Smiling Angel

Last updated
The Smiling Angel Ange-au-sourire-reims.png
The Smiling Angel

The Smiling Angel (French: L'Ange au Sourire), also known as the Smile of Reims (Le Sourire de Reims) or Angel of the Annunciation, is a stone sculpture at the cathedral of Reims. Sculptors that were pioneers of the Gothic style came from workshops in Chartres, Paris and Amiens to work on the Reims Cathedral. [1] The most striking aspect of the cathedral is its façade, particularly its Annunciation sculpture, which includes the "Smiling Angel”. The Angel was carved between 1236 and 1245. [2] This figure is located on the right side of the north portal of the west facade.

The Smiling Angel in 2019. F3369 Reims Cathedrale portail gauche ange rwk.jpg
The Smiling Angel in 2019.

The statue’s flowing drapery and the illusion that the figure is detached from the façade and jamb columns behind it are typical of the International Gothic style. [1] The Smiling Angel is comparable to a nearby statue of St. Joseph, also situated on the Reims Cathedral facade on the left jamb in the central doorway of the west portal, who shares a similar smirking facial expression. Both works are believed to have been designed by the so-called “Joseph Master” or “Master of the Smiling Angels”. Although little is known about this artist, his style is recognizable in the works on the Reims Cathedral facade. The “Joseph Master” of the Amiens school became a master of drapery, shifting poses, and facial expressions. [3]

The meaning behind “The Smiling Angel’s” smile has been much discussed, including what it means and whether it is nurturing or solemn. For instance, it has been described as gaudium aeternum, which translates to the eternal joy of heaven. [4] A person living in the medieval world may have seen the Annunciation or “Smiling Angel” as a representation of John’s Revelation 21:2-27, in which he saw angels made of stone standing in doorways with unforgettable smiles of heavenly joy. [4]

The Angel statue was beheaded following a fire caused by a German shell on the cathedral of Reims, during World War I, on 19 September 1914, and the head broke into several pieces after falling from a height of four meters. [5]

The head was collected by the abbot Thinot the day after the fire, [6] and stored in the cellars of the Archbishop of Reims to be discovered by the architect Max Sainsaulieu on the 30 November 1915. It became an icon for the French wartime propaganda as a symbol of "French culture destroyed by German barbarity".

After the war, the original fragments were molded and preserved in the Musée national des Monuments Français. The already famous sculpture was restored and put back in place 13 February 1926. [7]

Related Research Articles

<span class="mw-page-title-main">Gothic architecture</span> Architectural style of Medieval Europe

Gothic architecture is an architectural style that was prevalent in Europe from the late 12th to the 16th century, during the High and Late Middle Ages, surviving into the 17th and 18th centuries in some areas. It evolved from Romanesque architecture and was succeeded by Renaissance architecture. It originated in the Île-de-France and Picardy regions of northern France. The style at the time was sometimes known as opus Francigenum ; the term Gothic was first applied contemptuously during the later Renaissance, by those ambitious to revive the architecture of classical antiquity.

<span class="mw-page-title-main">Chartres Cathedral</span> Medieval cathedral in France

Chartres Cathedral, also known as the Cathedral of Our Lady of Chartres, is a Catholic church in Chartres, France, about 80 km southwest of Paris, and is the seat of the Bishop of Chartres. Mostly constructed between 1194 and 1220, it stands on the site of at least five cathedrals that have occupied the site since the Diocese of Chartres was formed as an episcopal see in the 4th century. It is one of the best-known and most influential examples of High Gothic and Classic Gothic architecture, It stands on Romanesque basements, while its north spire is more recent (1507–1513) and is built in the more ornate Flamboyant style.

<span class="mw-page-title-main">Gothic art</span> Style of medieval art

Gothic art was a style of medieval art that developed in Northern France out of Romanesque art in the 12th century AD, led by the concurrent development of Gothic architecture. It spread to all of Western Europe, and much of Northern, Southern and Central Europe, never quite effacing more classical styles in Italy. In the late 14th century, the sophisticated court style of International Gothic developed, which continued to evolve until the late 15th century. In many areas, especially Germany, Late Gothic art continued well into the 16th century, before being subsumed into Renaissance art. Primary media in the Gothic period included sculpture, panel painting, stained glass, fresco and illuminated manuscripts. The easily recognizable shifts in architecture from Romanesque to Gothic, and Gothic to Renaissance styles, are typically used to define the periods in art in all media, although in many ways figurative art developed at a different pace.

<span class="mw-page-title-main">Amiens Cathedral</span> Church in Amiens, France

The Cathedral Basilica of Our Lady of Amiens, or simply Amiens Cathedral, is a Roman Catholic church. The cathedral is the seat of the Bishop of Amiens. It is situated on a slight ridge overlooking the River Somme in Amiens, the administrative capital of the Picardy region of France, some 120 kilometres north of Paris.

<span class="mw-page-title-main">Burgos Cathedral</span> Catholic cathedral in Burgos, Spain

The Cathedral of Saint Mary of Burgos is a Catholic church dedicated to the Virgin Mary located in the historical center of the Spanish city of Burgos. Its official name is Santa Iglesia Catedral Basílica Metropolitana de Santa María de Burgos.

In French Gothic architecture, the Rayonnant style is the third of the four phases of Gothic architecture in France, as defined by French scholars. Related to the English division of Continental Gothic into three phases, it is the second and larger part of High Gothic.

<span class="mw-page-title-main">Pisa Baptistery</span> Historic building in Pisa, Italy

The Pisa Baptistery of St. John is a Roman Catholic ecclesiastical building in Pisa, Italy. Construction started in 1152 to replace an older baptistery, and when it was completed in 1363, it became the second building, in chronological order, in the Piazza dei Miracoli, near the Duomo di Pisa and the cathedral's free-standing campanile, the famous Leaning Tower of Pisa. The baptistery was designed by Diotisalvi, whose signature can be read on two pillars inside the building, with the date 1153.

<span class="mw-page-title-main">Sens Cathedral</span>

Sens Cathedral is a Catholic cathedral in Sens in Burgundy, eastern France. The cathedral, dedicated to Saint Stephen, is the seat of the Archbishop of Sens.

<span class="mw-page-title-main">Bordeaux Cathedral</span> Historic Catholic cathedral in Bordeaux

Bordeaux Cathedral, officially known as the Primatial Cathedral of St Andrew of Bordeaux, is a Catholic church dedicated to Saint Andrew and located in Bordeaux, France. It is the seat of the Archbishop of Bordeaux.

<span class="mw-page-title-main">French Gothic architecture</span> Architectural style

French Gothic architecture is an architectural style which emerged in France in 1140, and was dominant until the mid-16th century. The most notable examples are the great Gothic cathedrals of France, including Notre-Dame Cathedral, Reims Cathedral, Chartres Cathedral, and Amiens Cathedral. Its main characteristics are verticality, or height, and the innovative use of the rib vault and flying buttresses and other architectural innovations to distribute the weight of the stone structures to supports on the outside, allowing unprecedented height and volume. The new techniques also permitted the addition of larger windows, including enormous stained glass windows, which fill the cathedrals with light.

<span class="mw-page-title-main">Ferrara Cathedral</span> Cathedral in Italy

Ferrara Cathedral is a Roman Catholic cathedral and minor basilica in Ferrara, Northern Italy. Dedicated to Saint George, the patron saint of the city, it is the seat of the Archbishop of Ferrara and the largest religious building in the city.

<span class="mw-page-title-main">Senlis Cathedral</span> Roman Catholic church and former cathedral in France

Senlis Cathedral is a Roman Catholic church and former cathedral in Senlis, Oise, France.

<span class="mw-page-title-main">High Gothic</span> Refined and imposing style of Gothic architecture

High Gothic followed Early Gothic architecture and was succeeded in France by Late Gothic in the form of the Flamboyant style. This timetable is not used by French scholars; they divide Gothic architecture into four phases, Primary Gothic, Classic Gothic, Rayonnant Gothic and Flamboyant Gothic. Therefore, in French terms, a few first examples of High Gothic are Classic, but most examples are Rayonnant. High Gothic is often described as the high point of the Gothic style.

<span class="mw-page-title-main">Tarragona Cathedral</span>

The Primatial Cathedral of Tarragona is a Roman Catholic church in Tarragona, Catalonia, Spain. The edifice is located in a site previously occupied by a Roman temple dating to the time of Tiberius, a Visigothic cathedral, and a Moorish mosque. It was declared a national monument in 1905.

<span class="mw-page-title-main">Co-Cathedral of Saint Nicholas, Prešov</span> Church in Prešov, Slovakia

The Co-Cathedral of Saint Nicholas in Prešov is one of the oldest and most important churches in Slovakia. The external dimensions of the cathedral are 54.7m in length, 34.45m in width. The indoor nave is 16 m tall and tower reaches a height of 71 meters. The temple's design takes inspiration from the Late Gothic hall churches with three naves.

<span class="mw-page-title-main">Reims Cathedral</span> Church and episcopal seat in Reims, France

Notre-Dame de Reims, known in English as Reims Cathedral, is a Roman Catholic cathedral in the French city of the same name, the archiepiscopal see of the Archdiocese of Reims. The cathedral was dedicated to the Virgin Mary and was the traditional location for the coronation of the kings of France. Reims Cathedral is considered to be one of the most important pieces of Gothic architecture. The cathedral, a major tourist destination, receives about one million visitors annually. It became a UNESCO World Heritage Site in 1991.

A trumeau is the central pillar or mullion supporting the tympanum of a large doorway, commonly found in medieval buildings. An architectural feature, it is often sculpted. Monolithic or paired, it becomes sculpted or decorated in Romanesque architecture, whose architectural invention consisted in animating the structure of the door, at the same time as Romanesque artists imagined compound pillars and double scrolled arcades, in the second quarter of the 11th century.

<span class="mw-page-title-main">Portico of Glory</span>

The Portico of Glory of Santiago de Compostela Cathedral is a Romanesque portico and the cathedral's main gate created by Master Mateo and his workshop, on the orders of King Ferdinand II of León. The king donated to Mateo one hundred maravedís annually between 1168 and 1188. To commemorate its completion in 1188, the date was carved on a stone set in the cathedral and on the lintel that supports the richly ornamental tympanum. Under the contract made in 1168, if Mateo was to renege on the deal to create the portico at any time, he would have to pay 1,000 gold pieces (aureos). The complete three-piece set took until 1211 to completely finish; when the cathedral was consecrated in the presence of King Alfonso IX of León.

<span class="mw-page-title-main">Gothic cathedrals and churches</span> Overview of building classification

Gothic cathedrals and churches are religious buildings created in Europe between the mid-12th century and the beginning of the 16th century. The cathedrals are notable particularly for their great height and their extensive use of stained glass to fill the interiors with light. They were the tallest and largest buildings of their time and the most prominent examples of Gothic architecture. The appearance of the Gothic cathedral was not only a revolution in architecture; it also introduced new forms in decoration, sculpture, and art.

<span class="mw-page-title-main">Classic Gothic</span> Architectural style specific to France

Classic Gothic is a French term for the second phase of Gothic architecture in France, as defined by French scholars. The common English term for the period is High Gothic. This is disputed by German scholars. The German definition of High Gothic requires bar tracery, which did not arrive in French cathedrals until the construction of Reims Cathedral, but the English definition does not.

References

  1. 1 2 Stokstad, Marilyn (2004). Medieval Art (2nd ed.). Colorado: Westview Press. pp. 280–81.
  2. Frédéric Delouche, Jacques Aldebert, Histoire de l'Europe, De Boeck Université, 1997, p.150.
  3. Stokstad, Marilyn (2004). Medieval Art (2nd ed.). Colorado: Westview Press. pp. 284–5.
  4. 1 2 Gertsman, Elina (2010). "The Facial Gesture: (Mis)Reading Emotion in Gothic Art". Journal of Medieval Religious Cultures. 36 (1): 35. doi:10.5325/jmedirelicult.36.1.0028.
  5. Charles Sarazin, « Le Sourire de Reims », in Sourire de Reims, n°2, abril 1929, 4 p.
  6. Livre d'Or du Clergé et des Congrégations, París, Bonne Presse, 1925
  7. L’Illustration, 3 abril 1926