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Rock and roll is a style of popular American music which has spread around the world, including to the North Atlantic island nation of Iceland.
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Rock and roll is a style of popular American music which has spread around the world, including to the North Atlantic island nation of Iceland.
Rock came to the island beginning in the mid-1950s. Rock's popularity increased steadily over the next few years. This wave peaked with the tour by Tony Crombie & His Rockets in May 1957. A few bands with their own style did emerge, however, including City, Disco and Lúdó.
From 1930 until the mid-1980s, radio broadcasting in Iceland was a state monopoly which did not allow much time for rock music. But despite this state of affairs, Icelandic popular culture was not completely isolated from the outside world. Crews of Icelandic fishing boats and commercial aircraft would buy rock records in America, England and Germany and bring them back home to Iceland. Also, the US Navy base in Keflavík, Iceland, operated a radio station for the troops (AFRS 1484 on the radio dial) that mainly played rock music and was very popular with young Icelanders in the Reykjavík area and remained important to Icelandic rock music until at least the mid-1970s. Some of the disc-jockeys from the early '70s were Tom Wiecks, Jim Roark, Karl Phillips, Ron Smart, Tom Hughes and Mark Lazar.
The British Invasion and Beatlemania arrived in Iceland in 1964, and the indigenous groups Hljómar from Keflavík and Dátar from Reykjavík arose as Icelandic counterparts to The Beatles, later followed by Flowers, Bendix and other bands. Beginning in about 1969, the English language period of Icelandic rock began, with bands like Trúbrot, Náttúra and Pelikan becoming popular.
From 1973 to 1979, the Reykjavík rock scene was dominated by progressive rock and funk groups such as Eik and Cabaret (these two groups merged under the name Eik in 1977).
The mid to late 1970s saw the rise of Gunnar Þórðarson and Magnús Eiríksson, who revitalized the field of Icelandic rock and created a more distinctive national style. A wave of punk rock based out of Reykjavík occurred in about 1981 and temporarily displaced more traditional rock music, much like rock had displaced jazz in the early 1960s. Notable mid to late 1980s Icelandic rock bands include Grafík and Tobmobile as well as the alternative rock band The Sugarcubes featuring Björk. Towards the end of the 20th century and continuing to the present (2005), the group Quarashi with its mixture of rock and rap has achieved international attention; the same applies to the hard rock group Mínus and the post-rock band Sigur Rós. From the late 1980s continuing to the present (2005) the band Sálin hans Jóns míns or just Sálin has had a strong presence on the Icelandic rock scene.
New wave is a music genre that encompasses pop-oriented styles from the 1970s through the 1980s. It is considered a lighter and more melodic "broadening of punk culture". It was originally used as a catch-all for the various styles of music that emerged after punk rock. Later, critical consensus favored "new wave" as an umbrella term involving many contemporary popular music styles, including synth-pop, alternative dance and post-punk. The main new wave movement coincided with late 1970s punk and continued into the early 1980s.
Rock is a broad genre of popular music that originated as "rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles from the mid-1960s, particularly in the United States and the United Kingdom. It has its roots in 1940s and 1950s rock and roll, a style that drew directly from the blues and rhythm and blues genres of African-American music and from country music. Rock also drew strongly from genres such as electric blues and folk, and incorporated influences from jazz and other musical styles. For instrumentation, rock has centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a 4
4 time signature using a verse–chorus form, but the genre has become extremely diverse. Like pop music, lyrics often stress romantic love but also address a wide variety of other themes that are frequently social or political. Rock was the most popular genre of music in the U.S. and much of the Western world from the 1950s to the 2010s.
A roots revival is a trend which includes young performers popularizing the traditional musical styles of their ancestors. Often, roots revivals include an addition of newly composed songs with socially and politically aware lyrics, as well as a general modernization of the folk sound.
Switzerland has long had a distinct cultural identity, despite its diversity of German, French, Italian, Romansh and other ethnicities. Religious and folk music dominated the country until the 17th century, with growth in production of other kinds of music occurring slowly.
The music of Iceland includes vibrant folk and pop traditions, as well as an active classical and contemporary music scene. Well-known artists from Iceland include medieval music group Voces Thules, alternative rock band The Sugarcubes, singers Björk, Laufey, Daði Freyr, Hafdís Huld and Emiliana Torrini, post-rock band Sigur Rós, post-metal band Sólstafir, indie folk/indie pop band Of Monsters and Men, blues/rock band Kaleo, metal band Skálmöld and techno-industrial band Hatari. Iceland's traditional music is related to Nordic music forms. Although Iceland has a very small population, it is home to many famous and praised bands and musicians.
Popular music of the United States in the 1980s saw heavy metal, country music, Top40 hits, hip hop, MTV, CMJ, and new wave as mainstream. Punk rock and hardcore punk was popular on CMJ. With the demise of punk rock, a new generation of punk-influenced genres arose, including Gothic rock, post-punk, alternative rock, emo and thrash metal. Hip hop underwent its first diversification, with Miami bass, Chicago hip house, Washington, D.C. go-go, Detroit ghettotech, Los Angeles G-funk and the "golden age of old school hip hop" in New York City. House music developed in Chicago, techno music developed in Detroit which also saw the flowering of the Detroit Sound in gospel. This helped inspire the greatest crossover success of Christian Contemporary Music (CCM), as well as the Miami Sound of Cuban pop.
Popular music of the United Kingdom in the 1970s built upon the new forms of music developed from blues rock towards the end of the 1960s, including folk rock and psychedelic rock movements. Several important and influential subgenres were created in Britain in this period, by pursuing the limitations of rock music, including British folk rock and glam rock, a process that reached its apogee in the development of progressive rock and one of the most enduring subgenres in heavy metal music. Britain also began to be increasingly influenced by third world music, including Jamaican and Indian music, resulting in new music scenes and subgenres. In the middle years of the decade the influence of the pub rock and American punk rock movements led to the British intensification of punk, which swept away much of the existing landscape of popular music, replacing it with much more diverse new wave and post punk bands who mixed different forms of music and influences to dominate rock and pop music into the 1980s.
Popular music of the United Kingdom in the 1980s built on the post-punk and new wave movements, incorporating different sources of inspiration from subgenres and what is now classed as world music in the shape of Jamaican and Indian music. It also explored the consequences of new technology and social change in the electronic music of synthpop. In the early years of the decade, while subgenres like heavy metal music continued to develop separately, there was a considerable crossover between rock and more commercial popular music, with a large number of more "serious" bands, like The Police and UB40, enjoying considerable single chart success.
Australian indie rock is part of the overall flow of Australian rock history but has a distinct history somewhat separate from mainstream rock in Australia, largely from the end of the punk rock era onwards.
Soft rock is a form of rock music that originated in the late 1960s in Southern California and the United Kingdom which smoothed over the edges of singer-songwriter and pop rock, relying on simple, melodic songs with big, lush productions. Soft rock was prevalent on the radio throughout the 1970s and eventually metamorphosed into a form of the synthesized music of adult contemporary in the 1980s.
Rock music in Australia, also known as Oz rock, Australian rock, and Aussie rock, has a rich history, rooted in an appreciation of various rock genres originating in the United States and Britain, and to a lesser extent, in continental Europe and Africa. Australian rock has also contributed to the development of some of these genres, as well as having its own unique Australiana sound with pub rock and its Indigenous music.
Modern rock is an umbrella term used to describe rock music that is found on college and commercial rock radio stations. Some radio stations use this term to distinguish themselves from classic rock, which is based in 1960s–1980s rock music.
Pinoy rock, or Filipino rock, is the brand of rock music produced in the Philippines or by Filipinos. It has become as diverse as the rock music genre itself, and bands adopting this style are now further classified under more specific genres or combinations of genres like alternative rock, post-grunge, ethnic, new wave, pop rock, punk rock, funk, reggae, heavy metal, ska, and recently, indie. Because these genres are generally considered to fall under the broad rock music category, Pinoy rock may be more specifically defined as rock music with Filipino cultural sensibilities.
Rock music and its subgenres are very popular in Portugal. The history of the Portuguese rock music scene spans several decades.
American popular music is popular music produced in the United States of America and is a part of American pop culture. Distinctive styles of American popular music emerged early in the 19th century, and in the 20th century the American music industry developed a series of new forms of music, using elements of blues and other genres. These popular styles included country, R&B, jazz and rock. The 1960s and 1970s saw a number of important changes in American popular music, including the development of a number of new styles, such as heavy metal, punk, soul, and hip hop.
Rock en español is a term used to refer to any kind of rock music featuring Spanish vocals. Compared to English-speaking bands, very few acts reached worldwide success or between Spanish-speaking countries due to a lack of promotion. Despite rock en español's origins in the late 1950s, many rock acts achieved at best nationwide fame until the Internet consolidated the listeners. However, some rock en español artists did become internationally popular with the help of a promotional campaign from the mid-1980s to the mid-1990s called "Rock en tu idioma". Some specific rock-based styles influenced by folkloric rhythms have also developed in these regions. Some of the more prominent styles are Latin rock ; Latin alternative, an alternative rock scene that blended a Latin sound with other genres like Caribbean ska, reggae, and soca; or Andalusian rock, a flamenco-influenced style that emerged in Spain.
Funk rock is a fusion genre that mixes elements of funk and rock. James Brown and others declared that Little Richard and his mid-1950s road band, the Upsetters, were the first to put the funk in the rock and roll beat, with a biographer stating that their music "spark[ed] the musical transition from fifties rock and roll to sixties funk".
Þeyr was an Icelandic new wave band from the early 1980s.
Popular music in Yugoslavia includes the pop and rock music of the former SFR Yugoslavia, including all their genres and subgenres. The scene included the constituent republics: SR Slovenia, SR Croatia, SR Bosnia and Herzegovina, SR Montenegro, SR Macedonia and SR Serbia and its subunits: SAP Vojvodina and SAP Kosovo. The pop and rock scene was a part of the general Music of Yugoslavia, which also included folk, classical music, jazz etc. Within Yugoslavia and internationally, the phrases ex-YU or ex-Yugoslav Pop and Rock both formally and informally generally to the SFRY period, though in some cases also to its successor the FR Yugoslavia including Serbia and Montenegro which existed until 2006.
This article includes an overview of the famous events and trends in popular music in the 1980s.
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