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In the theory of Western music, a mode is a type of musical scale coupled with a set of characteristic melodic and harmonic behaviors. Musical modes have been a part of western musical thought since the Middle Ages, and were inspired by the theory of ancient Greek music. The name mode derives from the Latin word modus, "measure, standard, manner, way, size, limit of quantity, method".
Song of Ascents is a title given to fifteen of the Psalms, 120–134, each starting with the superscription Shir Hama'aloth, or, in the case of Psalm 121, Shir Lama'aloth. They are also variously called Gradual Psalms, Songs of Degrees, Songs of Steps, songs for going up to worship or Pilgrim Songs.
Gregorian chant is the central tradition of Western plainchant, a form of monophonic, unaccompanied sacred song in Latin of the Roman Catholic Church. Gregorian chant developed mainly in western and central Europe during the 9th and 10th centuries, with later additions and redactions. Although popular legend credits Pope Gregory I with inventing Gregorian chant, scholars believe that it arose from a later Carolingian synthesis of Roman chant and Gallican chant.
The Hail Mary is a traditional Scripture-based Catholic prayer of praise for and petition to the Mother of God. Since the sixteenth century, the Roman Catholic version of the prayer closes with an appeal for her intercession. Largely based on two phrases in the Gospel of Luke, the prayer takes different forms in various traditions. It has often been set to music.
The conga, also known as tumbadora, is a tall, narrow, single-headed drum from Cuba. Congas are staved like barrels and classified into three types: quinto, tres dos or tres golpes (middle), and tumba or salidor (lowest). Congas were originally used in Afro-Cuban music genres such as conga and rumba, where each drummer would play a single drum. Following numerous innovations in conga drumming and construction during the mid-20th century, as well as its internationalization, it became increasingly common for drummers to play two or three drums. Congas have become a popular instrument in many forms of Latin music such as son, descarga, Afro-Cuban jazz, salsa, songo, merengue and Latin rock.
Mixolydian mode may refer to one of three things: the name applied to one of the ancient Greek harmoniai or tonoi, based on a particular octave species or scale; one of the medieval church modes; a modern musical mode or diatonic scale, related to the medieval mode.
The Phrygian mode can refer to three different musical modes: the ancient Greek tonos or harmonia sometimes called Phrygian, formed on a particular set of octave species or scales; the Medieval Phrygian mode, and the modern conception of the Phrygian mode as a diatonic scale, based on the latter.
The Locrian mode is either a musical mode or simply a diatonic scale. On the piano, it is the scale that starts with B and only uses the white keys from there. Its ascending form consists of the key note, a half step, two whole steps, a further half step, and three more whole steps.
Tono, Tōno or Toño may refer to:
"Gloria in excelsis Deo" is a Christian hymn known also as the Greater Doxology and the Angelic Hymn/Hymn of the Angels. The name is often abbreviated to Gloria in Excelsis or simply Gloria.
The Hypodorian mode, a musical term literally meaning 'below Dorian', derives its name from a tonos or octave species of ancient Greece which, in its diatonic genus, is built from a tetrachord consisting of a semitone followed by two whole tones. The rising scale for the octave is a single tone followed by two conjoint tetrachords of this type. This is roughly the same as playing all the white notes of a piano from A to A: A | B C D E | (E) F G A. Although this scale in medieval theory was employed in Dorian and Hypodorian, from the mid-sixteenth century and in modern music theory they came to be known as the Aeolian and Hypoaeolian modes.
In chant, a reciting tone can refer to either a repeated musical pitch or to the entire melodic formula for which that pitch is a structural note. In Gregorian chant, the first is also called tenor, dominant or tuba, while the second includes psalm tones as well as simpler formulae for other readings and for prayers.
Taoist music is the ceremonial music of Taoism. The importance of music in Taoist ceremony is demonstrated by revealing how central beliefs are reflected through elements of music such as instrumentation and rhythm. Expression of spiritual beliefs through music enables followers of Taoism to enhance their path to enlightenment.
Accentus is a style of church music that emphasizes spoken word. It is often contrasted with concentus, an alternative style that emphasizes harmony. The terms accentus and concentus were probably introduced by Andreas Ornithoparchus in his Musicae Activae Micrologus, Leipzig, 1517. "Concentus might be chief ruler over all things that are sung...and Accentus over all things that are read," according to Ornithoparchus. The style is also known as liturgical recitative, though it differs in some important ways from other types of recitative.
The Syrian Cantor or hazzan leads the traditional prayer rituals in the synagogues of the Syrian Jews. He conducts the services using ten maqamat or musical modes. A cantor must be fully cognizant of these maqamat and their applications to the prayers. A different maqam is used each week, depending on the week's Torah portion.
Ambrosian chant is the liturgical plainchant repertory of the Ambrosian rite of the Roman Catholic Church, related to but distinct from Gregorian chant. It is primarily associated with the Archdiocese of Milan, and named after St. Ambrose much as Gregorian chant is named after Gregory the Great. It is the only surviving plainchant tradition besides the Gregorian to maintain the official sanction of the Roman Catholic Church.
Mozarabic chant is the liturgical plainchant repertory of the Visigothic/Mozarabic rite of the Catholic Church, related to the Gregorian chant. It is primarily associated with Hispania under Visigothic rule and with the Catholic Visigoths/Mozarabs living under Islamic rule, and was soon replaced by the chant of the Roman rite following the Christian Reconquest. Although its original medieval form is largely lost, a few chants have survived with readable musical notation, and the chanted rite was later revived in altered form and continues to be used in a few isolated locations in Spain, primarily in Toledo.
Ionian mode is a musical mode or, in modern usage, a diatonic scale also called the major scale.
In Christian music, a Passion is a setting of the Passion of Christ. Liturgically, most Passions were intended to be performed as part of church services in the Holy Week.
Tonus peregrinus, the wandering tone, or the ninth tone, is a reciting tone in Gregorian chant.