The Telemann Prize is an annual classical music award for special achievements in interpretation, research and cultivation of the life and work of Georg Philipp Telemann.
Since 1987, the city of Magdeburg has awarded the prize every year in March at the time of Telemann's birthday (14 March). Prize winners can be artists, scientists, music teachers, ensembles, institutions or laymen. [1] [2]
The prize consists of a bronze plaque designed by the Berlin sculptor Wilfried Fitzenreiter and is endowed with 2,500 euros. [3] [4]
Elizabeth Wallfisch is an Australian Baroque violinist.
The KAIROS Prize has been awarded to European artists and scholars from the fields of visual and performing arts, music, architecture, design, film, photography, literature and journalism since 2007 by the Alfred Toepfer Foundation in Hamburg. It is endowed with a sum of 75,000 Euro.
Georg Philipp Telemann's collection of 12 Fantasias for Solo Violin, TWV 40:14–25, was published in Hamburg in 1735. It is one of Telemann's collections of music for unaccompanied instruments, the others being twelve fantasias for solo flute and thirty-six for solo harpsichord that were published in Hamburg in 1732–33, as well as a set of twelve fantasias for solo viola da gamba that was published in the same city in 1735, but were considered lost until a copy of the print was found in a private collection in 2015 by viola da gamba player and musicologist Thomas Fritzsch.
Ludger Rémy was a German harpsichordist, conductor and musicologist.
The Magdeburg Telemann Festival has been held biennially in Magdeburg since 1990 in honour of Georg Philipp Telemann, usually around Telemann's birthday, the 14th of March.
Don Quichotte auf der Hochzeit des Comacho, TVWV 21:32, is a one-act comic serenata by Georg Philipp Telemann. The libretto by the student poet Daniel Schiebeler is based on chapter 20 of volume 2 of Cervantes's novel Don Quixote. The opera premiered on 5 November 1761 in Hamburg. When first performed, it was given the title: Don Quichotte auf der Hochzeit des Comacho; later it was also known as Don Quixote der Löwenritter.
Helmut Winschermann was a German classical oboist, conductor and academic teacher. He founded the Deutsche Bachsolisten ensemble for historically informed performances, and was their conductor from 1960 until his death. They made many recordings and toured internationally, especially to Japan.
Georg Poplutz is a German tenor, a soloist in Baroque music, opera and oratorio, and a Lied singer. He has been a member of vocal ensembles such as Johann Rosenmüller Ensemble and Cantus Cölln, and has participated in a project to record the complete works of Heinrich Schütz.
Dorothee Oberlinger is a German recorder player and professor.
Edition Güntersberg is a German publishing house of classical music, focused on compositions for the viola da gamba. It was founded in Heidelberg in 1990 by Günter von Zadow and Leonore von Zadow-Reichling, who is a professional gambist. In addition to works from Renaissance and Baroque, the company has published music from the early classical period, for both viola da gamba, for example by Carl Friedrich Abel and baryton, including works by Joseph Haydn.
Georg Philipp Telemann's collection of Twelve Fantasias for Viola da Gamba Solo, TWV 40:26–37, was published in Hamburg in 1735, titled Fantaisies pour la Basse de Violle. The fantasias for viola da gamba were considered lost until an original print was found in a private collection in 2015. They were published by Edition Güntersberg in 2016, and first recorded and performed again by Thomas Fritzsch the same year.
Neues Bachisches Collegium Musicum is a German chamber orchestra, founded in Leipzig, Saxony. It follows the tradition of collegia musica, developed by Johann Sebastian Bach, also in Leipzig. The orchestra is dedicated to historically informed performances, based on the latest research.
The Bach Prize of the Free and Hanseatic City of Hamburg has been awarded since 1951, since 1975 every four years. On the occasion of the 200th anniversary of the death of Johann Sebastian Bach, the prize was founded in 1950 by the Senate and the Hamburg Parliament. The prize is endowed with €10,000 and is awarded to composers, whose works would meet the demands of Bach. €5,000 are earmarked for scholarships.
The Robert Schumann Prize of the City of Zwickau is a classical music award. Since 1964 it has been awarded by the Lord Mayor of Zwickau. Robert Schumann was born in Zwickau. Between 1964 and 2002 the prize was awarded annually, since 2003 biennially. The award is given to outstanding singers, instrumentalists and ensembles as well as musicologists and musical institutions, who have rendered special service (sic) to cherishing and presenting Schumann’s musical and literary heritage as well as to the knowledge of his life and works. The prize is endowed with a total of €10,000. The winners receive a certificate and a bronze medal with the portrait of Schumann, created by the sculptor Gerhard Lichtenfeld.
Burkhard Glaetzner is a German oboe virtuoso und conductor. He is one of the leading oboe players in Germany.
Martin Ruhnke was a German musicologist. His main areas of research were the music theory of early baroque music, Italian baroque opera and the life and work of Georg Philipp Telemann.
Siegfried Pank is a German cellist and viol player. He was a member of the Gewandhausorchester in Leipzig from 1962 to 1980, and toured with the Neues Bachisches Collegium Musicum. He turned to playing the viol in historically informed performance, and lectured cello and viol at the Musikhochschule Leipzig from 1984, as professor from 1988 to 2001. He was a co-founder of the International Telemann Association in 1991, serving as its president from 2012.
Günter Fleischhauer was a German musicologist.
The Rheinische Kantorei is a German vocal ensemble of baroque music accompanied by an instrumental ensemble called Das Kleine Konzert.
Georg Philipp Telemann composed the motet Ein feste Burg ist unser Gott, TWV 8:7, setting Luther's hymn in German, "Ein feste Burg ist unser Gott", for a four-part choir and continuo. The motet was first published around 1780. A modern edition was published by Carus-Verlag.