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Sgt. Pepper's Lonely Hearts Club Band is the eighth studio album by the English rock band the Beatles. Released on 26 May 1967, Sgt. Pepper is regarded by musicologists as an early concept album that advanced the roles of sound composition, extended form, psychedelic imagery, record sleeves, and the producer in popular music. The album had an immediate cross-generational impact and was associated with numerous touchstones of the era's youth culture, such as fashion, drugs, mysticism, and a sense of optimism and empowerment. Critics lauded the album for its innovations in songwriting, production and graphic design, for bridging a cultural divide between popular music and high art, and for reflecting the interests of contemporary youth and the counterculture.
Sir George Henry Martin was an English record producer, arranger, composer, conductor, and musician. He was commonly referred to as the "Fifth Beatle" because of his extensive involvement in each of the Beatles' original albums. Martin's formal musical expertise and interest in novel recording practices facilitated the group's rudimentary musical education and desire for new musical sounds to record. Most of their orchestral arrangements and instrumentation were written or performed by Martin, and he played piano or keyboards on a number of their records. Their collaborations resulted in popular, highly acclaimed records with innovative sounds, such as the 1967 album Sgt. Pepper's Lonely Hearts Club Band—the first rock album to win a Grammy Award for Album of the Year.
Geoffrey Ernest Emerick was an English sound engineer and record producer who worked with the Beatles on their albums Revolver (1966), Sgt. Pepper's Lonely Hearts Club Band (1967) and Abbey Road (1969). Beatles producer George Martin credited him with bringing "a new kind of mind to the recordings, always suggesting sonic ideas, different kinds of reverb, what we could do with the voices".
"Being for the Benefit of Mr. Kite!" is a song recorded by the English rock band the Beatles for their 1967 album Sgt. Pepper's Lonely Hearts Club Band. It was written and composed primarily by John Lennon and credited to Lennon–McCartney.
"A Day in the Life" is a song by the English rock band the Beatles that was released as the final track of their 1967 album Sgt. Pepper's Lonely Hearts Club Band. Credited to Lennon–McCartney, the opening and closing sections of the song were mainly written by John Lennon, with Paul McCartney primarily contributing the song's middle section. All four Beatles played a role in shaping the final arrangement of the song.
"When I'm Sixty-Four" is a song by the English rock band The Beatles, written by Paul McCartney and released on their 1967 album Sgt. Pepper's Lonely Hearts Club Band. McCartney wrote the song when he was about 14, probably in April or May 1956, and it was one of the first songs he ever wrote. The song was recorded in a key different from the final recording; it was sped up at the request of McCartney to make his voice sound younger. It prominently features a trio of clarinets throughout.
Robert Colin Stigwood was an Australian-born British-resident music entrepreneur, film producer and impresario, best known for managing Cream, Andy Gibb and the Bee Gees, theatrical productions like Hair and Jesus Christ Superstar, and film productions including the successful Grease and Saturday Night Fever. On his death, one obituary judged that he had been for a time the most powerful tycoon in the entertainment industry: "Stigwood owned the record label that issued his artists’ albums and film soundtracks, and he also controlled publishing rights – not since Hollywood's golden days had so much power and wealth been concentrated in the hands of one mogul."
"Getting Better" is a song by the English rock band the Beatles from their 1967 album Sgt. Pepper's Lonely Hearts Club Band. It was written mainly by Paul McCartney, with some of the lyrics written by John Lennon, and credited to the Lennon–McCartney partnership.
"Sgt. Pepper's Lonely Hearts Club Band" is a song written by Paul McCartney, released in 1967 on the album of the same name by the Beatles. The song appears twice on the album: as the opening track, and as "Sgt. Pepper's Lonely Hearts Club Band (Reprise)", the penultimate track. As the title song, the lyrics introduce the fictional band that performs on the album.
"Fixing a Hole" is a song by the English rock band the Beatles from their 1967 album Sgt. Pepper's Lonely Hearts Club Band. It was written by Paul McCartney and credited to Lennon–McCartney.
"Lovely Rita" is a song by the English rock band the Beatles from their 1967 album Sgt. Pepper's Lonely Hearts Club Band. It was written and sung by Paul McCartney and credited to Lennon–McCartney. It is about a meter maid and the narrator's affection for her.
Giles Martin is an English record producer, songwriter, composer and multi-instrumentalist. His studio recordings, stage shows, TV and film works have been critically acclaimed and commercially successful around the world. He is the son of Beatles producer George Martin and half-brother of actor Gregory Paul Martin.
Mike Hedges is a British audio producer/engineer best known for his work with The Cure, Siouxsie and the Banshees, and Manic Street Preachers. During his career, Hedges has worked with an eclectic roster of artists ranging from rock and pop acts such as U2, Dido, Travis, Texas, The Beautiful South, and Everything but the Girl, to cult-indie band The Cooper Temple Clause and classically oriented projects, The Priests and Sarah Brightman. His creative input and influence dramatically impacted the trajectories of bands such as the Cure, The Associates, Manic Street Preachers, and Travis.
The studio practices of the Beatles evolved during the 1960s and, in some cases, influenced the way popular music was recorded. Some of the effects they employed were sampling, artificial double tracking (ADT) and the elaborate use of multitrack recording machines. They also used classical instruments on their recordings and guitar feedback. The group's attitude towards the recording process was summed up by Paul McCartney: "We would say, 'Try it. Just try it for us. If it sounds crappy, OK, we'll lose it. But it might just sound good.' We were always pushing ahead: Louder, further, longer, more, different."
The recordings made by the Beatles, a rock group from Liverpool, England, from their inception as the Quarrymen in 1957 to their break-up in 1970 and the reunion of their surviving members in the mid-1990s, have huge cultural and historical value. The studio session tapes are kept at Abbey Road Studios, formerly known as "EMI Recording Studios," where the Beatles recorded most of their music. While most have never been officially released, their outtakes and demos are seen by fans as collectables, and some of the recordings have appeared on countless bootlegs. Until 2013, the only outtakes and demos to be officially released were on The Beatles Anthology series and its tie-in singles and anniversary editions.Bits of some previously unreleased studio recordings were used in The Beatles: Rock Band video game as ambient noise and to give songs studio-sounding beginnings and endings. In 2013, Apple Records released the album The Beatles Bootleg Recordings 1963, which includes previously unreleased outtakes and demos from 1963, to stop the recordings from falling into the public domain.
The Beatles in Mono is a boxed set compilation comprising the remastered monaural recordings by the Beatles. The set was released on compact disc on 9 September 2009, the same day the remastered stereo recordings and companion The Beatles were also released, along with The Beatles: Rock Band video game. The remastering project for both mono and stereo versions was led by EMI senior studio engineers Allan Rouse and Guy Massey. The release date of 09/09/09 is related to the significance to John Lennon of the number nine.
Lachlan Mitchell is an Australian record producer, engineer, mixer and musician.
In music production, the recording studio is often treated as a musical instrument when it plays a significant role in the composition of music. Sometimes called "playing the studio", the approach is typically embodied by artists or producers who favor the creative use of studio technology in record production, as opposed to simply documenting live performances in studio. Techniques include the incorporation of non-musical sounds, overdubbing, tape edits, sound synthesis, audio signal processing, and combining segmented performances (takes) into a unified whole.
A Toast To Panama Red is the fourth studio album by The Masters Apprentices, released in January 1972 on Regal Zonophone. It would be the group's final studio album until 1988's reunion album Do What You Wanna Do.
Sgt. Pepper's Lonely Hearts Club Band: 50th Anniversary Edition is an expanded reissue of the 1967 album Sgt. Pepper's Lonely Hearts Club Band by the English rock band the Beatles. It was released on 26 May 2017, the album's 50th anniversary. It includes a new stereo remix of the album by Giles Martin, the son of Beatles producer George Martin.
References
- ↑ Rotten Tomatoes review - The Richard Lush Interviews Archived 14 September 2009 at the Wayback Machine
- ↑ Sgt Pepper's Lonely Hearts Club Band (EMI, 1967) - album credits
- ↑ "WebCite query result". Webcitation.org. Archived from the original on 9 July 2007. Retrieved 15 August 2020.
{{cite web}}: Cite uses generic title (help) - ↑ McQuay, Herb (1 January 1983). "Night people [sound recording] ; Superstar / Herb McQuay". National Library of New Zealand. Retrieved 15 August 2020.
- ↑ "WebCite query result". Webcitation.org. Archived from the original on 29 March 2009. Retrieved 15 August 2020.
{{cite web}}: Cite uses generic title (help) - ↑ "Australian Music Awards". Ron Jeff. Retrieved 16 December 2010.
- ↑ Shedden, Iain (20 July 2010). "Survivor back at his desk". The Australian. News Corp Australia. Retrieved 10 August 2023.
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