Authentication is the act of proving an assertion, such as the identity of a computer system user. In contrast with identification, the act of indicating a person or thing's identity, authentication is the process of verifying that identity. It might involve validating personal identity documents, verifying the authenticity of a website with a digital certificate, determining the age of an artifact by carbon dating, or ensuring that a product or document is not counterfeit.
Forgery is a white-collar crime that generally refers to the false making or material alteration of a legal instrument with the specific intent to defraud. Tampering with a certain legal instrument may be forbidden by law in some jurisdictions but such an offense is not related to forgery unless the tampered legal instrument was actually used in the course of the crime to defraud another person or entity. Copies, studio replicas, and reproductions are not considered forgeries, though they may later become forgeries through knowing and willful misrepresentations.
An image is a visual representation of something. An image can be two-dimensional, such as a drawing, painting, or photograph, or three-dimensional, such as a carving or sculpture. Images may be displayed through other media, including projection on a surface, activation of electronic signals, or digital displays; they can also be reproduced through mechanical means, such as photography, printmaking or photocopying. Images can also be animated through digital or physical processes.
Living history is an activity that incorporates historical tools, activities and dress into an interactive presentation that seeks to give observers and participants a sense of stepping back in time. Although it does not necessarily seek to reenact a specific event in history, living history is similar to, and sometimes incorporates, historical reenactment. Living history is an educational medium used by living history museums, historic sites, heritage interpreters, schools and historical reenactment groups to educate the public or their own members in particular areas of history, such as clothing styles, pastimes and handicrafts, or to simply convey a sense of the everyday life of a certain period in history.
To counterfeit means to imitate something authentic, with the intent to steal, destroy, or replace the original, for use in illegal transactions, or otherwise to deceive individuals into believing that the fake is of equal or greater value than the real thing. Counterfeit products are fakes or unauthorized replicas of the real product. Counterfeit products are often produced with the intent to take advantage of the superior value of the imitated product. The word counterfeit frequently describes both the forgeries of currency and documents as well as the imitations of items such as clothing, handbags, shoes, pharmaceuticals, automobile parts, unapproved aircraft parts, watches, electronics and electronic parts, software, works of art, toys, and movies.
The James Ossuary is a 1st-century limestone box that was used for containing the bones of the dead. An Aramaic inscription meaning "Jacob (James), son of Joseph, brother of Jesus" is cut into one side of the box. The ossuary attracted scholarly attention due to its apparent association with the Christian holy family.
A curator is a manager or overseer. When working with cultural organizations, a curator is typically a "collections curator" or an "exhibitions curator", and has multifaceted tasks dependent on the particular institution and its mission. The term "curator" may designate the head of any given division, not limited to museums. Curator roles include "community curators", "literary curators", "digital curators", and "biocurators".
The Cave of Altamira is a cave complex, located near the historic town of Santillana del Mar in Cantabria, Spain. It is renowned for prehistoric cave art featuring charcoal drawings and polychrome paintings of contemporary local fauna and human hands. The earliest paintings were applied during the Upper Paleolithic, around 36,000 years ago. The site was discovered in 1868 by Modesto Cubillas and subsequently studied by Marcelino Sanz de Sautuola.
Art forgery is the creation and sale of works of art which are falsely credited to other, usually more famous artists. Art forgery can be extremely lucrative, but modern dating and analysis techniques have made the identification of forged artwork much simpler.
Archaeological forgery is the manufacture of supposedly ancient items that are sold to the antiquities market and may even end up in the collections of museums. It is related to art forgery.
The Jehoash Inscription is the name of a controversial artifact rumored to have surfaced in a construction site or Muslim cemetery near the Temple Mount of Jerusalem in 2001.
The Praeneste fibula is a golden fibula or brooch, today housed in the Pigorini National Museum of Prehistory and Ethnography in Rome. The fibula bears an inscription in Old Latin, claiming craftsmanship by one Manios and ownership by one Numazios. At the time of its discovery in the late nineteenth century, it was accepted as the earliest known specimen of the Latin language. The authenticity of the inscription has since been disputed. However a new analysis performed in 2011 declared it to be genuine "beyond any reasonable doubt" and to date from the Orientalizing period, in the first half of the seventh century BC.
The Quimbaya (/kɪmbaɪa/) were a small indigenous group in present-day Colombia noted for their gold work characterized by technical accuracy and detailed designs. The majority of the gold work is made in tumbaga alloy, with 30% copper, which colours the pieces.
Exhibitions of artifacts from the tomb of Tutankhamun have been held at museums in several countries, notably the United Kingdom, Soviet Union, United States, Canada, Japan, and France.
Museum theatre is the use of theatre and theatrical techniques by a museum for educational, informative, and entertainment purposes. It can also be used in a zoo, an aquarium, an art gallery, and at historic sites. It is generally performed by professional actors. Varieties of museum theatre include historical characters, puppetry, movement and music.
Peter Winter is a stamp reproducer. He also trained as an opera singer.
The National Museum and Research Center of Altamira, also known as Altamira Museum, is a center dedicated to the conservation of, research into and the sharing of information about the cave of Altamira in Santillana del Mar, named a World Heritage Site by Unesco.
Authenticity in art is manifest in the different ways that a work of art, or an artistic performance, can be considered authentic. The initial distinction is between nominal authenticity and expressive authenticity. In the first sense, nominal authenticity is the correct identification of the author of a work of art; of how closely an actor or an actress interprets a role in a stageplay as written by the playwright; of how well a musician's performance of an artistic composition corresponds to the composer's intention; and how closely an objet d’art conforms to the artistic traditions of its genre. In the second sense, expressive authenticity is how much the work of art possesses inherent authority of and about its subject, and how much of the artist's intent is in the work of art.
The Museum of the Bible is a museum in Washington D.C., owned by Museum of the Bible, Inc., a non-profit organization established in 2010 by the Green family. The museum documents the narrative, history, and impact of the Bible. It opened on November 17, 2017, and has 1,150 items in its permanent collection and 2,000 items on loan from other institutions and collections.
Fauxbergé is a term coined to generally describe items that are faking a higher quality or status and in specific terms relates to the House of Fabergé, which was a Russian jewellery firm founded in 1842 in Saint Petersburg and nationalised by the Bolsheviks in 1918. The term was first mentioned in a publication by auctioneer and Fabergé book author Archduke Géza of Austria in his article "Fauxbergé" published in Art and Auction in 1994. He also used it during the exhibition "Fabergé in America" in 1996 and subsequently.
