The show centers on FBI special agents Fox Mulder (David Duchovny) and Dana Scully (Gillian Anderson) who work on cases linked to the paranormal, called X-Files. Mulder is a believer in the paranormal, while the skeptical Scully has been assigned to debunk his work. In this episode, Mulder and Scully investigate a series of deaths at a lake in Georgia that Mulder believes were caused by a "sea" monster that the locals have affectionately named Big Blue.
Although the episode was written by Newton, noted writer Darin Morgan provided assistance on the script. Because of this, the episode contains several references to previous Morgan-penned episodes, like "Clyde Bruckman's Final Repose" and "War of the Coprophages". It is the last episode to feature Scully's dog, Queequeg, and the only one to mention the dog's name. One specific dialogue scene featuring Mulder and Scully stranded on a small rock was praised by critics and included approximately 10 pages of dialogue. Series co-star Gillian Anderson later recalled that she "loved" the scene.
Plot
In Millikan, Georgia, biologists Paul Farraday and William Bailey discuss the decreasing frog population. Bailey goes looking for a missing beeper and ends up getting dragged into the lake by an unseen creature and killed.
Agents Fox Mulder (David Duchovny) and Dana Scully (Gillian Anderson) drive down to Georgia to investigate. Scully is forced to bring her dog Queequeg with them due to the short notice. Mulder tells Scully that a Boy Scout Troop Leader has also disappeared near the lake. Scully soon finds that Mulder believes "Big Blue"—a plesiosaur-like cryptid—is responsible. The agents talk to Dr. Farraday and visit a local bait and tackle shop that sells Big Blue merchandise. Soon afterwards, the half-eaten body of the Scout Leader is found.
Later that night, the bait and tackle shop owner walks through the swamp in boots, making fake dinosaur tracks. However, he is attacked and killed. Mulder wants the lake to be closed but the local sheriff declines and says that he does not have enough men to cover the 48 miles of shoreline. Two teenagers, previously seen in the episode "War of the Coprophages", head to the lake to lick toads; while experimenting, a diver friend of theirs is suddenly attacked underwater and his severed head floats to the surface. Scully, still skeptical about Big Blue being the killer, thinks that a boat propeller was responsible. A photographer named Ansel is also attacked just as he was frantically taking pictures of the creature. After falling into the lake and feeling something in the water, the Sheriff orders the lake closed. While Mulder looks at Ansel's photographs later that night, Scully takes Queequeg for a walk; the dog, sensing something in the nearby woods, ends up running off and disappearing (yelping is heard), becoming the latest victim of the attacks and leaving Scully saddened. Mulder realizes that the Big Blue sightings have been occurring closer and closer to shore.
Mulder and Scully rent a boat and head out onto the lake; their boat is quickly struck by something and sinks. The two find a large rock to climb up on and talk for a while about Mulder's quest to catch Big Blue, and the book Moby-Dick. When Dr. Farraday walks by the two realize they were close to shore all along. Mulder thinks the drop in the frog supply has caused Big Blue to move closer to shore and seek alternative food sources. Farraday is soon attacked but manages to make it out alive. Mulder chases the attacker into the woods and fires at it, revealing it to be an alligator. Mulder is disappointed that the killer ended up being an alligator and not Big Blue. As the agents leave, Big Blue swims nearby in the lake, unnoticed.[1]
Production
Exterior shots for the episode were filmed at a variety of locales, including Buntzen Lake, in the Greater Vancouver area.
Writing
"Quagmire" was written by Kim Newton, with substantial revisions courtesy of fellow writer Darin Morgan.[2] As such, several references to previous Morgan-penned episodes make an appearance in "Quagmire". For instance, Scully's dog Queequeg, which first appeared in the episode "Clyde Bruckman's Final Repose" is killed in this episode. Then-story editor Frank Spotnitz claimed that the dog was brought back simply to kill it off.[3] "'Stoner' kid" (Tyler Labine) and "hesitant 'Chick'" (Nicole Parker) both first appeared in the episode "War of the Coprophages".[4] The episode also contained various series in-jokes and pop culture references. Millikan County, where the lake in the episode is located, derives it names from casting director Rick Millikan.[5] The boat that Mulder and Scully ride on in this episode, the Patricia Rae, is named after the mother of director Kim Manners.[3] Mulder's discussion about having a wooden leg references the book Games People Play.[5]
Filming
The episode was filmed around three British Columbian lakes: Buntzen Lake, north of Coquitlam; Pitt Lake, north of Pitt Meadows; and Rice Lake, part of the Seymour Demonstration Forest. Buntzen Lake was used for shots of the quagmire reeds. Pitt Lake was used for shots of the boat dock and Ted's Bait and Tackle Shop. Finally, Rice Lake and the Seymour Demonstration Forest were used for the final scene, featuring a discreet shot of Big Blue. The conversation scene was filmed on a "Rocky Island Set" at B.C. Research Wave Tank. During the day of filming, the artificial rock set was placed in the tank and filled with water. However, the rock set began to float and "an emergency crew of carpenters [...] worked furiously through the night" to reattach the platform.[6] For the final scene of Big Blue, the producers had originally intended for a boat to pull a rubber sea serpent through the water, but they were unhappy with how it turned out. After attempts to enhance it digitally failed, Big Blue was created entirely with CGI technology.[7]
Director Kim Manners said of the episode: "Not a great show, but a good one. It's a lighter show. There is a lot of humor in it, but I think it's a hit with fans because there is some wonderful Mulder and Scully's relationship stuff. The entire third act is just the two of them talking, which is actually kind of interesting.[8] The scene where Mulder and Scully talk while stranded on a rock comprised 10 pages of dialogue. Gillian Anderson said of the scene: "I loved that. That was so much fun, and I think it was written really well... It was just neat to have us separated from everything and stuck on this island where we could wax philosophical and kind of tell the truth to each other in strange ways."[7]
Reception
Ratings
Mulder and Scully's conversation about Moby Dick was positively critiqued by critics.
"Quagmire" premiered on the Fox network in the United States on May 3, 1996.[9] The episode earned a Nielsen rating of 10.2, with an 18 share, meaning that roughly 10.2 percent of all television-equipped households, and 18 percent of households watching television, were tuned in to the episode.[10] The episode was watched by a total of 16 million viewers.[10]
Reviews
Critical reception to the episode was mostly positive. Many reviews praised the Moby Dick conversation between Mulder and Scully. Zack Handlen of The A.V. Club was positive towards the episode, grading it an A−. He wrote that it "starts off amazingly" and positively noted the way the monster was handled. However, he noted that it was the "linger[ing]" conversation scene that "sets 'Quagmire' apart from all the other standard Monster Of The Week procedurals."[11] John Keegan of Critical Myth gave the episode an 8 out of 10 rating, noting "Overall, this episode was a strong look into the psychological issues that Mulder and Scully are carrying around this season. The plot of the episode is little more than a tool chosen to pry into the minds of the two agents, revealing just how dependent they are on each other. A rare case of character development taking center stage."[12] Keegan also wrote positively of the conversation sequence, writing that the "isolation caused by the sinking of the boat [...] forces Mulder and Scully to actually discuss their issues."[12]Robert Shearman and Lars Pearson, in their book Wanting to Believe: A Critical Guide to The X-Files, Millennium & The Lone Gunmen, rated the episode four stars out of five, and called "Quagmire" a "delightful little gem" and "something rather magical".[13] Furthermore, Shearman and Pearson praised Anderson and Duchovny's acting, calling their performances "beautifully played".[13] Paula Vitaris of Cinefantastique gave the episode a positive review and awarded it three stars out of four.[14] She referred to the episode as "part Jaws, part The Lost World, and part Buster Keaton" and noted that the third act was when the episode "becomes truly special, when Mulder and Scully are forced to abandon ship and take refuge on a big rock in the middle of a pitch-black night."[14] Vitaris, however, was critical of the episode's closing shot, noting that the "shot destroys the story's ambiguity. A large ripple in the water would have been much more clever."[14]
Not all reviews were so positive. Entertainment Weekly gave the episode a C and was critical of the entry's monster, writing "hey, the show kinda had to tackle Loch Ness".[4] Furthermore, the review wrote that the episode was "notable only for Mulder and Scully's Moby Dick digression".[4]
Shearman, Robert; Pearson, Lars (2009). Wanting to Believe: A Critical Guide to The X-Files, Millennium & The Lone Gunmen. Mad Norwegian Press. ISBN978-0-9759446-9-1.
The third season of the American science fiction television series The X-Files commenced airing on Fox in the United States on September 22, 1995, concluded on the same channel on May 17, 1996, and contained 24 episodes. The season continues to follow the cases of FBI special agents Fox Mulder and Dana Scully, portrayed by David Duchovny and Gillian Anderson respectively, who investigate paranormal or supernatural cases, known as X-Files by the FBI.
"Die Hand Die Verletzt" is the fourteenth episode of the second season of the science fiction television series The X-Files. It premiered on the Fox network on January 27, 1995. It was written by Glen Morgan and James Wong, directed by Kim Manners, and featured guest appearances by Susan Blommaert, Dan Butler, and Heather McComb. The episode is a "Monster-of-the-Week" story, unconnected to the series' wider mythology. "Die Hand Die Verletzt" earned a Nielsen household rating of 10.7, being watched by 10.2 million households in its initial broadcast. The episode received positive reviews, with many critics praising its writing. The title translates from German as "the hand that wounds."
"Nisei" is the ninth episode of the third season of the American science fiction television series The X-Files. It premiered on the Fox network on November 24, 1995. It was directed by David Nutter, and written by Chris Carter, Frank Spotnitz and Howard Gordon. "Nisei" featured guest appearances by Steven Williams, Raymond J. Barry and Stephen McHattie. The episode helped explore the series' overarching mythology. "Nisei" earned a Nielsen household rating of 9.8, being watched by 16.36 million people in its initial broadcast. The episode received largely positive reviews from critics.
"Revelations" is the eleventh episode of the third season of the science fiction television series The X-Files. It premiered on the Fox network on December 15, 1995. It was written by Kim Newton and directed by David Nutter. The episode is a "Monster-of-the-Week" story, unconnected to the series' wider mythology. "Revelations" earned a Nielsen household rating of 10, being watched by 15.25 million people in its initial broadcast. The episode received mixed to positive reviews.
"War of the Coprophages" is the twelfth episode of the third season of the science fiction television series The X-Files. It premiered on the Fox network on January 5, 1996. It was written by Darin Morgan, and directed by Kim Manners. The episode is a "Monster-of-the-Week" story, a stand-alone plot which is unconnected to the series' wider mythology. "War of the Coprophages" earned a Nielsen household rating of 10.1, being watched by 16.32 million people in its initial broadcast. The episode received mostly positive reviews from critics, who praised its humorous tone.
"Syzygy" is the thirteenth episode of the third season of the science fiction television series The X-Files. The episode first aired in the United States on January 26, 1996, on Fox. It was written by series creator Chris Carter and directed by Rob Bowman.
"Grotesque" is the fourteenth episode of the third season of the science fiction television series The X-Files and the show's 63rd episode overall. It premiered on the Fox network in the United States on February 2, 1996. It was written by Howard Gordon and directed by Kim Manners. The episode is a "Monster-of-the-Week" story, unconnected to the series' wider mythology. "Grotesque" earned a Nielsen household rating of 11.6, being watched by 18.32 million people in its initial broadcast. The episode received mostly positive reviews from television critics.
"Teso Dos Bichos" is the eighteenth episode of the third season of the science fiction television series The X-Files. It premiered on the Fox network on March 8, 1996. It was written by John Shiban, and directed by Kim Manners. The episode is a "Monster-of-the-Week" story, unconnected to the series' wider mythology. "Teso Dos Bichos" earned a Nielsen household rating of 10.7, being watched by 17.38 million people in its initial broadcast. The episode received mostly negative reviews.
"Avatar" is the twenty-first episode of the third season of the science fiction television series The X-Files. It premiered on the Fox network in the United States on April 26, 1996. The story for the episode was developed by David Duchovny and Howard Gordon, the teleplay was written by Gordon, and it was directed by James Charleston. The episode is a "Monster-of-the-Week" story, unconnected to the series' wider mythology, although The Smoking Man's machinations in the conspiracy against Skinner continues the feud between the characters started in "Paper Clip". "Avatar" earned a Nielsen household rating of 9.3, being watched by 14.62 million viewers in its initial broadcast. The episode received mixed reviews from television critics.
"Wetwired" is the twenty-third episode of the third season and the 72nd episode overall of the science fiction television series The X-Files. The episode first aired in the United States on May 10, 1996, on Fox. It was written by the show's visual effect designer Mat Beck, and directed by Rob Bowman. The episode earned a Nielsen rating of 9.7 and was viewed by 14.48 million people. The episode received mostly positive reviews from television critics.
"The Field Where I Died" is the fifth episode of the fourth season of the American science fiction television series The X-Files. It was written by Glen Morgan and James Wong, and directed by Rob Bowman. The episode originally aired in the United States on November 3, 1996, on the Fox network. It is a "Monster-of-the-Week" story, a stand-alone plot which is unconnected to the series' wider mythology. This episode earned a Nielsen rating of 12.3 and was seen by 19.85 million viewers upon its initial broadcast.
"Max" is the eighteenth episode of the fourth season of the American science fiction television series The X-Files. It premiered on the Fox network on March 23, 1997. It was directed by Kim Manners, and written by Frank Spotnitz and series creator Chris Carter. "Max" featured guest appearances by Joe Spano, Tom O'Brien and Scott Bellis, and saw the final appearance of Brendan Beiser as special agent Pendrell. The episode helped to explore the overarching mythology, or fictional history of The X-Files. "Max" earned a Nielsen household rating of 11.6, being watched by 18.34 million people in its initial broadcast. The episode received mixed to positive reviews from critics.
"Detour" is the fourth episode of the fifth season of the American science fiction television series The X-Files. It was written by executive producer Frank Spotnitz and directed by Brett Dowler. The episode aired in the United States on November 23, 1997, on the Fox network. The episode is a "Monster-of-the-Week" story, a stand-alone plot which is unconnected to the series' wider mythology. "Detour" received a Nielsen rating of 13.2, being watched by 22.8 million viewers, and received mixed reviews from television critics.
"The Beginning" is the first episode of the sixth season of the science fiction television series The X-Files. It premiered on the Fox network in the United States on November 8, 1998. The episode was written by Chris Carter, and directed by Kim Manners. It helps explore the series' overarching mythology. "The Beginning" earned a Nielsen household rating of 11.9, being watched by 20.34 million people in its initial broadcast. The episode received mixed reviews from television critics.
"Arcadia" is the fifteenth episode of the sixth season of the American science fiction television series The X-Files. It premiered on the Fox network on March 7, 1999. The episode was written by Daniel Arkin and directed by Michael Watkins. The episode is a "Monster-of-the-Week" story, unconnected to the series' wider mythology. "Arcadia" earned a Nielsen household rating of 10.5, being watched by 17.91 million people in its initial broadcast. The episode received mostly positive critical reception, with many reviewers praising the episode's humor.
"Alpha" is the sixteenth episode of the sixth season of the science fiction television series The X-Files. It premiered on the Fox network on March 28, 1999, in the United States. The episode was written by Jeffrey Bell, and directed by Peter Markle. The episode is a "Monster-of-the-Week" story, unconnected to the series' wider mythology. "Alpha" earned a Nielsen household rating of 10.1, being watched by 17.7 million people in its initial broadcast. The episode received mostly negative reviews from critics.
"Hungry" is the third episode of the seventh season of the science fiction television series The X-Files. It premiered on the Fox network in the United States on November 21, 1999. It was written by Vince Gilligan, directed by Kim Manners, and featured a guest appearance by Chad Donella. The episode is a "Monster-of-the-Week" story, unconnected to the series' wider mythology. However, unlike previous Monster-of-the-Week stories, "Hungry" is told from the monster's perspective. "Hungry" earned a Nielsen household rating of 9.6, being watched by 16.17 million people in its initial broadcast. The episode received mixed to positive reviews from critics.
"Chimera" is the sixteenth episode of the seventh season of the science fiction television series The X-Files. It premiered on the Fox network in the United States, on April 2, 2000, was written by David Amann, and directed by Cliff Bole. The episode is a "Monster-of-the-Week" story, unconnected to the series' wider mythology. "Chimera" earned a Nielsen household rating of 7.5, being watched by 12.89 million people in its initial broadcast. The episode received mostly positive reviews from critics.
"Alone" is the nineteenth episode of the eighth season and the 180th episode overall of the science fiction television series The X-Files. The episode first aired in the United States on May 6, 2001 on Fox, and subsequently aired in the United Kingdom on Sky1 on June 14, 2001. It was written and directed by executive producer Frank Spotnitz. "Alone" earned a Nielsen household rating of 7.5 and was viewed by 12.7 million viewers. It received mixed to positive reviews from television critics.
"Chinga" is the tenth episode of the fifth season of the American science fiction television series The X-Files. It was written by noted author Stephen King and series creator Chris Carter, and directed by Kim Manners. The episode aired in the United States on February 8, 1998, on the Fox network. The episode is a "Monster-of-the-Week" story, a stand-alone plot which is unconnected to the series' wider mythology. "Chinga" earned a Nielsen rating of 12.8 and was viewed by 21.33 million viewers. The episode received mixed reviews from television critics.
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