotion is clear when you listen to it. [2]

Carey began to infuse her personality into her work, something that showed throughout various tracks. [2] During her stay, she was influenced by the Latin culture, and began harmonizing and singing the music she heard there. When she arrived back to New York, she already had the melody developed, and soon began working on the song in San Francisco with Afanasieff. [2]

In her 2020 memoir, The Meaning of Mariah Carey , Carey revealed how "My All" was also inspired by a secret romantic rendezvous she and baseball player Derek Jeter had during her time in Puerto Rico. [3]

Recording

Carey and Afanasieff had worked together since her debut album in 1990. Together, they had written some of Carey's biggest hits at the time, including "Hero" and "One Sweet Day." [2] "My All" would be the last time the two would collaborate, as he is absent from the writing credits in her follow-up album, Rainbow (1999). During the recording of the song, Carey and then-husband Tommy Mottola were in the midst of their divorce. Afanasieff, who had developed relationships with the two of them, was caught in the middle. He spoke of the difficulties he had recording "My All" with Carey, as their relationship had already strained during the divorce. [2] Afanasieff had been employed by Mottola and Columbia Records, and had worked extensively with Carey in the studio. [2] In an interview with Fred Bronson, Afanasieff spoke in depth of the personal problems he experienced with Carey in 1997:

I needed to maintain a very strong relationship with Tommy [Mottola]. During that period, the beginning of their end, I had to stay away more than normal from her because she was going through a rough time. She felt that shutting her relationship with Tommy was also a cleansing of who she was. She felt that part of what she was dropping was the shmaltzy pop singer ballad kind of stuff he was adamant about. I had to make my exit and say 'Mariah, you need to redefine yourself, that's fine. I'm here doing what I do and if and when you want to come back and do it again, I'm here. [2]

"My All" was written in Carey's home-studio in upstate New York, and was recorded in Afanasieff's recording studio in San Francisco. After she presented him with the melody she had developed in Puerto Rico, he began playing chords on the piano, while Carey sang the tune and directed him. [2] After they produced the chorus, Carey wrote the lyrics, while he added a drum groove to the basic melody. According to Afanasieff, "My All" had tapped into both their Latin backgrounds. While she hadn't spent much time with her Venezuelan paternal grandfather, Carey said the music was "definitely subconsciously in me." [2] On the other hand, Afanasieff was born in Brazil, and had heard Russian and Brazilian music his whole life. [2] In an interview with Fred Bronson, Afanasieff described the steps they took to record the song:

I remember being in the back part of the studio, and we were sitting there late at night and writing. I was strolling through some sounds and came upon a particular sound from a steel acoustic guitar. I played these really beautiful chord changes that eventually led to 'My All.' She started singing and I started playing, and we came up with the basis for the song. I put a little drum groove down and it was one of the easier songs to write with her. [2]

Composition

"My All" is a slow-tempo ballad, that blends contemporary R&B beats and Latin guitar and chord melodies, making subtle use of Latin percussion in the first chorus. [4] [5] The song is described as having a "lush sound" and featured synthetic guitar arpeggios that were produced in the studio. [4] "My All" was compared to Toni Braxton's music style, described as "slink, slow-jam R&B sounds." [4] The song is set in signature common time and written in the key of G minor. It features a basic chord progression of Gm-Cm-D7-Gm. [5] Carey's vocal range in the song spans from the low note of B2 to the high note of F5, with the piano and guitar pieces range from G3 to G5. [5] The track was very different than anything Carey had ever recorded, incorporating strong "Latin cultured background." [4] The instrumentation and vocal arrangement used in the song was compared to Kenneth "Babyface" Edmonds' productions, due to its "soft R&B coos and guitar melodies." [4]

Critical reception

Professional ratings
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar half.svgStar empty.svgStar empty.svg [6]
Entertainment Weekly B+ [7]
Stereogum 6/10 [8]

"My All" received acclaim from music critics. Stephen Thomas Erlewine from AllMusic chose the song as one of the three "track choices" from the album. [9] Daryl Easlea for BBC said it "encapsulates her more traditional, straight ballad approach with Latin overtones." [10] Larry Flick from Billboard praised the song, calling it an "anthemic gem." He also described it as "sparkling with a house flavor that's mildly reminiscent of Toni Braxton's landmark 'Un-break My Heart'." [11] While reviewing the album, Flick also reviewed the Morales remix, writing "Morales straddles the fence between underground aggression and pop-radio fluff with deceptive ease, crafting a track anchored with a muscular bassline and embellished with vibrant synths. It's 10 minutes of pure disco bliss." [11] David Browne from Entertainment Weekly praised the song's instrumentation, noting "with its gently plucked guitars, is the best Babyface track Babyface never produced." [12] Another editor, Mark Bautz, felt it stand up as one of "the best pop tunes of the '90s." [13] In 2018, the magazine described it as a "let-the-candles-burn" ballad "put through a slow-burn flamenco filter and zhuzhed up with some serious sensuality and Spanish guitar." [14] A reviewer from The Hartford Courant wrote that Carey's voice "flows like molasses, accompanied by a lead guitar in the sexy "My All"." [15] Virginian Pilot declared the song as a "lush pop ballad" that has been "tailor-made" for Carey. [16] Richard Harrington from The Washington Post felt it's "another yearning ballad with Babyface-style romantic extremism". [17]

Chart performance

Although "My All" was the fifth single released from Butterfly, it was only the second commercial worldwide release. [18] The song debuted at number two on the US Billboard Hot 100 chart behind Next's "Too Close" with 21 million radio airplay audience impressions and sales of 122,000 units. According to Billboard, the single was "deeply discounted". [19] It eventually became Carey's 13th chart topper in the United States, placing her in fourth place for most number ones in the US. [4] Also, it gave Carey the honor of having the most number ones for a female artist. It stayed atop the Hot 100 for one week, and was certified double-platinum by the Recording Industry Association of America (RIAA), denoting shipments of over two million units. [20] "My All" peaked at number four on the Billboard Hot R&B/Hip-Hop Songs, and eighteen on the Adult Contemporary chart. [21] It finished number seventeen on the Billboard end of year chart, and ninety-nine on the end of decade chart. [22] [23] In Canada, the song entered the Canadian RPM Chart at number 89 during the week of May 18, 1998. In its fifth week, the song peaked at number 28, spending 16 weeks in the chart before exiting the week of August 31. [24] [25]

"My All" performed weakly in Australia, peaking at number 39 while spending only two weeks on the ARIA Top-40. [26] In Belgium (Wallonia), it peaked at number nine, and spent 14 weeks on the Ultratop singles chart. [26] The song performed well in France, peaking at number six and spending 24 weeks fluctuating in the French singles chart. [26] "My All" was certified silver by the Syndicat National de l'Édition Phonographique (SNEP), denoting shipments of 125,000 units throughout France. [27] The song performed moderately in Ireland, peaking at number 21, and spending seven weeks on the Irish Singles Chart. [28] In Norway and Sweden, it peaked at numbers 14 and 15, respectively. [26] The song charted well in Switzerland, spending 21 weeks in the top-100, and peaking at number seven. [26] In the United Kingdom, 'My All" debuted and peaked at number four on the UK Singles Chart on June 13, 1998, the highest new entry of the week. [29] The song spent eight weeks on the singles chart, until the week of August 1, 1998, where it dropped outside the top-100. [30] Sales in the UK are estimated at 160,000 units. [31]

Remixes and other versions

"My All" features two remixes: the first is a contemporary R&B version titled, "My All/Stay Awhile" (So So Def Remix). [32] Carey re-recorded her vocals for the song, while building it around a sample from the Loose Ends song "Stay a Little While, Child." Carey's vocal interpolation blends the first verse and chorus of "My All" with the verse and chorus of "Stay a Little While, Child." [32] It was produced by Jermaine Dupri and features raps from Lord Tariq and Peter Gunz. The single also features a version without any rap verses. The second remix is a dance version mixed by David Morales. [32] The dance remix is known as the Classic Club Mix; it was Carey's first collaboration with Morales that did not feature entirely new vocals. Consequently, the song is fairly close to the original chord progressions of the album version, though some new vocals were added. The remix was performed live as a medley with the original during many of Carey's live concert tours. [32]

Carey recorded a Spanish version of "My All" titled, "Mi Todo." Unlike with "Hero" (1993) and "Open Arms" (1995), Carey recorded the Spanish version of the song in a different key from the original English version. [32] The first line of the song had been mistranslated and was grammatically incorrect. Carey later mentioned on her website that she would no longer record Spanish versions of her songs until she could verify the correct lyrics and pronunciation. [32] "Mi Todo" was remixed as well, however only being released as a promotional single in Mexico. [32]

Music videos

"My All" and the "My All/Stay Awhile" (So So Def Remix) featured different music videos. The video for "My All" was shot entirely in black and white in Puerto Rico, and was directed by fashion photographer Herb Ritts. [4] The video begins with Carey lying on an overturned vessel on a beach, staring into the night sky, lamenting her estranged lover. As the scenes progress, Carey's love interest is seen atop a lighthouse in the middle of the ocean, searching for his lost companion. Further scenes show Carey laying on a large conch shell, wet and vulnerable. [32] Soon after, she begins walking on a path of large white flowers, until she reaches the top of the lighthouse where she is rejoined with her lover. After the song's second verse, Carey and the man begin caressing each other, and embracing atop the lighthouse. After they share an intimate moment, Carey is shown walking back on the trail of white flowers, smiling and happy. The scenes of Carey lying in the shell and in front of the flowers were inspired by Sandro Botticelli's painting The Birth of Venus . [4] According to author Chris Nickson, the snippets of Carey on the overturned vessel showed her vulnerability without her loved one, truly highlighting the yearning emphasized in the song. [4] Sony Music Video released "My All" on VHS on April 21, 1998; [33] it peaked at number six on the US Billboard Music Video Sales chart [34] and sold 6,000 copies by June of that year according to Nielsen SoundScan. [35]

A music video was also filmed for the So So Def remix. Directed by Diane Martel, it was shot in a grainy fashion to simulate a home video. [32] The video features cameo appearances by Dupri, Tariq and Gunz. It begins with scenes of Carey and Dupri at a small in-home gathering, lounging and enjoying each other's company. As the video progresses, the other two featured hip-hop musicians appear at the house, alongside various other guests. They begin to dance to music, while sipping on cocktails by the pool. As the video reaches its climax, scenes of Carey singing in an outdoor garden are shown, while the others join her on the pool deck. [4]

Live performances

Carey performing "My All" during a concert in Las Vegas Mariahvegas.jpg
Carey performing "My All" during a concert in Las Vegas

"My All" was performed on several live television appearances, as well as most of Carey's tours following the song's release. [4] Carey first sang "My All" on Saturday Night Live on November 15, 1997. The performance featured guitar player. [32] Later, Carey performed the song at the 1998 World Music Awards, completing both the original and dance remix as a medley. The performance was via-satellite from Carey's tour at the time, which was broadcast onto a large screen. At the Blockbuster Entertainment Awards in 1998, Carey sang the original version of the song, featuring a full orchestra and live backup vocals. [4]

Carey was one of the five featured performers at the 1998 VH1 Divas, where she sang "My All" as well as the dance remix. The song was performed on the British music chart program, Top of the Pops , where a live medley of the original and dance versions were performed. [32] "My All" was performed during Carey's Butterfly World Tour in 1998.[ citation needed ] For the performances in Japan, Carey featured a Latin guitarist and backing vocals. The guitarist was present during the song's recital throughout the entire tour, replacing the orchestra used during her television appearances.[ citation needed ] For the shows, Carey wore a beige outfit, with varying hairstyles. Neither remix version was performed during the tour.

For her Rainbow World Tour (2000) Carey performed the original version of the song, once again featuring the orchestra and live female background vocals.[ citation needed ] 2 years later on December 7, 2002, Carey performed the original version of "My All" in front of a crowd of 50,000 people, at the closing ceremony concert of the Mexican Teletón, which took place in the country's Azteca Stadium. [36] Since the Charmbracelet World Tour in 2004, Carey has not performed the full version of the original, substituting it for the dance remix after the second verse.[ citation needed ] During the shows in the Adventures of Mimi tour, Carey donned a black bikini and matching cape, while featuring one male and two female background singers.[ citation needed ] On the Angels Advocate Tour (2010), she performed the original and dance remix versions, wearing a red outfit while performing the song seated.[ citation needed ] Again, the original and dance remix was performed as a medley, featuring the same backup from the previous tour.[ citation needed ] After completing the song, Carey was whisked away by a shirtless male dancer, and carried off the stage for a costume change, as the back-up continued into the dance version.[ citation needed ]

Cover versions

On February 25, 2014, Alisa Kozhikina, the representative of Russia to the Junior Eurovision Song Contest 2014, won in the Grand Finals of Golos Deti, the Russian kids' edition of The Voice, performing a Russian version of the song called "Vsyo". [37] In 2020, Australian singer Greg Gould recorded a Spanglish version as a duet with Emily Williams for his album 1998.

Formats and track listings

Credits and personnel

Credits and personnel are adapted from the Butterfly liner notes. [44]

Recording

Management

Personnel

Charts

Certifications and sales

Certifications and sales for "My All"
RegionCertification Certified units/sales
Australia (ARIA) [109] Gold35,000
France (SNEP) [27] Gold250,000*
United Kingdom (BPI) [110] Silver200,000
United States (RIAA) [111] 2× Platinum2,000,000

* Sales figures based on certification alone.
Sales+streaming figures based on certification alone.

Release history

Release dates and formats for "My All"
RegionDateFormat(s)Label(s)Ref.
United StatesMarch 24, 1998 Columbia
April 6, 1998 Urban contemporary radio
CanadaApril 14, 1998 CD maxi single (with "Breakdown")
United StatesApril 21, 1998
JapanMay 30, 1998 Mini CD single Sony Music Japan
United StatesJune 9, 1998CD maxi single ("My All/Stay Awhile")Columbia
United KingdomJune 15, 1998 12-inch vinyl [118]
CanadaJune 22, 1998CD maxi single ("My All/Stay Awile")
BelgiumAugust 3, 1998CD maxi single
VariousAugust 28, 2020
Legacy

See also

Related Research Articles

<i>Mariah Carey</i> (album) 1990 studio album by Mariah Carey

Mariah Carey is the debut studio album by American singer Mariah Carey, released on June 12, 1990, by Columbia Records. Its music incorporates a range of contemporary genres with a mix of slow ballads and up-tempo tracks. Originally, Carey wrote four songs with Ben Margulies, which solely constituted her demo tape. After Carey was signed to Columbia, all four songs, after being altered and partially re-recorded, made the final cut for the album. Aside from Margulies, Carey worked with a range of professional writers and producers, all of whom were hired by Columbia CEO, Tommy Mottola. Mariah Carey featured production and writing from Rhett Lawrence, Ric Wake and Narada Michael Walden, all of whom were top record producers at the time. Together with Carey, they conceived the album and reconstructed her original demo tape.

<i>Butterfly</i> (Mariah Carey album) 1997 studio album by Mariah Carey

Butterfly is the sixth studio album by American singer-songwriter Mariah Carey, released on September 10, 1997, by Columbia Records. The album contains both hip-hop and urban adult contemporary sounds, as well as some softer and more contemporary melodies. Throughout the project, Carey worked with Walter Afanasieff, with whom she had written and produced most of the material from her previous albums. She also worked with many famed hip-hop producers and rappers, such as Sean "Puffy" Combs, Q-Tip, Missy Elliott and the Trackmasters. With the latter acts producing most of the album, Butterfly deviated from the adult contemporary sound of Carey's previous albums.

<span class="mw-page-title-main">I'll Be There (Jackson 5 song)</span> 1970 single by The Jackson 5

"I'll Be There" is the first single released from Third Album by The Jackson 5. It was written by Berry Gordy, Hal Davis, Bob West, and Willie Hutch.

<i>Daydream</i> (Mariah Carey album) 1995 studio album by Mariah Carey

Daydream is the fifth studio album by American singer-songwriter Mariah Carey, released on September 26, 1995, by Columbia Records. The follow-up to her internationally successful studio album Music Box (1993), and the holiday album Merry Christmas (1994), Daydream differed from her previous releases by leaning increasingly towards urban music. Throughout the project, Carey collaborated with Walter Afanasieff, with whom she wrote and produced most of her previous albums. With Daydream, Carey took more control over the musical direction as well as the album's composition. Carey considered the album to be the beginning of her musical and vocal transition, a change that would become more evident in her sixth studio album Butterfly (1997). During the album's production, Carey endured many creative differences with her label and then-husband Tommy Mottola. On Daydream, Carey collaborated with Jermaine Dupri, Kenneth "Babyface" Edmonds, and R&B group Boyz II Men. With Afanasieff's assistance and the addition of a few contemporary producers, she was able to make a subtle transition into the contemporary R&B market, after previously only pursuing pop, adult contemporary and traditional R&B music.

<span class="mw-page-title-main">Heartbreaker (Mariah Carey song)</span> 1999 single by Mariah Carey

"Heartbreaker" is a song by American singer-songwriter Mariah Carey featuring American rapper Jay-Z for her seventh studio album Rainbow (1999). It was released on August 23, 1999, by Columbia Records as the lead single from Rainbow. The song was written by the artists and produced by Carey and DJ Clue, with additional writers being credited for the hook being built around a sample from "Attack of the Name Game" by Stacy Lattisaw. "Heartbreaker" pushed Carey even further into the R&B and hip hop market, becoming her second commercial single to feature a rapper. Lyrically, the song describes lovesickness towards an unfaithful partner.

<span class="mw-page-title-main">Forever (Mariah Carey song)</span> 1996 single by Mariah Carey

"Forever" is a song recorded by American singer-songwriter, and record producer Mariah Carey for her fifth studio album, Daydream (1995). It was released by Columbia Records on June 18, 1996, as an airplay-only single and the fifth single from the album. The song was written and produced by Carey and Walter Afanasieff, and was composed throughout 1995. Its lyrics describe a situation where the protagonist knows her relationship with her lover has withered away, however he will continue living in her memory forever.

<span class="mw-page-title-main">Breakdown (Mariah Carey song)</span> 1998 single by Mariah Carey

"Breakdown" is a song recorded by American singer Mariah Carey for her sixth studio album, Butterfly (1997). In the lyrics, she describes the aftermath of a partner ending their love for the other and the trouble of hiding the pain it caused. The track features rapping by Krayzie Bone and Wish Bone, members of the group Bone Thugs-n-Harmony. Before they wrote and performed their raps, Carey composed the music with Stevie J and penned her lyrics. The latter pair produced "Breakdown" with Sean "Puffy" Combs. An R&B, hip hop, and hip hop soul song, "Breakdown" features keyboards, synthesized drums, and background vocals prominently. Columbia Records released it to American rhythmic contemporary radio stations in January 1998 as the third single from Butterfly.

<span class="mw-page-title-main">Butterfly (Mariah Carey song)</span> 1997 single by Mariah Carey

"Butterfly" is a song recorded by American singer-songwriter, and record producer Mariah Carey for her sixth studio album of the same name (1997). It was released on September 29, 1997, by Columbia Records as the second single from the album. The song was written and produced by Carey and Walter Afanasieff. "Butterfly" is a pop and R&B ballad combining elements of gospel. Carey had originally conceived it as a house record with David Morales titled "Fly Away". After realizing how personal the lyrics were and how they could be applied to Butterfly, she wrote the album's title track with Afanasieff. On the song's lyrics, Carey sings to someone, telling them to spread their wings and release into the world on their own, like a butterfly.

<span class="mw-page-title-main">Anytime You Need a Friend</span> 1994 single by Mariah Carey

"Anytime You Need a Friend" is a song by American singer and songwriter Mariah Carey. The song was written and produced by Carey and Walter Afanasieff, for her third studio album, Music Box (1993). It was released on May 24, 1994, through Columbia Records, as the fifth and final single from the album. The song is influenced by pop, R&B and gospel genres. While the album focused heavily on pop oriented and radio friendly material, "Anytime You Need a Friend" deviated from the formula, finishing as the only gospel-infused song on Music Box. Lyrically, the song's protagonist tells her love interest that anytime he may need a friend, she will be there unconditionally for him. Throughout the song's bridge and climax, critics noted the lyrics altering from those of a friend, to those of a lover.

<span class="mw-page-title-main">Can't Let Go (Mariah Carey song)</span> 1991 single by Mariah Carey

"Can't Let Go" is a song recorded by American singer Mariah Carey for her second studio album, Emotions (1991). Columbia Records released it as the album's second single in November 1991. Featuring synthesizers and drum programming, "Can't Let Go" is a breakup song in the form of an R&B and pop slow jam. The lyrics, written by Carey, are about sadness after the end of a relationship. She composed the music and produced the song with Walter Afanasieff, who had previously worked on her 1990 single "Love Takes Time". Carey's vocal range spans more than three octaves; her delivery is predominately breathy and in a low register, with whistle notes featured in the song's introduction and ending.

<span class="mw-page-title-main">Make It Happen (Mariah Carey song)</span> 1992 single by Mariah Carey

"Make It Happen" is a song by American singer and songwriter Mariah Carey. Written and produced by Carey and C+C Music Factory's David Cole and Robert Clivillés. It was released on April 4, 1992, by Columbia Records as the third and final single from her second studio album, Emotions (1991). The pop-, R&B-, and dance-influenced track incorporates traces of gospel in its bridge and crescendo. Described by author Chris Nickson as Carey's most personal and inspirational song, it tells of her personal struggles prior to her rise to fame, and how her faith in God helped sustain her.

<span class="mw-page-title-main">Emotions (Mariah Carey song)</span> 1991 single by Mariah Carey

"Emotions" is a song recorded by American singer-songwriter Mariah Carey for her second studio album of the same name (1991). It was written and produced by Carey, Robert Clivillés, and David Cole of C+C Music Factory and released as the album's lead single on August 13, 1991 by Columbia Records. The song's lyrics has its protagonist going through a variety of emotions from high to low, up to the point where she declares, "You got me feeling emotions." Musically, it is a gospel and R&B song heavily influenced by 1970s disco music and showcases Carey's upper range and extensive use of the whistle register. Jeff Preiss directed the song's music video.

<span class="mw-page-title-main">Love Takes Time</span> 1990 single by Mariah Carey

"Love Takes Time" is a song recorded by American singer-songwriter Mariah Carey for her eponymous debut studio album (1990). Written by Carey and Ben Margulies, while produced by Walter Afanasieff, the song was released as the second single from the album on August 22, 1990, by Columbia Records. An adult contemporary-influenced ballad, the song follows its protagonist lamenting the loss of a lover and confesses that "love takes time" to heal and that her feelings for her ex-lover remain.

<span class="mw-page-title-main">Dreamlover (song)</span> 1993 single by Mariah Carey

"Dreamlover" is a song recorded by American singer-songwriter and record producer Mariah Carey, released on July 27, 1993 by Columbia, as the lead single from the singer's third studio album, Music Box (1993). Its lyrics were written by Carey, with music composed by Carey and Dave Hall, and was produced by Carey, Walter Afanasieff and Hall. The song incorporates a sample of the hook from "Blind Alley" by the Emotions—previously used in "Ain't No Half-Steppin'" (1988) by Big Daddy Kane—into its melody and instrumentation. "Dreamlover" marked a more pronounced attempt on Carey's part to incorporate hip hop into her music, as was seen in her decision to work with Hall, who had previously produced What's the 411? (1992) by Mary J. Blige. This was partly in light of the mixed reception to her previous studio effort Emotions (1991), which featured gospel and 1960s soul influences. Lyrically, the song pictures a protagonist calling for a perfect lover, her "dreamlover," to whisk her away into the night and not "disillusion" her like others in the past.

<span class="mw-page-title-main">Hero (Mariah Carey song)</span> 1993 single by Mariah Carey

"Hero" is a song by American singer-songwriter, and record producer Mariah Carey released on October 18, 1993, via Columbia Records as the second single from her third studio album, Music Box (1993). The song was written and produced by Carey and Walter Afanasieff. While writing the song, Carey did not connect to its style or sound, therefore forfeiting it to Gloria Estefan, who was intended to sing it for the soundtrack of the film of the same name (1992). However, after being convinced by Sony executive Tommy Mottola to keep it for herself, she changed some of the lyrics to more precisely fit her personality. Lyrically, the song is regarded as one of Carey's most inspirational and personal ballads, with its protagonist declaring that even though people may feel discouraged or down at times, in reality, they are "heroes" if they look inside themselves and see their own inner strength; in time, it will help them "find the way".

<span class="mw-page-title-main">Fantasy (Mariah Carey song)</span> 1995 single by Mariah Carey

"Fantasy" is a song by the American singer-songwriter Mariah Carey. It was released on August 23, 1995, by Columbia Records as the lead single from her fifth album, Daydream (1995). The track was written and produced by Carey and Dave Hall. It samples Tom Tom Club's 1981 song "Genius of Love". The lyrics describe a woman who is in love with a man, and how every time she sees him she starts fantasizing about an impossible relationship with him. The remix for the song features rap verses from Ol' Dirty Bastard, something Carey arranged to assist in her crossover into the hip-hop market and credited for introducing R&B and hip hop collaboration into mainstream pop culture, and for popularizing rap as a featuring act.

<span class="mw-page-title-main">One Sweet Day</span> 1995 single by Mariah Carey and Boyz II Men

"One Sweet Day" is a song by American singer-songwriter Mariah Carey and American vocal group Boyz II Men. The song was released on November 14, 1995, as the second single from the former's fifth studio album, Daydream (1995) by Columbia Records. The artists co-wrote the song with Walter Afanasieff, who co-produced it with Carey. Lyrically, the song speaks about the death of a loved one, how the protagonist took their presence for granted and misses them, and finally about seeing the person in heaven. The artists wrote the song about specific people in their lives, being inspired by sufferers of the AIDS epidemic, which was globally prevalent at the time.

<span class="mw-page-title-main">Always Be My Baby</span> 1996 single by Mariah Carey

"Always Be My Baby" is a song recorded by American singer-songwriter, and record producer Mariah Carey for her fifth studio album, Daydream (1995). It was released by Columbia Records on February 20, 1996, as the third single in the United States and fourth worldwide. Written and produced by Carey, Jermaine Dupri and Manuel Seal, "Always Be My Baby" is a midtempo song, with lyrics describing the feeling of attachment and unity the singer feels towards her estranged lover, even though they are no longer together, she says he will always be a part of her and will "always be her baby" even after they move on.

<span class="mw-page-title-main">Honey (Mariah Carey song)</span> 1997 single by Mariah Carey

"Honey" is a song by American singer and songwriter Mariah Carey from her sixth studio album, Butterfly (1997). It was released as the lead single from Butterfly on July 29, 1997, by Columbia Records. The song was written and produced by Carey, Sean Combs, Kamaal "Q-Tip" Fareed and Steven "Stevie J" Jordan. The song samples "Hey DJ" by World-Famous Supreme Team and "The Body Rock" by the Treacherous Three. "Honey" was a redefining song in Carey's career, pushing her further into the hip hop scene.

<span class="mw-page-title-main">I Still Believe (Brenda K. Starr song)</span> 1988 single by Brenda K. Starr

"I Still Believe" is a song written and composed by Antonina Armato and Giuseppe Cantarelli, and originally recorded by pop singer Brenda K. Starr for her eponymous second studio album, Brenda K. Starr (1987). It is a ballad in which the singer is confident she and her former boyfriend will be together again one day. It is Starr's biggest hit in the United States, reaching the top-twenty on the Billboard Hot 100 and being considered her signature song. "I Still Believe" was covered by American singer Mariah Carey, a former backup singer for Starr before she achieved success, for her #1's album in 1998 and released as a single in 1999. It was also recorded by Cantopop singer Sandy Lam in 1989.

References

  1. "Mariah Carey – Can't Let Go & My All (2/19/2020) Las Vegas: The Butterfly Returns". Youtube. Archived from the original on November 17, 2021.
  2. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 Bronson 2003 , p. 868
  3. Carey, Mariah; Michaela Angela Davis (2020). The Meaning of Mariah Carey (First ed.). New York City. pp. 204–205. ISBN   978-1-250-16468-1. OCLC   1157767321.{{cite book}}: CS1 maint: location missing publisher (link)
  4. 1 2 3 4 5 6 7 8 9 10 11 12 Nickson 1998 , p. 167
  5. 1 2 3 "Mariah Carey – My All – Digital Sheet Music". Musicnotes.com. Alfred Publishing. October 20, 2008. Archived from the original on April 2, 2015. Retrieved May 5, 2009.
  6. Promis, Jose F. ""My All" Review". AllMusic . Retrieved February 23, 2023.
  7. Pastorek, Whitney (July 25, 2006). "This Week in '98: Rating the Top 10 Singles". Entertainment Weekly . Retrieved February 23, 2023.
  8. Breihan, Tom (June 8, 2022). "The Number Ones: Mariah Carey's "My All"". Stereogum . Retrieved February 23, 2023.
  9. Erlewine, Stephen Thomas. "AllMusic ((( Butterfly > Review )))". AllMusic. Archived from the original on January 15, 2023. Retrieved September 7, 2010.
  10. Easlea, Daryl (2011). "Mariah Carey Butterfly Review". BBC. Archived from the original on March 16, 2021. Retrieved April 8, 2020.
  11. 1 2 Flick, Larry (May 2, 1998). "Columbia's Carey Reconnects With Her Dance Roots". Billboard . Prometheus Global Media . Retrieved November 16, 2010.
  12. Browne, David (September 19, 1997). "Music Review – Mariah Carey: Butterfly". Entertainment Weekly . Archived from the original on December 2, 2013. Retrieved September 7, 2010.
  13. Bautz, Mark (December 11, 1998). "The Week: Music". Entertainment Weekly . Issue 462.
  14. "Celebrate Mariah Carey's birthday with the ultimate ranking of her No. 1 hits". Entertainment Weekly . March 27, 2018. p. 94. Archived from the original on November 20, 2018. Retrieved April 8, 2020.
  15. "Mariah Carey's 'Butterfly' A Free-Spirited Gem". The Hartford Courant . November 9, 1997.
  16. "CD Reviews". Virginian Pilot . October 3, 1997.
  17. Harrington, Richard (September 14, 1997). "Divorce and the Divas; New Albums From New Singles Carey and Williams". The Washington Post . p. G10.
  18. Higher and Higher. LLC. November 12, 1998. Retrieved September 28, 2010.{{cite book}}: |work= ignored (help)
  19. Sandiford-Waller, Theda (May 9, 1998). "Hot 100 Singles Spotlight". Billboard . p. 87. ProQuest   1506009300.
  20. "Gold & Platinum – May 30, 2010". Recording Industry Association of America. Archived from the original on September 24, 2015. Retrieved May 30, 2010.
  21. "Mariah Carey Album & Song Chart History". Billboard . Archived from the original on November 21, 2021. Retrieved September 14, 2010.
  22. "Billboard Top 100 – 1998". Billboard. Archived from the original on March 9, 2009. Retrieved August 27, 2010.
  23. Geoff Mayfield (December 25, 1999). 1999 The Year in Music Totally '90s: Diary of a Decade – The listing of Top Pop Albums of the '90s & Hot 100 Singles of the '90s. Billboard . Retrieved October 15, 2010.
  24. "Top Singles – Volume 67, No. 12, June 15, 1998". RPM . June 15, 1998. Archived from the original on October 19, 2012. Retrieved September 13, 2010.
  25. "Top Singles – Volume 67, No. 23, August 31, 1998". RPM. August 31, 1998. Archived from the original on October 20, 2012. Retrieved September 13, 2010.
  26. 1 2 3 4 5 "Mariah Carey – My All". Ultratop . Hung Medien. Archived from the original on June 10, 2014. Retrieved October 22, 2010.
  27. 1 2 "French single certifications – Mariah Carey – My All" (in French). Syndicat National de l'Édition Phonographique . Retrieved November 25, 2021.
  28. "Search the Chart". Irish Recorded Music Association . Fireball Media. Archived from the original on September 29, 2018. Retrieved November 17, 2010.
  29. "Archive Chart". Official Charts Company . June 13, 1998. Archived from the original on March 13, 2015. Retrieved November 17, 2010.
  30. "The Official Charts Company > Mariah Carey – My All". Official Charts Company . Archived from the original on April 4, 2015. Retrieved November 13, 2010.
  31. "Mariah Carey Official Top 20 Best Selling Singles in the UK". MTV Networks Europe . MTV (UK and Ireland). Archived from the original on June 6, 2011. Retrieved November 10, 2010.{{cite web}}: CS1 maint: unfit URL (link)
  32. 1 2 3 4 5 6 7 8 9 10 11 Nickson 1998 , pp. 168–169
  33. "Mariah Carey Discography". MTV. Archived from the original on December 16, 2002. Retrieved January 13, 2022.
  34. "Mariah Carey Chart History – Music Video Sales". Billboard . Archived from the original on September 26, 2019. Retrieved January 13, 2022.
  35. Hay, Carla (July 18, 1998). "Vid Singles Look for Higher Retail Profile". Billboard . p. 83. Archived from the original on January 15, 2023. Retrieved January 22, 2022 via Google Books.
  36. García Navarro, Juan Carlos (December 8, 2002). "Logran una meta más con el Teletón 2002". El-Mexicano.com (in Spanish). Archived from the original on December 12, 2017. Retrieved June 11, 2014.
  37. "Alice Kozhikina "My all" – Final – Golos.Deti – Sezon1". YouTube. February 25, 2014. Archived from the original on November 17, 2021. Retrieved October 1, 2014.
  38. 1 2 3 My All (U.S. CD Single liner notes). Mariah Carey. Columbia Records. 1998. 38K 78821.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  39. 1 2 My All EP, April 21, 1998, archived from the original on August 30, 2020, retrieved August 28, 2020
  40. My All (European CD Maxi Single liner notes). Mariah Carey. Columbia Records. 1998. 666059 2.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  41. My All (U.S. 12-inch Single liner notes). Mariah Carey. Columbia Records. 1998. 44 78822.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  42. My All (European 12-inch Single liner notes). Mariah Carey. Columbia Records. 1998. COL 665444 6.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  43. "Mariah En Español EP by Mariah Carey". Apple Music. April 21, 1998. Archived from the original on December 16, 2020. Retrieved September 3, 2020.
  44. Carey, Mariah (1997). Butterfly (CD). Mariah Carey. New York City: Columbia Records. p. 2. 488537 2.
  45. "Mariah Carey – My All". ARIA Top 50 Singles. Retrieved May 26, 2015.
  46. "Mariah Carey – My All" (in German). Ö3 Austria Top 40. Retrieved May 26, 2015.
  47. "Mariah Carey – My All" (in Dutch). Ultratop 50. Retrieved May 26, 2015.
  48. "Mariah Carey – My All" (in French). Ultratop 50. Retrieved May 26, 2015.
  49. 1 2 Lwin, Nanda (2000). Top 40 Hits: The Essential Chart Guide. Music Data Canada. p. 59. ISBN   1-896594-13-1.
  50. "Top RPM Singles: Issue 3592." RPM . Library and Archives Canada. Retrieved May 26, 2015.
  51. "Top RPM Adult Contemporary: Issue 3627." RPM . Library and Archives Canada. Retrieved May 31, 2015.
  52. "Major Market Airplay". Music & Media . August 1, 1998. p. 23.
  53. "Hits of the World". Billboard. Vol. 110, no. 26. June 27, 1998. ISSN   0006-2510. Archived from the original on January 15, 2023. Retrieved March 18, 2011.
  54. "European Radio Top 50". Music & Media . July 4, 1998. p. 20.
  55. "Mariah Carey – My All" (in French). Les classement single. Retrieved May 26, 2015.
  56. "Major Market Airplay". Music & Media . June 6, 1998. p. 27.
  57. "Mariah Carey – My All" (in German). GfK Entertainment charts. Retrieved June 15, 2023.
  58. "The Irish Charts – Search Results – My All". Irish Singles Chart. Retrieved May 26, 2015.
  59. "Nederlandse Top 40 – week 28, 1998" (in Dutch). Dutch Top 40. Retrieved May 26, 2015.
  60. "Mariah Carey – My All" (in Dutch). Single Top 100. Retrieved May 20, 2015.
  61. "Mariah Carey – My All". Top 40 Singles. Retrieved May 26, 2015.
  62. "Mariah Carey – My All". VG-lista. Retrieved May 26, 2015.
  63. "Major Market Airplay". Music & Media . July 11, 1998. p. 23.
  64. "Official Scottish Singles Sales Chart Top 100". Official Charts Company. Retrieved November 5, 2015.
  65. "Hits of the World". Billboard. Vol. 110, no. 24. June 13, 1998. ISSN   0006-2510. Archived from the original on January 15, 2023. Retrieved March 18, 2011.
  66. "Major Market Airplay". Music & Media . May 16, 1998. p. 23.
  67. "Mariah Carey – My All". Singles Top 100. Retrieved May 26, 2015.
  68. "Mariah Carey – My All". Swiss Singles Chart. Retrieved May 26, 2015.
  69. "Mariah Carey: Artist Chart History". Official Charts Company. Retrieved October 29, 2021.
  70. "Official Hip Hop and R&B Singles Chart Top 40". Official Charts Company. Retrieved November 5, 2015.
  71. "The Club Chart". Record Mirror. Music Week . May 9, 1998. p. 5.
  72. "Dance Airplay Forty". Record Mirror. Music Week . July 18, 1998. p. 3.
  73. "The Pop Chart". Record Mirror. Music Week . May 9, 1998. p. 6.
  74. "The Urban Chart". Record Mirror. Music Week . June 6, 1998. p. 6.
  75. "Mariah Carey Chart History (Hot 100)". Billboard. Retrieved May 26, 2015.
  76. "Mariah Carey Chart History (Adult Contemporary)". Billboard. Retrieved May 26, 2015.
  77. "Crossover Airplay". Top 40 Airplay Monitor . June 5, 1998. p. 22.
  78. "Mariah Carey Chart History (Dance Club Songs)". Billboard. Retrieved May 20, 2015.
  79. "Mariah Carey Chart History (Dance Singles Sales)". Billboard. Retrieved December 13, 2021.
  80. "Mariah Carey Chart History (Hot R&B/Hip-Hop Songs)". Billboard. Retrieved May 22, 2015.
  81. "Mariah Carey Chart History (Pop Songs)". Billboard. Retrieved May 22, 2015.
  82. "Mariah Carey Chart History (Rhythmic)". Billboard. Retrieved May 22, 2015.
  83. "AC Top 30". Radio & Records . July 3, 1998. p. 72. ProQuest   1017328035.
  84. "CHR/Pop Top 50". Radio & Records . June 19, 1998. p. 37. ProQuest   1017321394.
  85. "CHR/Rhythmic Top 50". Radio & Records . July 3, 1998. p. 47. ProQuest   1017322372.
  86. "NAC/Smooth Jazz Tracks". Radio & Records . July 17, 1998. p. 112. ProQuest   1017317111.
  87. "Urban Top 50". Radio & Records . July 10, 1998. p. 50. ProQuest   1017329637.
  88. "Urban AC Top 30". Radio & Records . June 26, 1998. p. 58. ProQuest   1017321504.
  89. "Rapports Annuels 1998" (in French). Ultratop. Archived from the original on October 7, 2014. Retrieved May 26, 2015.
  90. "Singles : Yearend Top 100". Jam!. Archived from the original on August 17, 2000.
  91. "RPM's Top 100 Adult Contemporary Tracks of 1998". RPM. December 14, 1998. Archived from the original on January 11, 2016. Retrieved May 26, 2015.
  92. "Eurochart Hot 100 Singles 1998". Music & Media . December 19, 1998. p. 8.
  93. "Classement Singles – année 1998" (in French). SNEP. Archived from the original on September 5, 2012. Retrieved May 26, 2015.{{cite web}}: CS1 maint: unfit URL (link)
  94. "Årslista Singlar – År 1998" (in Swedish). GLF. Archived from the original on January 11, 2016. Retrieved May 26, 2015.
  95. "Swiss Year-end Charts 1998". Hung Medien. Archived from the original on October 6, 2014. Retrieved May 26, 2015.
  96. "Najlepsze single na UK Top 40-1998 wg sprzedaży" (in Polish). Official Charts Company. Archived from the original on June 4, 2015. Retrieved October 12, 2015.{{cite web}}: CS1 maint: unfit URL (link)
  97. "The Urban Top 40 of 1998". Record Mirror. Music Week . January 1, 1999. p. 6.
  98. 1 2 3 "The Year in Music 1998". Billboard . December 26, 1998. p. YE-42, YE-51, YE-54. ProQuest   1529171323.
  99. "Most Played Mainstream Top 40 Songs of 1998". Airplay Monitor . December 25, 1998. p. 45.
  100. "98 of 1998". Radio & Records . December 11, 1998. p. 89. ProQuest   1017322206.
  101. "98 of 1998". Radio & Records . December 11, 1998. p. 41. ProQuest   1017326918.
  102. "98 of 1998". Radio & Records . December 11, 1998. p. 43. ProQuest   1017326961.
  103. "98 of 1998". Radio & Records . December 11, 1998. p. 101. ProQuest   1017322135.
  104. "98 of 1998". Radio & Records . December 11, 1998. p. 58. ProQuest   1017321982.
  105. "98 of 1998". Radio & Records . December 11, 1998. p. 62. ProQuest   1017322040.
  106. "Most Played Rhythmic Top 40 Songs of 1998". Airplay Monitor . December 25, 1998. p. 46.
  107. "The Year in Music: 1999". Billboard . December 25, 1999. p. YE-61. Archived from the original on January 15, 2023. Retrieved May 6, 2022 via Google Books.
  108. "Hot 100 Singles of the '90s". Billboard. December 25, 1999. Retrieved October 15, 2010.
  109. "ARIA Charts – Accreditations – 2020 Singles" (PDF). Australian Recording Industry Association . Retrieved April 25, 2021.
  110. "British single certifications – Mariah Carey – My All". British Phonographic Industry . Retrieved October 29, 2021.
  111. "American single certifications – Mariah Carey – My All". Recording Industry Association of America . Retrieved November 17, 2022.
  112. "New Releases". Radio & Records . No. 1240. March 20, 1998. pp. 99, 105.
  113. "Addvance Notice". Radio & Records . No. 1242. April 3, 1998. p. 58. ProQuest   1017304289.
  114. 1 2 "Mariah Carey". Sony Music Canada. Archived from the original on November 27, 2003. Retrieved February 11, 2022.
  115. "Mariah Carey: "My All" / "Breakdown" (Single)". Sony Music Store. Archived from the original on September 27, 2003. Retrieved February 4, 2022.
  116. "マイ・オール" ["My All"] (in Japanese). Oricon. Archived from the original on November 22, 2022. Retrieved February 13, 2022.
  117. "Mariah Carey: "My All/Stay Awhile" (Single)". Sony Music Store. Archived from the original on January 7, 2004. Retrieved February 4, 2022.
  118. "New Releases: Singles". Music Week . June 13, 1998. p. 31.
  119. "New Releases This Week". Sony Music Belgium. Archived from the original on October 6, 2000.

Further reading