Frank Russell Capra was an Italian-American film director, producer, and screenwriter who was the creative force behind some of the major award-winning films of the 1930s and 1940s. Born in Italy and raised in Los Angeles from the age of five, his rags-to-riches story has led film historians such as Ian Freer to consider him the "American Dream personified".
Triumph of the Will is a 1935 German Nazi propaganda film directed, produced, edited and co-written by Leni Riefenstahl. Adolf Hitler commissioned the film and served as an unofficial executive producer; his name appears in the opening titles. It chronicles the 1934 Nazi Party Congress in Nuremberg, which was attended by more than 700,000 Nazi supporters. The film contains excerpts of speeches given by Nazi leaders at the Congress, including Hitler, Rudolf Hess and Julius Streicher, interspersed with footage of massed Sturmabteilung (SA) and Schutzstaffel (SS) troops and public reaction. Its overriding theme is the return of Germany as a great power with Hitler as its leader. The film was produced after the Night of the Long Knives, and many formerly prominent SA members are absent.
Why We Fight is a series of seven propaganda films produced by the US Department of War from 1942 to 1945, during World War II. It was originally written for American soldiers to help them understand why the United States was involved in the war, but US President Franklin Roosevelt ordered distribution for public viewing.
The Axis powers, originally called the Rome–Berlin Axis and also Rome–Berlin–Tokyo Axis, was a military coalition that initiated World War II and fought against the Allies. Its principal members were Nazi Germany, the Kingdom of Italy and the Empire of Japan. The Axis were united in their far-right positions and general opposition to the Allies, but otherwise lacked comparable coordination and ideological cohesion.
The Munich Agreement was an agreement concluded at Munich on 30 September 1938, by Nazi Germany, Great Britain, the French Republic, and Fascist Italy. The agreement provided for the German annexation of part of Czechoslovakia called the Sudetenland, where more than three million people, mainly ethnic Germans, lived. The pact is also known in some areas as the Munich Betrayal, because of a previous 1924 alliance agreement and a 1925 military pact between France and the Czechoslovak Republic.
Appeasement, in an international context, is a diplomatic policy of making political, material, or territorial concessions to an aggressive power to avoid conflict. The term is most often applied to the foreign policy of the British governments of Prime Ministers Ramsay MacDonald, Stanley Baldwin and Neville Chamberlain towards Nazi Germany and Fascist Italy between 1935 and 1939. Under British pressure, appeasement of Nazism and Fascism also played a role in French foreign policy of the period but was always much less popular there than in the United Kingdom.
The Italian Social Republic, known prior to December 1943 as the National Republican State of Italy, but more popularly known as the Republic of Salò, was a Nazi-German puppet state with limited diplomatic recognition that was created during the latter part of World War II, which existed from the beginning of the German occupation of Italy in September 1943 until the surrender of German troops in Italy in May 1945. The German occupation triggered widespread national resistance against it and the Italian Social Republic, leading to the Italian Civil War.
The European theatre of World War II was one of the two main theatres of combat during World War II. It saw heavy fighting across Europe for almost six years, starting with Germany's invasion of Poland on 1 September 1939 and ending with the Western Allies conquering most of Western Europe, the Soviet Union conquering most of Eastern Europe including the German capital Berlin, and Germany's unconditional surrender on 8 May 1945 although fighting continued elsewhere in Europe until 25 May. On 5 June 1945, the Berlin Declaration proclaiming the unconditional surrender of Germany to the four victorious powers was signed. The Allied powers fought the Axis powers on two major fronts, but there were other fronts varying in scale from the Italian campaign, to the Polish Campaign, as well as in a strategic bombing offensive and in the adjoining Mediterranean and Middle East theatre.
The causes of World War II have been given considerable attention by historians. The immediate precipitating event was the invasion of Poland by Nazi Germany on September 1, 1939, and the subsequent declarations of war on Germany made by Britain and France, but many other prior events have been suggested as ultimate causes. Primary themes in historical analysis of the war's origins include the political takeover of Germany in 1933 by Adolf Hitler and the Nazi Party; Japanese militarism against China, which led to the Japanese invasion of Manchuria and the Second Sino-Japanese War; Italian aggression against Ethiopia, which led to the war.
The United States Office of War Information (OWI) was a United States government agency created during World War II. The OWI operated from June 1942 until September 1945. Through radio broadcasts, newspapers, posters, photographs, films and other forms of media, the OWI was the connection between the battlefront and civilian communities. The office also established several overseas branches, which launched a large-scale information and propaganda campaign abroad. From 1942 to 1945, the OWI revised or discarded any film scripts reviewed by them that portrayed the United States in a negative light, including anti-war material.
War Comes to America is the seventh and final film of Frank Capra's Why We Fight World War II propaganda film series.
Know Your Enemy: Japan is an American World War II propaganda film about the war in the Pacific directed by Frank Capra, with additional direction by experimental documentary filmmaker Joris Ivens. The film, which was commissioned by the U.S. War Department, sought to educate American soldiers about Japan, its people, society and history, and its totalitarian militaristic government. However, the film never realized its full purpose because its completion was delayed by disputes between Hollywood and Washington, and the abrupt end of the Pacific War soon after the film's release in August 1945. The film's first public screening was in 1977 as part of a PBS special.
The Negro Soldier is a 1944 documentary film created by the United States Army during World War II. It was produced by Frank Capra as a follow-up to his successful film series Why We Fight. The army used the film as propaganda to convince black Americans to enlist in the army and fight in the war. Most people regarded the film very highly, some going as far as to say that The Negro Soldier was "one of the finest things that ever happened to America". Due to both high reviews and great cinematography, The Negro Soldier proved to be a breakout film influencing army members and civilians of all races. In 2011, it was chosen to be preserved in the National Film Registry of the Library of Congress.
During American involvement in World War II (1941–45), propaganda was used to increase support for the war and commitment to an Allied victory. Using a vast array of media, propagandists instigated hatred for the enemy and support for America's allies, urged greater public effort for war production and victory gardens, persuaded people to save some of their material so that more material could be used for the war effort, and sold war bonds.
Morale Operations was a branch of the Office of Strategic Services during World War II. It utilized psychological warfare, particularly propaganda, to produce specific psychological reactions in both the general population and military forces of the Axis powers in support of larger Allied political and military objectives.
World War II changed the possibilities for animation. Prior to the war, animation was mostly seen as a form of family entertainment. The attack on Pearl Harbor was a turning point in its utility. On December 8, 1941, the United States Army began working with Walt Disney at his studio, stationing Military personnel there for the duration of the war. The Army and Disney set about making various types of films for several different audiences. Most films meant for the public included some type of propaganda, while films for the troops included training and education about a given topic.
On December 11, 1941, Italy declared war on the United States in response to the latter's declaration of war upon the Empire of Japan following the attack on Pearl Harbor four days earlier. Germany also declared war on the U.S. the same day. The US immediately responded by declaring war on Germany and Italy, thus thrusting the United States in fighting two major fronts across the Pacific and Atlantic Oceans in World War II.
The following events occurred in October 1940:
Bury the Axis a 1943 stop-motion animated short directed and animated by American Lou Bunin, a famous and successful puppeteer who had worked in Hollywood previously, was released by Paramount Pictures on February 3, 1943. It was part of a British plan to showcase the enemies of Britain as truly evil in the eyes of the public in order to continue the war effort. Kenneth Clark, as head of the Films Division of the Ministry of information that was re-established at the start of the war, argued in 1940 that the public must be convinced of German brutality, stating 'we should emphasise wherever possible the wickedness and evil perpetrated in the occupied countries' Though very little research and historiography has been produced on Bury the Axis, it is often remembered by historians and film and animation researchers as being 'memorable'
The War for Men's Minds is a 21-minute 1943 Canadian documentary film, made by the National Film Board of Canada (NFB) as part of the wartime The World in Action series. The film was produced by Stuart Legg. The film describes the impact of propaganda from the Axis powers in 1943, during the Second World War. The French version title is À la conquête de l'esprit humain.
