Proof (play)

Last updated
Proof
Proof, A Play.jpg
Written by David Auburn
Characters
  • Catherine
  • Robert
  • Hal
  • Claire
Date premieredMay 23, 2000
Place premiered Manhattan Theatre Club
Original languageEnglish
Genre Drama
Setting University of Chicago

Proof is a 2000 play by the American playwright David Auburn. Proof was developed at George Street Playhouse in New Brunswick, New Jersey, during the 1999 Next Stage Series of new plays. The play premiered Off-Broadway in May 2000 and transferred to Broadway in October 2000. The play won the 2001 Pulitzer Prize for Drama and the Tony Award for Best Play.

Contents

Plot

The play focuses on Catherine, the daughter of Robert, a recently deceased mathematical genius in his fifties and professor at the University of Chicago, and her struggle with mathematical genius and mental illness. Catherine had cared for her father through a lengthy mental illness. Upon Robert's death, his ex-graduate student Hal discovers a paradigm-shifting proof about prime numbers in Robert's office. The title refers both to that proof and to the play's central question: Can Catherine prove the proof's authorship? Along with demonstrating the proof's authenticity, Catherine also finds herself in a relationship with Hal. Throughout, the play explores Catherine's fear of following in her father's footsteps, both mathematically and mentally and her desperate attempts to stay in control.

Act I

The play opens with Catherine sitting in the backyard of her large, old house. Robert, her father, reveals a bottle of champagne to help celebrate her 25th birthday. Catherine complains that she hasn't done any worthwhile work in the field of mathematics, at least not to the same level as her father, a well-known math genius. He reassures her that she can still do good work as long as she stops sleeping until noon and wasting time reading magazines. Catherine confesses she is worried about inheriting Robert's inclination towards mental instability. He begins to comfort her but then alludes to a "bad sign" when he points out that he did, in fact, die a week ago. Robert disappears as Catherine dozes off. She awakens when Hal, one of Robert's students, exits the house. He has been studying the hundreds of notebooks Robert left behind after his death, looking for any work that could be published. Catherine assures him that the notebooks are filled with scribbles and nonsense since her father wrote them when he was at his most delusional. Hal, attempting to flirt, invites her to go see his band later that night. Catherine becomes suspicious of him and demands to see what is in his backpack. She roots through it to find nothing but becomes infuriated when a notebook falls out of Hal's jacket. She dials the police while accusing him of trying to steal her father's work and pass it off as his own. He admits that he was sneaking it away but only to give it back to her later as a birthday present. He opens to a page that Robert wrote during a time when he was lucid. In it, Robert writes it is a "good day" and thanks to Catherine for taking care of him and expresses hope for the future. Hal leaves Catherine with the notebook. She begins to cry until she hears police sirens.

The next day Claire, Catherine's sister who just flew in from New York, is setting up brunch for them in the backyard. Catherine enters and Claire tries to goad her into idle chitchat as Catherine quietly seethes. Claire declares she is getting married and invites Catherine to stay with her and her fiance in New York. Catherine assures her she will come in January for the wedding, but Claire keeps pressing her to go earlier. When Catherine demands to know why Claire is inundating her with questions, Claire tells her the police came over earlier to check in on Catherine. Catherine admits to calling the police the previous night and tries to explain her altercation with Hal but only ends up sounding unhinged to the dubious Claire. Hal appears and asks to continue his work sorting the notebooks. Catherine lets him inside and Claire drops a hint for Catherine to try flirting with Hal by offering a bagel. Catherine storms into the house.

Later that night, after the funeral, Claire holds a party in the house for her friends as well as Hal and Robert's students. Catherine escapes to the porch where Hal finds her and offers her a beer. Hal confesses that he is not so sure about his own mathematical abilities since he considers math to be a "young man's game". Catherine tries to reassure him with a quote from Carl Friedrich Gauss. Hal responds by kissing her, much to Catherine's surprise. He apologizes for trying to steal the notebook and she apologizes for calling the police. They kiss again and Hal asks Catherine if she remembers meeting him years earlier. She says she does and recalls she thought he was "not boring". They continue to kiss.

The next morning Catherine sits outside. Hal exits the house and tells her he would like to spend the rest of the day with her. Catherine gives him a key to Robert's desk and tells him to look inside. He goes into the house. A moment later, Claire comes into the backyard, extremely hungover. Catherine, now in a good mood, tries to make nice with Claire. Claire takes the opportunity to continue to push Catherine to moving to New York. Catherine asks why she should move to New York to which Claire confesses that she is selling the house. Catherine becomes enraged at the idea and she accuses Claire of abandoning her to take care of their sick father alone. Claire insists that the reason she did so was to keep working to pay for the house as well as Catherine's education. Catherine reveals that she had to quit school to tend to Robert and then accuses Claire of trying to have her committed. Claire admits that she has researched doctors and facilities for Catherine but insists that she was not planning on having her committed. In the middle of the row, Hal appears clutching a notebook, barely containing his excitement. He tells Claire that Catherine is in possession of one of Robert's notebooks which holds a very important proof. Claire asks Catherine where she found it and Catherine tells them she didn't find it--she wrote it.

Act II

Four years earlier, Robert sits in the backyard. Catherine tells him she thinks he is getting better and he agrees. She blurts out that she has decided to go to college in a couple months, funded by Claire, but promises she will be only a short drive away if he were to need her again. Robert protests and demands to know why she waited so long to tell him. When she points out that he hadn't been well until recently and was, at one point, trying to decode extraterrestrial messages in library books, he becomes upset. Hal interrupts, much to his embarrassment, to present his final dissertation to Robert. Robert assures him they will eventually work out the problem points together, then suddenly realizes he has forgotten Catherine's birthday. He apologizes and offers to take her out to dinner. Catherine invites Hal along but he says he can't go. Catherine shows Hal out and Robert sits down to write a notebook entry, declaring it to be the aforementioned "good day".

Resuming the end of the first act, Catherine declares she was the one who wrote the proof and is met with incredulity by both Hal and her sister. The handwriting is very much like Robert's and Hal questions Catherine's mathematical abilities given that she only had a few months' education at Northwestern. Catherine tells him that her real education was living with Robert. When Hal offers to show it to other math experts to confirm the authenticity of the proof, Catherine refuses. She tells Hal she trusted him and then accuses him of having no talent and being past his prime. Hal storms off and Catherine begins to rip the notebook apart. Claire gets it away from her and Catherine runs into the house.

The next morning, Hal attempts to visit Catherine and apologize for his behavior. Claire stops him to say Catherine won't talk to her, let alone Hal. Claire accuses him of sleeping with Catherine despite her being unstable. Hal argues that he had no bad intentions and insists Catherine is stronger than Claire thinks. He requests to have the notebook to verify its authenticity with fellow mathematicians. Claire gives it to him and tells him she is taking Catherine with her to New York the next day. She expresses concern for Catherine's future mental stability.

Almost four years earlier, Robert sits in the backyard, in the cold and writing furiously. Catherine enters and reprimands him for sitting in the cold with no jacket. Robert tells her it is too hot in the house and that the cold is better for helping him work. Catherine is shocked that he is working again and he assures her that he is sharper than ever. She is ecstatic that his previous mental instability has passed and asks to see his work. He says he would love for her to take a look and asks if she'd like to take time off school to work with him. Before she decides, Robert insists she look at his latest idea and thrusts a notebook into her hands. Catherine glances at it and becomes quiet. She tells him they need to go inside and Robert explodes with fury. He yells at her to read what he has written. She reads aloud, a nonsensical, rambling paragraph mathematically equating winter, books, and the cold. It is obvious that Robert's mind is deteriorating as it had been before. Catherine realizes Robert is descending into confusion and shivering uncontrollably. She tries to take him inside when he asks her not to leave. She promises she won't.

Four years later, Claire is in the backyard. Catherine enters with her suitcase. She asks Claire about life in New York. Claire mentions potential schools or jobs for Catherine, who is quick to mock her by making ridiculous demands for a Freudian psychiatrist who will listen as she blames all her problems on Claire. Claire leaves Catherine's plane ticket before storming off. Hal enters and tells Catherine that the proof checks out and apologizes for not believing her. Catherine tells him there is no proving that she wrote it and he can claim it as his own if he wants. Hal tells her he believes she is the one who wrote it and offers to read through it with her. Catherine admits she knows she is like her father but is terrified of becoming like her father. Hal reassures her that maybe she will be better. Catherine opens the proof and begins to talk through it with Hal.

Characters

Production history

Originally produced by the Manhattan Theatre Club, opening on May 23, 2000, the play transferred to Broadway at the Walter Kerr Theatre on October 24, 2000. [1] Directed by Daniel J. Sullivan, the production starred Mary-Louise Parker as Catherine, Johanna Day as Claire, Larry Bryggman as Robert, and Ben Shenkman as Hal. [2] Later during the Broadway run, Jennifer Jason Leigh (September 13, 2001 to June 30, 2002) [3] and Anne Heche (July 2, 2002 – January 5, 2003) [4] took over the lead role. Josh Hamilton [5] and Neil Patrick Harris subsequently played the role of Hal. [4] Mary-Louise Parker won the Tony Award for her performance, and Daniel Sullivan won the Tony Award, Best Direction of a Play. [2] The play closed on January 5, 2003, after 917 performances, [2] making it the longest-running Broadway play of the 21st century.

Proof premiered in the West End at the Donmar Warehouse in May 2002, to June 15, 2002. Directed by John Madden, the cast starred Gwyneth Paltrow as Catherine, with Ronald Pickup as Robert, Sara Stewart as Claire, and Richard Coyle as Hal. [6]

Proof premiered in Australia at the Sydney Opera House in 2003, starring Jacqueline Mckenzie as Catherine, Christina Eliason as Claire, Barry Otto as Robert, and Jonny Pasvolsky as Hal. It was directed by George Ogilvie as a Sydney Theatre Company production. The popular, sold-out run broke box office records and was extended.

London's Menier Chocolate Factory produced the play from March 13, 2013, to April 27, 2013. [7] It featured Mariah Gale in the role of Catherine, and Polly Findlay directed. [8]

In April and May 2013, a new production by the Whitmore Eclectic Theater Group opened in Los Angeles at the Hayworth Theatre for a limited run. James Whitmore Jr., son of the award-winning iconic actor James Whitmore, starred; and his daughter Aliah Whitmore directed.[ citation needed ]

A production in May 2013 opened at Carolina Actors Studio Theatre in Charlotte, North Carolina.[ citation needed ]

In September to October 2013, Proof was directed by Emily Mann at the McCarter Theatre in Princeton, New Jersey. [9]

London's Tabard Theatre produced the play from 29 September to 24 October 2015, directed by Sebastien Blanc (son of Raymond Blanc). It featured Tim Hardy (Royal Shakespeare Company Marat/Sade) as Robert, Julia Papp as Catherine, Mary-Ann Cafferkey as Claire and Ian Charleson Awards nominee Kim Hardy as Hal. [10]

A Seattle production opened in January 2017 at Strawberry Theatre Workshop with three TPS Gregory Award-winning actors, Anastasia Higham, Charles Leggett, and Allison Standley in principal roles. Proof was directed by Greg Carter on the Mainstage at 12th Ave Arts. [11] It was the first professional production in Seattle since 2004.

Spring Green, Wisconsin’s American Players Theater produced the play from 26 October to 19 November, 2023, directed by APT Artistic Director Brenda DeVita (wife of actor and director James DeVita). It featured Kelsey Brennan as Catherine, David Daniel as Robert, Nate Burger as Hal, and Laura Rook as Claire. [12]

Film adaptation

A 2005 film adaptation was directed by John Madden, starring Gwyneth Paltrow as Catherine, along with Anthony Hopkins, Hope Davis, and Jake Gyllenhaal. Adapted by Rebecca Miller, the film version added more characters (in minor supporting roles), whereas the play has only four.

Awards and nominations

Awards

Related Research Articles

<i>My Fair Lady</i> Stage musical by Alan Jay Lerner and Frederick Loewe

My Fair Lady is a musical with a book and lyrics by Alan Jay Lerner and music by Frederick Loewe. The story, based on the 1938 film adaptation of George Bernard Shaw's 1913 play Pygmalion, concerns Eliza Doolittle, a Cockney flower girl who takes speech lessons from professor Henry Higgins, a phonetician, so that she may pass as a lady. Despite his cynical nature and difficulty understanding women, Higgins grows attached to her.

<i>Kiss Me, Kate</i> 1948 stage musical

Kiss Me, Kate is a musical written by Bella and Samuel Spewack with music and lyrics by Cole Porter. The story involves the production of a musical version of William Shakespeare's The Taming of the Shrew and the conflict on and off-stage between Fred Graham, the show's director, producer, and star, and his leading lady, his ex-wife Lilli Vanessi. A secondary romance concerns Lois Lane, the actress playing Bianca, and her gambler boyfriend, Bill, who runs afoul of some gangsters. The original production starred Alfred Drake, Patricia Morison, Lisa Kirk and Harold Lang.

<i>Company</i> (musical) 1970 musical comedy

Company is a musical with music and lyrics by Stephen Sondheim and book by George Furth. The original 1970 production was nominated for a record-setting 14 Tony Awards, winning six. Company was among the first book musicals to deal with contemporary dating, marriage, and divorce, and is a notable example of a concept musical lacking a linear plot. In a series of vignettes, Company follows bachelor Bobby interacting with his married friends, who throw a party for his 35th birthday.

<i>Death of a Salesman</i> 1949 play by Arthur Miller

Death of a Salesman is a 1949 stage play written by the American playwright Arthur Miller. The play premiered on Broadway in February 1949, running for 742 performances. It is a two-act tragedy set in late 1940s Brooklyn told through a montage of memories, dreams, and arguments of the protagonist Willy Loman, a travelling salesman who is despondent with his life and appears to be slipping into senility. The play addresses a variety of themes, such as the American Dream, the anatomy of truth, and infidelity. It won the 1949 Pulitzer Prize for Drama and Tony Award for Best Play. It is considered by some critics to be one of the greatest plays of the 20th century. The play was selected as one of the best plays of 1948–1949, with an excerpted version published in The Burns Mantle Best Plays of 1948–1949.

<i>Crimes of the Heart</i> Pulitzer Prize winning play

Crimes of the Heart is a play by American playwright Beth Henley. It is set in Hazlehurst, Mississippi in the mid-20th century. The play won the 1981 Pulitzer Prize for Drama and was nominated for the Tony Award for Best Play. In 1986, the play was novelized and released as a book, written by Claudia Reilly.

<i>Mamma Mia!</i> (musical) 1999 musical based on the songs of ABBA

Mamma Mia! is a jukebox musical written by British playwright Catherine Johnson based on songs recorded by Swedish group ABBA and composed by members Benny Andersson and Björn Ulvaeus. The title of the musical is taken from the group's 1975 chart-topper "Mamma Mia". Ulvaeus and Andersson were involved in the development of the show from the beginning, while singer Anni-Frid Lyngstad was involved financially in the production and also appeared at many of the premieres around the world.

<i>Sweet Charity</i> 1966 American musical

Sweet Charity is a musical with music by Cy Coleman, lyrics by Dorothy Fields and book by Neil Simon. It was directed and choreographed for Broadway by Bob Fosse starring his wife and muse Gwen Verdon alongside John McMartin. It is based on the screenplay for the 1957 Italian film Nights of Cabiria. However, whereas Federico Fellini's black-and-white film concerns the romantic ups-and-downs of an ever-hopeful prostitute, in the musical the central character is a dancer-for-hire at a Times Square dance hall. The musical premiered on Broadway in 1966, where it was nominated for nine Tony Awards, winning the Tony Award for Best Choreography. The production also ran in the West End as well as having revivals and international productions.

<i>On the Town</i> (musical) 1945 musical by Leonard Bernstein, Betty Comden, and Adolph Green

On the Town is a musical with music by Leonard Bernstein and book and lyrics by Betty Comden and Adolph Green, based on Jerome Robbins' idea for his 1944 ballet Fancy Free, which he had set to Bernstein's music. The musical introduced several popular and classic songs, among them "New York, New York", "Lonely Town", "I Can Cook, Too", and "Some Other Time". The story concerns three American sailors on a 24-hour shore leave in New York City during World War II, 1944. Each of the three sailors meets and quickly connects with a woman.

<i>On the Twentieth Century</i> Musical

On the Twentieth Century is a musical with book and lyrics by Betty Comden and Adolph Green and music by Cy Coleman. Based partly on the 1932 play Twentieth Century and its 1934 film adaptation, the musical is part operetta, part farce and part screwball comedy. The story involves the behind-the-scenes relationship between Lily, a temperamental actress and Oscar, a bankrupt theatre producer. On a luxury train traveling from Chicago to New York in the early 1930s, Oscar tries to cajole the glamorous Hollywood star into playing the lead in his new, but not-yet-written drama, and perhaps to rekindle their romance.

<i>Doubt: A Parable</i> 2004 play by John Patrick Shanley

Doubt, A Parable is a 2004 play by John Patrick Shanley. Originally staged off-Broadway at the Manhattan Theatre Club on November 23, 2004, the production transferred to the Walter Kerr Theatre on Broadway in March 2005 and closed on July 2, 2006 after 525 performances and 25 previews. The play won the 2005 Pulitzer Prize for Drama and Tony Award for Best Play.

<span class="mw-page-title-main">Susan Stroman</span> American theatre director

Susan P. Stroman is an American theatre director, choreographer, film director and performer. Her notable theater productions include Oklahoma!, The Music Man, Crazy for You, Contact, The Producers, The Frogs, The Scottsboro Boys, Bullets Over Broadway, POTUS: Or, Behind Every Great Dumbass Are Seven Women Trying to Keep Him Alive, and New York, New York.

<i>Proof</i> (2005 film) 2005 film by John Madden

Proof is a 2005 American drama film directed by John Madden and starring Gwyneth Paltrow, Anthony Hopkins, Jake Gyllenhaal, and Hope Davis. The screenplay was written by Rebecca Miller and David Auburn and based on Auburn's Pulitzer Prize-winning play of the same name.

<i>Buried Child</i> 1978 play by Sam Shepard

Buried Child is a play written by Sam Shepard that was first presented in 1978. It won the 1979 Pulitzer Prize for Drama and launched Shepard to national fame as a playwright. The play depicts the fragmentation of the American nuclear family in a context of disappointment and disillusionment with American mythology and the American Dream, the 1970s rural economic slowdown, and the breakdown of traditional family structures and values. In 1979, Shepard also won the Obie Award for Playwriting. The Broadway revival in 1996 received five Tony nominations, including Best Play.

<i>Bare: A Pop Opera</i> Rock musical, premiered 2000

Bare, also known as Bare: A Pop Opera, is a coming-of-age rock musical with music by Damon Intrabartolo, lyrics by Jon Hartmere, and a book by Hartmere and Intrabartolo. The story focuses on a group of high school students and their struggles at their private Catholic boarding school.

<i>Spring Awakening</i> (musical) Rock musical

Spring Awakening is a coming-of-age rock musical with music by Duncan Sheik and a book and lyrics by Steven Sater. It is based on the 1891 German play Spring Awakening by Frank Wedekind. Set in late 19th-century Germany, the musical tells the story of teenagers discovering the inner and outer tumult of adolescent sexuality. In the musical, alternative rock is employed as part of the folk-infused rock score.

<i>The Visit</i> (musical) Musical

The Visit is a musical with a book by Terrence McNally, lyrics by Fred Ebb, and music by John Kander.

<i>Gigi</i> (musical) Musical

Gigi is a musical with a book and lyrics by Alan Jay Lerner and music by Frederick Loewe. It is based on the 1944 novella Gigi by Colette and 1958 hit musical film of the same name. The story concerns Gigi, a free-spirited teenaged girl living in Paris at the turn of the 20th century. She is being groomed as a courtesan in her family's tradition. Before she is deemed ready for her social debut, she encounters the bon vivant bachelor Gaston Lachaille, whom she captivates as she is transformed into a charmingly poised young lady.

The Heiress is a 1947 play by American playwrights Ruth and Augustus Goetz adapted from the 1880 Henry James novel Washington Square. Two years later, the play was adapted into the film The Heiress starring Olivia de Havilland.

<i>Finding Neverland</i> (musical) Musical by Gary Barlow and Eliot Kennedy

Finding Neverland is a musical with music and lyrics by Gary Barlow and Eliot Kennedy and a book by James Graham adapted from the 1998 play The Man Who Was Peter Pan by Allan Knee and its 2004 film version Finding Neverland. An early version of the musical made its world premiere at the Curve Theatre in Leicester in 2012 with a book by Allan Knee, music by Scott Frankel and lyrics by Michael Korie. A reworked version with the current writing team made its world premiere in 2014 at the American Repertory Theater in Cambridge, Massachusetts. Following completion of its Cambridge run, the production transferred to Broadway in March 2015.

<i>Dear Evan Hansen</i> 2015 American musical

Dear Evan Hansen is a musical with music and lyrics by Benj Pasek and Justin Paul, and a book by Steven Levenson. The musical follows Evan Hansen, a high school senior with social anxiety, "who invents an important role for himself in a tragedy that he did not earn".

References

  1. Jones, Kenneth. "Broadway's Proof, of Math, Memories and Mary-Louise Parker, Opens Oct. 24". Playbill.com. Retrieved 31 July 2015.
  2. 1 2 3 "'Proof' Listing, Boadway" Archived 2015-08-28 at the Wayback Machine playbillvault.com, accessed August 31, 2015
  3. Jones, Kenneth. "Jennifer Jason Leigh Adds Its Up in Bway 'Proof' Beginning Sept. 13" Playbill, September 13, 2001
  4. 1 2 Jones, Kenneth. "Anne Heche to Return to Broadway 'Proof' for July 5 Evening Show" Playbill, July 5, 2002,
  5. Jones, Kenneth. "Josh Hamilton and Seana Kofoed Join Bway 'Proof' Sept. 11" Playbill, August 16, 2001
  6. Billington, Michael. "review. 'Proof'" The Guaedian, May 16, 2002,
  7. Shenton, Mark. "London's Menier Chocolate Factory to Revive David Auburn's 'Proof'" Playbill, January 14, 2013
  8. "Gale has Menier Proof". OfficialLondonTheatre.com. 29 January 2013. Retrieved 31 October 2017.
  9. Gans, Andrew. "Michael Braun, Kristen Bush, Jessica Dickey and Michael Siberry Star in McCarter's 'Proof', Beginning Sept. 6" Playbill, September 6, 2013
  10. "Welcome to the Tabard Theatre".
  11. "Proof".
  12. "A contemporary classic, 'Proof' at APT moves like music".
  13. "Pulitzer Prize for Drama" pulitzer.org, accessed August 31, 2015

Further reading