The Bargee

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The Bargee
The Bargee (1964 film).jpg
Original British quad poster by Tom Chantrell
Directed by Duncan Wood
Written by Ray Galton
Alan Simpson
Produced byW.A. Whittaker
Starring Harry H. Corbett
Hugh Griffith
Eric Sykes
Julia Foster
Ronnie Barker
Eric Barker
Miriam Karlin
Cinematography Harry Waxman
Edited by Richard Best
Music by Frank Cordell
Production
company
ABPC/Galton-Simpson
Distributed by Warner-Pathé Distributors
Release date
  • 23 April 1964 (1964-04-23)(UK)
[1]
Running time
106 mins
CountryUnited Kingdom
LanguageEnglish

The Bargee is a 1964 British comedy film shot in Techniscope directed by Duncan Wood, and starring Harry H. Corbett, Hugh Griffith, Eric Sykes and Ronnie Barker. [2] The screenplay was written by Ray Galton and Alan Simpson. [3]

Contents

Plot

Hemel Pike and his cousin Ronnie are two boatmen operating a canal-boat and its butty for British Waterways on the Grand Union Canal. Although the canals are struggling due to declining traffic, Hemel refuses to give up his traditional lifestyle. He also enjoys his reputation as a Don Juan, with girlfriends all across the canal network, something of which Ronnie is envious.

Hemel and Ronnie set out from Brentford to Boxmoor, repeatedly encountering an inept "mariner" (Eric Sykes) in a small pleasure craft. At Rickmansworth, Hemel visits one of his lovers, a barmaid called Nellie, but he has to make a quick exit when she accidentally learns about his other girlfriends. Hemel and Ronnie reach Boxmoor, where they deliver their cargo before travelling on empty towards Birmingham. En route, Hemel meets up with another girlfriend.

Hemel's next call is Leg O'Mutton Lock to meet Christine, the daughter of lock-keeper Joe Turnbull. Hemel thinks highly of Christine, but knows that Joe loathes the thought of his daughter becoming associated with a canal worker. On arrival, Ronnie takes Joe to the local pub to get him out of the way while Hemel and Christine get together. Christine, who hates the idea of living on a boat, attempts to persuade Hemel to leave the canal and get a job on land, but Hemel refuses, alarmed by her talk of marriage and settling down. Then he narrowly escapes from being caught by Joe who returns home drunk after being tricked into a drinking competition by Ronnie.

After Hemel and Ronnie have left for Birmingham, Joe discovers that Christine is pregnant. Dismayed and angry, and having learned from Christine that the father is one of the canal workers, Joe drains the canal pound, padlocks the lock gates, and attaches a home-made bomb, and announces that he will prevent any traffic from passing through until the father comes forward. After various attempts to get him to stop have failed, Hemel and Ronnie arrive and, seeing the commotion and Christine being harassed by the locals, Hemel admits that he is the father.

Joe allows Hemel to move in to his house until he and Christine can be married, and Hemel tries to find a job on land, but he misses the lifestyle and independence he enjoyed on the canals.

At their wedding reception, Christine tells Hemel that she has a wedding gift for him and takes him to the canal where he sees that his boats have been renamed Hemel and Christine. She tells him that Ronnie has learned that all working-boats are to be withdrawn from the canals in 18 months time, and that she will agree to live on the boats on the canal with him and their baby until they are withdrawn, so that his family, who have been on the canals since the beginning, will be there at the end as well.

Cast

Release

The film opened at London's Empire Cinema on Leicester Square on 23 April 1964. [1]

Reception

Kinematograph Weekly called the film a "money maker" for 1964. [4]

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References

  1. 1 2 "Ronnie Barker". Art & Hue. 2021. Retrieved 22 April 2021.
  2. "The Bargee (1964)". BFI. Archived from the original on 17 October 2017. Retrieved 1 November 2019.
  3. Guide, British Comedy. "The Bargee - Film - British Comedy Guide". British Comedy Guide.
  4. Altria, Bill (17 December 1964). "British Films Romp Home - Fill First Five Places". Kinematograph Weekly. p. 9.