The Palazzo Dal Monte, also known as the Palazzo Dal Monte Gaudenzi, is a Renaissance-style palace located on via Galliera #3 in Bologna, region of Emilia-Romagna, Italy. In 2015, the palace served as the home of the Centro Interdipartimentale di Ricerca in Storia del Diritto, Filosofia e Sociologia del Diritto e Informatica Giuridica (CIRSFID) of the University of Bologna. [1]
The palace was designed in 1529 by Andrea Marchesi da Formigine, perhaps with the help of Baldassare Peruzzi. The interiors were refurbished between 1782 and 1787 by Giovanni Storni, under commission by its then owner, Stefano Monari. The staircase was frescoed with the Rape of Deianira (1783–84) by Gaetano Gandolfi; other fresco decorations are by Serafino Barozzi. [2] The palace was donated by professor Augusto Gaudenzi to the university.
Francesco Albani or Albano was an Italian Baroque painter who was active in Bologna (1591–1600), Rome (1600–1609), Bologna (1609), Viterbo (1609–1610), Bologna (1610), Rome (1610–1617), Bologna (1618–1660), Mantova (1621–1622), Roma (1623–1625) and Florence (1633).
Francesco del Cossa was an Italian Renaissance painter of the School of Ferrara.
Pellegrino Tibaldi, also known as Pellegrino di Tibaldo de Pellegrini, was an Italian mannerist architect, sculptor, and mural painter.
Giovanni Antonio Burrini was a Bolognese painter of Late-Baroque or Rococo style. After an apprenticeship with Domenico Maria Canuti, he went to work under Lorenzo Pasinelli with fellow student, Giovanni Gioseffo dal Sole. He became an early friend and often close collaborator with Giuseppe Maria Crespi, with whom he shared a studio. He became a rival and competitor with Sebastiano Ricci. He painted in Turin for the Carignano family and Novellara. In 1709, he was one of the founding members of the Accademia Clementina in Bologna.
Marcantonio Franceschini was an Italian painter of the Baroque period, active mostly in his native Bologna. He was the father and teacher of Giacomo Franceschini.
Giovanni Domenico Ferretti (Giandomenico), also called Giandomenico d'Imola was an Italian Rococo style painter from Florence. According to the contemporary Giovanni Camillo Sagrestani, Ferretti was a pupil of the Bolognese painter Giuseppe Maria Crespi. Others say he worked with painter Giovanni Gioseffo dal Sole.
Giovanni Gioseffo dal Sole was an Italian painter and engraver from Bologna, active in the late-Baroque period. Upon the death of Carlo Cignani, Gioseffo dal Sole became among the most prominent painters in Bologna, described as the Guido Moderno.
Vittorio Bigari was an Italian painter of the late-Baroque period.
Marcantonio Chiarini was an Italian painter of the late-Baroque period. Born near Bologna, he trained with Francesco Quaino and Domenico Santi. He painted scenography for plays as well as quadratura in which Sigismondo Caula inserted figures. Active in Bologna and Milan, he also painted the quadratura of the Palazzo Mansi in Lucca, for which Giovanni Gioseffo dal Sole painted the main frescoes. Chiarini was employed by the architect Johann Lukas von Hildebrandt in the fresco decoration of the upper and lower Belvedere palaces near Vienna, work shared with Martino Altomonte, Gaetano Fanti, and Carlo Carlone.
Angelo Michele Colonna was an Italian painter of the Baroque period, active in Bologna, northern and central Italy and Spain. He is sometimes referred to as Michelangelo Colonna.
Vincenzo Meucci (1694–1766) was an Italian painter of the late-Baroque period. Born in Florence. He was a pupil first of the painter Sebastiano Galeotti, then of Giovanni Gioseffo dal Sole in Bologna.
The Archiginnasio of Bologna is one of the most important buildings in the city of Bologna; once the main building of the University of Bologna, it currently houses the Archiginnasio Municipal Library and the Anatomical Theatre.
The Carracci were a Bolognese family of artists that played an instrumental role in bringing forth the Baroque style in painting. Brothers Annibale (1560–1609) and Agostino (1557–1602) along with their cousin Ludovico (1555–1619) worked collaboratively. The Carracci family left their legacy in art theory by starting a school for artists in 1582. The school was called the Accademia degli Incamminati, and its main focus was to oppose and challenge Mannerist artistic practices and principles in order to create a renewed art of naturalism and expressive persuasion.
Stefano da Ferrara was an Italian painter from Ferrara who active in the latter half of the 15th century.
Filippo Pedrini was an Italian painter.
Palazzo Fava or Palazzo Fava-Ghisilieri is a historic palace at 2 via Manzoni in Bologna, now housing art exhibitions and the Caffè Letterario Carracci Fava. It is most notable for its three rooms of frescoes of scenes from the lives of Jason, Medea, Europa and Aeneas by Ludovico Carracci, Agostino Carracci and Annibale Carracci, commissioned in 1584 by Filippo Fava - he was introduced to them by his tailor Antonio, Agostino and Annibale's father.
The Palazzo della Compagnia dell'Arte dei Brentatori is a medieval palace located on Via de' Pignattari #11, starting at the Piazza Maggiore and running alongside the basilica church of San Petronio. It presently functions as the Hotel Commercianti, and a hotel at the site has existed for over a century.
The Museo Civico di Sansepolcro or Museo Comunale is the town or comune art gallery. It is housed in a series of linked palaces, including the medieval former Palazzo della Residenza, the Palazzo dei Conservatori del Popolo and the Palazzo del Capitano o Pretorio, located on Via Niccolò Aggiunti #65, near the center of Sansepolcro, formerly Borgo Santo Sepolcro, in the Province of Arezzo, region of Tuscany, Italy. The museum was founded in 1975.
The Palazzo Belloni is a palace located on Via de' Gombruti #13 in central Bologna, region of Emilia-Romagna, Italy.
Girolamo Dal Pane or Dalpane was an Italian painter active in Bologna in a Neoclassical style.
