The Clash is the self-titled debut studio album by English punk rock band the Clash. It was released on 8 April 1977 through CBS Records. Written and recorded over three weeks in February 1977 for £4,000, it would go on to reach No. 12 on the UK charts, and has been included on many retrospective rankings as one of the greatest punk albums of all time.
Give 'Em Enough Rope is the second studio album by the English punk rock band the Clash. It was released on 10 November 1978 through CBS Records. It was their first album released in the United States, preceding the U.S. version of the self-titled album. The album was well received by critics and fans, peaking at number two in the United Kingdom Albums Chart, and number 128 in the Billboard 200.
Substance is a compilation album by English alternative dance band New Order. It was released in August 1987 by Factory Records. The album compiles all of the band's singles at that point in their 12-inch versions, along with their respective B-side tracks. The then-newly released non-album single "True Faith" is also featured, along with its B-side "1963".
UAIOE is the fourth studio album by German industrial band KMFDM, released on 7 October 1989 by Cash Beat Records.
GodWeenSatan: The Oneness is the debut album by American rock band Ween, released on November 16, 1990, by Twin/Tone Records. The album introduces several key themes for the group, including their eclecticism, gonzo sense of humor, and their demon god/mascot, the Boognish.
Who Can You Trust? is the debut studio album by English electronic music group Morcheeba. It was released in 1996 on China Records in the United Kingdom and Discovery and Sire Records in the United States. Stylistically, the album is by far the band's most trip hop oriented release, consisting of languid, looping grooves, using mostly Rhodes piano, electric guitar and scratching. At the end of 1998 the album was re-issued as 2-CDs with the 8 track disc Beats & B-Sides collection.
Adrian Maxwell Sherwood is an English record producer specialising in the genre of dub music. He has created a distinctive production style based on the application of dub effects and dub mixing techniques to other forms of electronic dance music and popular music outside of the genre. He has worked extensively with a variety of reggae artists as well as the musicians Keith LeBlanc, Doug Wimbish and Skip McDonald. Sherwood has remixed tracks by Coldcut, Depeche Mode, The Woodentops, Primal Scream, Pop Will Eat Itself, Sinéad O'Connor, and Skinny Puppy. In his role as a record producer he has worked with a variety of record labels; however, his most well-known label is On-U Sound Records which he founded in 1979. Sherwood has been a member of the band Tackhead. He considers himself tone deaf, and focuses on making sounds and noises rather than melody.
Trust is an album by Elvis Costello and the Attractions. It is Costello's fifth album, and fourth with the Attractions. It was also his fifth consecutive album produced by Nick Lowe, who handled production on all songs except "Big Sister's Clothes".
Sumday is the third studio album by American indie rock band Grandaddy, released on May 13, 2003 by record label V2.
Germfree Adolescents is the debut album of English punk rock band X-Ray Spex. It contained the UK hit singles "The Day the World Turned Dayglo", "Identity" and "Germ Free Adolescents" which reached No. 18 in November 1978.
Is This Real? is the debut studio album by the Portland, Oregon-based punk rock band Wipers, originally released on vinyl in January 1980 by Park Avenue Records.
Twitch is the second studio album by American rock band Ministry, released on March 12, 1986 by Sire Records. Recorded mostly in London and West Berlin during 1985, it was produced by the band's frontman Al Jourgensen and On-U Sound Records owner Adrian Sherwood. It stepped away from the synthpop-oriented form of their debut studio album With Sympathy (1983) and moved toward a darker, more aggressive sound, heavily influenced by industrial dance groups Cabaret Voltaire and Front 242.
Never Trust a Hippy is an EP by the American punk rock band NOFX, released March 14, 2006 through Fat Wreck Chords. Released a month in advance of the band's tenth studio album, Wolves in Wolves' Clothing, the EP includes two tracks from the album and four others recorded during the album's recording sessions. The EP was made available for streaming on March 12 via Alternative Press.
Dead Men Don't Smoke Marijuana is the final album by Sierra Leonean highlife and palm-wine musician S. E. Rogie, recorded at Real World Studios, Wiltshire, England, in 1993–94 and released in May 1994 by Real World Records. Production was carried out by American producer Tchad Blake, who worked in an intimate fashion. In addition to Rogie's three-piece backing band, the album also features the English double bassist Danny Thompson and guitarist Alfred Bannerman. The album is characteristic of Rogie's palm-wine material, with his syncopated folk songs, finger-picked acoustic guitar playing style, sulky baritone vocals, often in the Krio language, and African call-and-response vocals.
Collaborations is a compilation album released by Irish singer Sinéad O'Connor in 2005. The album contains songs recorded throughout O'Connor's career on which she collaborated with a variety of artists, spanning several different genres of music. Many of these tracks appeared on the albums of the artists with whom O'Connor performs. The tracks "Empire" and "Heroine" also appear on So Far... The Best of Sinéad O'Connor, released in 1997. One Track had never been never released on CD before, and was previously released as B-side on a 12" only.
Reel to Real is the seventh and final album by the American rock band Love, released in 1974.
Real People is the fourth studio album by American R&B band Chic, released on Atlantic Records in 1980. It includes the singles "Rebels Are We", "Real People", and "26".
The Original Soul of Michael Jackson is a remix album by American singer Michael Jackson. It features songs recorded and published early in his solo career during the 1970s and remixed in 1987, before its release that year by Motown.
The Wolf That House Built is the debut album of Little Axe, released in 1994 by Wired Recordings. The album was re-issued as a digital download in 2014 featuring additional tracks.
Make 'Em Mokum Crazy is a compilation album of music by various artists released in 1996 by Dutch record label Mokum Records. The album, which consists solely of music from the label's catalogue, displays the happy gabba or "popcore" sound that had emerged from Dutch underground raves during the mid-1990s and had partly started to reach mainstream success, such was the case with the album's lead single "I Wanna Be a Hippy" by Technohead. Upon its release, the album received critical acclaim for its upbeat, manic tone and happy spirit. Robert Christgau named it the 53rd best album of 1997, and, as an example of its acclaim had continued over years, Rolling Stone named it the 30th greatest EDM album ever in 2012.
